The Liquid Fire is a must-read for everyone in a sales position. It should be mandatory reading for all reps and managers, so they can better understand goals and challenges in the selling process. In this book Sean Luce reveals the essential knowledge and skills required to be over the top in sales and management positions. But he also takes familiar topics and offers new and unique approaches.
L'histoire suit deux soeurs, Anne et Dana, qui sont séparées enfants lorsque Dana disparaît. Nous suivons chaque soeur dans des chronologies distinctes : Dana dans le passé et Anne dans le présent. Jusqu'au jour où une peste éclate et cette épidémie semble avoir un lien avec l'entreprise de fracturation hydraulique où une grande partie de la ville, Shadow Hills, est employée...
In an examination of religion coverage in Time, Newsweek, Life, The Saturday Evening Post, Ebony, Christianity Today, National Review, and other news and special interest magazines, Sean McCloud combines religious history and social theory to analyze how and why mass-market magazines depicted religions as "mainstream" or "fringe" in the post-World War II United States. McCloud argues that in assuming an American mainstream that was white, middle class, and religiously liberal, journalists in the largest magazines, under the guise of objective reporting, offered a spiritual apologetics for the dominant social order. McCloud analyzes articles on a wide range of religious movements from the 1950s through the early 1990s, including Pentecostalism, the Nation of Islam, California cults, the Jesus movement, South Asian gurus, and occult spirituality. He shows that, in portraying certain beliefs as "fringe," magazines evoked long-standing debates in American religious history about emotional versus rational religion, exotic versus familiar spirituality, and normal versus abnormal levels of piety. He also traces the shifting line between mainstream and fringe, showing how such boundary shifts coincided with larger changes in society, culture, and the magazine industry. McCloud's astute analysis helps us understand both broad conceptions of religion in the United States and the role of mass media in American society.
I came into this world Sean John Marshall. I am twenty-seven years old, and was born and raised in Colorado Springs, Colorado. I am a fine artist, author, a proud father of one beautiful baby girl, and an all-around entrepreneur. But all of my pursuits came to an abrupt halt when I was consumed by a life of crime. For so long I became a part of a problem. Growing up in and around the streets, Ive caused much destruction in my lifetime. Ive been a part of gang violence, sold drugs, and was involved in countless thefts and armed robberies. Now my life's focus is to inspire, teach, uplift and mend. I now use life's experiences to grow and learn. I feel obligated to pass on all the insight and knowledge I've obtained throughout the years to whoever I can. By doing so, people can learn from my mistakes and use me as an example, because I've seen darker truths that people need not witness themselves. I've walked rocky paths on which those can only stumble. And if by sharing my views on paper and pouring my heart out through a pen can inspire or save just one life, if by writing I can prevent someone from making some of the same mistakes I've made, I will have done my part. I will have at least saved one soul from having to suffer the afflictions I've faced. And for that reason alone, I write. And for that reason alone, I'll forever share my truths"--Colophon.
Kirkus 100 Best Non-Fiction Books of 2023 What did it take for the United States to become a global superpower? The answer lies in a missing chapter of American foreign policy with stark lessons for today The cutthroat world of international politics has always been dominated by great powers. Yet no great power in the modern era has ever managed to achieve the kind of invulnerability that comes from being completely supreme in its own neighborhood. No great power, that is, except one—the United States. In We May Dominate the World, Sean A. Mirski tells the riveting story of how the United States became a regional hegemon in the century following the Civil War. By turns reluctant and ruthless, Americans squeezed their European rivals out of the hemisphere while landing forces on their neighbors’ soil with dizzying frequency. Mirski reveals the surprising reasons behind this muscular foreign policy in a narrative full of twists, colorful characters, and original accounts of the palace coups and bloody interventions that turned the fledgling republic into a global superpower. Today, as China makes its own run at regional hegemony and nations like Russia and Iran grow more menacing, Mirski’s fresh look at the rise of the American colossus offers indispensable lessons for how to meet the challenges of our own century.
Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy’s colonia primogenità or 'first born colony', Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, the colony became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism, literature and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture inscribed Eritrean subjectivities while redefining technologies that affected constructions of the colonial interior. Modern Architecture and its Representation in Colonial Eritrea demonstrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.
2005 CHOICE Outstanding Academic Title JFK, LBJ, and the Democratic Party is a richly detailed, comprehensive, and provocative account of presidential party leadership in the turbulent 1960s. Using many primary sources, including resources from presidential libraries, state and national archival material, public opinion polls, and numerous interviews, Sean J. Savage reveals for the first time the influence of Presidents John F. Kennedy and Lyndon B. Johnson on the chairmanship, operations, structure, and finances of the Democratic National Committee. Savage further enriches his account with telephone conversations recently released from the Kennedy and Johnson presidential libraries, along with rare photos of JFK and LBJ.
The name Josh McDowell promises real-life, on-the-street Christian apologetics. In his first Harvest House book, Josh joins his son Sean to draw on his life’s work and comprehensively address a vital issue: why an entire generation of young Christians—and millions of older believers—is confused about what they believe, why they believe it, and how it’s relevant. The Unshakable Truth is uniquely positioned for younger Christians because it presents apologetics relationally, focusing on how Christianity’s doctrines affect relationships. The authors... ground every assertion in the overarching story of creation, incarnation, and re-creation. distill 12 crucial “faith statements”—for example, “A personal Creator God exists.” explain why each statement is trustworthy, how it applies to real life, and—using examples, stories, and experiences—what its relevance is. A spiritual gold mine for parents, youth workers, pastors—anyone wanting to reveal Christianity’s relevance to today’s life and culture.
A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.
From the American Revolution to the War in Afghanistan, the United States has had no shortage of conflicts on both domestic and world stages. All provide insight into the values of the presidents who led the nation through them. U.S. Presidents during Wartime: A History of Leadership takes readers through chronological entries of presidents who participated in key wars throughout U.S. history. An overview essay first considers the social, economic, and political factors that affected presidents during war. Entries beginning with the presidency of George Washington and ending with that of George W. Bush comprehensively cover each war therein, as well as the responses of the relevant presidents. Primary documents in each entry depict the perspectives of the presidents and offer opportunities for comparing and contrasting the presidents' engagements in wartime strategies. Ending each entry are chronologies of the various events and conflicts that marked the president's time in office. Moreover, entries build upon each other to help readers toward a broader understanding of the sum impact of the wars that the presidents led. While the book emphasizes the historical record, it also explores ongoing conflicts through the lens of contemporary U.S. presidents to provide readers with a complete picture of the changing nature of war over time.
A guide to the cultural, historical, and social meanings of twenty-seven colors, plus examples of successful usage of each as well as options for palette variations. The Designer’s Dictionary of Color provides an in-depth look at twenty-seven colors key to art and graphic design. Organized by spectrum, in color-by-color sections for easy navigation, this book documents each hue with charts showing color range and palette variations. Chapters detail each color’s creative history and cultural associations, with examples of color use that extend from the artistic to the utilitarian—whether the turquoise on a Reid Miles album cover or the avocado paint job on a 1970s Dodge station wagon. A practical and inspirational resource for designers and students alike, The Designer’s Dictionary of Color opens up the world of color for all those who seek to harness its incredible power.
John Locke described the mind as a cabinet; Robert Hooke called it a repository; Joseph Addison imagined a drawer of medals. Each of these philosophers was an avid collector and curator of books, coins, and cultural artifacts. It is therefore no coincidence that when they wrote about the mental work of reason and imagination, they modeled their powers of intellect in terms of collecting, cataloging, and classification. The Mind Is a Collection approaches seventeenth- and eighteenth-century metaphors of the mind from a material point of view. Each of the book's six chapters is organized as a series of linked exhibits that speak to a single aspect of Enlightenment philosophies of mind. From his first chapter, on metaphor, to the last one, on dispossession, Sean Silver looks at ways that abstract theories referred to cognitive ecologies—systems crafted to enable certain kinds of thinking, such as libraries, workshops, notebooks, collections, and gardens. In doing so, he demonstrates the crossings-over of material into ideal, ideal into material, and the ways in which an idea might repeatedly turn up in an object, or a range of objects might repeatedly stand for an idea. A brief conclusion examines the afterlife of the metaphor of mind as collection, as it turns up in present-day cognitive studies. Modern cognitive theory has been applied to the microcomputer, and while the object is new, the habit is as old as the Enlightenment. By examining lived environments and embodied habits from 1660 to 1800, Silver demonstrates that the philosophical dualism that separated mind from body and idea from thing was inextricably established through active engagement with crafted ecologies.
As early as the 1930s, Britain had a highly innovative and profitable mortgage sector that promoted a major extension in home ownership. These controversial and risky offerings had an equivalent in numerous hire purchase agreements, with which new homes were furnished. Such developments were forerunners of the 'easy credit' regime more commonly associated with the 1980s. Taking a long-term perspective on this issue indicates that Britain's departure from European models of consumer credit markets was not simply a by-product of neoliberalism's influence on the Thatcher administration, and this book offers a much fuller explanation to the phenomenon. It explores debates within and between the major political parties; reveals the infighting amongst civil service departments over management of consumer demand; charts the varying degrees of influence wielded by the Bank of England and finance capital, as opposed to that of consumer durable manufacturers; reviews the perspectives of consumers and their representatives; and explains the role of contingency and path dependency in these historical events. The central focus of this book is on consumer credit, but this subject provides a case study through which to explore numerous other important areas of British history. These include debates on the issues of post-war consensus, the impact of rising home ownership and its impact on consumer credit and personal finance markets, the management of consumer society, political responses to affluence, the development of consumer protection policy, and the influence of neoliberalism.
In the clash of ideologies represented by the Cold War, even the heavens were not immune to militarization. Satellites and space programs became critical elements among the national security objectives of both the United States and the Soviet Union. According to US Presidents and the Militarization of Space, 1946–1967, three American presidents in succession shared a fundamental objective of preserving space as a weapons-free frontier for the benefit of all humanity. Between 1953 and 1967 Presidents Eisenhower, Kennedy, and Johnson all saw nonaggressive military satellite development, as well as the civilian space program, as means to favorably shape the international community’s opinion of the scientific, technological, and military capabilities of the United States. Sean N. Kalic’s reinterpretation of the development of US space policy, based on documents declassified in the past decade, demonstrates that a single vision for the appropriate uses of space characterized American strategies across parties and administrations during this period. Significantly, Kalic’s findings contradict the popular opinion that the United States sought to weaponize space and calls into question the traditional interpretation of the space race as a simple action/reaction paradigm. Indeed, beyond serving as a symbol and ambassador of US technological capability, its satellite program provided the United States with advanced, nonaggressive military intelligence-gathering platforms that proved critical in assessing the strategic nuclear balance between the United States and the Soviet Union. It also aided the three administrations in countering the Soviet Union’s increasing international prestige after its series of space firsts, beginning with the launch of Sputnik in 1957.
Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. B. Yeats and Ezra Pound. Throughout his study, Pryor argues that Yeats and Pound reconceive the quest for paradise as a quest for a new kind of poetry, a journey that Pryor traces by analysing unpublished manuscript drafts and newly published drafts that have received little attention.
In early December 2006, a powerful windstorm ripped through Vancouver’s Stanley Park. The storm transformed the city’s most treasured landmark into a tangle of splintered trees, and shattered a decades-old vision of the park as timeless virgin wilderness. In Inventing Stanley Park, Sean Kheraj traces how the tension between popular expectations of idealized nature and the volatility of complex ecosystems helped transform the landscape of one of the world’s most famous urban parks. This beautifully illustrated book not only depicts the natural and cultural forces that shaped the park’s landscape, it also examines the roots of our complex relationship with nature.
Over the past decade, the UK has experienced major policy and policy making change. This text examines this shifting political and policy landscape while also highlighting the features of UK politics that have endured. Written by Paul Cairney and Sean Kippin, leading voices in UK public policy and politics, the book combines a focus on policy making theories and concepts with the exploration of key themes and events in UK politics, including: - developing social policy in a post-pandemic world; - governing post-Brexit; and - the centrality of environmental policy. The book equips students with a robust and up-to-date understanding of UK public policy and enables them to locate this within a broader theoretical framework.
After a daredevil stunt goes horribly wrong, firefly Flash will need more than his wit and cocky attitude to fix the mess he's made of his life. Firefly Flash just gained the ability to illuminate and fly, and it's gone to his head. He flits around his hometown of Temple Hollow avoiding work and finding mischief. When his latest daredevil stunt spirals out of control, he lands himself and his two friends far from home in a dangerous desert in Texas. Meanwhile, Temple Hollow is captured by a goon-squad of tyrannical dragonflies-and that's Flash's fault, too. After a mysterious encounter in the desert, Flash inspires a ragtag band of Misfits to join him on his mission to return home. The Misfits encounter trouble at every turn, yet these challenges are nothing compared to the epic battle awaiting them back in Temple Hollow. Packed with comedy, action, and insights for children of all ages, this middle grade adventure is the perfect chapter book for independent, family, and classroom reading. Read Firefly today-and see the Light!
In A Portrait and Ulysses, Joyce carefully disassembles the totality of civil society Dubliners inhabit to reveal the ways in which the church and state circumscribe citizens' imagination. The colonized, however, do possess power to deform cultural directives and to resist the roles in which colonizers cast them, but this power originates within logics which exclude and divide."--Jacket.
In this book, Sean Safford compares the recent history of Allentown, Pennsylvania, with that of Youngstown, Ohio. Allentown has seen a noticeable rebound over the course of the past twenty years. Facing a collapse of its steel-making firms, its economy has reinvented itself by transforming existing companies, building an entrepreneurial sector, and attracting inward investment. Youngstown was similar to Allentown in its industrial history, the composition of its labor force, and other important variables, and yet instead of adapting in the face of acute economic crisis, it fell into a mean race to the bottom. Challenging various theoretical perspectives on regional socioeconomic change, Why the Garden Club Couldn't Save Youngstown argues that the structure of social networks among the cities' economic, political, and civic leaders account for the divergent trajectories of post-industrial regions. It offers a probing historical explanation for the decline, fall, and unlikely rejuvenation of the Rust Belt. Emphasizing the power of social networks to shape action, determine access to and control over information and resources, define the contexts in which problems are viewed, and enable collective action in the face of externally generated crises, this book points toward present-day policy prescriptions for the ongoing plight of mature industrial regions in the U.S. and abroad.
In the mid-eighteenth century metaphysics was broadly understood as the study of three areas of philosophical thought: theology, psychology and cosmology. This book examines the fortunes of the third of these formidable metaphysical concepts, the world. Sean Gaston provides a clear and concise account of the concept of world from the mid-eighteenth century to the end of the twentieth century, exploring its possibilities and limitations and engaging with current issues in politics and ecology. He focuses on the work of five principal thinkers: Kant, Hegel, Husserl, Heidegger and Derrida, all of whom attempt to establish new grounds for seeing the world as a whole. Gaston presents a critique of the self-evident use of the concept of world in philosophy and asks whether one can move beyond the need for a world-like vantage point to maintain a concept of world. From Kant to the present day this concept has been a problem for philosophy and it remains to be seen if we need a new Copernican revolution when it comes to the concept of world.
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