Heroes permeate our culture. But what makes a hero? And what makes heroes 'heroic'? This exciting and innovative study explores how charisma and human needs create images of individuals as heroes and villains.
In The Heroic Leadership Imperative, Scott T. Allison and George R. Goethals identify leaders who have succeeded in meeting all three categories of needs and they discuss such leaders' appeal by way of a unique integration classic and contemporary psychology relevant to understanding all facets of heroism and heroic leadership.
Heroic Leadership is a celebration of our greatest heroes, from legends such as Mahatma Gandhi to the legions of unsung heroes who transform our world quietly behind the scenes. The authors argue that all great heroes are also great leaders. The term ‘heroic leadership’ is coined to describe how heroism and leadership are intertwined, and how our most cherished heroes are also our most transforming leaders. This book offers a new conceptual framework for understanding heroism and heroic leadership, drawing from theories of great leadership and heroic action. Ten categories of heroism are described: Trending Heroes, Transitory Heroes, Transparent Heroes, Transitional Heroes, Tragic Heroes, Transposed Heroes, Transitional Heroes, Traditional Heroes, Transforming Heroes, and Transcendent Heroes. The authors describe the lives of 100 exceptional individuals whose accomplishments place them into one of these ten hero categories. These 100 hero profiles offer supporting evidence for a new integration of theories of leadership and theories of heroism.
The value of great leaders seems to be an unquestioned assumption. The goal of this Element is to explore the counterintuitive idea that great leaders can pose a hazard to themselves and their followers. Great leadership, which accomplishes morally commendable and difficult objectives by leaders and followers, requires competence, morality, and charisma. A hazard is a condition or event that leads to human loss, such as injury, death, or economic misfortune. A leader can become a hazard through social psychological processes, which operate through the metaphor of Seven Deadly Sins, to create negative consequences. Great leaders can undermine their own success and accomplishments, as well as their followers. They can become a threat to the organization in which they are employed. Finally, great leaders can become a danger to the larger society. The damage great leaders can create can be reduced by applying the corresponding virtue.
An exploration of both classic and contemporary conceptions of leadership, focusing on social psychological approaches to central questions such as the way people think about leaders and leadership, the personality attributes of leaders, power and influence, trust, and the qualities that sustain positive relationships between leaders and followers.
Using the lens of popular culture, Heroes explores the ways that our perceptions of heroism and villainy affect the way people behave in heroic and villainous ways. Allison and Goethals use psychology to explore how these important concepts shape our lives and our world.
Calvin Samuels is a public defender with a passion for sticking by the underdog. His clients are desperate men and women with desperate cases. Like John Rogers. Although Samuels saved him from a life behind bars, he couldn’t save his life. Within months of his acquittal, Rogers’ body is fished from the Ohio River, two bullet holes in the back of his head. Police speculate his death was the result of a drug deal gone bad. Believing he failed a friend who depended on him, Samuels seeks redemption in the representation of Mark Alexander, accused of the brutal murder of two drug dealers. Needing to believe in his client’s innocence, however, Samuels is blind to clues that Alexander is not what, or who, he seems. Until he meets Allison Morris, Alexander’s former lover and the prosecution’s most damning witness. Could Alexander actually be Rogers’ murderer? But when the trial finally reaches its stunning conclusion, Samuels’ descent into the maelstrom has only just begun.
The time is from the 1950s through the twenty-first century. It is about the life of a dreamer, one who fantasizes continuously about being someone important. The story of his life and times that express concern, compassion, even love for some he comes in contact with; there are a few he despises. For those he did, though, it was as strong as a lightning bolt. There is love, death, destruction, mayhem, and disaster all rolled up like a tasty burrito. This novel will leave you wanting more. Marlon Jackson is a person who just happens to be there when the world tries to end each and every day. There is some truth in his way of life and his love for the most natural things of life. The very creation of his imagination is a story to be told another day.
When the world died, hope died. For years after the Cull, we strove – we rose up against the slavers and exploiters, we fought back the crazies, we broke the soil again and farmed like our ancestors. Could it ever be enough? With history broken, the old orders and certainties have lost their hold. But the bad and the cruel will always seek to rise, and disaster is always one mistake away. Chaos wants to return. Journal of the Plague Year brought you three tales from the first days of the Cull; now End of the End revisits old friends from School’s Out Forever, Hooded Man, The Culled and Kill or Cure, years after the adventures you know, as they still struggle to shout their defiance against the growing darkness.
“The woman looked at her, staring face-to-face. Adrienne grasped the candy machine, fumbling for a knob to hold onto, immediately vertiginous: it was the dead woman, the corpse, Andie Shipley. Locking eyes, boring straight into her, and then the dead woman moved from the pillar and walked toward her. “Adrienne released the candy machine, grabbed tight to her suitcase, and ran for the train. With a low metallic groan it was already moving. She dashed for the door Earl had disappeared into, still open, and from the edge of her vision saw the woman change course to follow. She sprinted the last few yards and jumped up into the doorway, but her suitcase smacked against the side of the train and wrenched out of her hand. “Clutching the handrail she spun around, went to her knees, and stretched her free arm out for her bag. But the train slid away, speed growing, and a second set of hands clasped her luggage instead. Andie Shipley on her knees beside the bag met eyes again with Adrienne, watched her and the train move out of reach, watched till Adrienne thought both their heads must explode. Then Andie stood with Adrienne’s suitcase, turned, and vanished back into Betws-y-Coed station.” Newly unemployed soap opera actress Adrienne Simpson is having some trouble figuring out who she is ... and who everyone else is as well. She’s witnessed a murder from the battlements of an ancient Welsh castle, and when she sees the body up close she finds it disconcertingly reminiscent of herself. In the night she is visited by a ghost, but it’s not the murder victim — it’s Allison Minor, the character she has played on television for the past four years, whose death scene she came to Wales to film. For years Adrienne has felt the character of Allison has held her back from becoming the person she might be, and now she discovers Allison, freed by her death, has felt the same way about Adrienne. And the next day, leaving Wales with the seductive and mysterious man she met at the murder scene, her luggage is stolen from the train station by Andie Shipley, the woman everybody agrees is dead. After a wild night with her new lover Earl, who has an uncertain connection with Andie Shipley, Adrienne flees to Manhattan. But Earl follows, Allison reappears, and Andie — dead or alive — takes over Adrienne’s apartment and identity in Los Angeles. There is no running from the weirdness that has invaded her life, so Adrienne heads for home to confront the truth, and the corpse, head-on. Full of thrills, romance, and laughs, Identity Crisis takes us into a world where nothing can possibly be what it seems. ... Can it?
When the world died, we were torn apart. He’s an old soldier, of a sort – be polite and say he ‘solved problems’ for his government. She’s a doctor, a scientist specialising in rare diseases. They met once, fell in love, got ready to settle down... until the Cull came and tore them apart. They’ve hunted each other across the ravaged, ruined world, leaving bloodshed and destruction in both their wakes. Finally, tonight, in an old Army research post in the middle of nowhere, they’ll be reunited. With any luck, it’ll live up to the promise. Children of the Cull continues the stories of Simon Spurrier’s The Culled and Rebecca Levene’s Kill or Cure.
Abraham Lincoln, Princess Diana, Rick in Casablanca--why do we perceive certain people as heroes? What qualities do we see in them? What must they do to win our admiration? In Heroes, Scott T. Allison and George R. Goethals offer a stimulating tour of the psychology of heroism, shedding light on what heroism and villainy mean to most people and why heroes--both real people and fictional characters--are so vital to our lives. The book discusses a broad range of heroes, including Eleanor Roosevelt, Walt Kowalski in Gran Torino, Senator Ted Kennedy, and explorer Ernest Shackleton, plus villains such as Shakespeare's Iago. The authors highlight the Great Eight traits of heroes (smart, strong, selfless, caring, charismatic, resilient, reliable, and inspiring) and outline the mental models that we have of how people become heroes, from the underdog who defies great odds (David vs. Goliath) to the heroes who redeem themselves or who overcome adversity. Brimming with psychological insight, Heroes provides an illuminating look at heroes--and into our own minds as well.
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