“To begin evaluating an agricultural system, you’ll need to get to the core ideas and features that actually drive the system to ensure that you have a grounding for best methods and practices.” In his consulting career as an agronomist, and as a lifelong gardener, Scott Gillespie has learned to critically evaluate information before jumping into something new. Particularly in these days of climate-change anxiety, he has seen people choose agricultural systems that seem right on the surface but aren’t actually making a difference. Many times, a new idea is simply a good hypothesis. Early success can mean things get picked up quickly and are applied before they are fully tested. Practical Regeneration starts out broadly talking about what Scott has learned in his garden and from researching and thinking through the claims of regenerative agriculture advocates. It then gets practical in how farmers can think about implementing the main healthy-soil practices such as cover crops and intercropping. The next section covers how they can advance their practice above the basics. The book culminates by looking into the future and examining how farmers can look at profitability in the long term. While based on Scott’s experiences in the prairies of western Canada, the principles can be applied to many areas of the world. Erudite, but entertaining too, Practical Regeneration sifts through the hype to critically evaluate the soil regeneration movement so that its principles can be practically applied helping both the farmer and the climate.
LIKE DIZZY GILLESPIE'S CHEEKS, is a humorous glimpse into the life of an unmotivated, Chicago Jazz Pianist who is stuck playing dingy bars, museum benefits and Nordstrom's half-yearly sales. As a matter of fact, he'll play at just about any establishment that will hire him. Typically, he can count on his longtime mentor, jazz great Ben Webster, to join him for a late night set on the piano. Irritable and not just because he's in his seventies, Ben leaves the club before playing a single note. The next day, Sam is devastated to learn that his best friend is dead. As a result, Sam's perspective on life takes an abrupt change. He notices how pathetically insignificant ones life can truly be. Stumbling through some interesting yet awkward situations, both funny and sad, including being conflicted about whether he should allow himself to fall in love with Kate Buckley, the reporter trying to get a story about his friend Ben for ESQUIRE, or continue his unhealthy relationship with Liz Brightwater of the Brightwater Marble fortune,Sam realizes that life is happening now. It's admirable to respect the past, but he must also learn to trust his future.
LIKE DIZZY GILLESPIE'S CHEEKS, is a humorous glimpse into the life of an unmotivated, Chicago Jazz Pianist who is stuck playing dingy bars, museum benefits and Nordstrom's half-yearly sales. As a matter of fact, he'll play at just about any establishment that will hire him. Typically, he can count on his longtime mentor, jazz great Ben Webster, to join him for a late night set on the piano. Irritable and not just because he's in his seventies, Ben leaves the club before playing a single note. The next day, Sam is devastated to learn that his best friend is dead. As a result, Sam's perspective on life takes an abrupt change. He notices how pathetically insignificant ones life can truly be. Stumbling through some interesting yet awkward situations, both funny and sad, including being conflicted about whether he should allow himself to fall in love with Kate Buckley, the reporter trying to get a story about his friend Ben for ESQUIRE, or continue his unhealthy relationship with Liz Brightwater of the Brightwater Marble fortune,Sam realizes that life is happening now. It's admirable to respect the past, but he must also learn to trust his future.
Most contemporary young people operate far enough from Moses’ moral compass that it never occurs to them that “OMG” (“oh my God,” in teenspeak) has anything to do with the Ten Commandments, much less that it breaks one of them. After all, the phrase is a nearly ubiquitous adolescent throw-away line...Yet Christians should hear the phrase “oh my God” differently. Youth ministers, parents, teachers—anyone who has ever loved an adolescent—know that “OMG” can be a prayer, a plea, a petition, a note of praise, or an unbidden entreaty that escapes our lips as we seek Christ for the young people we love." from the book Using six lens the authors detail current practices and tease out underlying questions as youth ministry becomes more self-consciously aligned with practical theology. Contributors include: Kenda Creasy Dean, Mike Carotta, Roland Martinson, Rodger Nishioka, Don Richter, Dayle Gillespie Rounds, and Amy Scott Vaughn.
Strategic, comprehensive, and concise, the fifth edition of this popular textbook introduces students to the important concepts of global marketing today, and their managerial implications. Increasingly, marketing activities must be integrated at a global level. Yet, the enduring influence of culture requires marketers to adapt local strategies in light of cultural differences. Global Marketing takes a strategic approach, recognizing the need to address both the forces of globalization and those of localization. Key updates include: Extensive real-life examples and cases from developed and emerging markets, including Africa, Latin America, and the Middle East; New topics such as digital distribution options, the participation of customers, and the rise of social media, including Twitter, Facebook, and TikTok; Updated exploration of often overlooked topics, such as China’s state-owned enterprises, the importance of diasporas as target markets, the threat of transnational criminal organizations to legitimate marketers, and new tensions among trading partners; A stronger recognition of the need for a growth mindset, value orientation, and innovation. Written in a student-friendly style, this fully updated new edition continues to be the textbook of choice for students of global marketing.
Providing everything you need to pass the FRCR Part 2A, this book provides a thorough assessment of a candidate's radiological knowledge. The book is divided into six chapters, with 75 questions in each chapter, mirroring the modules and exam papers laid out by the Royal College of Radiologists. This makes you as familiar as possible with its style, content and structure and facilitates directed learning. All questions have been formulated to reflect the current best practice and evidenced-base, ensuring candidates' knowledge of their field is up-to-date. A detailed explanation is provided for each question, including references to review publications or widely-used textbooks, which allow detailed follow-up on the issues discussed.
The Unknown: An Anthology is a work of experimental fiction collaboratively authored by four then-unknown writers, the print translation of The Unknown: a Hypertext Novel, the esteemed and often-cited winner of the 1998 trAce/altX Hypertext Contest, judged by eminent novelist Robert Coover, who described The Unknown as "genuinely multi-sequential and massively rich in story material." Decadent, comic, lively, dark, and satirical, the fragmented novel explores the millennial collision of literature, technology, and commerce.
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.
Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.
Presents a history of bebop from its roots in the late 1930s; describes the musicians, bands, and composers who contributed to this style of jazz; and evaluates key bebop recordings.
Driven By Rage Sebastian Shaw was a walking time bomb. Office gossip, dirty dishes, the wrong look--anything could set him off. And once it did, nothing stopped the most terrifying killer Oregon police had ever met. . . A Need To Kill Only murder appeased Shaw's fury. But he didn't kill the people who offended him--they were the lucky ones. Instead, he hunted down innocent victims--men, women, teenage beauties--and unleashed his bloody urge to kill...to rape. . .to paint in blood. A Murderer's Boast
On October 8, 1908, Mordecai Brown clutched a half-dozen notes inside his coat pocket. The message of each was clear: We’ll kill you if you pitch and beat the Giants. A black handprint marked each note, the signature of the Italian Mafia. Mordecai Brown—dubbed “Three Finger” because of a childhood farm injury—was the dominant pitcher for the great Chicago Cubs team of the early twentieth century, a team that from 1906 through 1910 was arguably the best in baseball history. Brown’s handicap enabled him to throw pitches with an unconventional movement that left batters bewildered—the curve ball that Ty Cobb once called “the most devastating” he had ever faced. How Brown responded to the Mafia’s threats in 1908 mirrored the way he took life in general: with unflappable courage and resolve. Telling his story for the first time, Cindy Thomson and Scott Brown trail Mordecai from the Indiana countryside to the coal mines, from semipro ball to the Majors, from the World Series mound back down to the Minors. Along the way they retrieve the lost lore of one of baseball’s greatest pitchers—and chronicle one man’s determination to reach a dream that most believed was unreachable.
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.
“Unique insight, good storytelling skills, deep research, and keen appreciation for the terrain . . . one outstanding work of history.” —Eric J. Wittenberg, award-winning author of Gettysburg’s Forgotten Cavalry Actions The Third Battle of Winchester in September 1864 was the largest, longest, and bloodiest battle fought in the Shenandoah Valley. What began about daylight did not end until dusk, when the victorious Union army routed the Confederates. It was the first time Stonewall Jackson’s former corps had ever been driven from a battlefield, and their defeat set the stage for the final climax of the Valley Campaign. This book represents the first serious study to chronicle the battle. The Northern victory was a long time coming. After a spring and summer of Union defeat in the Valley, Lt. Gen. Ulysses S. Grant cobbled together a formidable force under Phil Sheridan, an equally redoubtable commander. Sheridan’s task was a tall one: sweep Jubal Early’s Confederate army out of the bountiful Shenandoah, and reduce the verdant region of its supplies. The aggressive Early had led the veterans of Jackson’s Army of the Valley District to one victory after another at Lynchburg, Monocacy, Snickers Gap, and Kernstown. Five weeks of complex maneuvering and sporadic combat followed before the opposing armies met at Winchester, an important town that had changed hands dozens of times over the previous three years. Tactical brilliance and ineptitude were on display throughout the daylong affair as Sheridan threw infantry and cavalry against the thinning Confederate ranks and Early and his generals shifted to meet each assault. A final blow against Early’s left flank finally collapsed the Southern army, killed one of the Confederacy’s finest combat generals, and planted the seeds of the victory at Cedar Creek the following month. This vivid account—based on more than two decades of meticulous research and an unparalleled understanding of the battlefield, and rich is analysis and character development—is complemented with numerous original maps and explanatory footnotes that enhance our understanding of this watershed battle.
This Side of Paradise (1920) is a novel by F. Scott Fitzgerald. Published at the very beginning of Fitzgerald’s career as a leading writer of American fiction, This Side of Paradise was a resounding critical and commercial success, allowing him to marry his young love Zelda Sayre. The novel is a semi-autobiographical study of youthful ambition, disillusioned romance, and a generation scarred by war. Amory Blaine is a young man from the Midwest with great ambitions and unfocused talent. He attends Princeton University, where he excels as a student and writer while keeping up a romantic correspondence with Isabelle Borgé, a girl from his youth. Greatly anticipating her arrival in Princeton, Blaine reunites with her one last time for a university prom, where he realizes whatever love they once shared has now been lost. Despairing, Blaine enlists in the army and is sent overseas to fight in the First World War. When he returns, he takes up a position as a copywriter at a New York City advertising agency, falls for the beautiful debutante Rosalind Connage, a quickly finds himself spiraling into self-doubt and out of control. This Side of Paradise is a tragic story of unrealized potential in a young man willing to meet the world head-on without ever looking at himself. Upon publication, Fitzgerald’s debut marked the beginning of a promising career as one of twentieth century America’s finest writers of fiction. With a beautifully designed cover and professionally typeset manuscript, this new edition of F. Scott Fitzgerald’s This Side of Paradise is a classic work of American literature reimagined for modern readers.
This Side of Paradise - Francis Scott Fitzgerald - F. Scott Fitzgeralds cherished debut novel announced the arrival of a brilliant young writer and anticipated his masterpiece, The Great Gatsby. Published in 1920, when the author was just twenty-three, This Side of Paradise recounts the education of young Amory Blaineegoistic, versatile, callow, imaginative. As Amory makes his way among debutantes and Princeton undergraduates, we enter an environment heady with the promise of everything that was new in the vigorous, restless America after World War I. We experience Amorys sailing hopes, crushing defeats, deep loves and stubborn losses. His growth from self-absorption to sexual awareness and personhood unfolds with continuous improvisatory energy and delight. Fitzgeralds remarkable formal inventiveness couches Amorys narrative among songs, poems, dramatic dialogue, questions and answers. The novels freshness and vervepraised upon publication, now renowned by historyonly heighten the sense that the world being described is our own, modern world.Published in 1920, and taking its title from a line of the Rupert Brooke poem Tiare Tahiti, the book examines the lives and morality of post-World War I youth. Its protagonist, Amory Blaine, is an attractive Princeton University student who dabbles in literature. The novel explores the theme of love warped by greed and status-seeking.
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