Creature from the Black Lagoon has long been considered one of the greatest monster movies ever made. In this 60th anniversary article, the craftspeople, actors, and other creative personnel who made the film are explored. Several photos have been integrated to illustrate the text.
JACK PIERCE - THE MAN BEHIND THE MONSTERS chronicles the career exploits of Universal's classic monster creator, Jack Pierce, who was with the studio during their horror heyday of 1928-1947. After freelancing in Hollywood's earliest days as an actor, stuntman and assistant director, Pierce flourished in makeup in the 1910s and 1920s, first making himself into any variety of movie extras called for on fledgling studio lots. Then, from 1930-1947, Pierce created some of cinema history's most distinguishable icons of fright, including Frankenstein's Monster, The Mummy, The Bride of Frankenstein, Ygor, The Wolf Man, and The Phantom of the Opera among his many classic creations. Contained in this unique publication are detailed text and photos from every significant film of Pierce's career, spanning the mid-1910s to the mid-1960s.
As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie landscape. Seventy-five years ago, a new type of monster burst onto the screen in an all-time classic movie, and though she appeared for only a few scant minutes at the very end of the film, she was instantly and forever stamped in viewer's minds as one of the leading horror icons in cinema history: The Bride of Frankenstein.
80th anniversary article about the landmark horror film, 1931's Frankenstein, illustrated with photos, paintings and digital renderings of the film's key characters.
This text explores the core principles of learning and memory in a clear, reader-friendly style, covering animal learning and human memory in a balanced fashion. A strong emphasis on practical applications to the college student's everyday life is evident in examples throughout, such as the correlation between caffeine consumption and grade point average (Chapter 1), the importance of taking practice tests over additional studying (Chapter 9), approach/avoidance coping for upcoming and completed exams (Chapter 5), and misremembering what your professor said in class (Chapter 10). The relationship between the fields of neuropsychology and learning and memory is also stressed throughout. The fourth edition has been thoroughly updated to reflect the latest research and has been freshened throughout with more relevant examples and better graphics. There are new sections on the adaptive-evolutionary approach, potentiated startle, behavior medicine, breaking habits, behavioral economics, testing effect, consolidation theory, an expanded section on working memory, and new applications in animal training, self behavior modification, neuroethics and artificial memory enhancement, and acting and memory.
As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie landscape. Seventy-five years ago, a new type of monster burst onto the screen in an all-time classic movie, and though she appeared for only a few scant minutes at the very end of the film, she was instantly and forever stamped in viewer's minds as one of the leading horror icons in cinema history: The Bride of Frankenstein.
On October 8, 1908, Mordecai Brown clutched a half-dozen notes inside his coat pocket. The message of each was clear: We’ll kill you if you pitch and beat the Giants. A black handprint marked each note, the signature of the Italian Mafia. Mordecai Brown—dubbed “Three Finger” because of a childhood farm injury—was the dominant pitcher for the great Chicago Cubs team of the early twentieth century, a team that from 1906 through 1910 was arguably the best in baseball history. Brown’s handicap enabled him to throw pitches with an unconventional movement that left batters bewildered—the curve ball that Ty Cobb once called “the most devastating” he had ever faced. How Brown responded to the Mafia’s threats in 1908 mirrored the way he took life in general: with unflappable courage and resolve. Telling his story for the first time, Cindy Thomson and Scott Brown trail Mordecai from the Indiana countryside to the coal mines, from semipro ball to the Majors, from the World Series mound back down to the Minors. Along the way they retrieve the lost lore of one of baseball’s greatest pitchers—and chronicle one man’s determination to reach a dream that most believed was unreachable.
As conceived by author-producer Scott Essman, this 20-page magazine-style special black-and-white publication will be a treasured collectors' item for movie fans everywhere. Spanning the first 100 years of movies, this first part in a series of Essman's special publications focuses on the pioneering makeup and creature artists who have created some of cinema's most memorable characters. Organized as a series of photo-essays profiling each significant "creature person," readers will learn the secrets of their most beloved screen heroes and villains alike.
JACK PIERCE - THE MAN BEHIND THE MONSTERS chronicles the career exploits of Universal's classic monster creator, Jack Pierce, who was with the studio during their horror heyday of 1928-1947. After freelancing in Hollywood's earliest days as an actor, stuntman and assistant director, Pierce flourished in makeup in the 1910s and 1920s, first making himself into any variety of movie extras called for on fledgling studio lots. Then, from 1930-1947, Pierce created some of cinema history's most distinguishable icons of fright, including Frankenstein's Monster, The Mummy, The Bride of Frankenstein, Ygor, The Wolf Man, and The Phantom of the Opera among his many classic creations. Contained in this unique publication are detailed text and photos from every significant film of Pierce's career, spanning the mid-1910s to the mid-1960s.
As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie landscape. Seventy-five years ago, a new type of monster burst onto the screen in an all-time classic movie, and though she appeared for only a few scant minutes at the very end of the film, she was instantly and forever stamped in viewer's minds as one of the leading horror icons in cinema history: The Bride of Frankenstein.
A seasoned freelance writer guides readers through the vast and varied world of entertainment writing, touching on subjects such as defining goals, choosing subject matter, selecting a medium, networking, cold-calling, idea pitching, and self-publishing. 35 illustrations and photos.
In Crying for a Vision, British-born poet, musician and performance artist Steve Scott offers a challenge to artists and a manifesto for the arts. This new edition includes an introduction and study guide, four newly-collected essays and an interview with the author. Steve Scott is the author of Like a House on Fire: Renewal of the Arts in a Post-modern Culture and The Boundaries. "Steve Scott is a rare individual who combines a deep love and understanding of Scripture with a passion for the arts." -Steve Turner, author of Jack Kerouac: Angelheaded Hipster. "Steve Scott links a number of fields of inquiry that are usually perceived as unrelated. In doing so he hopes to open wider possibilities for Christians in the arts, who may perhaps be relieved to find that, in many ways, they were right all along." -Rupert Loydell, author of The Museum of Light. Cover art by Michael Redmond
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