Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Hair, a primary marker of our mammalian nature, is an extraordinary indicator of economic and social standing, political orientation, religious affiliation, marital status, and cultural leanings, among other things. The meanings of hair are deep, powerful, and so strongly embedded in cultural conditioning that they are usually understood unconsciously (and all the more strongly for that). In untangling its myriad meanings, Scott Lowe reveals just how little we control our hair, no matter the style: each and every passer-by decides on its significance anew. From Hittites to hippies and Pentecostals to porn stars, Hair combs through a ubiquitous personal yet public object, a charged and carefully managed dead thing. Object Lessons is published in partnership with an essay series in The Atlantic.
With numerous maps and illustrations, James Scott Wheeler connects the strategic and tactical levels of war with political actions and reactions, and discusses how Britain and Ireland became battlegrounds in the 'war of three kingdoms'. The various stages of this period of turmoil are clearly demonstrated, right through to the execution of Charles I, the conquest of Catholic Ireland, and the eventual death of the English Republic, and provide students of history with an excellent addition to their studies.
The New School was a center for adult education established in 1918 in New York and was always open to and supported by Jews. Ch. 5 (pp. 84-106) describes the creation of a graduate faculty in 1933 by president Alvin Johnson. He brought twelve leading Jewish scholars from Germany, assisted by private Jewish contributions and by the Rockefeller Foundation which, however, disapproved of the Jewish and socialist background of these scholars and feared the disruption of the quota system. Ch. 6 (pp. 107-127) describes the refugees' studies on the nature of fascism and their gradual abandonment of socialism. Hans Staudinger, in particular, emphasized the crucial role of racism in the evolution of the Nazi state. With the outbreak of World War II, the New School tried to save more refugees but was obstructed by State Department officials. Also mentions the work of Hannah Arendt at the New School in the 1950s-60s.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Recipient of the Banff Mountain Book Festival's Canadian Rockies Award A book to be read and digested, then sampled, then read and dipped into often...a fine achievement for this dedicated author... Bruce Fairley, Canadian Alpine Journal HOLY SHIT WAAAAAAAAAT A FABBBBBULOUS TOME. Tami Knight, Illustrator/Mountaineer This important new book tells the story of Canada's 200-year mountaineering history. Through the use of stories and pictures, Chic Scott documents the evolution of climbing in Canada. He introduces us to the early mountain pioneers and the modern day climbing athletes; he takes us to the crags and the gyms, from the west coast to Quebec, and from the Yukon to the Rockies. But most importantly, Scott showcases Canadian climbers--the routes that challenged them, the peaks that inspired them, their insatiable desire to climber harder, to push the limits. Begin the trek through Canada's climbing history... Learn about Swiss guides hired by CPR hotels who ushered in the glory years of first ascents. Continue through to the turn of the twentieth century when British and American climbers of leisure found themselves hampered by the difficulties of travel through the Canadian wilderness. Learn about the European immigrants of the 1950s who pushed the limits on the rock walls, and the American superstars who led the search for frightening new routes on the big north faces. Be there when British expatriates pioneer an exciting new trend in world mountaineering--waterfall ice climbing. Witness the popular growth of sport climbing, both on the crags and in the gyms. Finally, enjoy the story of home-grown climbers. Initially slow to take up the challenge, both at home and overseas, they are now leaders in the climbing world.
Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.
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