SECURING VILLAGE LIFE: DEVELOPMENT IN LATE COLONIAL PAPUA NEW GUINEA examines the significance for post-World War II Australian colonial policy of the modern idea of development. Australian officials emphasised the importance of bringing development for both the colony of Papua and the United Nations Trust Territory of New Guinea. The principal form that development took involved securing smallholders against the tendencies of other forms of capitalist development that might have separated households from land. In order to make household occupation of their holdings more secure and at higher standards of living, the colonial administration coordinated and supervised increases in production of crops and other agricultural produce. Contrary to suggestions that colonial policy and practice ignored indigenous agriculture and concentrated on plantation crops grown by international firms and expatriate owner-occupiers, the study shows how the main focus was instead upon increasing smallholder output for immediate consumption as well as for local and international markets. Simultaneously development stimulated increases in consumption, including of goods produced through manufacturing processes and imported into the colony. Only as Independence approached was the pre-eminence of the earlier focus upon smallholders weakened. In part the change occurred due to the political advance of the indigenous capitalist class and their allies seeking to extend their base in largeholding agriculture and related commercial activities. This advance and the uncertainty over which form of development would prevail once indigenes held state power in post-colonial Papua New Guinea stood in marked contrast to the definite direction pursued under the colonial administration of the 1950s and early 1960s.
Corporations and Cultural Industries: Time Warner, Bertelsmann, and News Corporation, by Scott Warren Fitzgerald, provides an introduction to the political economy of international media corporations. This text fills a fundamental gap in the critical media studies field, expanding on the relative paucity of academic studies. To ground the discussion, Fitzgerald focuses on the growth of three specific media conglomerates: Time Warner, Bertelsmann and News Corporation. Adopting an approach rooted in critical political economy, the book explains the corporations' growth through an engagement with broader social theories: the wider conditions of capital accumulation (especially theories of corporate competition and financialization); issues of institutional logic and corporate strategies; and the role of states as regulators, mediators of opposed interests, and facilitators of corporate expansion. The first section presents debates in social theory, addressing issues that pertain to cultural industries and dimensions in which they both challenge and extend these wider social theories. The second section presents detailed case studies of the three contemporary media 'mega companies' across the range of operations they coordinate, both within and outside the cultural industries. By analyzing the specifics and complexities of different media industries, Corporations and Cultural Industries examines how financialization processes re-gear the internal operations of media corporations in a manner that pits one sector against another. This book provides an in-depth study that can be used as stand-alone teaching resources or as a valuable supplement to a variety of media courses.
This book presents a framework to reconceptualize internet governance and better manage cyber attacks. It examines the potential of polycentric regulation to increase accountability through bottom-up action. It also provides a synthesis of the current state of cybersecurity research, bringing features of cyber attacks to light and comparing and contrasting the threat to all relevant stakeholders. Throughout the book, cybersecurity is treated holistically, covering issues in law, science, economics and politics. This interdisciplinary approach is an exemplar of how strategies from different disciplines as well as the private and public sectors may cross-pollinate to enhance cybersecurity. Case studies and examples illustrate what is at stake and identify best practices. The book discusses technical issues of Internet governance and cybersecurity while presenting the material in an informal, straightforward manner. The book is designed to inform readers about the interplay of Internet governance and cybersecurity and the potential of polycentric regulation to help foster cyber peace.
When eighteen-year-old Lady Catriona Mackintosh discovers a wounded man in the forest near her Highland home, little does she know that he has sworn a sacred oath to kill her father and other members of the powerful Highland confederation known as Clan Chattan. Nor does she realize that she has met her soul mate. Independent, competent, intelligent, fiercely proud of her heritage, determined always to live near her own family, and known to her family as the "wee wildcat" because of her quick temper, Catriona is the daughter of a Highland chieftain and granddaughter of the even more powerful Chief (or Captain) of Clan Chattan. But her life changes forever when she persuades Sir Finlagh Cameron to return with her to her home to recover from his wounds. Sir Finlagh "Fin" Cameron is on a mission for the heir to Scotland's throne, who has sent him to the Highlands to persuade the Chief of Clan Chattan to arrange a secret meeting for him with two other great lords (the Lord of the Isles and the Lord of the North). Until Fin meets Catriona, however, he has no idea that her father was the Clan Chattan war leader who led them in the battle that wiped out many of Clan Cameron's best warriors, including Fin's own father. The sole survivor of that battle, Fin accepted a bequest of vengeance from his dying father, providing him with a dilemma to face as he begins to fall in love with Catriona. He is not the only one enticed by her charms, either. There are two other contenders, one of whom is his own master, the heir to Scotland's throne. With royal mischief afoot, if Catriona and Fin are ever to find happiness, they must first avoid disaster that could change Scotland's history, and find ways to be open and honest with each other.
SECURING VILLAGE LIFE: DEVELOPMENT IN LATE COLONIAL PAPUA NEW GUINEA examines the significance for post-World War II Australian colonial policy of the modern idea of development. Australian officials emphasised the importance of bringing development for both the colony of Papua and the United Nations Trust Territory of New Guinea. The principal form that development took involved securing smallholders against the tendencies of other forms of capitalist development that might have separated households from land. In order to make household occupation of their holdings more secure and at higher standards of living, the colonial administration coordinated and supervised increases in production of crops and other agricultural produce. Contrary to suggestions that colonial policy and practice ignored indigenous agriculture and concentrated on plantation crops grown by international firms and expatriate owner-occupiers, the study shows how the main focus was instead upon increasing smallholder output for immediate consumption as well as for local and international markets. Simultaneously development stimulated increases in consumption, including of goods produced through manufacturing processes and imported into the colony. Only as Independence approached was the pre-eminence of the earlier focus upon smallholders weakened. In part the change occurred due to the political advance of the indigenous capitalist class and their allies seeking to extend their base in largeholding agriculture and related commercial activities. This advance and the uncertainty over which form of development would prevail once indigenes held state power in post-colonial Papua New Guinea stood in marked contrast to the definite direction pursued under the colonial administration of the 1950s and early 1960s.
Letters: Michael Morris and Concrete Poetry profiles artist Michael Morris during the period between 1964 and 1971. The book has a particular focus on concrete poetry, considered as perhaps the first global art movement, springing up in South and North America, Japan and Europe in the mid to late 1950s. Recognising the potential of concrete poetry as an area that included design, poetry, architecture, art, and communications, Morris co-curated an important exhibition of Concrete Poetry at the University of British Columbia Fine Arts Gallery in 1969. It presented a selection of Morris' large ?Letter” paintings and a selection of international concrete poetry from the period.
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