Throughout the first six decades of the twentieth century Alfred Louis Kroeber worked with great distinction as a member of an anthropological circle the ethos of which he could not fully share. His beliefs regarding the evolution of languages, and the controversial notion of cultural evolution more generally, conflicted with the reigning Boasian paradigm. Some of the concepts with which he struggled, such as the familial relationships among American languages and the emergent character of culture, became less problematic after he had passed from the scene. Although Kroeber is regarded as one of the founding figures of American anthropology, his contributions to the establishment of the genetic approach in historical linguistics were overshadowed by the genius of his collaborator and correspondent, Edward Sapir.
Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era. Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.
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