“Chick does a good job of portraying [General Beauregard] as the first real hero of the Confederacy, who at times proved his own worst enemy.” —The NYMAS Review Few Civil War generals attracted as much debate and controversy as Pierre Gustav Toutant Beauregard. He combined brilliance and charisma with arrogance and histrionics. He was a Catholic Creole in a society dominated by white Protestants, which made him appear exotic next to the likes of Albert Sidney Johnston and Robert E. Lee. He was reviled by Jefferson Davis and mocked by Mary Chesnut in her diary. Yet he was popular with his soldiers and subordinates. Outside of Lee, he was the South’s most consistently successful commander, winning at Bull Run, defending Charleston in 1863, and defeating Benjamin Butler at Bermuda Hundred and Ulysses Grant and George Meade at Petersburg. Yet, he lived his life in the shadow of his one major defeat: Shiloh. Beauregard’s career before and after the war was no less tumultuous. He was born among the Creole elite of Louisiana, but rejected the life of a planter in favor of the military, inspired by tales of Napoléon. He was considered a shining light of the antebellum army and performed superbly in the Mexican-American War. Yet he complained about a lack of promotion and made a frustrating stab at being mayor of New Orleans in 1858. After the war, he was a successful railroad executive and took a stand against racism, violence, and corruption during Reconstruction, but he was ousted from both railroads he oversaw and his foray into Reconstruction politics came to naught. And though he provided for his family and left them a hefty sum after his death, the money was mostly gained by working for the corrupt Louisiana Lottery. In Dreams of Victory: General P.G.T. Beauregard in the Civil War, Sean Michael Chick explores a life of contradictions and dreams unrealized—in a biography of one of the most fascinating figures of the Civil War.
“Sean Carswell is a wonderful storyteller. . . . Reading his stuff makes you laugh and makes you think.”—Howard Zinn “[Carswell’s writing is] the antidote to what is so boring or safe or wrong with modern book publishing.”—Joe Meno, author of Hairstyles of the Damned Train Wreck Girl is the funny and tragic story of one man’s quest to figure out what to do with his life now that it’s too late for him to die young. After finding his girlfriend dead on the railroad tracks right after breaking up with her, Danny McGregor—Flagstaff bartender and surfer without an ocean—rides the next bus out of Arizona, fleeing to his Cocoa Beach, Florida, hometown, where a maelstrom of past ghosts await. Back in Florida, his treacherous friend, Bart, finds Danny a job picking up corpses. Sophie, a former crazy girlfriend who stabbed Danny, wants to rekindle their relationship. Taylor, a twelve-year-old neighborhood girl, only wants Danny to teach her to surf. And then there’s Helen, with a face that launched a dozen Greyhounds. Through the chaos, Danny discovers his strengths amid all his weaknesses and is able to move forward while making peace with his past. Sean Carswell is a former carpenter, housepainter, dishwasher, and warehouse clerk. His fiction has appeared in dozens of literary journals. He has been a staff writer for Flipside, Clamor, and Ink 19, and is a regular contributor to Razorcake. A co-founder of Gorsky Press, he is currently a professor at the University of California.
Based on many years of personal research, and a thorough knowledge of the European literature, the authors provide an eminently readable account of the biology of the Common Buzzard. Whatever your interests in birds, I can recommend this book for its content of information and insight.' – Professor Ian Newton OBE, FRS, FRSE Soaring majestically on thermals with broad wings raised, the Common Buzzard is a familiar sight for many people across Eurasia. In fact, thanks to a remarkable ability to adapt to local conditions, it is now one of the most abundant hawks in the world. The Common Buzzard can exploit a variety of nest sites, and has an eclectic diet that ranges from earthworms and voles to woodpigeons and even deer carcasses. This is a species rich in paradoxes. Why does a hawk evolved for hunting small mammals thrive on invertebrates and carrion? How can a raptor renowned for dramatic territorial displays occur at such high densities? And why does such a large bird that can travel long distances spend so much time in small areas? Sean Walls and Robert Kenward delve deep into the ecology of the Common Buzzard to provide answers to these questions and many more, as well as examining the conservation conundrums raised by this bird. Bringing together a wealth of research on the species' origins, feeding behaviour and breeding, along with information on movement and survival from the authors' own studies, The Common Buzzard provides an invaluable insight into exactly what has enabled this marvellous raptor to return to old haunts to impress, inspire and connect people with nature.
Learn to Fail Forward The Business Game Changers shows readers how to develop a non-traditional success formula to disrupt and innovate their industry. Club Tattoo founders and industry disruptors Sean and Thora Dowdell share their experience as a woman-run company in the male dominated world of tattoos and piercings. The lessons taught in this book are about learning to admit failure and learning to fail forward. Readers will learn how to: Work ON the business instead of IN the business Know when to take calculated risks Make affordable mistakes to innovate Step away from their comfort zone Become a powerful leader and not just a boss
An inspirational book that is “a smart, sweeping run through the history of Western philosophy. Important for the way it illuminates life today and for the controversial advice it offers on how to live” (The New York Times). “What constitutes human excellence?” and “What is the best way to live a life?” These are questions that human beings have been asking since the beginning of time. In their critically acclaimed book, All Things Shining, Hubert Dreyfus and Sean Dorrance Kelly argue that our search for meaning was once fulfilled by our responsiveness to forces greater than ourselves, whether one God or many. These forces drew us in and imbued the ordinary moments of life with wonder and gratitude. Dreyfus and Kelly argue in this thought-provoking work that as we began to rely on the power of our own independent will we lost our skill for encountering the sacred. Through their original and transformative discussion of some of the greatest works of Western literature, from Homer’s Odyssey to Melville’s Moby Dick, Dreyfus and Kelly reveal how we have lost our passionate engagement with the things that gave our lives purpose, and show how, by reading our culture’s classics anew, we can once again be drawn into intense involvement with the wonder and beauty of the world. Well on its way to becoming a classic itself, this inspirational book will change the way we understand our culture, our history, our sacred practices, and ourselves.
There is no lower rank than cabin boy on the warship Invincible. But Dantar knows he is important, because anyone who threatens his life gets turned into a pile of ashes. His older sister Velza is a shapecasting warrior, in a world where only men fight. Until now. Together they must solve the mystery of broken magic and escape the dragon.
Now in four convenient volumes, Field’s Virology remains the most authoritative reference in this fast-changing field, providing definitive coverage of virology, including virus biology as well as replication and medical aspects of specific virus families. This volume of Field’s Virology: RNA Viruses, Seventh Edition covers the latest information on RNA viruses, how they cause disease, how they can cause epidemics and pandemics, new therapeutics and vaccine approaches, as provided in new or extensively revised chapters that reflect these advances in this dynamic field. Bundled with the eBook, which will be updated regularly as new information about each virus is available, this text serves as the authoritative, up-to-date reference book for virologists, infectious disease specialists, microbiologists, and physicians, as well as medical students pursuing a career in infectious diseases.
Shunned. Condemned. Controlled. Describing church, believers and nonbelievers deploy stinging terms to define an imperial, culturally privileged, and powerful American force. Church has become synonymous with shame, exclusion, and hostility. This is not the church of Jesus. American Christians are victims of a deliberate and shortsighted scheme designed to identify and defeat religious, cultural, and sexual Others. From the language of “makers and takers,” to “if you’re not for us, you’re against us,” to the continual suggestion that we are soldiers in a constant series of wars—the war on women, the war on the family, the war on Christians, the war on Christmas, the war on terror, and much more—Christians are near the heart of enmity. The New Testament, however, seeks to create an alternative community—a community devoid of fear, wherein God’s love and acceptance are mediated to all people through the grace of Jesus. In Unarmed Empire, Sean Palmer reclaims the New Testament’s vision of the church as an alternative community of welcome, harmony, and peace. Unarmed Empire is for everyone who’s been misled about church. It’s for everyone who feels blacklisted by believers, everyone who has been hurt. It’s for everyone longing for a purer experience of church.
Not since Garth Nix and Sean Williams joined forces has there been such a great collaboration! The warlock Calbaras wants to revive the ancient, forbidden magic of dragons, and his son Dantar is vital to his plans. Dantar is on the run in an enemy kingdom, unaware that he is so important. Worse, his sister Velza is now working for the enemy king.
The former White House Press Secretary and Communications Director analyzes our current political moment through the lens of politics and culture and argues that President Trump has put the country back on the right track and needs to be reelected in 2020. When it was announced that Sean Spicer would be the newest guest on ABC's Dancing with the Stars, he was promptly attacked by countless liberal media institutions. Apparently, they'd rather see him crawl under a rock forever than have a little fun on television (while raising money for charity). And that was only a small example. All over the country, liberals are attacking conservatives with the kind of fervor once reserved for hardened criminals. It's a zero sum game -- either you're with them one hundred percent, or you're the enemy. Whether you're in politics, media, academia, or entertainment, it's the same story. As one of the few people who's played a small part in all of those worlds, Sean Spicer has a unique perspective on the methods used by the left to shut down conservative voices. He's been parodied on SNL, ripped apart on the nightly news, and protested on college campuses, all for doing his job. Outside of the left's bubble, however, he's been able to transition from politics to entertainment very well, and he's got huge numbers of supporters. In Leading America, he writes about all the ways President Trump has fought back against the Left, and examines all the ways conservatives can take a stand to uphold their rights and values.
A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.
Jimmy Devine has arrived in New York with the intention of starting an Irish band. He recruits Frederick Lancaster, accordionist, actor, raconteur, waiter, general man about town, and Gideon, the shy and sometimes wilful fiddler who plays Irish music in the subway stations of Brooklyn, to his cause, and together 'The Blazing Sons', as they call themselves, set about conquering New York! Jimmy lands some gigs in Irish pubs in Woodside and the Bronx. He discovers, however, that the path to the big time on the Irish scene in New York is strewn with many obsctacles, not to mention casualties. Dickensian in scope, 'Breakfast in Woodside' is a tale of the contemporary Irish experience in New York, and is told through the viewpoint of several characters, both Irish born and American born. For some, the grass has proved to indeed be 'greener on the other side'; for others it has not. ""McCabe's gentle recollections spring eternal"" - Cahir O Doherty, The Irish Voice, New York.
This is a very powerful novel of consistently over coming adversities and insurmountable odds on many different levels a person could face at many phases of life, this author takes you on a very exiting sometimes tough, sometimes smooth roller coaster ride of life that will make you laugh, cry, even scream out load, “oh my God”, a easy read page tuner you will not put down because you can’t wait to see what happen next! You would think the writer was sitting right in front of you talking to you face to face.
Matthew Worth is a mess. Somewhere between a good cop and a bad screwup, he botched a marriage and a career. His fellow officers think he’s a joke. His commanders are tired of cutting him breaks. Even his wife has left him for a flashy homicide detective. Busted to night patrol at a robbery-prone Omaha supermarket, Worth is doing time, wearing his uniform and asking shoppers if they want paper or plastic. If that isn’t enough, he suspects he might be falling for Gwen, the shy checkout girl who may be an even bigger mess than he is. It couldn’t get any worse. Until it does. When Gwen comes to him one night scared and desperate for help, Worth discovers just how far he’s willing to go to protect and serve. The next thing he knows, he’s driving a stolen car with a corpse in the trunk, a pistol in the glove box, and no way to turn back. Everything he doesn’t know could get them killed. And things haven’t even begun to get messy yet....
This collection of interviews across the entirety of Fleetwood Mac's career features articles from many celebrated publications as well as interviews that have never previously appear in print. Edited by Sean Egan, Fleetwood Mac On Fleetwood Mac is a fascinating insight into an era-defining rock band. Fleetwood Mac was a triumph from the beginning - their first album was the UK's bestselling album of 1968, and their 1977 album 'Rumours' became one of history's immortals, a true classic that remained in the charts for years and public affection forever. In the press, the ethereal Californian Stevie Nicks, the tormented rocker Lindsey Buckingham, the dignified English rose Christine McVie, the blunt-speaking John McVie, and the loquacious Mick Fleetwood have all regularly been astoundingly candid. In Fleetwood Mac On Fleetwood Mac, readers will learn the Fleetwood Mac story from the band members' own mouths, and experience it contemporaneously rather than through hindsight. Editor Sean Egan is an author and journalist who has interviewed members of Fleetwood Mac, the Beach Boys, the Beatles, Led Zeppelin and many others.
A dark comedy about human nature and rehabilitation. A tale of two friends who struggle to find themselves while battling an addiction to killing people.
Will and Big O are brothers, on the run and trying to stay together. Breaking into cars for small change, they stumble across a kidnap victim and end up in a fight for their lives.
As a writer of travelogues, Louis DeCarlo has been there and done that. Unfortunately, his most recent travels have left him with a case of writer's block-lost and devoid of vision. He needs a break. More than that, he needs an adventure. Enter the Chief: a man who has not only been there and done that but has experienced and embraced both the people and the places, as well. However, for all he's seen and done, he too has become lost and empty and in need of something new. Both men are searching for their next great story but don't know how or where to find it. Oddly enough, they discover the answer in a bottle at a bar where they meet. It seems a strange solution and an even stranger pairing, but what ensues is a journey to find not only the key to cracking Louis's writer's block but also the Chief's five elements to happiness and, ultimately, themselves. The men travel from place to place, seeing sights and meeting people, while drinking, dining, laughing, crying, and enjoying life and learning lessons along the way. Excursions with the Chief is more than a mere trip-it's a cross-country adventure of a lifetime.
Through unrestricted access to Mark Eitzel himself, former band members, associates and friends, Sean Body has built up a portrait of an artist tortured by his own demons, yet redeemed by the aching beauty of his songs."Wish The World Away is an insightful quote-drenched post-mortem on a band who recorded a slew of unbearably moving records before getting chewed up by the music biz machine."-Uncut Magazine
Saltwater Redemption is a fictional memoir concerning the life experiences of its protagonist, Mayson Darcy, set in in Avalon, New Jersey. The plot tracks Mr. Darcys attempt to rediscover the golden innocence hed experienced as a kid growing up down the shore, revolving around his nineteenth summer living with a group of new friends and old acquaintancesa group of gender-segregated collegians who pick themselves to live in a summer shore house and have their lives recorded by a mad diarist. It explores the romance and magic of seashore living, as well as the perennially relatable themes of ones search for God, romantic love, and friendship. The novel begins with Maysons first recollection of swimming in the ocean, out past the drowning waters with his mother as a young child in Avalon, and ends with him venturing forth, out beyond the bow into an eternity of moonlight. In between, the narrative recounts some chronologically hopscotching recollections, including his enduring (and at times unrequited) love for three graceful ladies: Grayce Bateman, Lyrica Le Fay, and Sadie McGoldrick. Saltwater Redemption highlights the timelessness of certain settings: places to which we often return to escape from the manifold insanities and belittlements of the world in order to discover where we essentially belong. Above all else, Saltwater Redemption is poetically written filled with much humor and heartbreak, as well as a deep-seated admiration for the ocean and its manifold heroines, concerning a life inevitably crested in one timeless Arthurian locale.
Introducing Rock Legend, a true cockney rebel on his sixteenth birthday and his last day of school. On this day Rock becomes a man. On this day Rock yearns to play the guitar. For the next three years Rock tries to conquer his guitar like his friend Jack Fender, but never nails it. When Rock's band the Lion Kings rocket towards superstardom Rock has a choice. Lay down his guitar and give up his dream of being "a part of it," or take on the role of road manager. It is an easy decision to make.
Having learned to survive the zombie apocalypse in the wilderness of Alaska, a battle-weary cohort is called upon for help in this horror series finale. A year into the undead apocalypse which has spread across North America and beyond, a group of survivors led by Neil Jordan are still alive against all the odds. Having escaped the horrors of Anchorage, they are still persisting on the Last Frontier, carving out a life for themselves far away from the legions of the dead. Now they’re asked to plunge back into the tempest following a distress call from Anchorage. Having finally established a refuge for themselves, Neil and the others must decide what sacrifice they are willing to make for complete strangers. Will they now return to the very place where they once waited for help in vain?
It's hard to save the world when you are in jail. Dantar and Velza, children of the warlock Calbaras, need to escape from jails six hundred miles apart to stop their father unleashing a catastrophically dangerous spell. Both will soon learn that they are not just special, they are also very dangerous.
The “virgin Bachelor” Sean Lowe reveals the challenges of finding love while championing his Christian convictions in the morally complex world of reality TV. After The Bachelorette broke his heart, Sean Lowe suspected his “nice guy” image hurt him. The show never emphasized it, but Sean committed to living according to biblical standards of sexuality, even as producers emphasized the risqué and promiscuous. A Texas boy from a Baptist home, Sean tells the story of how he went from a Division I college football player to a fan favorite on reality television, taking readers behind the scenes of The Bachelor and The Bachelorette to see the challenges of living out his values and faith—and ultimately winning his true love’s heart. For the Right Reasons is about the journeys we all have to take in the real world, where being “good” is the right thing to do but sometimes doesn’t seem to be enough; where betrayal is commonplace; and where that thing called perfection is actually just a cruel myth. Sean learned a few things from his two seasons on the hottest romance shows on television, and he wants others to benefit from those lessons: good does eventually win, lies will be discovered, and “nice guys” do ultimately finish first.
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation. Dictionary of the Ponca People presents approximately five thousand words and definitions used by Ponca speakers from the late nineteenth century to the present. Until relatively recently, the Ponca language had been passed down solely as part of an oral tradition in which children learned the language at home by listening to their elders. Almost every family on the southern Ponca reservation in Oklahoma spoke the language fluently until the 1940s, when English began to replace the Ponca language as children entered government boarding schools and were forced to learn English. In response to demand, Ponca language classes are now being offered to children and adults as people seek to gain knowledge of this important link to tradition and culture. The approximately five thousand words in this volume encompass the main artery of the language heard and spoken by the parents and grandparents of the Ponca Council of Elders. Additional words are included, such as those related to modern devices and technology. This dictionary has been compiled at a time when the southern Poncas are initiating a new syntactic structure to the language, as few can speak a full sentence. This dictionary is not intended to recover a cultural period or practice but rather as a reference to the spoken language of the people.
WINNER: American Book Fest Best Book Award 2020 - Communications/Public Relations WINNER: NYC Big Book Award 2020 - Marketing and Public Relations Saying sorry is in crisis. On one hand there are anxious PR aficionados and social media teams dishing out apologies with alarming frequency. On the other there are people and organizations who have done truly terrible things issuing much-delayed statements of mild regret. We have become addicted to apologies but immune from saying sorry. In January 2018 there were 35 public apologies from high-profile organizations and individuals. That's more than one per day. Between them, in 2017, the likes of Facebook, Mercedes Benz and United Airlines issued over 2,000 words of apologies for their transgressions. Alarmingly, the word 'sorry' didn't appear once. This perfectly timed book examines the psychology, motivations and even the economic rationale of giving an apology in the age of outrage culture and on-demand contrition. It reveals the tricks and techniques we all use to evade, reframe and divert from what we did and demonstrates how professionals do it best. Providing lessons for businesses and organizations, you'll find out how to give meaningful apologies and know when to say sorry, or not say it at all. The Apology Impulse is the perfect playbook for anyone - from social media executive through to online influencers and CEOs - who apologise way too much and say sorry far too infrequently.
David Bowie has always been a consummate mythmaker, and this fascinating anthology captures him at his most mysterious and mischievous, laying himself bare and building walls around himself in the same mercurial instant." —Peter Doggett, author of The Man Who Sold the World: David Bowie & the '70s David Bowie has been one of pop music's greatest interviewees since January 1972, when he famously told Melody Maker he was gay. Although he wasn't yet a big star, it was a groundbreaking moment. And over the years, Bowie has failed to give an uninteresting interview. He has been honest, declining to be coy about his ambitions, his private life, and even his developing ennui. Bowie on Bowie presents some of the best interviews Bowie has granted in his near five-decade career. Each interview traces a new step in his unique journey, successively freezing him in time as young novelty hit-maker, hairy hippie, Ziggy Stardust, Aladdin Sane, the Thin White Duke, plastic soul player, fragile Germanic exile, godfather of the New Romantics, eighties sell-out, Tin Machinist, and, finally, permanently, artistically reborn beloved elder statesman of challenging popular music. Sean Egan has interviewed members of the Beatles, the Velvet Underground, the Who, the Kinks, the Rolling Stones, Led Zeppelin, and many others. His books include Keith Richards on Keith Richards, The Rough Guide to the Rolling Stones, The Mammoth Book of the Beatles, and Jimi Hendrix and the Making of Are You Experienced.
The Who were a mass of contradictions. They brought intellect to rock but were the darlings of punks. They were the quintessential studio act yet were also the greatest live attraction in the world. They perfectly meshed on stage and displayed a complete lack of personal chemistry offstage. Along with great live shows and supreme audio experiences, the Who provided great copy. During the 1960s and '70s, Pete Townshend, messianic about contemporary popular music and its central importance in the lives of young people, gave sprawling interviews in which he alternately celebrated and deplored what he saw in the "scene." Several of these interviews have come to be considered classic documents of the age. Roger Daltrey, Keith Moon, and John Entwistle joined in. Even when the Who were non-operational or past their peak, their interviews continued to be compelling: changes in allegiances and social mores left the band members freer to talk about sex, drug-taking, business, and in-fighting. By collecting interviews with Who members from across fi ve decades, conducted by the greatest rock writers of their generation—Barry Miles, Jonathan Cott, Charles Shaar Murray, John Swenson, and Greil Marcus among them—The Who on The Who provides the full, fractious story of a fascinating band.
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