A behind-the-scenes exploration of a master builder's body of work—for LEGO enthusiasts of all ages. Internationally celebrated artist Sean Kenney creates his art with LEGO bricks. Acclaimed by PBS Arts and BBC Arts, Sean has five global touring exhibits of his work and is recognized as one of the greatest builders in the world. Here is a personalized compendium that features an in-depth look at Sean's magnificent creations, from animals, vehicles, and architecture to baseball, robots, and much more. This book is for LEGO enthusiasts of all ages. A Christy Ottaviano Book
A behind-the-scenes exploration of a master builder's body of work—for LEGO enthusiasts of all ages. Internationally celebrated artist Sean Kenney creates his art with LEGO bricks. Acclaimed by PBS Arts and BBC Arts, Sean has five global touring exhibits of his work and is recognized as one of the greatest builders in the world. Here is a personalized compendium that features an in-depth look at Sean's magnificent creations, from animals, vehicles, and architecture to baseball, robots, and much more. This book is for LEGO enthusiasts of all ages. A Christy Ottaviano Book
Sean Kenney is back with original city creations of all sizes, colors, and features. Build a skyscraper, a brownstone, or how about a mini metropolis! Complete with select model instructions for more than six creations, insider tips, and landscape designs for new LEGO fans as well as diehard enthusiasts.
Offers instructions for creating seventy-five models using just thirty-five common LEGO bricks, including robots, spacecraft, household objects, goofy faces, and aliens.
The Who were a mass of contradictions. They brought intellect to rock but were the darlings of punks. They were the quintessential studio act yet were also the greatest live attraction in the world. They perfectly meshed on stage and displayed a complete lack of personal chemistry offstage. Along with great live shows and supreme audio experiences, the Who provided great copy. During the 1960s and '70s, Pete Townshend, messianic about contemporary popular music and its central importance in the lives of young people, gave sprawling interviews in which he alternately celebrated and deplored what he saw in the "scene." Several of these interviews have come to be considered classic documents of the age. Roger Daltrey, Keith Moon, and John Entwistle joined in. Even when the Who were non-operational or past their peak, their interviews continued to be compelling: changes in allegiances and social mores left the band members freer to talk about sex, drug-taking, business, and in-fighting. By collecting interviews with Who members from across fi ve decades, conducted by the greatest rock writers of their generation—Barry Miles, Jonathan Cott, Charles Shaar Murray, John Swenson, and Greil Marcus among them—The Who on The Who provides the full, fractious story of a fascinating band.
Emergency War Plan examines the theory and practice of American nuclear deterrence and its evolution during the Cold War. Previous examinations of nuclear strategy during this time have, for the most part, categorized American efforts as "massive retaliation" and "mutually assured destruction," blunt instruments to be casually dismissed in favor of more flexible approaches or summed up in inflammatory and judgmental terms like "MAD." These descriptors evolved into slogans, and any nuanced discussion of the efficacy of the actual strategies withered due to a variety of political and social factors. Drawing on newly released weapons effects information along with new information about Soviet capabilities as well as risky and covert espionage missions, Emergency War Plan provides a completely new examination of American nuclear deterrence strategy during the first fifteen years of the Cold War, the first such study since the 1980s. Ultimately what emerges is a picture of a gargantuan and potentially devastating enterprise that was understood at the time by the public in only the vaguest terms but that was not as out of control as has been alleged and was more nuanced than previously understood.
Creativity knows no bounds! LEGO artist Sean Kenney reuses up to 101 LEGO bricks to create a variety of images in all categories: vehicles, spaceships, home accessories, animals, nature, robots, and many other subjects. This second offering in the "Pieces" series is sure to spark imagination and encourage kids to think outside the box, which is the message that Sean strongly promotes about creativity, imagination, and building with LEGO. Building instructions for over 20 models are included.
Uses LEGO sculptures of familiar and unique obejects to illustrate each letter of the alphabet, including a LEGO apple, map, and playing card. On board pages.
Using bricks from off-the-shelf LEGO products, the author shows you how to build all sorts of models and shares ideas and tips for using your own pieces from home and your imagination.
How bankers created the modern consumer credit economy and destroyed financial stability in the process American households are awash in expensive credit card debt. But where did all this debt come from? In this history of the rise of postwar American finance, Sean H. Vanatta shows how bankers created our credit card economy and, with it, the indebted nation we know today. America's consumer debt machine was not inevitable. In the years after World War II, state and federal regulations ensured that many Americans enjoyed safe banks and inexpensive credit. Bankers, though, grew restless amid restrictive rules that made profits scarce. They experimented with new services and new technologies. They settled on credit cards, and in the 1960s mailed out reams of high-interest plastic to build a debt industry from scratch. In the 1960s and '70s consumers fought back, using federal and state policy to make credit cards safer and more affordable. But bankers found ways to work around local rules. Beginning in 1980, Citibank and its peers relocated their card plans to South Dakota and Delaware, states with the weakest consumer regulations, creating "on-shore" financial havens and drawing consumers into an exploitative credit economy over which they had little control. We live in the world these bankers made.
Midway through 1942, Japanese and Allied forces found themselves fighting on two fronts—in New Guinea and the Solomon Islands. These concurrent campaigns, conducted between July 1942 and February 1943, proved a critical turning point in the war being waged in the Pacific, as the advantage definitively shifted from the Japanese to the Americans. Key to this shift was the Allies seizing of the strategic initiative—a concept that Sean Judge examines in this book, particularly in the context of the Pacific War. The concept of strategic initiative, in this analysis, helps to explain why and how contending powers design campaigns and use military forces to alter the trajectory of war. Judge identifies five factors that come into play in capturing and maintaining the initiative: resources, intelligence, strategic acumen, combat effectiveness, and chance, all of which are affected by political will. His book uses the dual campaigns in New Guinea and the Solomon Islands as a case study in strategic initiative by reconstructing the organizations, decisions, and events that influenced the shift of initiative from one adversary to the other. Perhaps the most critical factor in this case is strategic acumen, without which the other advantages are easily squandered. Specifically, Judge details how General Douglas MacArthur and Admiral Chester Nimitz, in designing and executing these campaigns, provided the strategic leadership essential to reversing the tide of war—whose outcome, Judge contends, was not as inevitable as conventional wisdom tells us. The strategic initiative, once passed to American and Allied forces in the Pacific, would never be relinquished. In its explanation of how and why this happened, The Turn of the Tide in the Pacific War holds important lessons for students of military history and for future strategic leaders.
Many have long found it difficult to take Rod Stewart seriously. However, once we get past the awkward stuff—leopard-skin leggings, bum-wiggling stage schticks, and a hairstyle unseemly for a man of his age—there remains the undeniable fact that the "Caledonian Cockney" is responsible for some of the greatest recordings ever made. Again and again, the combination of his heartwracked songs and gravelly, sensitive vocal delivery have conjured sonic magic. The bulk of Stewart's classic recordings were made in the 1970s. His string of albums for the Mercury label across the first half of that decade sent critics into raptures. His 1971 album Every Picture Tells a Story is considered by some of them to literally be the best album of all time. Said semi-decade also saw Stewart front the Faces, whose often likeably ramshackle albums gave his fans a double dose of their idol each year. On top of this are solo-Stewart classics that are neglected because he released them after a point where his increasingly outlandish image caused some of his original fans to disdain to any longer take him seriously. They include the splendid 1976 LP A Night on the Town and his peerless confessional love songs of 1977 "You're in My Heart (The Final Acclaim)" and "I Was Only Joking." All of this and more is the subject of Rod Stewart: The Classic Years. Sean Egan has interviewed at length many of Stewart's colleagues, collaborators, and cohabitees from the period, including musicians Micky Waller, Pete Sears, Ray Jackson, Ian McLagan, Kenney Jones, and Jim Cregan, recording engineer Mike Bobak, manager Billy Gaff, and Stewart's then-girlfriend and muse Dee Harrington. The result is a striking and evocative portrait of the most fecund and vital stage in the life and career of one of popular music's most important artists.
Attention young LEGO brick builders: Sean Kenney is back again with original creations of Robotopolis--robots, transformers, and spaceships of all sizes, colors, and features. Complete with select model instructions, insider tips, and landscape designs for new LEGO fans of all ages as well as diehard enthusiasts.
There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but When the Pine Needles Fall: Indigenous Acts of Resistance is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. When the Pine Needles Fall, written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader. More than just the memoir of an extraordinary individual, When the Pine Needles Fall offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.
Attention young LEGO brick builders: Sean Kenney is back again with original creations of Robotopolis--robots, transformers, and spaceships of all sizes, colors, and features. Complete with select model instructions, insider tips, and landscape designs for new LEGO fans of all ages as well as diehard enthusiasts.
Tired of the same old tourist traps? Whether you’re a visitor or a local looking for something different, Hawai'i Off the Beaten Path shows you the Aloha State with new perspectives on timeless destinations and introduces you to cultural attractions you never knew existed. Hike through the natural splendor of Waipio Valley to reach Hiilawe Falls, the longest unbroken waterfall descent in Hawai'i at 1,200 feet. Follow Jack London’s trail on Kalae Stables’ “world-famous Moloka'i mule ride” to Kalaupapa Peninsula. Dine like a local with a “plate lunch” from Cafe 100, Hilo’s first drive-in. So if you’ve “been there, done that” one too many times, forget the main road and venture Off the Beaten Path.
How partisan politics influence grant-related decisions at the state level. Each year, states receive hundreds of billions of dollars in grants-in-aid from the federal government. Gubernatorial success is often contingent upon the pursuit and allocation of these grants. In Governors, Grants, and Elections, Sean Nicholson-Crotty reveals the truth about how U.S. governors strategically utilize these funds. Far from spending federal money in apolitical ways, they usually pursue their own policy interests in the hopes of maximizing their or their party’s electoral success. Nicholson-Crotty analyzes three decades of data on the receipt and expenditure of grants in all fifty states. He also draws compelling evidence from governors’ public speeches and interviews with state officials. Ultimately, he demonstrates that incumbent governors’ use of grants to deliver policies desired by core constituents—along with their opportunistic funding of public and private goods that appeal to noncore median voters—enables them to increase approval, legislative success, and, ultimately, vote share for themselves or their parties. The inaugural book in the Johns Hopkins Studies in American Public Policy and Management series, Governors, Grants, and Elections is a significant and accessible work of public policy scholarship that sits at the nexus of multiple fields within political science.
Analyses the attempted reform of the Poor Law system in Ireland between 1910 and 1932. This period represented one of the most formative and crucial eras in Irish politics and society with the ideas of culture, nation, state and identity widely contested.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. In Shared Rule in Federal Theory and Practice, Sean Mueller provides a new, in-depth treatment of shared rule, a crucial but so far largely neglected dimension of federalism and multilevel governance. He discusses shared rule's conceptual evolution and defines three different meanings commonly ascribed to it: shared rule as horizontal cooperation, centralization, or bottom-up influence seeking. An original expert survey conducted among 38 federalism scholars in 11 countries is used to measure actual regional government influence over national decisions. Drawing on a wide range of literature, from lobbying and political parties to power sharing and secessionism, the author then investigates the emergence and impact of shared rule thus understood. The evidence presented includes qualitative case studies on Belgium, Canada, Germany, Spain, Switzerland, and the US as well as quantitative, cross-sectional analyses at regional and national level. Mueller shows that shared rule has the potential to become the holy grail of territorial politics in that it satisfies both those wanting greater unity and uniformity of policy making as well as those desiring greater regional autonomy and recognition of diversity. Building on the conceptual and empirical groundwork laid by the Regional Authority Index, he takes us further and deeper still into the mechanics of territorial contestation, cooperation, and cohesion. Transformations in Governance is a major academic book series from Oxford University Press. It is designed to accommodate the impressive growth of research in comparative politics, international relations, public policy, federalism, and environmental and urban studies concerned with the dispersion of authority from central states to supranational institutions, subnational governments, and public-private networks. It brings together work that advances our understanding of the organization, causes, and consequences of multilevel and complex governance. The series is selective, containing annually a small number of books of exceptionally high quality by leading and emerging scholars. The series is edited by Liesbet Hooghe and Gary Marks of the University of North Carolina, Chapel Hill, and Walter Mattli of the University of Oxford.
City of Dignity illuminates how liberal Protestants quietly, yet indelibly, shaped the progressive ethics of postwar Los Angeles. Contemporary Los Angeles is commonly seen as an American bulwark of progressive secular politics, a place that values immigration, equity, diversity, and human rights. But what accounts for the city’s embrace of such staunchly liberal values, which are more hotly contested in other parts of the country? The answer, Sean Dempsey reveals, lies not with those frequent targets of credit and blame—Democrats in Hollywood—but instead with liberal Protestants and other steadfast religious organizations of the postwar era. As the Religious Right movement emerged in the 1970s, progressive religious activists quietly began promoting an ethical vision that made waves worldwide but saw the largest impact in its place of origin: metropolitan Los Angeles. At the center of this vision lay the concept of human dignity—entwining the integral importance of political and expressive freedom with the moral sanctity of the human condition—which suffused all of the political values that arose from it, whether tolerance, diversity, or equality of opportunity. The work of these religious organizations birthed such phenomena as the Sanctuary Movement—which provided safe haven for refugees fleeing conflict-torn Central America—and advocacy for the homeless, both of which became increasingly fraught issues amid the rising tides of neoliberalism and conservatism. City of Dignity explores how these interwoven spiritual and theological strands found common ground—and made common impacts—in the humanitarian ecosystem of one of America’s largest and most dynamic metro areas.
How should a literary scholar approach a text characterized not by stability but by variation and flux? This book offers a radical new perspective on the limits—and the accomplishments—of the modern traditions of textual criticism in classics.Sean Alexander Gurd takes as his starting point the case of a single Greek tragedy by Euripides, one of his last. According to ancient accounts, the Iphigenia at Aulis was produced at the city Dionysia, the great festival of Athenian tragedy, sometime after Euripides died (between 407 and 405 BCE). Whether the text performed then was entirely the work of Euripides, and whether the version that appears in the manuscripts reflects either that performance or its defunct author's design, are unknown. But since the mid-eighteenth-century the mysteries and conflicting evidence concerning Iphigenia at Aulis have given rise to an array of different attempts to reconstruct the original, and every generation has seen a version of the play that is radically different from those that came before. Gurd pioneers a literary philology comfortable with this textual multiplicity, capable of reading Iphigenias at Aulis in the plural.Regarding the dossier of successive editions of Iphigenia at Aulis as a symbol for the condition of modern textual reason, Gurd shows lovers of classical literature exactly how contingent the texts they read really are.
From the "War on Hippies" to the Great Rock 'n' Roll Swindle, the story of Modern Lovers is a high octane tale of Brutalist architecture, rock 'n' roll ambition and the struggle for identity in a changing world. One of punk rock's foundational documents, the archetype for indie obsession and all but disowned by its author, The Modern Lovers was an album doomed by its own coolness from day one. Powered by the two-chord wonder “Roadrunner” and its proclamation that “I'm in love with rock 'n' roll,”The Modern Lovers is the essential document of American alienation, an escape route from the cultural wasteland of postwar suburbia. The Modern Lovers is the bridge connecting the Velvet Underground and the Sex Pistols; they were peers of the New York Dolls and friends with Gram Parsons and they would splinter into Talking Heads, The Cars, and The Real Kids. But The Modern Lovers was never meant to be an album. A collection of demos, recorded in fits and starts as Jonathan Richman and his band negotiate modernity and the music industry. It is a collection of songs about a city and a society in flux, grappling with ancient corruptions and bright-eyed idealism. Richman observes a city all but abandoned by adults, ravaged by white flight and urban renewal, veering towards anarchy as old world social moors collide with new attitudes. It is a city stands in stark contrast to the the ranchstyle bedroom community where he was raised. All of these conflicts are churned through Richman's intellectual acuity and emotional unrest to create one of the 20th century's most enduring documents of post-adolescent malaise.
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter addresses the questions of how exactly romance might be defined and how such an awareness of genre impacts upon both the understanding and reception of the texts in question.
Attention young LEGO brick builders: Whether you'd like to build an SUV, an excavator, a tanker truck, or a race car, this hands-on book will show you how. You can create street scenes such as a construction site, a fire rescue, or even a family on moving day. Children of all ages will let their imaginations run wild as they learn that there are no limits to what can be created with LEGO. And easy-to-follow instructions are included for several of the models!
What really happened after the fall of man? Are there other life forms that exist beyond our own and if so what would happen if they were allowed to visit our planet and toy with our society? Zombie Salvation takes you on a journey from the first alien abduction and leaves you to figure out what is real is isn't. If you enjoy paranoid thoughts about crazy government conspiracy theories, aliens, pandemics, and want to take a new look at a how zombies came to exist, then this book maybe just be worth the read.
The emergence of coal-based fuel economy over the course of the nineteenth century was one of the most significant contributions the America’s Industrial Revolution, but the transition from wood to mineral energy sources was a gradual one that transpired over a number of decades. The documents in these volumes recreate the institutional history of the American coal industry in the nineteenth century; in doing so they provide a first-hand perspective on the developments in regard to political economy, business structure and competition, the rise of formal trade unions, and the creation of a national coal trade. Although the collection strives to be wide-ranging in region and theme, the Pennsylvania anthracite coal trade forms the thematic backbone as it became the most important American mineral resource to see successful development throughout the nineteenth century and consequently saw unprecedented levels of intervention by the federal government. The texts for this collection were selected for their accessibility to modern readers as well as their relationship to a series of common themes across the nineteenth century American coal industry — with headnotes and annotations provided to explain their context and the reasons for their inclusion.The third volume in this set traces the three decades following the American Civil War, during which time the use of coal for manufacturing, locomotives and domestic heating helped build a dynamic industrial economy in the United States. Mineral fuel growth powered the growth of the nation and by 1885 coal became the single most important source of American energy. Coal mining spread to nearly every corner of the nation in the half-century following the civil war. By the time of the Great Anthracite Strike in 1902, the American coal industry was a truly national phenomenon. The rise of large and well-funded mining and railroad corporations, the national unions, and the inroads by state governments into mine safety
Creativity knows no bounds! LEGO artist Sean Kenney reuses up to 101 LEGO bricks to create a variety of images in all categories: vehicles, spaceships, home accessories, animals, nature, robots, and many other subjects. This second offering in the "Pieces" series is sure to spark imagination and encourage kids to think outside the box, which is the message that Sean strongly promotes about creativity, imagination, and building with LEGO. Building instructions for over 20 models are included.
Creativity knows no bounds! LEGO artist Sean Kenney reuses the same thirty-five LEGO bricks to create a variety of images in all categories: vehicles, spaceships, home accessories, animals, nature, robots, and many other subjects. This new LEGO offering is sure to spark imagination and encourage kids to think outside the box, which is the message that Sean strongly promotes about creativity, imagination, and building with LEGO.
Klaus never intended or believed he would endure false Christianity in the perspective of who he thought was a woman of dignity and truth. His faith was greatly challenged as he realized his wife's, Porsh's, intentions of keeping their marriage together were not nearly as benevolent as it seemed. On the run, he travels to New Mexico with their son, Tauren. As they search to find a better life. Things quickly spiral out of control when an "Order of Protection'' is requested by his wife and granted by the court. During this journey, Klaus discovers abilities far out of his grasp of understanding, and there is no explaining the future ahead.
The emergence of coal-based fuel economy over the course of the nineteenth century was one of the most significant features of America’s Industrial Revolution, but the transition from wood to mineral energy sources was a gradual one that transpired over a number of decades. The documents in these volumes recreate the institutional history of the American coal industry in the nineteenth century — providing a first-hand perspective on the developments in regard to political economy, business structure and competition, the rise of formal trade unions, and the creation of a national coal trade. Although the collection strives to be wide-ranging in region and theme, the Pennsylvania anthracite coal trade forms the thematic backbone as it became the most important American mineral resource to see successful development throughout the nineteenth century. Consequently it saw unprecedented levels of intervention by the federal government. The texts for this collection were selected for their accessibility to modern readers as well as their relationship to a series of common themes across the nineteenth century American coal industry — with headnotes and annotations provided to explain their context and the reasons for their inclusion.In this first volume, covering the period 1790-1835, the selected documents seek to reconcile the optimism surrounding the early American coal industry with the difficulties in actually realising its growth. It presents voices that capture the optimism and frustration of the Rhode Island and Virginia colliers, before focusing on the rise of Pennsylvania’s anthracite region — tracing the false-starts and ideological hostility that accompanied the early coal trade.
Is there a "great divide" between highbrow and mass cultures? Are modernist novels for, by, and about snobs? What might Lord Peter Wimsey, Mrs. Dalloway, and Stephen Dedalus have to say to one another?Sean Latham's appealingly written book "Am I a Snob?" traces the evolution of the figure of the snob through the works of William Makepeace Thackeray, Oscar Wilde, Virginia Woolf, James Joyce, and Dorothy Sayers. Each of these writers played a distinctive role in the transformation of the literary snob from a vulgar social climber into a master of taste. In the process, some novelists and their works became emblems of sophistication, treated as if they were somehow apart from or above the fiction of the popular marketplace, while others found a popular audience. Latham argues that both coterie writers like Joyce and popular novelists like Sayers struggled desperately to combat their own pretensions. By portraying snobs in their novels, they attempted to critique and even transform the cultural and economic institutions that they felt isolated them from the broad readership they desired.Latham regards the snobbery that emerged from and still clings to modernism not as an unfortunate by-product of aesthetic innovation, but as an ongoing problem of cultural production. Drawing on the tools and insights of literary sociology and cultural studies, he traces the nineteenth-century origins of the "snob," then explores the ways in which modernist authors developed their own snobbery as a means of coming to critical consciousness regarding the connections among social, economic, and cultural capital. The result, Latham asserts, is a modernism directly engaged with the cultural marketplace yet deeply conflicted about the terms of its success.
Attention young LEGO brick builders: Whether you'd like to build an SUV, an excavator, a tanker truck, or a race car, this hands-on book will show you how. You can create street scenes such as a construction site, a fire rescue, or even a family on moving day. Children of all ages will let their imaginations run wild as they learn that there are no limits to what can be created with LEGO. And easy-to-follow instructions are included for several of the models!
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