Divisors and Sandpiles provides an introduction to the combinatorial theory of chip-firing on finite graphs. Part 1 motivates the study of the discrete Laplacian by introducing the dollar game. The resulting theory of divisors on graphs runs in close parallel to the geometric theory of divisors on Riemann surfaces, and Part 1 culminates in a full exposition of the graph-theoretic Riemann-Roch theorem due to M. Baker and S. Norine. The text leverages the reader's understanding of the discrete story to provide a brief overview of the classical theory of Riemann surfaces. Part 2 focuses on sandpiles, which are toy models of physical systems with dynamics controlled by the discrete Laplacian of the underlying graph. The text provides a careful introduction to the sandpile group and the abelian sandpile model, leading ultimately to L. Levine's threshold density theorem for the fixed-energy sandpile Markov chain. In a precise sense, the theory of sandpiles is dual to the theory of divisors, and there are many beautiful connections between the first two parts of the book. Part 3 addresses various topics connecting the theory of chip-firing to other areas of mathematics, including the matrix-tree theorem, harmonic morphisms, parking functions, M-matrices, matroids, the Tutte polynomial, and simplicial homology. The text is suitable for advanced undergraduates and beginning graduate students.
Structured as a dialogue between a mathematician and a physicist, Symmetry and Quantum Mechanics unites the mathematical topics of this field into a compelling and physically-motivated narrative that focuses on the central role of symmetry. Aimed at advanced undergraduate and beginning graduate students in mathematics with only a minimal background in physics, this title is also useful to physicists seeking a mathematical introduction to the subject. Part I focuses on spin, and covers such topics as Lie groups and algebras, while part II offers an account of position and momentum in the context of the representation theory of the Heisenberg group, along the way providing an informal discussion of fundamental concepts from analysis such as self-adjoint operators on Hilbert space and the Stone-von Neumann Theorem. Mathematical theory is applied to physical examples such as spin-precession in a magnetic field, the harmonic oscillator, the infinite spherical well, and the hydrogen atom.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In Crying for a Vision, British-born poet, musician and performance artist Steve Scott offers a challenge to artists and a manifesto for the arts. This new edition includes an introduction and study guide, four newly-collected essays and an interview with the author. Steve Scott is the author of Like a House on Fire: Renewal of the Arts in a Post-modern Culture and The Boundaries. "Steve Scott is a rare individual who combines a deep love and understanding of Scripture with a passion for the arts." -Steve Turner, author of Jack Kerouac: Angelheaded Hipster. "Steve Scott links a number of fields of inquiry that are usually perceived as unrelated. In doing so he hopes to open wider possibilities for Christians in the arts, who may perhaps be relieved to find that, in many ways, they were right all along." -Rupert Loydell, author of The Museum of Light. Cover art by Michael Redmond
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Every year, WEIRDBOOK Magazine publishes a collection of short stories to thrill and delight readers worldwide. This year, we challenged authors to come up with memorable takes on the zombie theme, and the result is this fantastic collection of 34 original stories. Included are: The Meddler, by Matthew John Tiger Girls vs. the Zombies, by Lucy A. Snyder Dead Between the Eyes, by Adrian Cole Alive Again, by Franklyn Searight The Night Hans Kroeger Came Back, by Kenneth Bykerk The Marching Dead, by Andrew Darlington I Wished for Zombies, by D.C. Lozar O Mary Don’t You Mourn, by Mike Chinn To Die, To Sleep, No More, by Erica Ruppert Run, Monster, Run, by Teasha Seitz Another Night in Bayou Sauvage, by Chad Hensley Kifaro, by Dilman Dila But I Love Him, by Scott Wheelock Who Wants to Live Forever?, by Angela Yuriko Smith The Dead Are Always Hungry, by Christopher Alex Ray Zen Zombies, by R. A. Smith Cassius Max, by KT Morley A Nanotech Samsara, by J.N. Cameron Pine in the Soul, by John Linwood Grant “Welcome Home”, by Craig E. Sawyer Papa Hanco, by Ed Reyes They Shall Eat Dust, by Josh Reynolds In Shadow Valley, by Nick Swain Devil’s Bargain, by by J.F. Le Roux Right for You Now, by Andrew Jennings E’Zunguth, the Zombie God, by Maxwell I. Gold Lazy River, by Kelly Piner The New Human, by Shayne K. Keen This Little Piggy, by EV Knight Life Unworthy of Life, by Stephanie Ellis More Blood, by Carson Ray This Creeping Cold, by Kevin Rees The Body I Used to Be, by Scott Edelman Queen of Hearts, by S.E. Lindberg Plus poetry by Ashley Dioses, Avra Margariti, Josh Maybrook, Darrell Schweitzer, Lori R. Lopez, Allan Rozinski, K.A. Opperman, Gregg Chamberlain, Robert Borski, David C. Kopaska-Merkel, Colleen Anderson, and David C. Kopaska-Merkel.
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