The Beatles brought colour, joy, freedom and love to a grey, post-war world. But the most successful group in popular music history also harboured hidden, sometimes darker worlds and influences that are often downplayed by their biographers. In their career, the Fab Four were to cross paths with many spiritual movements, religious groups, esoteric philosophies and mystical teachings. Inevitably, their thinking was affected by the ideas they encountered. These ideas in turn helped shape their music and – given their vast popularity – the public consciousness. Behind the Wall of Illusion examines the spiritual inspirations that the Beatles brought to the changing cultural landscape of the 1960s. From the popularization of the new religion of rock ‘n’ roll, Beatlemania (the ‘new Cult of Dionysus’) and John Lennon’s explosive statement that the Beatles were ‘bigger than Jesus’, Sean MacLeod takes us on a tour of Indian ashrams, questionable gurus and hallucinatory drugs. He also studies the secreted ‘clues’ in the Beatles’ album covers and films; the growing rumours that Paul had been killed in a car crash and covertly replaced; and the tragic assassination of John Lennon and the unknown perpetrators behind the crime. This is an indispensable book for any lover of the Beatles.
Companion to Celebrity presents a multi-disciplinary collection of original essays that explore myriad issues relating to the origins, evolution, and current trends in the field of celebrity studies. Offers a detailed, systematic, and clear presentation of all aspects of celebrity studies, with a structure that carefully build its enquiry Draws on the latest scholarly developments in celebrity analyses Presents new and provocative ways of exploring celebrity’s meanings and textures Considers the revolutionary ways in which new social media have impacted on the production and consumption of celebrity
The founder of POZ magazine shares “a captivating…eyewitness account from inside the AIDS epidemic” (Next) and “a moving, multi-decade memoir of one gay man’s life” (San Francisco Chronicle). As a politics-obsessed Georgetown freshman, Sean Strub arrived in Washington, DC, from Iowa in 1976, with a plum part-time job running a Senate elevator in the US Capitol. He also harbored a terrifying secret: his attraction to men. As Strub explored the capital’s political and social circles, he discovered a parallel world where powerful men lived double lives shrouded in shame. When the AIDS epidemic hit in the early 1980s, Strub was living in New York and soon found himself attending “more funerals than birthday parties.” Scared and angry, he turned to radical activism to combat discrimination and demand research. Strub takes you through his own diagnosis and inside ACT UP, the organization that transformed a stigmatized cause into one of the defining political movements of our time. From the New York of Studio 54 and Andy Warhol’s Factory to the intersection of politics and burgeoning LGBT and AIDS movements, Strub’s story crackles with history. He recounts his role in shocking AIDS demonstrations at St. Patrick’s Cathedral as well as at the home of US Senator Jesse Helms. With an astonishing cast of characters, including Tennessee Williams, Gore Vidal, Keith Haring, Bill Clinton, and Yoko Ono, this is a vivid portrait of a tumultuous era: “A page-turner…[with] the suspense and horror of Paul Monette’s memoir Borrowed Time and the drama of Larry Kramer’s play The Normal Heart….What a lot of action—and life—there is in this gripping book” (The Washington Post).
Music defines us. To return the favor, we’ll stick up with zealous passion for the performers and bands that we love . . . and heap aspersions and ridicule upon people who dare to place their allegiances above our own. In Rock and Roll Cage Match, today’ s leading cultural critics, humorists, music journalists, and musicians themselves take sides in thirty of the all-time juiciest “who’s better” musical disputes. Marc Spitz on the Smiths vs. the Cure: “If the Smiths are its James Dean, the Cure are the Marlon Brando of modern rock.” Mick Stingley on Van Halen vs. Van Hagar: “Eddie Van Halen single-handedly (sometimes quite literally) conjured rapturous sounds, and reinvented the idea of what could be done with a guitar with his sleight of hand. . . . As for the lyrics . . . Where Roth had been nuanced and clever, relying on double entendres and sexual innuendo, Sammy was ham-fisted and cloying and just downright embarrassing. Gideon Yago on Nirvana vs. Metallica: “Here is why Nirvana will always be a better band than Metallica. It’s not because they hit harder (they do). It’s not because they are tighter (they’re definitely not). . . . It’s because Metallica is fundamentally about respecting rules—of metal, of production, of technicality—and Nirvana is about breaking those rules down in the pursuit of innovation. Metallica was metal. Nirvana was something else.” Touré on Michael Jackson vs. Prince: “[Prince] was the wild son of Jimi, the younger brother of Rick James and Richard Pryor, the ultrasexual black Casanova who told you up front that he had a dirty mind . . . Michael held the opposite appeal. His music was often about escaping through dance or being hopeful about the world.” Russ Meneve on Bruce Springsteen vs. Bon Jovi: “I really, truly mean it when I say, Mr. Springsteen, no disrespect . . . you are a legend. But in the Battle a da Jerz, when that thick chemical-waste smoke clears and the overly sprayed mall hair parts, the Jov man is the last man rockin’.” Whitney Pastorek on Whitney Houston vs. Mariah Carey: “Frankly, dry recitations of figures are just too easily negated by simple things like, say, bringing up someone’s horrible taste in choosing movie roles. Watch, I’ll do it right now: Yes, Mariah has seventeen number one singles, and Whitney only eleven. But Whitney made The Bodyguard, which is basically a classic, and Mariah starred in Glitter, a colossal suckfest of crapitude that should disqualify her on the spot.”
U.S. military defense analyst Bill Lane is on the trail of a Russian sub that was to be harmlessly scuttled. An ex-KGB agent who masterminds the theft is supposed to be dead. But Lane will have to prepare himself for one more surprise when he finally tracks down his target and faces an opponent.
The life and times of High Times’ enigmatic founder Thomas King Forçade, an underground newspaper editor and marijuana kingpin who—between police raids, smuggling runs, and outrageous stunts—battled both the US government and fellow radicals. Cover illustration by legendary comics artist Bill Sienkiewicz. At the end of the 1960s, the mysterious Tom Forçade suddenly appeared, insinuating himself into the top echelons of countercultural politics and assuming control of the Underground Press Syndicate, a coalition of newspapers across the country. Weathering government surveillance and harassment, he embarked on a landmark court battle to obtain White House press credentials. But his audacious exploits—pieing Congressional panelists, stealing presidential portraits, and picking fights with other activists—led to accusations that he was an agent provocateur. As the era of protest faded and the dark shadows of Watergate spread, Forçade hoped that marijuana could be the path to cultural and economic revolution. Bankrolled by drug-dealing profits, High Times would be the Playboy of pot, dragging a once-taboo subject into the mainstream. The magazine was a travelogue of globe-trotting adventure, a wellspring of news about “the business,” and an overnight success. But High Times soon threatened to become nothing more than the “hip capitalism” Forçade had railed against for so long, and he felt his enemies closing in. Assembled from exclusive interviews, archived correspondences, and declassified documents, Agents of Chaos is a tale of attacks on journalism, disinformation campaigns, governmental secrecy, corporatism, and political factionalism. Its triumphs and tragedies mirror the cultural transformations of 1970s America, wrought by forces that continue to clash in the spaces between activism and power.
Phil Spector is a musician, songwriter and producer whose musical ability and visionary foresight as a producer charted the future of popular music and culture of the late 20th century. He revolutionized recording processes and re-shaped the business and marketing approach of the music industry. While he raised the bar for other musicians and producers to follow and gave a voice to groups struggling to achieve equality during the 60s, Spector was, however, a complex character whose need for control brought much damage and confusion into the lives of those around him as well as into his own career and life. Phil Spector: Sound of the Sixties follows the ups and downs of Spector’s career as an entrepreneur and businessman, technical wizard and musical visionary, record label master and collaborator with the biggest bands of the age. Spector left an indelible mark on American pop music, creating an iconic soundtrack that still attracts new listeners today.
David Bowie has always been a consummate mythmaker, and this fascinating anthology captures him at his most mysterious and mischievous, laying himself bare and building walls around himself in the same mercurial instant." —Peter Doggett, author of The Man Who Sold the World: David Bowie & the '70s David Bowie has been one of pop music's greatest interviewees since January 1972, when he famously told Melody Maker he was gay. Although he wasn't yet a big star, it was a groundbreaking moment. And over the years, Bowie has failed to give an uninteresting interview. He has been honest, declining to be coy about his ambitions, his private life, and even his developing ennui. Bowie on Bowie presents some of the best interviews Bowie has granted in his near five-decade career. Each interview traces a new step in his unique journey, successively freezing him in time as young novelty hit-maker, hairy hippie, Ziggy Stardust, Aladdin Sane, the Thin White Duke, plastic soul player, fragile Germanic exile, godfather of the New Romantics, eighties sell-out, Tin Machinist, and, finally, permanently, artistically reborn beloved elder statesman of challenging popular music. Sean Egan has interviewed members of the Beatles, the Velvet Underground, the Who, the Kinks, the Rolling Stones, Led Zeppelin, and many others. His books include Keith Richards on Keith Richards, The Rough Guide to the Rolling Stones, The Mammoth Book of the Beatles, and Jimi Hendrix and the Making of Are You Experienced.
Irish Political Prisoners presents a detailed and gripping overview of political imprisonment from 1920-1962. Seán McConville examines the years from the formation of the Northern Ireland state to the release of the last border campaign prisoners in 1962. Drawing extensively and, in many cases, uniquely on archives and special collections in the three jurisdictions, and interviews with survivors from the period, McConville demonstrates how punishment came to embody and shape the nationalist consciousness. Irish Political Prisoners 1920-1962 commences with the legacy of the Anglo Irish and Irish Civil Wars - militancy, division and bitterness. The book travels from the embedding of Northern Ireland’s security agenda in the 1920’s, and the IRA’s search for a role in the 1930’s (including the 1939 bombing campaign against Britain) to the decisive use of internment during the war and the border campaign years. This volume will be an essential resource for students of Irish history and is a major contribution to the study of imprisonment. .
This is a quirky, amusing, information-packed book for all lovers of sleep. It's a celebration of nature's greatest free gift, the perfect companion for the bedside table. It's the book to curl up with before falling asleep. It looks at the history, culture, folklore, language and science of sleep. Did you know that the siesta was once a British tradition? Why do we say 'sleep like a top'? Does counting sheep work? What are the very best sleeps? Who invented pyjamas? If dogs sleep so much, why are they always yawning? What are the best films about sleep? Do today's children have less sleep than Edwardian children? Does booze help or hinder sleep? Not only is sleep a great natural pleasure, it's also essential to good health. The book examines how a lack of sleep is increasingly seen as a health risk. Sleep is also the place of dreams and nightmares. Why are so many dreams the same and what are the archetypal recurring dreams? What is the origin of the word 'nightmare'? And what do Bugs Bunny, the surrealists and Freud have to do with dreaming? Sleep is there to be enjoyed. It's not worth getting into bed for anything else.
This remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today. https://sredmond4.wixsite.com/lonelyroom
Book of poems exploring the expatriate Life of an Irish balladeer who has spent time in such places as New York, Guatemala, Sweden, and the Irish Midlands. These poems are distinguished and lonely
Modernity and the Pandemic: Decivilization, Imperialism, and COVID-19 applies the tools of critical social theory to make sense of the COVID-19 crisis and presents a critical sociological analysis of aspects of the political and community response to the pandemic. The book focuses on key themes integral to a sociology of pandemics in the ‘global’ age. Firstly, Creaven argues that cultures of individualism and consumerism, and of pervasive and deeply entrenched social inequalities (i.e. decivilization) significantly weaken the cause of public health by weakening the compliance of people with state-mandated non-pharmaceutical interventions (including and especially physical distancing rules) and encouraging vaccine hesitancy. Secondly, Creaven examines how interstate competition and imperial politics has undermined an effective global policy response to the COVID-19 pandemic. Policy failure with regard to the management of the pandemic is interpreted as being rooted in the dominance of neoliberal ideology and governance in the politics of international relations, particularly in the politics of the leading state actors, by protection of corporate interests at the expense of public health, and in the constraints imposed on state actors by the competitive dynamic of multinational capitalism in the ‘global’ age. Modernity and the Pandemic will appeal to scholars in the humanities and social sciences with interests in neoliberalism and its social, cultural and epidemiological impacts.
‘For seventy years now Desert Island Discs has managed that rare feat – to be both enduring and relevant. By casting away the biggest names of the day in science, business, politics, showbiz, sport and the arts, it presents a cross-sectional snapshot of the times in which we live. As the decades have passed, the programme has kept pace; never frozen in time yet always, somehow, comfortingly the same.’ Kirsty Young BBC Radio 4’s Desert Island Discs celebrates its seventieth birthday in 2012. Since the programme’s deviser Roy Plomley interviewed comedian Vic Oliver in January 1942, nearly 3,000 distinguished people from all walks of life have been stranded on the mythical island, accompanied by only eight records, one book and a luxury. Here the story of one of BBC Radio 4’s favourite programmes is chronicled through a special selection of castaways. Roy Plomley, inventor of the programme as well as its presenter for over forty years, quizzes the young Cliff Richard about ‘these rather frenzied movements’ the 1960s pop sensation makes on the stage. Robert Maxwell tells Plomley’s successor Michael Parkinson that ‘I will have left the world a slightly better place by having lived in it.’ Diana Mosley assures Sue Lawley that Adolf Hitler was ‘extraordinarily fascinating’ and had mesmeric blue eyes. And Johnny Vegas tugs Kirsty Young’s heart-strings with his account of a childhood so impoverished that family pets were fair game: ‘My dad had always claimed that rabbits were livestock, but we’d never eaten one before.’ Desert Island Discs is much more than a radio programme. It is a unique and enduringly popular take on our lives and times – and this extensively illustrated book tells in rich detail the colourful and absorbing story of an extraordinary institution.
A unique look at Nobel Prize winner Bob Dylan's place in American cultural history through unprecedented access to Dylan's studio tapes, recording notes, and rare photographs. Sean Wilentz discovered Bob Dylan’s music as a teenager growing up in Greenwich Village. Now, almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan. Beginning with Dylan’s explosion onto the scene in 1961, Wilentz follows the emerging artist as he develops a body of work unique in America’s cultural history. Using his unprecedented access to studio tapes, recording notes, and rare photographs, he places Dylan’s music in the context of its time and offers a stunning critical appreciation of Dylan both as a songwriter and performer.
Jimmy Devine (guitarist) and Gideon (fiddler) travel to Paris on a short busking tour. Upon arriving, they bump into old friend Johnny Farraway (fiddler), who spends his days sitting on the platform of the Odeon metro station waiting for fellow busker Rob (guitarist), who never shows...They bump into Boru McInerny (singer supreme), who spends most of his days perched on a barstool in the Happy Irishman Pub, near the Louvre. They bump into Celine, an old flame of Jimmy's, who invites the duo to come stay at her place. However, they are staying at Eduard Malvonde's house. Eduard (infamous blacklisted writer) loves chatting over dinner about his favourite French authors, and his food ain't bad either. Jimmy is inclined to lodge with Eduard, but when Gideon suggests that he go and stay with Celine (at her invitation), Jimmy has a change of heart. Suddenly jealous, Jimmy finds himself wanting to stay forever in Paris, in his old girlfriend's place, of course. Love conquers literature, but is it too late..
In Rockin' the Free World, international relations expert Sean Kay takes readers inside “Bob Dylan’s America” and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally. Rockin' the Free World then shows how artists have engaged in advancing change via opportunity and education; domestic and international issue advocacy; and within the recording and broader communications industry. The book is built around primary interviews with prominent American and international performing artists ranging from Rock and Roll Hall of Fame inductees and Grammy winners to regional and local musicians. The interviews include leading industry people, management, journalists, heads of non-profits, and activists. The book concludes with a look at how musical artists have defined the American experience and what that has meant for the world.
A pathbreaking history of the regulatory foundations of America's twentieth-century aerial preeminence. Today, the federal government possesses unparalleled authority over the atmosphere of the United States. Yet when the Wright Brothers inaugurated the air age on December 17, 1903, the sky was an unregulated frontier. As increasing numbers of aircraft threatened public safety in subsequent decades and World War I accentuated national security concerns about aviation, the need for government intervention became increasingly apparent. But where did authority over the airplane reside within America's federalist system? And what should US policy look like for a device that could readily travel over physical barriers and political borders? In Sovereign Skies, Sean Seyer provides a radically new understanding of the origins of American aviation policy in the first decades of the twentieth century. Drawing on the concept of mental models from cognitive science, regime theory from political science, and extensive archival sources, Seyer situates the development, spread, and institutionalization of a distinct American regulatory idea within its proper international context. He illustrates how a relatively small group of bureaucrats, military officers, industry leaders, and engineers drew upon previous regulatory schemes and international principles in their struggle to define government's relationship to the airplane. In so doing, he challenges the current domestic-centered narrative within the literature and delineates the central role of the airplane in the reinterpretation of federal power under the commerce clause. By placing the origins of aviation policy within a broader transnational context, Sovereign Skies highlights the influence of global regimes on US policy and demonstrates the need for continued engagement in world affairs. Filling a major gap in the historiography of aviation, it will be of interest to readers of aviation, diplomatic, and legal history, as well as regulatory policy and American political development.
Brace yourself for 100 of the strangest, most persistent, and bizarre conspiracy theories you will ever read. These are eerie stories concerning tragedies such as Pearl Harbor and SARS, and dark machinations surrounding the deaths of cultural icons such as JFK, Marilyn Monroe, and Princess Diana. Discover compelling theories about Stonehenge and Roswell, and spine-tingling speculations about the Mafia and Pentagon. All the details of the conspiracies are based on solid facts--here, in full are the conspiracies you thought you knew about. -Fully illustrated with over 184 color and black and white photographs -Features up-to-date stories, many of which have never before appeared in print -Thoroughly researched information with authoritative arguments and evidence -Contains a complete guide to the most commonly suspected conspirators and a glossary of conspiracy-speak
NO TWO FINGERPRINTS ARE THE SAME A lawyer is found murdered in his Hoboken home. The only evidence found by Homicide detectives Brett Foster and Josh Raghetti is a single thumbprint in the victims blood. BUT WHAT IF SOMEONE HAD YOUR PRINT? The print is traced back to store owner, Craig Waterford. But Craig pleads that he is innocent and does not know the victim. Yet the evidence does not lie. WHAT WOULD YOU DO? With the help of an old friend and lawyer, Jacob Scott, Craig races against the police in order to find out who really is the killer and why he is being framed for a crime he did not commit. By the time its all over, Craig and Jacob will learn just how deep the truth has been buried.
At no time in history has the United States had such a high percentage of theocratic members of Congress—those who expressly endorse religious bias in law. Just as ominously, especially for those who share the values and views of Thomas Jefferson and James Madison, at no other time have religious fundamentalists effectively had veto power over one of the country's two major political parties. As Sean Faircloth argues in this deeply sobering yet highly engaging book, this has led to the crumbling of the country's most cherished founding principle—the wall of separation between church and state. While much of the public debate in the United States over church-state issues has focused on the construction of nativity scenes in town squares and the addition of "under God" to the Pledge of Allegiance, former politician and lobbyist Faircloth moves beyond the symbolism to explore the many ways federal and state legal codes privilege religion in law. He demonstrates in vivid detail how religious bias in law harms all Americans—financially, militarily, physically, socially, and educationally—and directs special attention to the outlandish words, views, and policy proposals of the most theocratic politicians. Sounding a much-needed alarm for all who care about the future direction of the country, Faircloth concludes by offering an inspiring 10-point vision of an America returned to its secular roots and by providing a specific and sensible plan for realizing this vision.
In Leaders of the Pack: Girl Groups of the 1960s and their Influence on Popular Culture musician and music historian Sean MacLeod surveys the hundreds of girl groups that appeared not only in the United States but also in Great Britain during the early 1960s. This study corrects the neglect of their critical contribution of popular music history by exploring the social and political climate from which the girl groups emerged and their effect, in turn, on local and national music and culture. MacLeod organizes his argument around seven leading girl groups: The Shirelles, The Crystals, The Ronettes, The Marvelettes, The Vandellas, the Supremes and The Shangri-Las. These seven “sister” groups serve as the basis for a broader look at the many girl groups of the period, offering a roadmap through the work of the many stakeholder—the singers, songwriters, producers, and record labels—that the girl group phenomenon made possible. MacLeod also reviews the significant influence girl groups had on the many male bands of the 1960s, as well as their influence on the post-‘60s movements, from punk to new wave, ultimately serving as the template for the girl groups and all-girl bands that emerged in the 1980s. Finally, The Leaders of the Pack brings us to the present as MacLeod compares the original girl groups with female performers of today, drawing lines of connection and contrast between them. Leaders of the Pack is essential reading for students, scholars, and fans of 1960s music and culture. It will further interest anyone interested in women’s studies, modern American and British culture, and music history, with important forays into such topics as the Civil Rights Movement, second and third wave feminism, and post-war life.
As Americans, we face two fundamental questions: First, are we truly prepared to fight this new war to wipe out terrorism and terrorist regimes, and win it decisively -- no matter what sacrifices it requires or how long it takes? Second, are we once again prepared to teach our children the fundamental principles and values that make this country great -- the values that make this country worth fighting for, living for, and dying for? Sean Hannity is the hottest new phenomenon in TV and talk radio today. His gutsy, take-no-prisoners interviews and commentary on the Fox News Channel's Hannity & Colmes have made him one of cable television's most popular personalities. And his ascendance to the top of the talk radio world with ABC Radio's The Sean Hannity Show has won him a huge and devoted following that includes not only conservatives but anyone else who values straight talk over pandering and excuses. Now, in Let Freedom Ring, Sean Hannity offers a survey of the world -- political, social, and cultural -- as he sees it. Devoting special attention to 9/11, the war on terror, and the continuing threat we face at home and abroad, he makes clear that the greatest challenge we have to overcome may not be an attack from overseas, but the slow compromising of our national character. And he asks why, particularly in this time of war, should we entrust our future to the voices of the Left -- the very people who have spent decades ravaging so many of our core values and traditions? Our nation, as Hannity reminds us, was founded on the idea of freedom. And in order to protect our freedoms, he argues, we must stand vigilant against liberal attempts to compromise our strengths. From our military and intelligence forces, to our borders and airports, to our unified commitment to root out terrorists at home and abroad, he reveals how our strongest lines of defense have come under attack -- by left-wing voices within our government, media, schools, and elsewhere. And he shows how even domestic issues like taxation, education, patriotism, and the family have been exploited by liberals with their own agendas -- with potentially disastrous results. Filled with the commonsense commentary and passionate argument that have made Sean Hannity the most compelling conservative voice since Rush Limbaugh, Let Freedom Ring is an urgent call to arms. For, as Hannity warns, "We are engaged in a war of ideas. And civilization is at stake.
Sean Harrison completed his studies at one of the most prestigious medical centers in New York City in the spring of 1982. For three decades, he worked in a profession where he excelled and provided his family with a lifestyle, he never dreamed possible. For it is a far cry from his senior year of high school when his classmates voted him as “the most likely to be dead by the time he’s thirty.” Harrison shares his life story, revealing how anyone open-minded and willing can experience a dramatic shift in consciousness, from an inner-ghetto mentality to a new way of being. Harrison focuses on what he calls the four pillars of addiction—fear, guilt, resentment, and self-pity—responsible for most of the unhappiness we see in the world today. Out of the Ghetto is designed to help the addict and non-addict alike, offering practical ways to erase the errors of our past and begin anew. Harrison’s fundamental belief is that anyone who suffers from the pain of living can change the way they live by altering their thoughts, free from the ego’s distorted perceptions of reality. Praise for Out of the Ghetto “Riveting, revolutionary, and raw, this is a book for the ages.” —Shannon Tushingham, Ph.D., Director, Museum of Anthropology, WSU “A gifted storyteller, Sean takes us inside his twenty-year battle with active addiction. Whether you are new to recovery or have been a seeker for many years, there is great spiritual wisdom awaiting you throughout the pages of this book.” —Ronnie G, A grateful recovering addict, 11/25/1982 “Insightful and timely, Out of the Ghetto is a must-read for anyone charged with evaluating and treating this complex and often fatal disease.” —Samer Assaf, MD, Internal Medicine Sharp Reese-Stealy “Having worked in the field of addiction for over a decade, I highly recommend this book to anyone suffering directly or indirectly from its devastating effects. It is a brilliant, transparent account of one man’s journey from the hopelessness of addiction through all aspects of the recovery process in a brutally honest, humorous, and compassionate way.” —Sharon Daverio RN, LCSW, CASAC
Aimed at all ages and all budgets, this guide is written for intelligent and imaginative individuals looking for inspiration and new horizons. Explores the cultural Ireland--its music, literature, art, and film--and features revised and expanded descriptions of the best long-distance walks, plus expanded coverage of great outdoor activities, from surfing in Portrush to angling in Tipperary.
Ireland is green, pleasant and relaxed, but behind the smiling faces and noisy pubs lies a long and tragic history. Lonely Planet provides solid travel information on where to stay, what to see and how to get around for varying schedules along with realistic background on history, culture, and politics. Color insert.
The general dentist will find a wealth of current information on anesthesia and analgesia. Articles include local anesthetic pharmacology and toxicology, local anesthetic agents, effective mandibular infiltration, reversal of local anesthesia, allergic reactions to dental anesthetic formulations, methemoglobinemia and dental anesthetics, ocular complications, vasoconstrictors, local anesthesia and the oral hygienist, paresthesia in dentistry, efficacy of articaine formulations, pregnancy and dental local anesthesia, and much more!
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