Lizards and snakes (squamate reptiles) are the most diverse vertebrate group in Australia, with approximately 1000 described species, representing about 10% of the global squamate diversity. Squamates are a vital part of the Australian ecosystem, but their conservation has been hindered by a lack of knowledge of their diversity, distribution, biology and key threats. The Action Plan for Australian Lizards and Snakes 2017 provides the first comprehensive assessment of the conservation status of Australian squamates in 25 years. Conservation assessments are provided for 986 species of Australian lizards and snakes (including sea snakes). Over the past 25 years there has been a substantial increase in the number of species and families recognised within Australia. There has also been an increase in the range and magnitude of threatening processes with the potential to impact squamates. This has resulted in an increase in the proportion of the Australian squamate fauna that is considered Threatened. Notably over this period, the first known extinction (post-European settlement) of an Australian reptile species occurred – an indication of the increasingly urgent need for better knowledge and management of this fauna. Six key recommendations are presented to improve the conservation management and plight of Australian squamates. This Action Plan represents an essential resource for research scientists, conservation biologists, conservation managers, environmental consultants, policy makers from Commonwealth and State/Territory governments, and the herpetological community.
Few songs have captured the contradictions and ambiguities of the 1960s as memorably as “California Dreamin’,” the iconic folk music single that catapulted the Mamas & the Papas into rock and roll history. In All the Leaves Are Brown, author Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and “Mama Cass” Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success. Shea gives a definitive account of the group’s short time together, from their hitmaking approach with legendary producer Lou Adler to John’s unique songwriting to tours and friendships with other musicians riding the folk-rock wave. He explores the emotional vicissitudes that came with being in the Mamas & the Papas, from Cass’s unrequited love for Denny, his affair with Michelle, and the ebb and flow of dysfunction in John and Michelle’s marriage. And he explains how it all came to a crashing end with John’s brainchild, the Monterey Pop Festival, which should have launched the group even further into the musical stratosphere, but only served to be their undoing. Drawing on new interviews with former bandmates, session musicians, family members, and many others, All the Leaves Are Brown is a layered, revelatory tale of overnight stardom and its many pitfalls.
Few songs have captured the contradictions and ambiguities of the 1960s as memorably as “California Dreamin’,” the iconic folk music single that catapulted the Mamas & the Papas into rock and roll history. In All the Leaves Are Brown, author Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and “Mama Cass” Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success. Shea gives a definitive account of the group’s short time together, from their hitmaking approach with legendary producer Lou Adler to John’s unique songwriting to tours and friendships with other musicians riding the folk-rock wave. He explores the emotional vicissitudes that came with being in the Mamas & the Papas, from Cass’s unrequited love for Denny, his affair with Michelle, and the ebb and flow of dysfunction in John and Michelle’s marriage. And he explains how it all came to a crashing end with John’s brainchild, the Monterey Pop Festival, which should have launched the group even further into the musical stratosphere, but only served to be their undoing. Drawing on new interviews with former bandmates, session musicians, family members, and many others, All the Leaves Are Brown is a layered, revelatory tale of overnight stardom and its many pitfalls.
Since its inception, Scott has grown from a small farming community to the second-largest city in Lafayette Parish. Early settlers provided land to the Louisiana Western Railroad Company for a new route to Texas that passed through Scott Station, named after a Mr. Scott associated with the railroad. The town's slogan, "Where the West Begins," is based on the different train fare charged to passengers headed beyond Scott to the West. The murder of merchant Martin Begnaud by the Blanc brothers was news that traveled from Scott to New Orleans to France. The railroad enabled the community to transport cotton, corn, sweet potatoes, and other produce across the country and to Canada. Today, several renowned musicians and artists call Scott home. The city, which is located on Interstate 10, combines small-town hospitality with a growing center of commerce.
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