In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Mérimée, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history.
If the transgressions of modern French poetry have been amply noted at thematic and formal levels, they remain largely unremarked at the most visceral level of reading. Indebted to, while problematizing the Kristevan concept of sémiotique, Scott Shinabargar’s The Revolting Body of Poetry reveals how the very “matter” of key works forces us to enact these transgressions, when articulating textures of offensive lexica and imagery. While certain phonemes provide access to previously untapped forces, first apparent in Baudelaire and Lautréamont, compulsive repetitions produce expressive inflation, diffusing any initial impact. Césaire and Char, however, demonstrate an acquired control of these forces, intensity contained. Shinabargar concludes with a survey of contemporary poets, inviting readers to consider the legacy of revolting poetics.
THIS NEW COLLECTION OF POETRY IS BASICALLY ONE OF THE MAJOR PART OF PHENOMENA OF EXISTENCE... (LOVE) COMPONENT OF LUCRATIVE STORIES AND ACTUAL FACTS... A PERFECT COHERENCE IN THE SOCIO-EDUCATIONAL AND CULTURAL ASPECT OF PEOPLE... IT IS A MIXTURE OF LOVE, FACTOR, CONSEQUENCES, MATURITY, DIFFERENTS STEPS.
In the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past. The rich music of this period, by composers such as Guillaume de Machaut and Francesco Landini, is not only beautiful, but also rewards deep study and analysis. Yet contradictions and gaps abound in the ars nova of the fourteenth and early fifteenth centuries-how do we read this music? how do we perform this music? what was the cultural context of these performances? These problems are well met by the ingenuity of approaches and solutions found by scholars in this volume. The twenty-seven articles brought together reflect the broad methodological and chronological range of scholarly inquiry on the ars nova.
This eBook features the unabridged text of ‘Anne of Geierstein’ from the bestselling edition of ‘The Complete Works of Sir Walter Scott’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Scott includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Anne of Geierstein’ * Beautifully illustrated with images related to Scott’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.