The Beatles brought colour, joy, freedom and love to a grey, post-war world. But the most successful group in popular music history also harboured hidden, sometimes darker worlds and influences that are often downplayed by their biographers. In their career, the Fab Four were to cross paths with many spiritual movements, religious groups, esoteric philosophies and mystical teachings. Inevitably, their thinking was affected by the ideas they encountered. These ideas in turn helped shape their music and – given their vast popularity – the public consciousness. Behind the Wall of Illusion examines the spiritual inspirations that the Beatles brought to the changing cultural landscape of the 1960s. From the popularization of the new religion of rock ‘n’ roll, Beatlemania (the ‘new Cult of Dionysus’) and John Lennon’s explosive statement that the Beatles were ‘bigger than Jesus’, Sean MacLeod takes us on a tour of Indian ashrams, questionable gurus and hallucinatory drugs. He also studies the secreted ‘clues’ in the Beatles’ album covers and films; the growing rumours that Paul had been killed in a car crash and covertly replaced; and the tragic assassination of John Lennon and the unknown perpetrators behind the crime. This is an indispensable book for any lover of the Beatles.
The Who were a mass of contradictions. They brought intellect to rock but were the darlings of punks. They were the quintessential studio act yet were also the greatest live attraction in the world. They perfectly meshed on stage and displayed a complete lack of personal chemistry offstage. Along with great live shows and supreme audio experiences, the Who provided great copy. During the 1960s and '70s, Pete Townshend, messianic about contemporary popular music and its central importance in the lives of young people, gave sprawling interviews in which he alternately celebrated and deplored what he saw in the "scene." Several of these interviews have come to be considered classic documents of the age. Roger Daltrey, Keith Moon, and John Entwistle joined in. Even when the Who were non-operational or past their peak, their interviews continued to be compelling: changes in allegiances and social mores left the band members freer to talk about sex, drug-taking, business, and in-fighting. By collecting interviews with Who members from across fi ve decades, conducted by the greatest rock writers of their generation—Barry Miles, Jonathan Cott, Charles Shaar Murray, John Swenson, and Greil Marcus among them—The Who on The Who provides the full, fractious story of a fascinating band.
The life and times of High Times’ enigmatic founder Thomas King Forçade, an underground newspaper editor and marijuana kingpin who—between police raids, smuggling runs, and outrageous stunts—battled both the US government and fellow radicals. Cover illustration by legendary comics artist Bill Sienkiewicz. At the end of the 1960s, the mysterious Tom Forçade suddenly appeared, insinuating himself into the top echelons of countercultural politics and assuming control of the Underground Press Syndicate, a coalition of newspapers across the country. Weathering government surveillance and harassment, he embarked on a landmark court battle to obtain White House press credentials. But his audacious exploits—pieing Congressional panelists, stealing presidential portraits, and picking fights with other activists—led to accusations that he was an agent provocateur. As the era of protest faded and the dark shadows of Watergate spread, Forçade hoped that marijuana could be the path to cultural and economic revolution. Bankrolled by drug-dealing profits, High Times would be the Playboy of pot, dragging a once-taboo subject into the mainstream. The magazine was a travelogue of globe-trotting adventure, a wellspring of news about “the business,” and an overnight success. But High Times soon threatened to become nothing more than the “hip capitalism” Forçade had railed against for so long, and he felt his enemies closing in. Assembled from exclusive interviews, archived correspondences, and declassified documents, Agents of Chaos is a tale of attacks on journalism, disinformation campaigns, governmental secrecy, corporatism, and political factionalism. Its triumphs and tragedies mirror the cultural transformations of 1970s America, wrought by forces that continue to clash in the spaces between activism and power.
‘For seventy years now Desert Island Discs has managed that rare feat – to be both enduring and relevant. By casting away the biggest names of the day in science, business, politics, showbiz, sport and the arts, it presents a cross-sectional snapshot of the times in which we live. As the decades have passed, the programme has kept pace; never frozen in time yet always, somehow, comfortingly the same.’ Kirsty Young BBC Radio 4’s Desert Island Discs celebrates its seventieth birthday in 2012. Since the programme’s deviser Roy Plomley interviewed comedian Vic Oliver in January 1942, nearly 3,000 distinguished people from all walks of life have been stranded on the mythical island, accompanied by only eight records, one book and a luxury. Here the story of one of BBC Radio 4’s favourite programmes is chronicled through a special selection of castaways. Roy Plomley, inventor of the programme as well as its presenter for over forty years, quizzes the young Cliff Richard about ‘these rather frenzied movements’ the 1960s pop sensation makes on the stage. Robert Maxwell tells Plomley’s successor Michael Parkinson that ‘I will have left the world a slightly better place by having lived in it.’ Diana Mosley assures Sue Lawley that Adolf Hitler was ‘extraordinarily fascinating’ and had mesmeric blue eyes. And Johnny Vegas tugs Kirsty Young’s heart-strings with his account of a childhood so impoverished that family pets were fair game: ‘My dad had always claimed that rabbits were livestock, but we’d never eaten one before.’ Desert Island Discs is much more than a radio programme. It is a unique and enduringly popular take on our lives and times – and this extensively illustrated book tells in rich detail the colourful and absorbing story of an extraordinary institution.
In Rockin' the Free World, international relations expert Sean Kay takes readers inside “Bob Dylan’s America” and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally. Rockin' the Free World then shows how artists have engaged in advancing change via opportunity and education; domestic and international issue advocacy; and within the recording and broader communications industry. The book is built around primary interviews with prominent American and international performing artists ranging from Rock and Roll Hall of Fame inductees and Grammy winners to regional and local musicians. The interviews include leading industry people, management, journalists, heads of non-profits, and activists. The book concludes with a look at how musical artists have defined the American experience and what that has meant for the world.
Alesha Dixon has one of the most incredible stories of any star, yet she remains an enigma. Behind the fabulous smile and signature laugh is a private woman whose childhood was blighted by domestic violence, poverty and a lack of confidence. As a beautiful young woman, she has struggled to overcome professional failure and the devastating effect of her husband's infidelity. The UK's leading celebrity biographer Sean Smith has travelled to her home town to uncover the truth about her upbringing, her unconditional love for her mother, her loyalty to her extended family, her feud with her elder brother and her unsettled relationship with her Jamaican father, who left home for good when she was four. He discovers a sensitive and secretive woman, who managed to keep her long-term relationship with a member of one of the country's best-known boy bands hidden from public scrutiny. For the first time that love affair can now be revealed. He examines the circumstances that led to the break-up of her marriage to rapper MC Harvey and the effect that unhappy time has had on her life. Aleshadescribes a roller-coaster career that began when she was 'discovered' at a dance class in Central London. She achieved huge early success with Mis-Teeq, who had seven consecutive top ten hits before their record label went bust. Her subsequent solo career stalled when she was dropped by Polydor before her debut album was even released, but she turned things around with a spectacular victory on Strictly Come Dancing. Sean Smith lays bare her subsequent TV career, including the row over her appointment as a judge on the programme, as well as her triumphant switch to Britain's Got Talentin 2012. Aleshais the dramatic and uplifting account of her journey from a humble start in life and how she overcame all obstacles in her way to become an inspiration to women everywhere.
In Leaders of the Pack: Girl Groups of the 1960s and their Influence on Popular Culture musician and music historian Sean MacLeod surveys the hundreds of girl groups that appeared not only in the United States but also in Great Britain during the early 1960s. This study corrects the neglect of their critical contribution of popular music history by exploring the social and political climate from which the girl groups emerged and their effect, in turn, on local and national music and culture. MacLeod organizes his argument around seven leading girl groups: The Shirelles, The Crystals, The Ronettes, The Marvelettes, The Vandellas, the Supremes and The Shangri-Las. These seven “sister” groups serve as the basis for a broader look at the many girl groups of the period, offering a roadmap through the work of the many stakeholder—the singers, songwriters, producers, and record labels—that the girl group phenomenon made possible. MacLeod also reviews the significant influence girl groups had on the many male bands of the 1960s, as well as their influence on the post-‘60s movements, from punk to new wave, ultimately serving as the template for the girl groups and all-girl bands that emerged in the 1980s. Finally, The Leaders of the Pack brings us to the present as MacLeod compares the original girl groups with female performers of today, drawing lines of connection and contrast between them. Leaders of the Pack is essential reading for students, scholars, and fans of 1960s music and culture. It will further interest anyone interested in women’s studies, modern American and British culture, and music history, with important forays into such topics as the Civil Rights Movement, second and third wave feminism, and post-war life.
Before Bradley Wiggins, there was Sean Yates. Behind Bradley Wiggins, there was Sean Yates. One of only five Britons to wear the yellow jersey in the Tour de France, Sean Yates burst onto the cycling scene as the rawest pure talent this country has ever seen. After turning professional at the age of 22, he soon became known as a die-hard domestique, putting his body on the line for his teammates. Devastatingly fast, powerful and a fearless competitor, Yates won a stage of the Tour, as well as the Vuelta a España, in 1988, and went on to don the coveted maillot jaune six years later. Having put British cycling on the map as a rider, Yates was soon in demand as a directeur sportif, using his tactical knowledge to inspire a new generation of cyclists to success. And after Team Sky came calling, Yates was the man to design the brilliant plan that saw Sky demolish the opposition in 2012, and for Bradley Wiggins to become the first cyclist from these shores to win the Tour. Straight-talking, entertaining and revelatory, It's All About the Bike is the story of a remarkable career told from the unique perspective of a man who is immersed in the history of the sport he loves.
A love letter to the hard-rocking, but often snubbed, music of the era of excess: the 1980s There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock ’n’ roll of the ’50s, ’60s, and ’70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond. Time hasn’t always been kind to artists of that gold and platinum era, but Don’t Call It Hair Metal analyzes the sonic evolution, musical diversity, and artistic intention of ’80s commercial hard rock through interviews with members of such hard rock luminaries as Twisted Sister, Def Leppard, Poison, Whitesnake, Ratt, Skid Row, Quiet Riot, Guns N’ Roses, Dokken, Mr. Big, and others.
At no time in history has the United States had such a high percentage of theocratic members of Congress—those who expressly endorse religious bias in law. Just as ominously, especially for those who share the values and views of Thomas Jefferson and James Madison, at no other time have religious fundamentalists effectively had veto power over one of the country's two major political parties. As Sean Faircloth argues in this deeply sobering yet highly engaging book, this has led to the crumbling of the country's most cherished founding principle—the wall of separation between church and state. While much of the public debate in the United States over church-state issues has focused on the construction of nativity scenes in town squares and the addition of "under God" to the Pledge of Allegiance, former politician and lobbyist Faircloth moves beyond the symbolism to explore the many ways federal and state legal codes privilege religion in law. He demonstrates in vivid detail how religious bias in law harms all Americans—financially, militarily, physically, socially, and educationally—and directs special attention to the outlandish words, views, and policy proposals of the most theocratic politicians. Sounding a much-needed alarm for all who care about the future direction of the country, Faircloth concludes by offering an inspiring 10-point vision of an America returned to its secular roots and by providing a specific and sensible plan for realizing this vision.
* Critically acclaimed biographies of history's most notable African-Americans * Straightforward and objective writing * Lavishly illustrated with photographs and memorabilia * Essential for multicultural studies
For psychotherapists and inner explorers, an expansive, multidimensional odyssey into the history, practice, and potential of psychedelic healing Now that the stigmas against psychedelic medicine are finally lifting, there’s a lot of curiosity—and confusion—about these powerful compounds. How can psychedelics be used safely? What are the risks? Can they truly help heal the wide variety of conditions that has garnered such international attention? In Psychedelic Revival, Sean Lawlor invites you on a deep dive into the science, spirituality, and practice of psychedelic healing—a revival of both the first wave of pre-1960s research and ancient healing traditions with plant medicines. Join this respected author and researcher to gain a full-spectrum understanding of the possibilities and limits of psychedelics, including: • The Western history of psychedelic medicine and recreational use • The millennium-spanning legacy of Indigenous plant medicine traditions • In-depth chapters on psilocybin, LSD, MDMA, ketamine, mescaline, ibogaine, peyote, ayahuasca, DMT, and more • Practical insights, from microdosing to psychedelic-assisted psychotherapy to transformative mystical experiences • The shadow dimensions of psychedelics—bad trips, scientific stigmatization, inequality of access, and many other essential topics Informed by solid research and direct wisdom from perceptive firsthand accounts, Lawlor guides you into the psychedelic landscape, covering treatment methods, realistic benefits, and the legitimate perils psychedelics can induce. Along the way, he shares exclusive interviews with luminaries such as Michael Pollan, Rick Doblin, Camille Barton, Carl Hart, Jim Fadiman, Rick Strassman, Natalie Ginsberg, Sandor Iron Rope, and many more. Psychedelics have tremendous healing potential, yet all evocative modalities should be handled with care. To make good choices, we need quality information about the prospects and pitfalls of these emerging therapeutic tools. Psychedelic Revival is an invaluable resource for navigating this exciting frontier in Western healing.
Over the past decade, the UK has experienced major policy and policy making change. This text examines this shifting political and policy landscape while also highlighting the features of UK politics that have endured. Written by Paul Cairney and Sean Kippin, leading voices in UK public policy and politics, the book combines a focus on policy making theories and concepts with the exploration of key themes and events in UK politics, including: - developing social policy in a post-pandemic world; - governing post-Brexit; and - the centrality of environmental policy. The book equips students with a robust and up-to-date understanding of UK public policy and enables them to locate this within a broader theoretical framework.
Music defines us. To return the favor, we’ll stick up with zealous passion for the performers and bands that we love . . . and heap aspersions and ridicule upon people who dare to place their allegiances above our own. In Rock and Roll Cage Match, today’ s leading cultural critics, humorists, music journalists, and musicians themselves take sides in thirty of the all-time juiciest “who’s better” musical disputes. Marc Spitz on the Smiths vs. the Cure: “If the Smiths are its James Dean, the Cure are the Marlon Brando of modern rock.” Mick Stingley on Van Halen vs. Van Hagar: “Eddie Van Halen single-handedly (sometimes quite literally) conjured rapturous sounds, and reinvented the idea of what could be done with a guitar with his sleight of hand. . . . As for the lyrics . . . Where Roth had been nuanced and clever, relying on double entendres and sexual innuendo, Sammy was ham-fisted and cloying and just downright embarrassing. Gideon Yago on Nirvana vs. Metallica: “Here is why Nirvana will always be a better band than Metallica. It’s not because they hit harder (they do). It’s not because they are tighter (they’re definitely not). . . . It’s because Metallica is fundamentally about respecting rules—of metal, of production, of technicality—and Nirvana is about breaking those rules down in the pursuit of innovation. Metallica was metal. Nirvana was something else.” Touré on Michael Jackson vs. Prince: “[Prince] was the wild son of Jimi, the younger brother of Rick James and Richard Pryor, the ultrasexual black Casanova who told you up front that he had a dirty mind . . . Michael held the opposite appeal. His music was often about escaping through dance or being hopeful about the world.” Russ Meneve on Bruce Springsteen vs. Bon Jovi: “I really, truly mean it when I say, Mr. Springsteen, no disrespect . . . you are a legend. But in the Battle a da Jerz, when that thick chemical-waste smoke clears and the overly sprayed mall hair parts, the Jov man is the last man rockin’.” Whitney Pastorek on Whitney Houston vs. Mariah Carey: “Frankly, dry recitations of figures are just too easily negated by simple things like, say, bringing up someone’s horrible taste in choosing movie roles. Watch, I’ll do it right now: Yes, Mariah has seventeen number one singles, and Whitney only eleven. But Whitney made The Bodyguard, which is basically a classic, and Mariah starred in Glitter, a colossal suckfest of crapitude that should disqualify her on the spot.”
Many have long found it difficult to take Rod Stewart seriously. However, once we get past the awkward stuff—leopard-skin leggings, bum-wiggling stage schticks, and a hairstyle unseemly for a man of his age—there remains the undeniable fact that the "Caledonian Cockney" is responsible for some of the greatest recordings ever made. Again and again, the combination of his heartwracked songs and gravelly, sensitive vocal delivery have conjured sonic magic. The bulk of Stewart's classic recordings were made in the 1970s. His string of albums for the Mercury label across the first half of that decade sent critics into raptures. His 1971 album Every Picture Tells a Story is considered by some of them to literally be the best album of all time. Said semi-decade also saw Stewart front the Faces, whose often likeably ramshackle albums gave his fans a double dose of their idol each year. On top of this are solo-Stewart classics that are neglected because he released them after a point where his increasingly outlandish image caused some of his original fans to disdain to any longer take him seriously. They include the splendid 1976 LP A Night on the Town and his peerless confessional love songs of 1977 "You're in My Heart (The Final Acclaim)" and "I Was Only Joking." All of this and more is the subject of Rod Stewart: The Classic Years. Sean Egan has interviewed at length many of Stewart's colleagues, collaborators, and cohabitees from the period, including musicians Micky Waller, Pete Sears, Ray Jackson, Ian McLagan, Kenney Jones, and Jim Cregan, recording engineer Mike Bobak, manager Billy Gaff, and Stewart's then-girlfriend and muse Dee Harrington. The result is a striking and evocative portrait of the most fecund and vital stage in the life and career of one of popular music's most important artists.
The greatest rock 'n' roll band in the world!' This vainglorious introduction given to The Rolling Stones on stage by an excitable roadie was almost immediately accepted as a simple statement of fact. It was already evident that Mick Jagger, Keith Richards and Co. were, as their first manager Andrew Loog Oldham had claimed, 'a way of life'. The Stones' defiance of convention made them the figureheads of a questioning new generation, and drove the Establishment to imprison them. This enduring rebel aura and the unmistakeable craft evident in classic records such as Satisfaction, Honky Tonk Women and Brown Sugar ensured subsequent generations of diehard fans, establishing the band as the biggest box office attraction the world has ever seen. The Mammoth Book of The Rolling Stones provides a comprehensive collection of reviews, analysis, interviews and exposés - both archive and contemporary, favourable and critical, concise and epic - of these extraordinary cultural icons as they pass the astonishing milestone of 50 years as rock's pre-eminent band.
A companion volume to 'Community Mental Health Nursing and Dementia Care'. Taken together the two volumes provide a rounded and evidence-based account of the complexity, breadth and diversity of community mental health nursing practice in this specialist field of care delivery.
The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt. Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant music writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, Kris Needs, and Lenny Kaye. Whether it be their audience with the (mainly) simpatico likes of punk fanzine Sniffin' Glue, their testy encounters with the correspondents of pious UK weeklies like New Musical Express, Melody Maker, and Sounds, or their friendlier but no less eyebrow-raising conversations with US periodicals like Creem and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet "The Only Band That Matters.
Top celebrity biographer Sean Smith tells the story of national treasure Gary Barlow, one of the UK's greatest songwriters and musicians. Throughout a stellar career, nobody has been more misunderstood than Gary Barlow. When he first found fame, he was perceived as too arrogant. Then, after a spectacular slump and amazing recovery, he adopted a modesty that underrates his lifetime achievements. In this book Sean Smith redresses the balance by revealing the real man, the romances that shaped his life and the passion for music that drives him. A singer and virtuoso keyboard player who performed in working men's clubs from the age of thirteen, Gary Barlow would go on to achieve phenomenal success as the musical force behind Take That, the most popular boy band of all time. Now recognized as one of the greatest songwriters and musicians the UK has ever produced, Gary is among the best-known faces on television, returning as head judge on the X Factor in 2013. Featuring original interviews with many people who have never spoken before, Gary is a celebration of a complex and unique talent.
Most historical accounts of "the West" take it for granted that the guiding principles of the Western tradition—reason, progress, and freedom—have been passed down directly from ancient Greece to modern Europe, evolving in isolation from all non-Western cultures. Today, many political analysts and cultural critics maintain that the Western tradition is fast approaching its end, for better or worse, as it becomes more and more integrated with non-Western cultures in an increasingly globalized world. But what if we are witnessing something else entirely—not the "end" of the West but rather another historical mutation of the idea of the West itself? This groundbreaking work shows that whether the West is hailed as the source of all historical progress or scorned as the root of all cultural imperialism, it remains a deeply problematic concept that is intrinsically connected to an ethnocentric view of the world. In a critical reading of the continental philosophers Husserl, Heidegger, Levinas, and Derrida as well as the postcolonial thinkers Said, Mohanty, Bhabha, and Trinh, Sean Meighoo strikes at the intellectual foundations of Western exceptionalism until its ideological supports show through. Deconstructing the concept of the West in his provocative interpretations of Martin Bernal's controversial publication Black Athena and the Beatles' second film Help!, Meighoo poses a formidable question to philosophers, writers, political analysts, and cultural critics alike: Can we mount an effective critique of Western ethnocentrism without reinforcing the very idea of the West?
Phil Spector is a musician, songwriter and producer whose musical ability and visionary foresight as a producer charted the future of popular music and culture of the late 20th century. He revolutionized recording processes and re-shaped the business and marketing approach of the music industry. While he raised the bar for other musicians and producers to follow and gave a voice to groups struggling to achieve equality during the 60s, Spector was, however, a complex character whose need for control brought much damage and confusion into the lives of those around him as well as into his own career and life. Phil Spector: Sound of the Sixties follows the ups and downs of Spector’s career as an entrepreneur and businessman, technical wizard and musical visionary, record label master and collaborator with the biggest bands of the age. Spector left an indelible mark on American pop music, creating an iconic soundtrack that still attracts new listeners today.
Cherylis the definitive biography of the nation's favourite star. From her Newcastle childhood to her stellar success with Girls Aloud, as a number one solo artist and on TV with The X Factor, Sean Smith tells the true, roller-coaster story of how a cheeky and feisty girl from a grim, working class area became the iconic figure for modern women in Britain today. Cheryl's path to fame and fortune has often been difficult, facing the problems drugs and unemployment have brought to those she loves. Now, her turbulent marriage to footballer Ashley Cole is sadly under the spotlight, but, with insight and understanding, Sean Smith reveals the real woman behind the beautiful public face. 'Sean Smith gives a remarkable account of Cheryl's struggle to the top…A first-rate biography' Sunday Express Sean Smith is the UK's leading celebrity biographer whose best-selling books have been translated throughout the world.
Brace yourself for 100 of the strangest, most persistent, and bizarre conspiracy theories you will ever read. These are eerie stories concerning tragedies such as Pearl Harbor and SARS, and dark machinations surrounding the deaths of cultural icons such as JFK, Marilyn Monroe, and Princess Diana. Discover compelling theories about Stonehenge and Roswell, and spine-tingling speculations about the Mafia and Pentagon. All the details of the conspiracies are based on solid facts--here, in full are the conspiracies you thought you knew about. -Fully illustrated with over 184 color and black and white photographs -Features up-to-date stories, many of which have never before appeared in print -Thoroughly researched information with authoritative arguments and evidence -Contains a complete guide to the most commonly suspected conspirators and a glossary of conspiracy-speak
A Treasure Hunting Legend... Four Ordinary Kids... Two Magical Medallions... Pursued By An Ancient Evil... In One Extraordinary Adventure. Join the Treasure Hunters Club as they look to unlock the Secrets of the Magical Medallions. ...Some Secrets Are Better Left Alone. When Tommy Reed received a medallion from his famous treasure hunting uncle "Diamond" Jack Reed he didn't think much of it. Now an ancient evil is pursuing his every move and his treasure hunting club friends, Shannon McDougal, Jackson Miller and Chris Henderson are on the run. They must unlock the secret to the medallion before evil can hunt them down.
* The Robert Maxwell of the nineteenth century * Victorian England 's greatest capitalist * Brought down by a shareholder 's question The building of the railways in Britain in the nineteenth century was the greatest ever industrial undertaking in the world to that time.Financed by private enterprise rather than the state, the schemes to build new lines were characterised both by their ambition and by their need for huge amounts of capital.The most ambitious of all of the individual entrepreneurs, and for long the most successful, was George Hudson, the 'Railway King ', whose establishment of York as the hub of an ever-growing network of lines brought him huge wealth and great fame. Already a wealthy businessman and Lord Mayor of York before the advent of the railways, Hudson seized the opportunity they presented with both hands.He became an MP, lived in style and entertained lavishly.While his early lines were profitable, later ones were not.Ever more deeply committed, at a time when accounting standards were lax, he hid inconvenient figures until brought down by a question at a shareholders 'meeting in 1849.Disgraced, he fled to the Continent, his name synonymous with fraudulent capitalism at its most brazen.This new biography is the fullest examination to date of an extraordinary and complex man and his career.
One man's quest to realise a boyhood dream and break a national record. Sean Dooley seems like a well adjusted, functioning member of society but beneath the respectable veneer he harbours a dark secret. He is a hard-core birdwatcher (aka twitcher'). Sean takes a year off to try to break the Australian twitching record - he has to see more than 700 birds in twelve months. Travelling the length and breadth of Australia, he stops at nothing in search of this birdwatching Holy Grail, blowing his inheritance, his career prospects and any chance he has of finding a girlfriend. Part confessional, part travelogue, this is a true story about obsession. It's about seeking the meaning of life, trying to work out what normal' is, and searching for the elusive Grey Falcon (the bird, not the car). Sean's story of how he followed his childhood dream of becoming a national champion is both inspiring and ridiculous. Could this be the most pathetic great achievement in Australian history?
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