Scott Russell Sanders reveals how the pressure of the sacred breaks through the surfaces of ordinary life-a life devoted to grown-up children and aging parents, the craft of writing, and the natural world. Whether writing to his daughter and his son as each prepares to get married, or describing an encounter with a red-tailed hawk in whose form he glimpses his dead father, or praising the disciplines of writing and carpentry and teaching, Sanders registers, in finely tuned prose, the force of spirit.
After an angry confrontation with his son on a hiking trip intended to restore their relationship, Scott Sanders realizes that his own despair has darkened his son's world. In Hunting for Hope he sets out to gather his own reasons for facing the future with hope, finding powers of healing in nature, in culture, in community, in spirit, and within each of us.
In the hands of award-winning writer Scott Russell Sanders, the essay becomes an inquisitive and revelatory form of art. In 30 of his finest essays—nine never before collected—Sanders examines his Midwestern background, his father's drinking, his opposition to war, his literary inheritance, and his feeling for wildness. He also tackles such vital issues as the disruption of Earth's climate, the impact of technology, the mystique of money, the ideology of consumerism, and the meaning of sustainability. Throughout, he asks perennial questions: What is a good life? How do family and culture shape a person's character? How should we treat one another and the Earth? What is our role in the cosmos? Readers and writers alike will find wisdom and inspiration in Sanders's luminous and thought-provoking prose.
This award-winning collection moves from the dark and technically astonishing title essay—on growing up within the confines of a huge Army arsenal in Ohio—to reflections on mountain hikes, limestone quarries, and fathers teaching their sons.
This story collection by the acclaimed author and conservationist “sparks with brilliant imagery” in tales of dystopian worlds and human resilience (Teresa Milbrodt, author of Bearded Women: Stories). Fans of Scott Russell Sanders, the Lannan Literary Award-winning essayist and author of The Conservationist Manifesto, may be surprised to learn he was one of the brightest science-fiction newcomers of the 1980s. In Dancing in Dreamtime, Sanders returns to his sci-fi roots, exploring both inner and outer space in a speculative collection of short stories. At a time when humankind faces unprecedented, global-scale challenges from climate change, loss of biodiversity, dwindling vital resources, and widespread wars, this collection of planetary tales will strike a poignant chord with the reader. Sanders has created worlds where death tolls rise due to dream deprivation, where animals only exist in mechanical form, and where people are forced to live in biodomes to escape poisoned air. “Clear-eyed and philosophical” these vividly imagined stories combine “intellectualism with magical realism in an uncommon unity of mind and spirit” (Shelf Awareness).
In Limestone, Indiana, a city tucked away among forested hills, peculiar things happen, often in the vicinity of a jack-of-all-trades named Gordon Mills. Centaurs and nymphs shelter in a local cave, alligators lurk in the sewers, warm snow falls on the Fourth of July, cornstalks rise higher than chimneys, and the northern lights shine down on the municipal dump. Gordon takes such events in stride and deals with them as part of his work on the city maintenance crew. He earns just enough to support a boisterous family, which includes his formidable wife Mabel, their four children, Mabel's parents, and his widowed mother—nine souls packed into an old house that falls apart as fast as Gordon can fix it. Part folktale, part tall tale, part comic romance, Small Marvels revels in the wonders of everyday life. So, welcome to Limestone, Indiana. You won't find it on a map, but you may remember visiting the place in dreams, the rare, blissful ones in which puzzles are solved, kids flourish, hard work pays off, and love endures.
Writing from the Center is about one very fine writer's quest for a meaningful and moral life. The center he seeks and describes is geographical, emotional, artistic, and spiritual - and it is rooted in place. The geography is midwestern, the impulses are universal. Where and how do we find meaning? Where does a writer find inspiration? How can personal, artistic, family, and community needs be blended to create a harmonious life? What aids exist in such a ""located"" life against despair? How should a writer relate to and represent his place? Twelve interrelated essays probe these questions from different perspectives. ""Buckeye"" examines the resonance of objects and the mysteries of relationships and death. ""Imagining the Midwest"" surveys how other writers have seen and related to their region. ""The Common Life"" makes an eloquent case for community values. ""Sanctuary"" is an eloquent and painful consideration of environmental degradation. ""Writing from the Center"" and ""Letter to a Reader"" deal with Sanders's decisions to locate in the Midwest, to know his place, and to write about it in both fiction and nonfiction.
With round-the-clock drugs, games, and eros parlors to entertain them and virtual weather to sustain them, humans live inside a global network of domed cities known collectively as "the Enclosure." Having poisoned the biosphere, we've had to close ourselves off from the Earth. The cities of the Enclosure are scattered around the globe on the land and sea, and are connected by a web of travel tubes, so no one needs to risk exposure. Health Patrollers police the boundaries of the Enclosure to keep the mutants and pollution out. Phoenix Marshall decodes satellite images for a living. He has spent all 30 years of his life in Oregon City, afloat on the Pacific Ocean. He busies himself with work and various forms of recreation to keep boredom at bay. One morning he opens his door to find Teeg Passio. Teeg is the same age as Phoenix, but she's different; she's menacingly and enticingly wild. She grew up on the outside. Her mother oversaw the recycling of the old cities, and her father helped design the Enclosure. Teeg works maintenance, which allows her to travel outside the walls. When she introduces Phoenix to her crew, he is drawn into a high-tech conspiracy that may threaten everything he understands. Are humans really better off within the Enclosure? Is the Earth? Are Health Patrollers keeping us safe or just keeping us in? Teeg seduces Phoenix out of his orderly life, enlisting him in a secret, political and sexual rebellion. Teeg and her co-conspirators, part mystics, part tech-wizards, dream of a life embedded in nature. Then one day, during a closely monitored repair mission on the outside, a typhoon offers the rebels a chance to escape the Enclosure and test their utopian dreams in the wilds.
There's always something happening at Crawdad Creek. That's what Lizzie and Michael call the stream that runs behind their house. Come pan for gold, hunt for fossils, find an arrowhead in the mud or a crayfish under a stone. Watch whirligig beetles and water striders skate across the water, teasing the fish below, and count the turtles sunning themselves on moss-covered logs. Follow tracks along the bank, then sit in quiet amazement as deer, raccoons, and other animals visit the creek. There's a wild and beautiful world here waiting to be discovered. Take the time to look!
A thoughtful and fine local geography. Scott Sanders, judging little and settling forth much, gives us texture and depth in southern Indiana, a place that's dressed a phenomenal number of the nation's enduring buildings." -Barry Lopez, author of Arctic Dreams and Of Wolves and Men
An original and searching memoir from "one of America's finest essayists" (Phillip Lopate) When Scott Russell Sanders was four, his father held him in his arms during a thunderstorm, and he felt awe—"the tingle of a power that surges through bone and rain and everything." He says, "The search for communion with this power has run like a bright thread through all my days." A Private History of Awe is an account of this search, told as a series of awe-inspiring episodes: his early memory of watching a fire with his father; his attraction to the solemn cadences of the Bible despite his frustration with Sunday-school religion; his discovery of books and the body; his mounting opposition to the Vietnam War and all forms of violence; his decision to leave behind the university life of Oxford and Harvard and return to Indiana, where three generations of his family have put down roots. In many ways, this is the story of a generation's passage through the 1960s—from innocence to experience, from euphoria to disillusionment. But Sanders has found a language that captures the transcendence of ordinary lives while never reducing them to formula. In his hands, the pattern of American boyhood that was made classic by writers from Mark Twain to Tobias Wolff is given a powerful new charge.
Prize–winning essayist turns to the imagination as a spiritual guide and material method of living through climate disruption, as climate change and broad extinction forever alter our place on the planet and our lives together. Scott Russell Sanders shows how imagination, linked to compassion, can help us solve the urgent ecological and social challenges we face. While reflecting on the conditions needed for human flourishing, he tells the story of his own intellectual and moral journey from childhood religion to an adult philosophy of life. That philosophy is tested when his first wife and then their son fall ill. Compelled to leave their beloved old house, they design a new one, and then transform their vision into a home and their raw city lot into a garden.
Ranging from an autobiographical tour-de-force that describes a childhood spent with an alcoholic father to "Looking at Women," a reflection on male yearning and confusion, to a look at the place—or absence—of nature in recent American fiction.
After decades of abuse transforms the world into a toxic wasteland, people flee into the safety of a global network of domed cities. Within these safe, orderly spaces, the only animals allowed are machines in the new world’s mechanized zoos, called disneys. Orlando Spinks prides himself on keeping his father’s disney spotless and orderly, until 13-year-old Mooch explodes into his life and down the throat of a mechanized lion.. Mooch quickly wriggles her way into Orlando’s heart with her creative mechanical genius, fiery spirit, and passion for real animals. As her rebellious spark spreads to Orlando, they restore the wild spirit to the mechanical beasts, but catch the eye and ire of the Overseers. Beautifully written, The Engineer of Beasts brings together the best of Scott Russell Sanders's environmental wisdom with skilled world-building and beloved characters.
Young Scott and his father have a personal way of learning the trees and remembering their names. It's a game they like to play, one you'll want to play too! Learn the name of the swallowtail butterfly who loves to sit on the dogwood branch, see the majestic beauty of the black-and-yellow Argiope spider, or see what makes the beech tree so special (its bark is smooth and gray just like the skin of a hippo). Featuring beautiful paintings by nature artist Robert Hynes and the exquisite language of renowned author Scott Russell Sanders, Meeting Trees captures the delicate details of bark, branches, and leaves while enchanting readers with the beauty of the natural world.
Quarrying, cutting, and carving limestone has provided work for thousands of people in Indiana for nearly two centuries. Along highways and backroads, the brawny machinery these workers use to finesse the stone, the humpbacked mills where they shape it, and the rails and roads where they ship it dot the landscape. In this new edition of Stone Country, Scott Russell Sanders and Jeffrey A. Wolin talk with the stone workers, explore the quarries and mills, and trample along creeks and railroad spurs uncovering the history of the industry and the people who built it. These new stories and photographs are a biography, not of a person--although it is filled with many portraits of individuals--but of a place. It is an up-close look at a singular point on the planet where the miracles of geology have yielded a special kind of stone, and where landscape, towns, and the people themselves bear its mark.
James MacKinnon takes a booze-fueled, satiric road trip to Reno; Susan Olding coaches a high-school cheerleading squad; Deborah Campbell seeks the rare white Kermode bear; Jake MacDonald goes duck-hunting with his father; and Scott Russell Sanders and his dinner guests eat lentil soup in the middle of a tornado. Far From Home gathers five of North America's finest essayists, nature writers and literary journalists- who all find themselves, in one way or another, out of their comfort zone. Selected by Nonvella editor Tyee Bridge, these delightful pieces are alternately hilarious and troubling, nostalgic and provocative.
Frank P. Thomas Jr., Donald J. Thomas, and Robert E. Wildman, owners of the General Equipment Company, entered into the fast-food business by opening a 15 hamburger restaurant called Burger Chef in Indianapolis in 1958. General Equipment was a manufacturer of restaurant machinery and built the equipment installed in each Burger Chef store. The partners started their new Burger Chef division to sell more equipment; they never could have imagined that Burger Chef would eventually grow to become the nations second-largest hamburger chain and beloved by customers in towns and cities across America. Burger Chef continued in business until 1982, cooking its popular flame-broiled hamburgers and introducing its memorable advertising icons, Burger Chef and Jeff.
Writing from the Center is about one very fine writer's quest for a meaningful and moral life. The center he seeks and describes is geographical, emotional, artistic, and spiritual - and it is rooted in place. The geography is midwestern, the impulses are universal. Where and how do we find meaning? Where does a writer find inspiration? How can personal, artistic, family, and community needs be blended to create a harmonious life? What aids exist in such a ""located"" life against despair? How should a writer relate to and represent his place? Twelve interrelated essays probe these questions from different perspectives. ""Buckeye"" examines the resonance of objects and the mysteries of relationships and death. ""Imagining the Midwest"" surveys how other writers have seen and related to their region. ""The Common Life"" makes an eloquent case for community values. ""Sanctuary"" is an eloquent and painful consideration of environmental degradation. ""Writing from the Center"" and ""Letter to a Reader"" deal with Sanders's decisions to locate in the Midwest, to know his place, and to write about it in both fiction and nonfiction.
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