In The Brothers Karamazov, Fyodor Dostoevsky proposes ministry as the way to resist and overcome the world’s evil. He employs two plotlines to do so. The action plot concerns the events surrounding the murder of Fyodor Karamazov. All evidence points to Dmitri Karamazov. Rational, circumstantial evidence convicts him; yet the reader knows he is innocent. The ministry plot occurs in this dark context where “small acts of love” are performed by The Elder Zosima, Alyosha Karamazov, and many others. These acts of love all answer this unspoken question, “What can be said and done in Jesus’ name that opens the future to new possibilities in contexts heretofore deemed closed and without hope?” Asking and answering this question is the essence of ministry, and since the question can be asked in any context, ministry is possible anywhere. Dostoevsky’s unabashed antisemitism, however, undermines his brilliant analysis. The concluding chapters document how unconfessed sins like antisemitism exert a death-dealing power that undermines our cultures, our communities, and our ministries. The Freedom to Choose Life shows how ministry resists and overcomes evil by these small acts of love and by the global effects of repenting of humanity’s unconfessed sins.
In The Brothers Karamazov, Fyodor Dostoevsky proposes ministry as the way to resist and overcome the world’s evil. He employs two plotlines to do so. The action plot concerns the events surrounding the murder of Fyodor Karamazov. All evidence points to Dmitri Karamazov. Rational, circumstantial evidence convicts him; yet the reader knows he is innocent. The ministry plot occurs in this dark context where “small acts of love” are performed by The Elder Zosima, Alyosha Karamazov, and many others. These acts of love all answer this unspoken question, “What can be said and done in Jesus’ name that opens the future to new possibilities in contexts heretofore deemed closed and without hope?” Asking and answering this question is the essence of ministry, and since the question can be asked in any context, ministry is possible anywhere. Dostoevsky’s unabashed antisemitism, however, undermines his brilliant analysis. The concluding chapters document how unconfessed sins like antisemitism exert a death-dealing power that undermines our cultures, our communities, and our ministries. The Freedom to Choose Life shows how ministry resists and overcomes evil by these small acts of love and by the global effects of repenting of humanity’s unconfessed sins.
Shows how economics functions as the dominant religion in America today In this provocative book Scott Gustafson argues that economics functions in our current global culture as religions have functioned in other cultures. He describes and analyzes the rituals, pilgrimage sites, myths, prophets, sacraments, and mission of Economics to show how the Economy is our de facto God. Discussing such topics as debt, economic terrorism, globalization, and money as the Economy's sacrament, Gustafson's At the Altar of Wall Street encompasses a broad sweep of history, philosophy, culture studies, economic ideas, and religion in its trenchant analysis.
In this thought-provoking book Scott Gustafson argues that economics performs the same function in contemporary American culture that religions did in past cultures. He describes and analyzes the rituals, pilgrimage sites, myths, prophets, reformers, sacraments, and mission of economics to show how the economy operates as our de facto "god." Understanding how economics functions as a religion is the first step in addressing many of today's political and social problems, Gustafson says. Our inability to compromise on economic matters is much more intelligible when competing principles are understood as religious laws that cannot be violated. At the Altar of Wall Street encompasses a broad sweep of history, philosophy, culture studies, economic ideas -- and religion, of course -- and offers insightful discussion of such topics as debt, economic terrorism, globalization, and money as the economy's sacrament.
In The Brothers Karamazov, Fyodor Dostoevsky proposes ministry as the way to resist and overcome the world’s evil. He employs two plotlines to do so. The action plot concerns the events surrounding the murder of Fyodor Karamazov. All evidence points to Dmitri Karamazov. Rational, circumstantial evidence convicts him; yet the reader knows he is innocent. The ministry plot occurs in this dark context where “small acts of love” are performed by The Elder Zosima, Alyosha Karamazov, and many others. These acts of love all answer this unspoken question, “What can be said and done in Jesus’ name that opens the future to new possibilities in contexts heretofore deemed closed and without hope?” Asking and answering this question is the essence of ministry, and since the question can be asked in any context, ministry is possible anywhere. Dostoevsky’s unabashed antisemitism, however, undermines his brilliant analysis. The concluding chapters document how unconfessed sins like antisemitism exert a death-dealing power that undermines our cultures, our communities, and our ministries. The Freedom to Choose Life shows how ministry resists and overcomes evil by these small acts of love and by the global effects of repenting of humanity’s unconfessed sins.
The Bible records a struggle between two worldviews. God opposes one and favors the other. Nearly everyone forgets who God favors. Life abounds with the tragic consequences of our Biblical amnesia.
In verse, rhyme and original art, Incomplete Ignorance at Play demonstrates the author’s incomplete ignorance of the many subjects this poem addresses. It is divided into three books - Emergence, Divergence and Convergence – where topics from the Big Bang to Hiroshima are “playfully” written in verse and rhyme to inspire the imagination of the reader. Original art is employed so participants can juxtapose the art with the verse and perhaps be inspired to think thoughts and dream dreams far beyond any the author and artist might imagine. The poem is best read out loud and slowly. Take your time! Sometimes it is funny, but sometimes the topics are a bit too serious to be amusing.
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