In the 1960s and '70s, America spent $24 billion (around $150 billion in today's dollars) to land humans on the moon and "win" the space race. And while humans took their first steps on an extraterrestrial landscape, protesters at Cape Canaveral asked: Why waste money on space when there are so many issues here on Earth? More than 50 years later, an oligopoly of commercial space companies—SpaceX, Blue Origin, and Virgin Galactic—has begun sending civilians into space. These civilians are the first generation of what will undoubtedly be an extensive family of space tourists. Commercial space companies aim to expand access to space, find new sources of energy, mine outer space resources, and conquer extraterrestrial lands. But their goals remain that of a capitalist and imperialist class, intent on new frontier profiteering. Savannah Mandel uses cultural anthropology to trace the trajectory of the space industry as it faces the social, political, and economic repercussions of commercial space ventures head-on. In doing so, Mandel holds the space industry accountable for its actions by asking the same questions that some thought leaders asked in the 1960s: Should we go? Is it worth it to send humans to space? What cultural outcomes will result from continued human space exploration and the colonization of other worlds? And last, what can we learn about our present selves by studying our most extreme visions of the future
In the 1960s and '70s, America spent $24 billion (around $150 billion in today's dollars) to land humans on the moon and "win" the space race. And while humans took their first steps on an extraterrestrial landscape, protesters at Cape Canaveral asked: Why waste money on space when there are so many issues here on Earth? More than 50 years later, an oligopoly of commercial space companies—SpaceX, Blue Origin, and Virgin Galactic—has begun sending civilians into space. These civilians are the first generation of what will undoubtedly be an extensive family of space tourists. Commercial space companies aim to expand access to space, find new sources of energy, mine outer space resources, and conquer extraterrestrial lands. But their goals remain that of a capitalist and imperialist class, intent on new frontier profiteering. Savannah Mandel uses cultural anthropology to trace the trajectory of the space industry as it faces the social, political, and economic repercussions of commercial space ventures head-on. In doing so, Mandel holds the space industry accountable for its actions by asking the same questions that some thought leaders asked in the 1960s: Should we go? Is it worth it to send humans to space? What cultural outcomes will result from continued human space exploration and the colonization of other worlds? And last, what can we learn about our present selves by studying our most extreme visions of the future
The Savannah Jewish Archives (SJA), housed in the Georgia Historical Society and funded by the Savannah Jewish Federation, was established in 1994 to preserve and make available the history of the Jewish community of Savannah, Georgia. As part of an ongoing effort to make their holdings accessible to the public, the SJA, on its tenth anniversary, proudly presents Voices of Savannah: Selections from the Oral History Collection of the Savannah Jewish Archives. This new offering from the SJA is a supplement to The Jewish Community of Savannah (Arcadia Press, 2002), which utilized the Archives' extensive photograph collection to trace the history of Savannah's Jewish community. Voices of Savannah offers previously unseen photographs from the collections of the SJA while also drawing narrative text from more than one hundred oral history interviews collected from and by local Jewish residents, pulling together their own stories in their own words to create a unique picture of Savannah in days gone by. - Back cover.
In 1979, a small art college with 71 students opened its doors in a renovated 19th-century building in the urban heart of colonial Savannah, Georgia. One of the most historic cities on the eastern seaboard, Savannah is noted for its architectural treasures, urban forest and verdant squares, and for the unique 1733 city plan designed by General Oglethorpe. The campus fabric of the Savannah College of Art and Design (SCAD) grew from the Romanesque revival Savannah Volunteer Guards Armory, designed by Boston architect William Gibbons Preston in 1892, to comprise some 60 rehabilitated historic structures situated within four historic districts. Currently, more than 6,200 students pursue their dreams in this wonderful setting.
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