How many times do you wonder about Love? What does it mean to Love and be Loved? This book explores from a Biblical perspective how Love is expressed in Scriptures. This book is written to challenge, encourage, and illustrate God's message to us. Love is woven like a Scarlet Thread throughout the Bible connecting verses, chapters and books providing a roadmap to our Eternal Home. This book is not written from a theological lens but is meant to create a safe space for the reader to consider their own thoughts about each Scripture. The book explores ways that as Christians we are called to Love, but also acknowledges that we often fail to Love well in many ways, as we interact with fellow Christians and others within our circle of influence. While the focus is on verses of the Bible that mention the word ‘Love’, there is opportunity to deeper explore many stories within the Bible. The stories may surprise you as we see that Love is not always what we might expect. Let this book speak to you as you discover how the Bible describes Love. It is more than romance, cupids, and warm feelings. God loves unconditionally but directs us how to Love His commandments, each other, and ourselves. How we love others impacts how others view God, as we demonstrate Christ's love through our words and actions. In our brokenness we Love imperfectly but can continue to grow in our abilities. There are several common themes that are seen in this study, and each one is important as we continue to grow in our Spiritual journey. This book highlights the work of other talented artists who have expressed their work through many mediums. Take your time to listen and consider their thoughts as well.
What started in the States ends in the States. The song-saving musicians are back home, with heads and hands full of songs they saved with the help of the Phantom Banjo, Lazarus. The soul-destroying devils haven t given up on killing off the music though, along with everything else that s maybe a little fun or keeps people human and sane. Even the debauchery devil, AKA Torchy Burns, AKA Lulubelle Baker (of Lulubelle Baker s Petroleum Puncher s Palace in west Texas) AKA Lady Luck AKA, believe it or not, the Queen of Faerie, has fallen on hard times. Her fellow devils are willing to see her demoted to the lower levels of hell, where a girl can t even get a decent mani-pedi. Her only hope is to convince one of the musicians--that would be Willie MacKai--to become her human sacrifice tithe to hell so she can get back her faerie kingdom. Once the magic banjo self-destructs, Willie decides to cooperate with Torchy. But the phone-in ghost of Sam Hawthorne and the music aren t done with Willie yet, though it takes a ghost train full of cowboy poets and all of his friends to save him.
This is a fantasy series about a bunch of folk musicians, good pickers and flawed but likable human beings, trying to reclaim songs destroyed by the evil forces (or devils, including but by no means limited to the Expediency Devil, the Stupidity and Ignorance Devil, and the Debauchery Devil) that want humanity to lose its humanity. Hauntings abound, as they do in the folk songs.
Born in a barn, raised in a ghetto, a common laborer by trade, he spoke in obscurity, yet what did Jesus of Nazareth do to become the most quoted person in history? What would we learn if we were to evaluate Jesus' communication style in the 21st Century? Talk Like Jesus explores the techniques of the Master Communicator through the eyes of a media expert. Jesus' communication patterns are introduced with the "S.I.M.P.L.E." method, which is based on six steps: Stories, Interaction, Multi-Track Communication, Preparation, Love, Execution. With careful analysis, historical reference, humorous storytelling and even sci-fi analogies, this book challenges the reader with new communication paradigms and practical suggestions. Whether you're a high-profile CEO, salesperson, manager, teacher, parent or pastor, these time-tested methods will inspire you to improve your professional and personal communication skills by learning how to Talk Like Jesus. Book jacket.
Jeff Scarborough was the only cameraman on duty at WNBC's newsroom in New York when the attacks of 9/11 began. Armed with privileged information from the '93 attack on the World Trade Center-realizing both towers were doomed-Jeff pulled out of an emergency convoy just short of the WTC as he and reporter Rob Morrison approached the burning towers. Taking charge at the scene, Jeff ordered live-truck engineer Eddie Alonzo to stay 500 feet away and told all responding crews to back-off-dangerously becoming NBC's sole cameraman broadcasting live from Ground Zero. He permitted only the live-shot reporter to join him at his camera position-and during their live broadcast, the South Tower collapsed. They ran for their lives; Jeff rescued Eddie and stayed to videotape the panic and the North Tower collapse. September's Camera is the story of that fateful day, and of a career lived on the edge of danger-as Jeff's lens captured conflict, urban riots, blackouts, serial killers, plane crashes and human frailty in all its forms.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Bill Withers's celebrated hit song "Lovely Day" comes to life in this beautifully illustrated picture book! "'Lovely Day' is a positive and uplifting song that comforts the soul. I'm thrilled to see my husband’s beautiful words come to life in this stunning picture book." -- Marcia Withers Bill Withers's "Lovely Day" is famous for bringing listeners joy. This gorgeous picture book adapted from the song's timeless lyrics follows the story of a brother and sister who always find a way to make each other smile, no matter the challenges the day may bring. From discovering new ways to play when the playground is closed, to laughing out loud as they run through the rain, these siblings can count on each other to find the joy in any situation. Because when you're with the ones you love, every day is a lovely day!
Dear Rosie, Being an apprentice fairy godmother is complicated. Not only do I have to go out and find good deeds to do, but for a sidekick I have that hit man that Felicity changed into a toad. I wanted to take the cat but she seems to have had a big funeral to attend. Felicity isn t around much. She keeps disappearing through a door in the guestroom that opens on the side of a hill. The swimming pool is weird too, and I could have sworn I saw someone dancing on the bottom. I am enjoying riding the flying horse and helping a boy who plays squeezebox and talks to swans though, so things are--you should pardon the expression--looking up.
“King’s pitch for the indebtedness of the genres we know well—the novel, the biography, the magazine piece—to letter writing is stylish and convincing.” —Christina Lupton, author of Reading and the Making of Time in the Eighteenth Century In Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the “bridge genre,” which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time—the newspaper, the periodical, the novel, and the biography—were united by their reliance on letters to accustom readers to these new forms of print media. King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication—as members of what they called “the world” of writing—King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele’s Spectator, Samuel Johnson’s Lives of the Poets, and Jane Austen’s Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere. “This erudite, sophisticated, beautifully written book is a major achievement.” —Thomas Keymer, author of Poetics of the Pillory
Cindy Ellis knows about fairy godmothers. Her almost-stepdaughter is studying to be one and she is a close personal friend of Felicity Fortune, an Irish godmother. But she didn t suspect when she picks up Grandma Webster that the elderly, seemingly lost American Indian woman in traditional dress was a magical godmother too. When a self-serving skinwalker/witch inflames tensions between neighbors and pits sisters against each other in the best fairy tale fashion, Grandma enlists Cindy s help, along with that of a Navajo doctor, a Hopi rancher, and an unlikely champion, a dude who is related to coyotes and dreams of a home shopping network empire. Together they must defeat the evil that is threatening to destroy their world forever. Characterization, pacing, and folkloric expertise are all up to the series high standards, so Godmother-followers and others should greet this book joyfully. --Booklist
SA science fiction thriller that feels like a futuristic James Bond . . . The idea of two minds inhabiting one body is a fascinating premise. The way they blend together and respect each other "s personality makes Elizabeth Ann Scarborough "s latest work a fascinating, often humorous speculative fiction. Midwest Book Review SScattered throughout the narrative, Scarborough provides amusing asides from the viewpoints of the Cleopatras. The modern day is filled with marvels from the viewpoints of the ancient queens, and Scarborough does a marvelous job of giving the world we take for granted a new angle of understanding . . . [She] has done a fabulous job of researching the past, and through the observations of the two Cleos paints a heartrending picture of loss and yet at the same time presents awe-inspiring descriptions of wonders that have managed, despite war, neglect, and outright vandalism, to survive for millennia to the modern day. SF Revu S[An] exciting speculative thriller . . . Scarborough deftly weaves her suspenseful web and then untangles the threads with her clear and concise prose, preventing a plot with dual-identity characters from spinning out of control. The DNA-blending concept is fascinating. . . retains the breathless action, frenetic pacing, and dry wit, [of its predecessor] with homages to Elizabeth Peters and Indiana Jones, and will appeal to a wide audience.
“A twisty, cold-case mystery custom made for fans of Sara Shepard, PLL and Veronica Mars! The edge-of-your-seat plot, sinister backstory and smart, brave and irreverent main character made this whodunit unputdownable.”—Justine Magazine In To Catch a Killer, a contemporary mystery by debut author Sheryl Scarborough, a teenage girl uses forensic science to solve the cold-case murder of her mother. Erin Blake has one of those names. A name that is inextricably linked to a grisly crime. As a toddler, Erin survived for three days alongside the corpse of her murdered mother, and the case—which remains unsolved—fascinated a nation. Her father's identity unknown, Erin was taken in by her mother's best friend and has become a relatively normal teen in spite of the looming questions about her past. Fourteen years later, Erin is once again at the center of a brutal homicide when she finds the body of her biology teacher. When questioned by the police, Erin tells almost the whole truth, but never voices her suspicions that her mother's killer has struck again in order to protect the casework she's secretly doing on her own. Inspired by her uncle, an FBI agent, Erin has ramped up her forensic hobby into a full-blown cold-case investigation. This new murder makes her certain she's close to the truth, but when all the evidence starts to point the authorities straight to Erin, she turns to her longtime crush (and fellow suspect) Journey Michaels to help her crack the case before it's too late. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A daughter finds her mother's story, dating back to hidden truths during World War II. A classic Mother/Daughter tale one can picture on the big screen, from the war in Europe to America in the 60's and 70's, and life as an immigrant wife and mother during that iconic time. A beautiful love and life story of a beautiful woman, who graces a cover that looks like a best seller. A woman named Tishi.
Elizabeth Ann Scarborough’s The Godmother puts a new twist on contemporary fantasy with the assertion that fairy godmothers exist here and now, and they have magical power that allows them to intervene in real-world problems. What if someone wished a fairy godmother would help the entire city of Seattle? An overworked, overstressed social worker named Rose Samson does just that when she makes an idle wish on a mustard seed. Felicity Fortune of “Godmothers Anonymous” shows up to help. Rose Samson is neither fashion model beautiful, nor a twit, and she happily joins forces with Felicity Fortune, a “Godmother” who demonstrates that Grimm’s fairy tales are still relevant in our humdrum modern world. Fairy godmothers are on a magical budget, so every possible way they can get human beings or animals to assist one another, they will try, rather than using up their magical means. Felicity encounters many strangely familiar situations: a pretty stablehand named Cindy Ellis is mistreated by her cruel stepsisters. A rock star’s daughter, scared of the supermodel her dad married, runs away from home and meets seven Vietnam veterans at an encounter session and retreat. One of them might be a big bad wolf, who knows? In all their experiences, Rose and Felicity try to blend their magical aid with realistic human initiative and social responsibility. Scarborough’s fully realized settings, with the humor built into the mix of magical solutions and grim reality, make this work an entertaining and compelling read.
It is a commonplace that while Asia is nondualistic, the West, because of its uncritical reliance on Greek-derived intellectual standards, is dualistic. Dualism is a deep-seated habit of thinking and acting in all spheres of life through the prism of binary opposites leads to paralyzing practical and theoretical difficulties. Asia can provide no assistance for the foreseeable future because the West finds Asian nondualism, especially that of Mahayana Buddhism, too alien and nihilistic. On the other hand, postmodern thought, which purports to deliver us from the dualisms embedded in modernity, turns out to be merely a pseudo-postmodernism. This book's novel idea is that the West already contains within one of its more marginalized roots, that of ancient Hebrew culture, a pre-philosophical form of nondualism which makes possible a new form of nondualism, one to which the West can subscribe. This new nondualism, inspired by Buddhism but not identical to it, is an epistemological, ontological, metaphysical, and praxical middle way both for the West and also between East and West.
The ancient ballads of England, Scotland and Ireland are great stories to visit but nobody in their right mind would want to live there. There s a high body count for every ballad and a happy ending usually involves boy meets girl and they end up sharing a grave. The musicians who go to retrieve the songs, with the help of the magic banjo, Lazarus, know this, but the fact is, the songs also contain a great deal of magic useful in defeating the devils who are out to dehumanize humanity by stealing the music. The Queen of the Fairies, aka the Debauchery Demon, Torchy Burns, makes them a deal they can t refuse and the reluctant heroes find themselves thrust into the lives and deaths of ballad people they know are going to end badly. It s enough to make a picker take up accounting!
The scholarly essays in this book focus on the theme of art and social change in Western art from the Renaissance to about 1950. The edited volume includes contributions by scholars with a range of professional backgrounds and affiliations. Their essays address some aspect of the theme and engage with one or more artworks in the collection of La Salle University Art Museum. Topics include religious iconography, portraiture, landscape, journal illustrations, and Modernist abstraction. These essays on the collection add to the body of scholarship which situates works of art in contexts that help reveal and explain changes in social, political or cultural values. The book is lavishly illustrated, with 104 color illustrations.
Originally published in 1921, this is an anthology of famous and chilling ghost stories compiled by Dorothy Scarborough. She was a lecturer in English for Columbia University, as well as author who producing such notable works as “The Supernatural in Modern English Fiction” and “From a Southern Porch”. Scarborough was also a keen anthologist and authorised such horror greats as Algernon Blackwood, Mary E. Wilkins Freeman, Robert W. Chambers, Anatole France, Fitz-James O'Brien, Ambrose Bierce, Edgar Allan Poe, Arthur Machen, and Guy de Maupassant. This collection of supernatural tales will appeal to all lovers of the genre, and is not to be missed by collectors of vintage ghost stories and related work. Emily Dorothy Scarborough (1878 – 1935) was an American writer famous for her work related to Texas, folk culture, cotton farming, ghost stories and women's life in the Southwest. Other notable works by this author include: “Fugitive Verses” (1912), “From a Southern Porch” (1919), and “The Wind” (1925). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
The Torture House by Randy N. Scarborough The Torture House begins with a seemingly ordinary couple and their longing to have children. As readers follow the Carver family, everything seems to go wrong. This thriller shows the dangerous mind of a madman and details a web of horror that sucks in anyone unfortunate enough to have known the Carvers. Will detectives Richards and Roberts put together the pieces of the crime in time to save these unfortunate men and women from the torture house? Read on to find out.
Five years ago, Scarborough stood alone in predicting the collapse of the Republican majority and the economic chaos that has shaken the country. Now, the author issues a challenge to his own political party: reform or die.
This is a book of poems written about the author's family as she reflects after her mother has passed on. It is a celebration of the mother's life, but also a book to minister to others as they walk the same path...."first holidays" without her mom....shares memories of those holidays of her childhood. It speaks of the eight years of Friday night dinners with her mom and her last years of dementia as she and her brother come visit and become known as the Crock-pot Gang. From big extended family Fourth of July picnics in the 1950s to the 2008 Fourth of July celebration with her son and daughter-in-law in Boston, listening to the Boston Pops on the Charles River, her remembrances are shared. Her mothers love of family and the memories of all those years is the essential theme behind the poem. It is a celebration of family. The strength of families is the strength of nations- the strength of the world.
The first professional classicist of African American descent, William Sanders Scarborough rose from slavery to become president of Wilberforce University in Ohio. Excelling at Latin and Greek, he crossed the color line both socially and intellectually with his entry into a field of study commonly seen as elitist and dominated by white men. Although unknown to classicists today, Scarborough had a distinguished career in the field and held membership in many learned societies and had an active publication record. His life as an engaged intellectual, public citizen, and concerned educator was admired and emulated by W. E. B. Du Bois.This collection, which spans a half a century from the end of Reconstruction through the vagaries of World War I and the rise of Jim Crow, gives us window we have not had before into the challenges and ambiguities of this period. As a committed intellectual, concerned educator and loyal citizen, he served as an ambassador to and for his race to several generations of people both in the U.S and abroad. In Scarborough's writings we have a portrait of a man whose struggle for physical and intellectual freedom can inform us all.
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