Online Journalism from the Periphery looks at how a range of new media actors, communicating online, have challenged us to think differently about the journalistic field. Emerging from the disruption of digital technology, these new actors have been met with resistance by an existing core of journalism, who perceive them as part of a ‘digital threat’ and dismiss their claims of journalistic belonging. As a result, cracks are appearing in the conceptual foundations of what journalism is and should be. Applying field theory as a conceptual lens, Scott Eldridge guides the reader through the intricacies of these tensions at both the core and periphery. By first unpacking definitions of journalism as a social and cultural construction, this book explores how these are dominated by narratives which have reinforced a limited set of expectations about its purpose and reach. The book goes on to examine how these narratives have been significantly undermined by the output of major new media players, including Gawker, reddit, Breitbart, and WikiLeaks. Online Journalism from the Periphery argues for a broadening of ideas around what constitutes journalism in the modern world, concluding with alternative approaches to evaluating the contributions of emerging media heavy-weights to society and to journalism.
Online Journalism from the Periphery looks at how a range of new media actors, communicating online, have challenged us to think differently about the journalistic field. Emerging from the disruption of digital technology, these new actors have been met with resistance by an existing core of journalism, who perceive them as part of a ‘digital threat’ and dismiss their claims of journalistic belonging. As a result, cracks are appearing in the conceptual foundations of what journalism is and should be. Applying field theory as a conceptual lens, Scott Eldridge guides the reader through the intricacies of these tensions at both the core and periphery. By first unpacking definitions of journalism as a social and cultural construction, this book explores how these are dominated by narratives which have reinforced a limited set of expectations about its purpose and reach. The book goes on to examine how these narratives have been significantly undermined by the output of major new media players, including Gawker, reddit, Breitbart, and WikiLeaks. Online Journalism from the Periphery argues for a broadening of ideas around what constitutes journalism in the modern world, concluding with alternative approaches to evaluating the contributions of emerging media heavy-weights to society and to journalism.
Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is ‘moral’, and normative debates over what is ‘journalistic’, alongside technical debates as to what is ‘possible’, to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.
“Focuses on the extensive contributions to the pyrrhic Confederate victory at Chickamauga made by the brave Lone Star State soldiers.” —Eric J. Wittenberg, award–winning author of Destined to Fail After Gettysburg, it was the Civil War’s largest battle, but until recently, little of consequence had been written about Chickamauga. You can count on one hand the number of authors who have tackled Chickamauga in any real depth, and most of their works cover the entire battle. Left unmined and mostly forgotten are the experiences of specific brigades, regiments, and state-affiliated troops. Scott Mingus and Joseph Owen’s Unceasing Fury: Texans at the Battle of Chickamauga, September 18–20, 1863 is the first full-length book to examine in detail the role of troops from the Lone Star State. Texas troops fought in almost every major sector of the sprawling Chickamauga battlefield, from the first attacks on September 18 on the bridges spanning the creek to the final attack on Snodgrass Hill on September 20. Fortunately, many of the survivors left vivid descriptions of battle action, the anguish of losing friends, the pain and loneliness of being so far away from home, and their often-colorful opinions of their generals. The authors of this richly detailed study based their work on hundreds of personal accounts, memoirs, postwar newspaper articles, diaries, and other primary sources. Their meticulous work provides the first exploration of the critical role Texas enlisted men and officers played in the three days of fighting near West Chickamauga Creek in September 1863. Unceasing Fury provides the Lone Star State soldiers with the recognition they have so long deserved.
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