Coffeeshops are the most famous example of Dutch tolerance. But in fact, these cannabis distributors are highly regulated. Coffeeshops are permitted to break the law, but not the rules. On the premises, there cannot be minors, hard drugs or more than 500 grams. Nor can a coffeeshop advertise, cause nuisance or sell over five grams to a person in a day. These rules are enforced by surprise police checks, with violation punishable by closure. In Grey Area, Scott Jacques examines the regulations with a huge stash of data, which he collected during two years of fieldwork in Amsterdam. How do coffeeshop owners and staff obey the rules? How are the rules broken? Why so? To what effect? The stories and statistics show that order in the midst of smoke is key to Dutch drug policy, vaporising the idea that prohibition is better than regulation. Grey Area is a timely contribution in light of the blazing reform to cannabis policy worldwide. Praise for Grey Area ‘This book is original and highly topical. Logical and well structured, the discussion is firmly located in a large body of contemporary theory. The writing style is conversational, open and accessible. The quality, amount and depth of the empirical work that Jacques has undertaken made me feel that I was there, visiting the coffeeshops with him. Rarely have I seen something as careful and detailed as this work.’ Ronald V. Clarke, Rutgers University, USA 'This book examines the intricacies of operating between law and rules in Amsterdam coffeeshops. Based on an extensive fieldwork, it is arguably the most comprehensive criminological analysis of the issue to date. This is an important work, from an excellent writer, that I warmly recommend to both students and researchers.’ Kim Møller, Malmö University, Sweden
This ethnography of teenage suburban drug dealers “provides a fascinating and powerful counterpoint to the devastation of the drug war” (Alice Goffman, author of On the Run). When we think about young people dealing drugs, we tend to picture it happening in disadvantaged, crime-ridden, urban neighborhoods. But drugs are used everywhere. And teenage users in the suburbs tend to buy drugs from their peers, dealers who have their own culture and code, distinct from their urban counterparts. In Code of the Suburb, Scott Jacques and Richard Wright offer a fascinating ethnography of the culture of suburban drug dealers. Drawing on fieldwork among teens in a wealthy suburb of Atlanta, they carefully parse the complicated code that governs relationships among buyers, sellers, police, and other suburbanites. That code differs from the one followed by urban drug dealers in one crucial respect: whereas urban drug dealers see violent vengeance as crucial to status and security, the opposite is true for their suburban counterparts. As Jacques and Wright show, suburban drug dealers accord status to deliberate avoidance of conflict, which helps keep their drug markets more peaceful—and, consequently, less likely to be noticed by law enforcement.
Life and legends of Eugene Jacques Bullard, the first black American military aviator... from his childhood to WWI hero, 47 chapters of his life from the time he ran away from home, alone at the age of eight to find freedom and equality in France. This is based on a true life. It is a series of fictional interviews with a man whom I never met.
Russia is rich in martial traditions deriving from a highly diverse population. Sambo—developed by the Soviet Red Army—became the most recognize martial art associated with Russia mainly because of its presence in international competitions. Another style to become recognized for its great practicality and encompassing training regimen is Systema. Originally created for Russian Special Operations Units, Systema’s teaching gradually spread world-wide after the fall of the Soviet Union in 1991. This anthology contains writings about Systema and Sambo that present essential information for anyone interested in the history, theory, and practice of these combative systems. In the first chapter, Kevin Secours shows that ground fighting and grappling are necessary components of a complete tactical arsenal. Specific emphasis is on the role of defending the takedown in a modern survival scenario. In chapter two he summarizes the prevailing theories and findings pertaining to the science of fear as it relates to surviving violence. How these findings have been interpreted by modern combative systems in the West are compared with approaches to the traditional Russian martial arts and their application in the Russian Special Forces. The next three chapters focus on Sambo. Jacques and Anderson detail the historical development of Sambo. Vasili Sergevich Oshchepkov, a student of Jigoro Kano, and Victor Spiridonov worked to develop this combative system. However, despite the judo-jujutsu influence, Sambo was born of native Russian and other regional grappling and combat wrestling styles bolstered with many useful and adaptable concepts and techniques from the rest of the world. This chapter presents details of the early development up to recent times. The fourth chapter by Polyakov, Yankauskas, and DeRose focuses on some of the fundamental techniques that are legal for Sambo competition. The purpose of this study was to examine and compare the most successfully used submission techniques of three of the greatest figures in the history of sambo competition: Michael Burdikov, Alex Feodorov, and David Rudman. Sambo has become well-known largely due to the success of Sambo fighters in various mixed martial art venues. Stephen Koepfer’s final chapter offers a description of its development as well as a delineation of one of Sambo’s hallmark strategies: offensive rolling. Examples of proper forward rolling and three related offensive techniques are presented. May readers of this anthology come to appreciate the great depth of Russian martial traditions and the unique developments that emerged in the arts of Systema and Sambo.
Jacques Rancière’s work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the “politics of aesthetics” and the “aesthetics of politics”? Specifically, the book explores the implications of Rancière’s rethinking of the relationship of aesthetic to political democracy from a wide range of critical perspectives. Distributions of the Sensible contains original essays by leading scholars on topics such as Rancière’s relation to political theory, critical theory, philosophical aesthetics, and film. The book concludes with a new essay by Rancière himself that reconsiders the practice of theory between aesthetics and politics.
The rise and spectacular fall of the friendship between the two great philosophers of the eighteenth century, barely six months after they first met, reverberated on both sides of the Channel. As the relationship between Jean-Jacques Rousseau and David Hume unraveled, a volley of rancorous letters was fired off, then quickly published and devoured by aristocrats, intellectuals, and common readers alike. Everyone took sides in this momentous dispute between the greatest of Enlightenment thinkers. In this lively and revealing book, Robert Zaretsky and John T. Scott explore the unfolding rift between Rousseau and Hume. The authors are particularly fascinated by the connection between the thinkers lives and thought, especially the way that the failure of each to understand the otherand himselfilluminates the limits of human understanding. In addition, they situate the philosophers quarrel in the social, political, and intellectual milieu that informed their actions, as well as the actions of the other participants in the dispute, such as James Boswell, Adam Smith, and Voltaire. By examining the conflict through the prism of each philosophers contribution to Western thought, Zaretsky and Scott reveal the implications for the two men as individuals and philosophers as well as for the contemporary world.
This book introduces contemporary Buddhists from across Asia and from various walks of life. Eschewing traditional hagiographies, the editors have collected sixty-six profiles of individuals who would be excluded from most Buddhist histories and ethnographies. In addition to monks and nuns, readers will encounter artists, psychologists, social workers, part-time priests, healers, and librarians as well as charlatans, hucksters, profiteers, and rabble-rousers—all whose lives reflect changes in modern Buddhism even as they themselves shape the course of these changes. The editors and contributors are fundamentally concerned with how individual Buddhists make meaning and display this understanding to others. Some practitioners profiled look to the past, lamenting the transformations Buddhism has undergone in recent times, while others embrace these. Some have adopted a “new asceticism,” while others are eager to explore different religious traditions as they think about their own ways of being Buddhist. Arranging the profiles according to these themes—looking backward, forward, inward, and outward—reveals the value of studying individual Buddhists and their idiosyncratic religious backgrounds and attitudes, thus highlighting the diversity of approaches to the practice and study of Buddhism in Asia today. Students and teachers will welcome sections on further readings and additional tables of contents that organize the profiles thematically, as well as by tradition (Theravada, Mahayana, Vajrayana), region, and country.
Contributing to the conversation regarding Angela Carter's problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, Scott Dimovitz explores the intricate connections between Carter's private life and her public writing. He begins with Carter's assertion that it was through her "sexual and emotional life" that she was radicalized, drawing extensively on the British Library's recently archived collection of Carter's private papers, journals, and letters to show how that radicalization happened and what it meant both for her worldview and for her writings. Through close textual analysis and a detailed study of her papers, Dimovitz analyzes the ways in which this second-wave feminist's explorations of sexuality merged with her investigations into surrealism and psychoanalysis, an engagement that ultimately led to the explosively surreal allegories of Carter's later, more complex, and more accomplished work. His study not only offers a new way to view Carter's oeuvre, but also makes the case for the importance of Angela Carter's vision in understanding the transformations in feminist thinking from the postwar to the postfeminist generation.
“Spectacular. . . . Ten shades blacker and several corpses grimmer than the novels of John Grisham. . . . Do yourself a favor. Read this book.” —Entertainment Weekly Two brothers and their friend stumble upon the wreckage of a plane–the pilot is dead and his duffle bag contains four million dollars in cash. In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.
Jesse James Hollywood grew up in L.A.'s upscale West Hills with every imaginable privilege. By the age of 19, he owned a spacious house, a tricked-out car, a closet full of designer clothes. His lifestyle of drinking, partying and getting high was bankrolled by his chosen career: drug dealing. In 2000, Ben Markowitz, another teen from a 'good family', found himself with a dope tab he couldn't pay. A standoff between dealer and druggie exploded when Hollywood, along with William Skidmore and Jesse Rugge, both 20, spotted Ben's brother, Nick, 15, walking near his parents' home. Witnesses saw the three men attack Nick, then shove him into a van and drive off. But assault and kidnapping were only the beginning... On the last night of Nick's life, he was taken to an isolated area outside Santa Barbara known as the Lizard's Mouth. There, he was shot to death and buried in a shallow grave. But the story was far from over. Because mastermind Jesse James, like his namesake, knew how to run and hide. With his handsome face at the top of the FBI's Most Wanted list, he lived in luxury until the long arm of the law reached out to pull him back home for justice...
The John Scott story is the ultimate underdog narrative in sports. In 2016, in the twilight of his career, Scott went from a joke All-Star fan-voted nominee to scoring two goals and winning the All-Star Game's MVP title. This is his heartwarming story about an average Joe who became a sports superhero overnight.
One of the most profound thinkers of the twentieth century, Georges Bataille has only recently come to prominence in the Anglophone academy, partly through the influence of post-structuralism. Once seen as no more than a philosopher of eroticism and a writer of avant-garde pornography, Bataille is emerging as an absolutely central figure to discussions of culture, economy, subjectivity and difference. Batailleis the first volume of its kind to offer lucid, diverse and relevant examples of the ways of reading literary and cultural texts in the light of Bataille's work. The essays explore the significance of Bataillean notions like heterology, general economy, transgression and eroticism, through detailed readings of Shakespearean, Elizabethan and Jacobean literature; in analyses of Gothic and postmodern fiction; and in critiques of popular culture, rock music and Hollywood movies. In order to make Bataillean notions more comprehensible to contemporary readers, his concepts are situated in relation to the ideas of renowned critical and cultural theorists like Baudrillard, Deleuze, Derrida, Kristeva, Lacan, as well as Hegel, Freud, Nietzsche and Marx. Here the influence of Bataille is outlined in intellectual and historical terms and the significance of his work can be seen for both contemporary and futural modes of cultural analysis.
SPECIAL BUNDLE OFFER FOR THE NUMBER 1 BESTSELLING BEN HOPE SERIES Ben Hope is unstoppable, unbreakable, unforgettable. For a limited period, discover the first 6 Ben Hope novels at an unbeatable price, to celebrate publication of the seventh and most explosive book yet – The Sacred Sword.
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