A month of sin from Flash Fiction Fest 2013 56 pieces of Flash Fiction from eight of December House’s authors. Lust, Gluttony, Greed, Sloth,Wrath, Envy, Pride and everything in between. Deadly Sins brings you the best Flash Fiction focussed on the worst of mankind.
“An incredibly interesting work.” —Jane Smiley “A straight up masterwork.” —Sarah Silverman “Blisteringly funny.” —Corey Seymour “A transcendent apocalyptic satire.” —Michael Silverblatt “Crackling with life.” —Paul Theroux “Great fun.” —Salman Rushdie “A provocative debut.” —Kirkus Reviews From legendary actor and activist Sean Penn comes a scorching, “charmingly weird” (Booklist, starred review) novel about Bob Honey—a modern American man, entrepreneur, and part-time assassin. Bob Honey has a hard time connecting with other people, especially since his divorce. He’s tired of being marketed to every moment, sick of a world where even an orgasm isn’t real until it is turned into a tweet. A paragon of old-fashioned American entrepreneurship, Bob sells septic tanks to Jehovah’s Witnesses and arranges pyrotechnic displays for foreign dictators. He’s also a contract killer for an off-the-books program run by a branch of United States intelligence that targets the elderly, the infirm, and others who drain society of its resources. When a nosy journalist starts asking questions, Bob can’t decide if it’s a chance to form some sort of new friendship or the beginning of the end for him. With treason on everyone’s lips, terrorism in everyone’s sights, and American political life sinking to ever-lower standards, Bob decides it’s time to make a change—if he doesn’t get killed by his mysterious controllers or exposed in the rapacious media first. A thunderbolt of startling images and painted “with a broadly satirical, Vonnegut-ian brush” (Kirkus Reviews), Bob Honey Who Just Do Stuff is one of the year's most controversial and talked about literary works.
Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.
Spirituality has oft been reduced to just religion, religion further reduced to mere morality, and morality ultimately reduced to sexuality. This book is not about how to be "good," nor even "religious" but about being "mystical" - the only reason for the experiment that is life on planet Earth.
The car was first introduced into British society over one hundred years ago. Sean O'Connell's study of the social impact of the car offers a radical new way of looking at the history of motoring.
CollectsÿSpider-Man And His Amazing Friends #1, Uncanny X-Men (1981) #193, Firestar (1986) #1-4, Spider-Man Family. Follow Firestar's flight from animated Amazing Friend to Marvel Universe mutant mainstay! First, meet Angelica Jones in an adaptation of her classic cartoon debut alongside best buds Spider-Man and Iceman, then get her full story as she blazes her way into the world of the X-Men. But if Emma Frost has her way, Angel will grow into one of the team's deadliest foes! Is Firestar fated to be one of the White Queen's Hellions, or can she force her freedom and forge her own heroic destiny? Spider-Man and Iceman better hope it's the latter by the time the three enjoy a bona fide in-continuity team-up.
Long after Rome fell to the Germanic tribes, its culture lived on in Constantinople, the glittering capital of the Byzantine Empire. For more than 1000 yeras (AD 330-1453) Byzantium was one of the most advanced and complex civilisations the world had ever seen. As the Mediterranean outlet for the silk route, its trade networks stretched from Scandinavia to Sri Lanka; its artists created sombre icons and brilliant gold mosaics; its scholarship served as a vital cultural bridge between the Muslim East and the Catholic West; and it fostered the Orthodox Christianity that is the faith of millions today. This book shows the innovative art that inspired French kings and Arab emirs. It includes a gazetteer of historic Byzantine sites and monuments that travellers can visit today in greece, Italty, Turkey and the Middle East. A chronology of Byzantine history and a list of emperors complete this ideal resource for the student, traveller or generally curious reader.
Saltwater Redemption is a fictional memoir concerning the life experiences of its protagonist, Mayson Darcy, set in in Avalon, New Jersey. The plot tracks Mr. Darcys attempt to rediscover the golden innocence hed experienced as a kid growing up down the shore, revolving around his nineteenth summer living with a group of new friends and old acquaintancesa group of gender-segregated collegians who pick themselves to live in a summer shore house and have their lives recorded by a mad diarist. It explores the romance and magic of seashore living, as well as the perennially relatable themes of ones search for God, romantic love, and friendship. The novel begins with Maysons first recollection of swimming in the ocean, out past the drowning waters with his mother as a young child in Avalon, and ends with him venturing forth, out beyond the bow into an eternity of moonlight. In between, the narrative recounts some chronologically hopscotching recollections, including his enduring (and at times unrequited) love for three graceful ladies: Grayce Bateman, Lyrica Le Fay, and Sadie McGoldrick. Saltwater Redemption highlights the timelessness of certain settings: places to which we often return to escape from the manifold insanities and belittlements of the world in order to discover where we essentially belong. Above all else, Saltwater Redemption is poetically written filled with much humor and heartbreak, as well as a deep-seated admiration for the ocean and its manifold heroines, concerning a life inevitably crested in one timeless Arthurian locale.
From 1754 to 1755, the slave ship Hare completed a journey from Newport, Rhode Island, to Sierra Leone and back to the United States—a journey that transformed more than seventy Africans into commodities, condemning some to death and the rest to a life of bondage in North America. In this engaging narrative, Sean Kelley painstakingly reconstructs this tumultuous voyage, detailing everything from the identities of the captain and crew to their wild encounters with inclement weather, slave traders, and near-mutiny. But most importantly, Kelley tracks the cohort of slaves aboard the Hare from their purchase in Africa to their sale in South Carolina. In tracing their complete journey, Kelley provides rare insight into the communal lives of slaves and sheds new light on the African diaspora and its influence on the formation of African American culture. In this immersive exploration, Kelley connects the story of enslaved people in the United States to their origins in Africa as never before. Told uniquely from the perspective of one particular voyage, this book brings a slave ship's journey to life, giving us one of the clearest views of the eighteenth-century slave trade.
No matter the cost in blood and sacrificeFreedom! An ancient evil long forgotten has returned to stalk the world when the dreaded tome of Morgan le Fay is unearthed. As malevolence grows and a dark plague spreads, the fragile peace in Scotland is shattered by invasion. With conquest and foul slavery at hand the only hope for humanity, at the dawn of that new age, rests upon the war-weary shoulders of bloodied Highland clans, the aid of bold Irish warriors and legendary riders of the Sidhe. The unlikely allies must make a desperate stand or see a diabolical enemy vanquish all!
This book revisits the tradition of Western religious cinema in light of scholarship on St. Paul’s political theology. The book’s subtitle derives from the account in the Book of Acts that St. Paul was temporarily blinded in the wake of his conversion on the road to Damascus. In imitation of Paul, the films on which Sean Desilets’s analysis hinges (including those of Carl-Th. Dreyer, Robert Bresson, Pier Paolo Pasolini, and Carlos Reygadas) place a god-blind mechanism, the camera, between themselves and the divine. Desilets calls the posture they adopt "hermeneutic humility": hermeneutic in that it interprets the world, but humble in that it pays particular—even obsessive—attention to its own limits. Though these films may not consciously reflect Pauline theology, Desilets argues that they participate in a messianic-hermeneutic tradition that runs from Paul through St. Augustine, Blaise Pascal, Karl Barth, and Walter Benjamin, and which contributes significantly to contemporary discussions in poststructuralist literary theory, political theology, and religious studies. Desilets’s insightful explication of Jean-Luc Nancy’s deconstruction of Christianity and Georgio Agamben’s recent work on religion makes a substantial contribution to film philosophy and emerging critical trends in the study of religion and film. This book puts forward a nuanced theoretical framework that will be useful for film scholars, students of contemporary political theology, and scholars interested in the intersections of religion and media.
“America’s road to disaster in Vietnam has been endlessly chronicled, but Sean L. McLaughlin takes a fresh approach to that familiar story.” —James Hershberg, George Washington University Despite French President Charles de Gaulle’s persistent efforts to constructively share French experience and use his resources to help engineer an American exit from Vietnam, the Kennedy administration responded to de Gaulle’s peace initiatives with bitter silence and inaction.The administration’s response ignited a series of events that dealt a massive blow to American prestige across the globe, resulting in the deaths of over fifty-eight thousand American soldiers and turning hundreds of thousands of Vietnamese citizens into refugees. This history of Franco-American relations during the Kennedy presidency explores how and why France and the US disagreed over the proper western strategy for the Vietnam War. France clearly had more direct political experience in Vietnam, but France’s postwar decolonization cemented Kennedy’s perception that the French were characterized by a toxic mixture of shortsightedness, stubbornness, and indifference to the collective interests of the West. At no point did the Kennedy administration give serious consideration to de Gaulle’s proposals or entertain the notion of using his services as an honest broker in order to disengage from a situation that was rapidly spiraling out of control. Kennedy’s Francophobia, the roots of which appear in a selection of private writings from Kennedy’s undergraduate years at Harvard, biased his decision-making. This book explores how the course of action Kennedy chose in 1963, a rejection of the French peace program, all but handcuffed Lyndon Johnson into formally entering a war he knew the United States had little chance of winning.
Maynard and Seamus. Sea and May. Wolfman and Sundance. This is a story that can, May and will change the World! This is a story told by a Child full of Silence and Peace. This is a story of two young people driving away from the Rock-like locus of Youth, while still retaining part of Youth's Golden Vision in their rearview mirrors (and dashboard Sun visor). This is a story that concerns the Search for God and Self, which one finds, at the end of the Odyssey, are All One in the same sacred place. This is a cautionary tale that concerns America's Sunday-morning's-everyday-for-all-I-care youths, and their quick, cynical, unfulfilling, and inevitable descent into solipsistic/nihilistic adulthood. This is a story that reminds that Youth (and, perhaps, America) is a bildungsroman that must topple before being reborn. This is a bittersweet, tragic comedy of Transformation, in which the changes in Maynard and Seamus mirror a coming cultural Revolution. This is a story of Truth planted firm - born of Fire, surrounded by Water and spread by Air. This is a story of Jungian, (and near Almagestian), breadth, full of Music and Movement and Love and Faith. This is a story whose Time has come. . . . Maynard and Seamus. Sea and May. Wolfman and Sundance. This is a story that can, May and will change the World!
New perspectives on the role of collective responsibility in modern politics States are commonly blamed for wars, called on to apologize, held liable for debts and reparations, bound by treaties, and punished with sanctions. But what does it mean to hold a state responsible as opposed to a government, a nation, or an individual leader? Under what circumstances should we assign responsibility to states rather than individuals? Leviathan on a Leash demystifies the phenomenon of state responsibility and explains why it is a challenging yet indispensable part of modern politics. Taking Thomas Hobbes' theory of the state as his starting point, Sean Fleming presents a theory of state responsibility that sheds new light on sovereign debt, historical reparations, treaty obligations, and economic sanctions. Along the way, he overturns longstanding interpretations of Hobbes' political thought, explores how new technologies will alter the practice of state responsibility as we know it, and develops new accounts of political authority, representation, and legitimacy. He argues that Hobbes' idea of the state offers a far richer and more realistic conception of state responsibility than the theories prevalent today, and demonstrates that Hobbes' Leviathan is much more than an anthropomorphic "artificial man." Leviathan on a Leash is essential reading for political theorists, scholars of international relations, international lawyers, and philosophers. This groundbreaking book recovers a forgotten understanding of state personality in Hobbes' thought and shows how to apply it to the world of imperfect states in which we live.
James Joyce’s Ulysses first appeared in print in the pages of an American avant-garde magazine, The Little Review, between 1918 and 1920. The novel many consider to be the most important literary work of the twentieth century was, at the time, deemed obscene and scandalous, resulting in the eventual seizure of The Little Review and the placing of a legal ban on Joyce’s masterwork that would not be lifted in the United States until 1933. For the first time, The Little Review “Ulysses” brings together the serial installments of Ulysses to create a new edition of the novel, enabling teachers, students, scholars, and general readers to see how one of the previous century’s most daring and influential prose narratives evolved, and how it was initially introduced to an audience who recognized its radical potential to transform Western literature. This unique and essential publication also includes essays and illustrations designed to help readers understand the rich contexts in which Ulysses first appeared and trace the complex changes Joyce introduced after it was banned.
Hope Isn’t Stupid is the first study to interrogate the neglected connections between affect and the practice of utopia in contemporary American literature. Although these concepts are rarely theorized together, it is difficult to fully articulate utopia without understanding how affects circulate within utopian texts. Moving away from science fiction—the genre in which utopian visions are often located—author Sean Grattan resuscitates the importance of utopianism in recent American literary history. Doing so enables him to assert the pivotal role contemporary American literature has to play in allowing us to envision alternatives to global neoliberal capitalism. Novelists William S. Burroughs, Dennis Cooper, John Darnielle, Toni Morrison, Thomas Pynchon, and Colson Whitehead are deeply invested in the creation of utopian possibilities. A return to reading the utopian wager in literature from the postmodern to the contemporary period reinvigorates critical forms that imagine reading as an act of communication, friendship, solace, and succor. These forms also model richer modes of belonging than the diluted and impoverished ones on display in the neoliberal present. Simultaneously, by linking utopian studies and affect studies, Grattan’s work resists the tendency for affect studies to codify around the negative, instead reorienting the field around the messy, rich, vibrant, and ambivalent affective possibilities of the world. Hope Isn’t Stupid insists on the centrality of utopia not only in American literature, but in American life as well.
Sectarian violence is one of the defining characteristics of the modern Ulster experience. Riots between Catholic and Protestant crowds occurred with depressing frequency throughout the nineteenth century, particularly within the constricted spaces of the province's burgeoning industrial capital, Belfast. From the Armagh Troubles in 1784 to the Belfast Riots of 1886, ritual confrontations led to regular outbreaks of sectarian conflict. This, in turn, helped keep Catholic/Protestant antagonism at the heart of political and cultural discussion in the north of Ireland. Rituals and Riots has at its core a subject frequently ignored—the rioters themselves. Rather than focusing on political and religious leaders in a top-down model, Sean Farrell demonstrates how lower-class attitudes gave rise to violent clashes and dictated the responses of the elite. Farrell also penetrates the stereotypical images of the Irish Catholic as untrustworthy rebel and the Ulster Protestant as foreign oppressor in his discussion of the style and structure of nineteenth-century sectarian riots. Farrell analyzes the critical relationship between Catholic/ Protestant violence and the formation of modern Ulster's fractured, denominationally based political culture. Grassroots violence fostered and maintained the antagonism between Ulster Unionists and Irish Nationalists, which still divides contemporary politics. By focusing on the links between public ritual, sectarian riots, and politics, Farrell reinterprets nineteenth-century sectarianism, showing how lower-class Protestants and Catholics kept religious division at the center of public debate.
For the last twenty years ecology, the last great political movement of the 20th century, has fired the imaginations not only of political activists but of popular movements throughout the industrialised world. EcoMedia is an enquiry into the popular mediations of environmental concerns in popular film and television since the 1980s. Arranged in a series of case studies on bio-security, relationships with animals, bioethics and biological sciences, over-fishing, eco-terrorism, genetic modification and global warming, EcoMedia offers close readings of Peter Jackson's The Lord of the Rings, Miyazake's Princess Mononoke, The Perfect Storm, X-Men and X2, The Day After Tomorrow and the BBC's drama Edge of Darkness and documentary The Blue Planet. Drawing on the thinking of Flusser, Luhmann, Latour, Agamben and Bookchin, EcoMedia discusses issues from whether animals can draw and why we like to draw animals, to how narrative films can imagine global processes, and whether wonder is still an ethical pleasure. Building on the thesis that popular film and television can tell us a great deal about the state of contemporary beliefs and anxieties, the book builds towards an argument that the polis, the human world, cannot survive without a three way partnership with physis and techne, the green world and the technological.
The political activist and founder of "POZ" magazine recounts his experiencesin New York during the height of the AIDS epidemic, his own transforming diagnosis with HIV, and his efforts as the executive director of the Sero Project.
This work is a history of US aviation regulation in the interwar period of the early twentieth century. The author presents the Air Commerce Act as the institutionalization of a specific American regulatory ideology that arose in response to the technological nature of the airplane, the US Constitution, and the Paris Convention of 1919"--
The Battle of Petersburg was the culmination of the Virginia Overland campaign, which pitted the Army of the Potomac, led by Ulysses S. Grant and George Gordon Meade, against Robert E. Lee’s Army of Northern Virginia. In spite of having outmaneuvered Lee, after three days of battle in which the Confederates at Petersburg were severely outnumbered, Union forces failed to take the city, and their final, futile attack on the fourth day only added to already staggering casualties. By holding Petersburg against great odds, the Confederacy arguably won its last great strategic victory of the Civil War. In The Battle of Petersburg, June 15–18, 1864, Sean Michael Chick takes an in-depth look at an important battle often overlooked by historians and offers a new perspective on why the Army of the Potomac’s leadership, from Grant down to his corps commanders, could not win a battle in which they held colossal advantages. He also discusses the battle’s wider context, including politics, memory, and battlefield preservation. Highlights include the role played by African American soldiers on the first day and a detailed retelling of the famed attack of the First Maine Heavy Artillery, which lost more men than any other Civil War regiment in a single battle. In addition, the book has a fresh and nuanced interpretation of the generalships of Grant, Meade, Lee, P. G. T. Beauregard, and William Farrar Smith during this critical battle.
Written in a lively, accessible style and detailing the events of the Progressive Era and World War I (1901-1920), this book is the only interdisciplinary history covering this period currently available. 60+ illustrations.
Since its publication in 1984, Chants Democratic has endured as a classic narrative on labor and the rise of American democracy. In it, Sean Wilentz explores the dramatic social and intellectual changes that accompanied early industrialization in New York. He provides a panoramic chronicle of New York City's labor strife, social movements, and political turmoil in the eras of Thomas Jefferson and Andrew Jackson. Twenty years after its initial publication, Wilentz has added a new preface that takes stock of his own thinking, then and now, about New York City and the rise of the American working class.
Widely regarded as the antebellum South's foremost man of letters, William Gilmore Simms (1806-1870) wrote novels and poetry that recently have enjoyed a remarkable resurgence of interest. While scholars have previously considered Simms as primarily a poet, editor, and writer of fiction, Sean R. Busick contends that the author is more fully understood as a historian. In this fresh look at Simms and his contributions, Busick brings to light the lasting impact of the South Carolinian's efforts to comprehend American history and to preserve important pieces of the historical record. In A Sober Desire for History, Busick argues that Simms made five significant contributions to American historiography. Simms's achievements include his work as an archivist, preserving a wealth of primary source materials that probably would not exist today if not for his efforts; as a champion of accessible and well-wrought historical writing; and as an advocate for what he considered democratic history - history that recognizes individuals rather than impersonal forces as the impetus for historical events. Loyalists and women, traditionally neglected in the telling of American history. Finally, although Busick shows that Simms published historical romances, biographies, and a state history, he also made an important, lasting contribution to the writing of American history through his support and encouragement of other historians. Busick addresses, among other topics, Simms's ideas on the relationship between history and fiction, his work as a biographer, his writing of the text that would be used to teach history to generations of South Carolina schoolchildren, and his controversial 1856 Northern lecture series on South Carolina's role in the American Revolution.
When Abraham Lincoln expressed gratitude for the northern churches in the spring of 1864, it had nothing to do with his appreciation of doctrine, liturgy, or Christian fellowship. Collectively, the churches earned the president's admiration with rabid patriotism and support for the war. Ministers publicly proclaimed the righteousness of the Union, condemned slavery, and asserted that God favored the federal army. Yet all of this would have amounted to nothing more than empty bravado without the support of the men and women sitting in the pews. This outstanding book examines the Civil War from the perspective of the northern laity, those religious civilians whose personal faith influenced their views on politics and slavery, helped them cope with physical separation and death engendered by the war, and ultimately enabled them to discern the hand of God in the struggle to preserve the national Union.From Lincoln's election to his assassination, the book weaves together political, military, social, and intellectual history into a religious narrative of the Civil War on the northern home front. Packed with compelling human interest stories, this account draws on letters, diaries, newspapers and church records along with published sources to conclusively demonstrate that many devout civilians regarded the Civil War as a contest imbued with religious meaning. In the process of giving their loyal support to the government as individual citizens, religious Northerners politicized the church as a collective institution and used it to uphold the Union so the purified nation could promote Christianity around the world. Christian patriotism helped win the war, but the politicization of religion did not lead to the redemption of the state.
Out of Oakland offers a wonderful case study in the possibilities and limitations of transnational organizing. ― Diplomatic History In Out of Oakland, Sean L. Malloy explores the evolving internationalism of the Black Panther Party (BPP); the continuing exile of former members, including Assata Shakur, in Cuba is testament to the lasting nature of the international bonds that were forged during the party's heyday. Founded in Oakland, California, in October 1966 by Huey P. Newton and Bobby Seale, the BPP began with no more than a dozen members. Focused on local issues, most notably police brutality, the Panthers patrolled their West Oakland neighborhood armed with shotguns and law books. Within a few years, the BPP had expanded its operations into a global confrontation with what Minister of Information Eldridge Cleaver dubbed "the international pig power structure." Malloy traces the shifting intersections between the black freedom struggle in the United States, Third World anticolonialism, and the Cold War. By the early 1970s, the Panthers had chapters across the United States as well as an international section headquartered in Algeria and support groups and emulators as far afield as England, India, New Zealand, Israel, and Sweden. The international section served as an official embassy for the BPP and a beacon for American revolutionaries abroad, attracting figures ranging from Black Power skyjackers to fugitive LSD guru Timothy Leary. Engaging directly with the expanding Cold War, BPP representatives cultivated alliances with the governments of Cuba, North Korea, China, North Vietnam, and the People's Republic of the Congo as well as European and Japanese militant groups and the Palestinian Liberation Organization. In an epilogue, Malloy directly links the legacy of the BPP to contemporary questions raised by the Black Lives Matter movement.
My first book was mainly based around myself and my hardships and emotions and experiences and thoughts and the collection spans some 10 years. This follow up book however, is written more for others and is a collection put together in 2016/17. Inspiration was taken from world events, past and present, and from the loss of loved ones and friends suffering. I write to express the feelings others have trouble finding words for. I hope you enjoy and that maybe the words help. Theres something for everyone and most subjects are covered if you take both collections. I think I have exhausted my thoughts for now so plan to take a break and try my hand at writing a novel so keep your eye out.
From the editor of The Mammoth Book of Steampunk, this anthology of steam-powered short stories, dirigibles aloft, retro-tech wonders, and astounding adventure will set clockwork-loving hearts hammering with delight. Longtime steampunk fans: prepare to gleefully grab your goggles to read these remarkable stories! Newcomers: prepare to become fans of this popular genre involving both the past and present—entertainingly and provocatively re-thought, re-invented, and re-evaluated. With stories by K.W. Jeter, Caitlín R. Kiernan, Ken Liu, Cherie Priest, Carrie Vaughn, and many others. Full list of contributors: Christopher Barzak; Tobias Buckell; C. S. E. Cooney; Aliette de Bodard; Lisa L. Hannett; Samantha Henderson; K. W. Jeter; Caitlin R. Kiernan; Jay Lake; Ken Liu; Alex Dally MacFarlane; Tony Pi; Cherie Priest; Cat Rambo; Chris Roberson; Margaret Ronald; Sofia Samatar; Gord Sellar; Nisi Shawl; Benjanun Sriduangkaew; E. Caterine Tobler; Genevieve Valentine; Carrie Vaughn; AC Wise; Jonathan Wood. Praise for the author: The Mammoth Book of Steampunk, edited by Sean Wallace, focuses on newer elements of steampunk and proudly includes work by Mary Robinette Kowal, Jay Lake, Cat Rambo, Ekaterina Sedia, Catherynne M. Valente, Genevieve Valentine and more. Kirkus Reviews The Mammoth Book of Steampunk, edited by Sean Wallace, includes five original stories (and a large selection of good recent work). All the originals are worthy of attention. Locus World Fantasy Award-winning editor Wallace has compiled an outstanding anthology of thirty stories (including four originals) sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading. Publishers Weekly, starred review What I liked best about the majority of these short stories was that they’re true to steampunk; no real unusual deviations for those of you looking for goggles and corsets . . . Wired
Groundbreaking and universal, Stephen Covey's THE 7 HABITS OF HIGHLY EFFECTIVE PEOPLE has been one of the most popular motivational books of all time. Now Stephen's son, Sean, has transformed this bestselling message into a life-changing book for teenagers, parents, grandparents and any adult who influences young people. At a time when everything from planning what to wear to a party to dealing with an alcoholic friend can seem overwhelming and complex, THE 7 HABITS OF HIGHLY EFFECTIVE TEENAGERS will bring a special perspective and focus to the lives of young people everywhere. Sean Covey speaks directly to teenagers in a language they can really understand and relate to, providing a step-by-step guide to help them improve self-image, build friendships, resist peer pressure, achieve their goals, get along with their parents, and much more.
A gruesome ritual murder has stained the Oxfordshire countryside. It's just the first incident in a chain of events awakening Detective Inspector Joel Solomon to his worst nightmare-and a dreadful omen of things to come. Because Joel has a secret: he believes in vampires. Alex Bishop is an agent of the Vampire Intelligence Agency. She's tasked with enforcing the laws of the global Vampire Federation, and hunting rogue members of her race. A tough job made tougher when the Federation comes under attack by traditionalist vampires. They have a stake in old-school terror-and in an uprising as violent as it is widespread. Now it's plunging Alex and Joel into a deadly war between the living and the unloving-and against a horrifying tradition given new life by the blood of the innocent.
The Politics of Religion in Soviet-Occupied Germany illuminates the religious policies of the Soviet military authorities and their allies in the Socialist Unity Party in the Soviet zone, and more importantly, who devised these policies and how they implemented them. Brennan illustrates how the Soviet authorities recreated the Soviet zone along Stalinist lines with regard to religious policy, focusing on the Soviet zone, and in particular its most important province, Berlin-Brandenburg. This book also demonstrates how the church leaders responded to these policies, especially as they became increasingly antireligious. Book jacket.
DIVA new interpretation of the literature of the Red Power movement that reconceives the role of identity in the political empowerment of Native Americans./div
The premise of The Clans Conflict is a novel of fantasy, but is set in a time following an all too possible future where the world has gone to war over poverty, greed and natural resources. World War III was a total war among many nations, not just a powerful few. In a world where nuclear disarmament weakened the most strong nations, it also served to offer a false sense of empowerment to the weak. Portable atomic devices found their way into the hands of hate-spewing terrorists and to yet others willing to sell those devastating weapons to whom ever was willing to pay for them. The initial death toll on what quickly came to be known simply as Doomsday was dreadful. Billions died all around the world in one afternoon and they were perhaps the more fortunate as the world instantly changed. Over the next several years many more died from radiation sickness and contaminated food and water supplies. Ash darkened the sky and changed the planet’s climate for long months that turned to years and yet more humans, along with much animal and plant life, suffered and perished until only remnants of civilization remained. Eight hundred years passed as pockets of humanity struggled to survive in the face of hardship and privation. In some areas where the climate was naturally cooler and more temperate people began to thrive after a time, when the planet started to heal from the damage which had been done to her. Radiation levels dissipated more rapidly in the cooler climes and the lands slowly became green again. We follow the hardy folk of Scotland once they have entered a new age, called The Recovery. Due in part to the land itself, but mostly from that people’s way of life, their sense of family, God, and honour of their proud clans, they rebuilt Scotland and established a new government and rule of law. They revived their mountainous kingdom upon old principles and proven traditions that had remained in their hearts. Although, far from perfect, as men shall ever be, they built new lives from the ashes while seeking to learn whatever they could from the past. With that background in place, the story follows the ever present struggle among the various clans, particularly the MacGregors and their rivals. Heroes arise to battle foes tainted by greed and ambition as Scotland falls into civil war. Gone are weapons of mass destruction, but arms and armor of old are rediscovered and put to bloody use. Returned are gallant knights; rebuilt are old castles; and rekindled are clan feuds of old. Even those of bloodlines, which lived before the human race began to abound, reemerged into the much changed world. These people, called the Sidhe, had ever remained within the Celtic lands, though mostly hidden from human eyes by what some would refer to as magic. History always seems to repeat itself regardless of men’s best intentions and there will always be wars that must be fought, no matter the age, when good must make a stand against the evil minded.
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