As in many small towns in the South, folks in Conway, South Carolina, fill the stands on fall Fridays to cheer on their local high school football squad. In 1989--with returning starter Carlos Hunt at quarterback and having finished with an 8-4 record in 1988--hopes were high that the beloved Tigers would win their first state championship. But during spring practice, Coach Chuck Jordan (who is white) benched Hunt (who is black) in favor of Mickey Wilson, an inexperienced white player. Seeing this demotion of the black quarterback as an example of the racism prevalent in football generally and in Conway specifically, thirty-one of the team's thirty-seven black players--under the guidance of H. H. Singleton, pastor of Cherry Hill Missionary Baptist Church and president of the local NAACP--boycotted the team in protest. The season-long strike severed the town along racial lines, as it became clear that the incident was about much more than football. It was about the legacy of slavery and segregation and Jim Crow and other points of tension and oppression that many people in Conway--and the South--had wrongly assumed were settled. While the 1989 season is long over, the story reverberates today. Chuck Jordan is still coaching at Conway High, and he's still without that state championship. Meanwhile, Mickey Wilson is now coaching Conway's fiercest rival, the Myrtle Beach Seahawks. In the annual Victory Bell Game between Conway and Myrtle Beach, the biggest contest of the year for both teams, a veteran coach and his young protégé compete against each other--against the backdrop of a racial conflict that bitterly divided a small southern town.
Montague, a picturesque New England town, was once a hub of manufacturing. This uniquely planned community was established in an area that was well suited to both labor and leisure. The Great Falls offered the power to cover the energy needs for the countless factories along the river's edge as well as its man-made power canal. The newly planned village of Turners Falls and the pleasant living conditions of Montague's other villages led to a growth in population at the beginning of the twentieth century. Immigrants from all over the globe added to the diversity of Montague. The historical photographs in Montague Labor and Leisure show one hundred thirty-five years of captivating history.
The picturesque town of Montague is known as a photographer's dream and is famous for its planned mill village of Turners Falls. Its ideal location at the Great Falls on the Connecticut River for manufacturing brought in a large number of factories at the beginning of the late nineteenth century, which in turn drew in numerous people from around New England, as well as Germany, Quebec, Poland, Great Britain, and Ireland. All five villages of Montague became unique, close-knit communities full of hardworking people. The rare, historical photographs here reveal what life was like during the past 130 years. In Montague, the journey maps out the early years in Turners Falls, Millers Falls, Lake Pleasant, Montague City, and Montague Center. The history of the many mills along the canal, the many reconstructions of the canal, and the log drives are all presented here in striking images. Montague tells the stories of the generations of families and the individuals who made the town so unique, including the history of the John Russell Cutlery Factory and the Spiritualist community of Lake Pleasant.
This story surrounds the life of eight women at the Dwelling Place Community Center, in a small fictitious beach town called Pleasant Bay. The story tells the struggle in the lives of the eight women. It shows how they bind together thought their crocheting class.
After moving with her family to Pleasant View, Illinois, in 1978, ten-year-old Addy Dawson forms a close friendship with Elizabeth "Cricket" Mitchell, a girl with a special gift and a father who resentment about her mother's death in childbirth dominates their relationship.
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