Lindbergh was the first solo pilot to cross the Atlantic non-stop from New York to Paris, in 1927. This awe-inspiring fight made him the most celebrated men of his day-a romantic symbol of the new aviation age. However, tragedy struck in 1932, where his baby was kidnapped and found dead. The unbearable trial forced Lindbergh into exile in England and France. However, his soon fasciation and involvement with the Nazi regime, resulted in public opinion turning against him. His life was at the forefront of pioneering research in aeronautics and rocketry. Also, his wife became one of the century's leading feminist voices. This biography explores the golden couple who have been considered American royalty.
Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet. He was the first modern English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.
Samuel Goldwyn was the premier dream-maker of his era, and in this lavishly-praised biography, the Pulitzer Prize and National Book Award-winning author of Lindbergh and Max Perkins: Editor of Genius offers a life story as rich with drama as anything found on the silver screen...
“No mission too difficult, no sacrifice too great—Duty First!” For a century, from the Western Front of World War I to the wars of the 21st century, this motto has spurred the soldiers who wear the shoulder patch bearing the Big Red One. In this comprehensive history of America’s 1st Infantry Division, James Scott Wheeler chronicles its major combat engagements and peacetime duties during its legendary service to the nation. The Centennial Edition adds new chapters on peacekeeping missions in the Balkans (1995 – 2004) and the wars in Iraq and Afghanistan (2001 – 2017), along with a new introduction and conclusion. The oldest continuously serving division in the U.S. Army, the “Fighting First” has consistently played a crucial role in America’s foreign wars. It was the first American division to see combat and achieve victory in World War I. One of the few intact divisions between the wars, it was the first army unit to train for amphibious warfare. During World War II, the First Division spearheaded the invasions of North Africa and Sicily before leading the Normandy invasion at Omaha Beach and fighting on deep into Germany. By war’s end, it had developed successful combined-arms, regimental combat teams and made advances in night operations. Wheeler describes the First Division’s critical role in postwar Germany and as the only combat division in Europe during the early Cold War. The division fought valiantly in Vietnam for five trying years while pioneering “air-mobile” operations. It led the liberation of Kuwait in Desert Storm. Along the way, Wheeler illuminates the division’s organizational evolution, its consistently remarkable commanders and leaders, and its equally remarkable soldiers. Meticulously detailed and engagingly written, The Big Red One nimbly combines historical narrative with astute analysis of the unit’s successes and failures, so that its story reflects the larger chronicle of America’s military experience over the past century. Published in collaboration with the Cantigny First Division Foundation and the Cantigny Military History Series, edited by Paul H. Herbert.
A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy ; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume.
In the decade before the onset of the Civil War, groups of Americans engaged in a series of longshot—and illegal—forays into Mexico, Cuba, and other Central American countries in hopes of taking them over. These efforts became known as filibustering, and their goal was to seize territory to create new independent fiefdoms, which would ultimately be annexed by the still-growing United States. Most failed miserably. William Walker was the outlier. Short, slender, and soft-spoken with no military background—he trained as a doctor before becoming a lawyer and then a newspaper editor—Walker was an unlikely leader of rough-hewn men and adventurers. But in 1856 he managed to install himself as president of Nicaragua. Neighboring governments saw Walker as a risk to the region and worked together to drive him out—efforts aided, incongruously, by the United States' original tycoon, Cornelius Vanderbilt. William Walker's Wars is a story of greedy dreams and ambitions, the fate of nations and personal fortunes, and the dark side of Manifest Destiny, for among Walker's many goals was to build his own empire based on slavery. This little-remembered story from US history is a cautionary tale for all who dream of empire.
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