Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.
We are so used to hearing about all the French words that are found in English and about how purist the French are about their language, that we don't realize how many English words have migrated into French. You'll be astonished by how many English words are used in French. French is inundated with them! Swamped with them! Most are native English words, but surprisingly, some were originally French words which moved into English long ago, evolved a different meaning, and then moved back to French with the new meaning as anglicismes. English words aren't always taken into French with the same spelling and usage as they have in our language. For example, you'll encounter le week-end, which has gained a hyphen, and le warning which doesn't mean "the warning" in a general sense, but specifically means the emergency lights or flashers on a car. Some words are specific to certain sports, like l'uppercut or le football, or to other activities, such as playing bridge, while other words which are general in English have only limited meanings in French. An example is le slice, which only refers to golf and tennis, and not to a slice of melon, for instance. Some words are so well integrated into French that the average Frenchman wouldn't be aware that they are words of English origin. At the other extreme are words that that same Frenchman would recognize immediately as English words even though he uses them without reflection (much as we would say ravioli and pizza are Italian words, or taco and tamale are Mexican Spanish words). All these words will be marked as anglicisme or mot anglais in a French dictionary like Le Petit Robert, and the use of some of them would be frowned on in formal speech or writing, but many are very widely used in normal casual speech. You'll find it a fascinating book. READ WHAT PROFESSORS AND INSTRUCTORS OF FRENCH AND OTHERS HAVE WRITTEN ABOUT EARLIER BOOKS IN THIS SERIES: I think your books are wonderful. You have made a fantastic contribution to the French language profession. --- Prof. Judy Baughin, Raymond Walters College You have done a real service to learners of French...This is important work. --- Prof. John Romeiser, U. of Tenn. I have to say your Key Words and Expressions is just the kind of book I would have liked to have had when I was teaching myself French oh-so-many years ago. --- Prof. John Moran, Dir.Language Programs, NYU If you really want to learn spoken French, you need this book (Key Words). You'll need other books as well, you'll need audio materials, and you'll need live language experience. But this book is a necessity. ---- reader reviewer amazon.com I love the Faux Amis, especially the relaxed, conversational presentation. ---- Prof. Norman Shapiro, Wesleyan U. Your little books are great! ---- Prof. AG Fralin, Washington and Lee U. I absolutely *love* Faux Amis. It's so well done. --- Prof. Herta Rodina, Ohio U. I love your books! They are easy to navigate, and they are extremely useful to non-native French speakers. ---- Prof. John Turvaville, U. of Tenn. Perhaps the most amazing thing about this book (Key Words) is that it took until 2007 for anyone to think of writing it! ---- reader reviewer amazon.com The books are excellent.---- Prof. Luke Bouvier, U. of Mass, Amherst I've been perusing Key Words for the past couple of days and it's great fun... What a great idea for a book! --- Prof. Herta Rodina, Ohio U. This (Key Words)is easily one of the best and most important French resources I own (and I've got dozens of them)... It's amazing, absolutely amazing how this book has improved my understanding of spoken French. - reader reviewer, amazon.com I wish Rosenthal had written Rules for the Gender of French Nouns twenty years ago when I was a student. - Stephen Hedge, review in "The French Review
If you have read the first book in this series, All the French You Use Without Knowing It, you already know that this is not a book with useful facts to memorize. In fact it's probably not useful at all. It's interesting. It's fun to read. It will stretch your mind and introduce you to things you never imagined. Think of reading these fascinating stories just as a pleasure you grant yourself when you just feel like reading something interesting. Books in this Series by Saul H. Rosenthal The Rules for the Gender of French Nouns (3rd revised edition) Speaking Better French: Faux Amis Speaking Better French: More Faux Amis Speaking Better French: Still More Faux Amis French Faux Amis: The Combined Book Speaking Better French: The Key Words and Expressions Speaking Better French: More Key Words and Expressions French Key Words and Expressions: The Combined Book All the French You Use Without Knowing It Praise for Rosenthal's Books "I think your books are wonderful. You have made a fantastic contribution to the French language profession." -- Professor Judy Baughin, Raymond Walters College "You have done a real service to learners of French. This is important work." -- Professor John Romeiser, University of Tennessee, Knoxville "I am amazed at how fun to read and incredibly informative it is. It's a wonderful tool." -- Professor Brigitte Humbert, Middlebury College "Your little books are great!" -- Professor A. G. Fralin, Washington and Lee University "I love your books! They are easy to navigate and they are extremely useful to non-native French speakers." -- Professor John Turvaville, University of Tennessee, Knoxville "I have to say that it is just the kind of book I would have liked to have when I was teaching myself French oh-so-many years ago." -- Professor John Moran, Director of Language Programs, NYU "I love the Faux Amis, especially the relaxed conversational presentation." -- Professor Norman Shapiro, Wesleyan University "I've been perusing Key Words for the past couple of days and it's great fun. What a great idea for a book!" -- Professor Herta Rodina, Ohio University "The books are excellent." -- Professor Luke Buvier, University of Massachusetts, Amherst
It's easy to assume that French words mean the same as English words when they look and sound pretty much the same. Most of the time you would be correct. However, occasional word pairs look the same, and may even be spelled the same, but have different meanings. They are called "false friends," or faux amis. These faux amis can cause misunderstandings, uncomfortable situations, and even embarrassment when you use them in conversation and they mean something entirely different than what you expected. This book is written to help you avoid these awkward misunderstandings. This is not a dry list of faux amis. It's a book written in conversational language and is easy and fun to read. Each faux ami word pair is explained so that you will understand the difference between the usage of the word in French and in English, and often even how that difference arose. Each faux amis word is also accompanied by examples of the word used in sentences and phrases to illustrate, and to make very clear, exactly how it is used. When you have finished reading this book, you will have learned most of these faux amis simply because they are fascinating, and incredibly interesting, without ever having had to consciously memorize them.
This combined book of key words and expressions gives you the absolutely essential words you’ll need to know to navigate everyday French conversation. For example, it would be difficult to get through a single day in France without hearing each of the words truc, bise and Pardon! at least once. Well, these words are all here in this book, and lots more, like défense de, foutu, fichu, drôle de, en liquide, and et alors? The use of each is discussed and illustrated with examples. After reading this book, you’ll not only recognize these key words if you hear or read them, but you’ll also be able to use them correctly yourself. This book will be a pleasure for you. It’s one of those rare finds, a book that is both very useful and fun to read!
This book isn't anything you have to memorize. As Catherine Ostrower, who teaches French at Wesleyan and was proofreading the book, wrote to the author: "THIS BOOK IS JUST SO MUCH FUN TO READ " It gives you the fascinating stories of English words that came from French, often words you would never have dreamt were French (like important, relay, stereotype, surrender, stranger, similar, and delicious). It tells you how these words evolved, how they arrived in English, and how they changed once in English. Think of these fascinating stories as a little treat for when you just feel like reading something interesting. Books in this Series by Saul H. Rosenthal The Rules for the Gender of French Nouns (3rd revised edition) Speaking Better French: Faux Amis Speaking Better French: More Faux Amis Speaking Better French: Still More Faux Amis French Faux Amis: The Combined Book Speaking Better French: The Key Words and Expressions Speaking Better French: More Key Words and Expressions French Key Words and Expressions: The Combined Book All the French You Use Without Knowing It
Do you wonder why an arm is masculine while a leg is feminine? Why your sofa is masculine but your chair is feminine? And why should a person or victim always be feminine, even if the person or victim you're talking about happens to be a man? And isn't it odd that masculinit is feminine? The illogic of French gender can be very frustrating. But after reading this book, if you see words like croisement, pays, vin, or chocolat, you will instantly know they are masculine, and you will also immediately recognize that words like ville, facture, maladie, and essence are feminine.
Tumors and Tumor-like Conditions of the Lung and Pleura is a superb visual resource that brings the state-of-the-art in thoracic diagnosis straight to the lab bench. Cesar A. Moran and Saul Suster are internationally recognized experts in pulmonary pathology who present a coherent and consistent approach to interpretation and diagnosis. Through more than 900 stunning photographs and a consistent, user-friendly format, this resource provides quality guidance on the diagnostic problems you face in everyday practice. You’ll get a host of innovative, practice-oriented features unavailable in any other text that streamline and facilitate diagnostic decision-making. Written by practitioners for practitioners, this visual resource is designed for quick and easy use. You can’t afford to be without it. Features over 900 high-quality full-color illustrations so you can recognize and diagnose any tissue sample under the microscope. Presents immunohistochemical and genetic features wherever relevant for comprehensive information on all of the investigative contexts important to formulating an accurate diagnosis. Includes summary tables throughout the text to simplify and clarify complex discussions and enable "at a glance" comparisons between entities. Provides practical advice from experts on pitfalls in differential diagnosis to help you avoid diagnostic errors.
This book is an important addition to the discourse on contemporary ethical issues in art and design. Beauty is Nowhere makes a timely contribution to the necessary explanation of the relationship of ethics to art and design practice, and the ability of the arts to matter as we approach the next millennium. From informal discussion to formal essay, distinguished theoreticians and practitioners of art explore issues of political space, user- centred design, the social responsibility of the artist, design legislation, cultural hierarchy, modernism as colonialism, and the ethical opportunities and minefields of postmodernism. This volume grew out of a thematic lecture series: Ethical Issues in Art and Design sponsored by the Centre for Interdisciplinary Studies in Art and Design, College of the Arts, The Ohio State University.
Many years ago, Teddy gave Clara an emerald ring that she has cherished as a symbol of her passion for him. The ring is lost and after many years - eventually - discovered.
An extensive selection of previously unpublished correspondences by the late Nobel Prize- and three-time National Book Award-winning writer spans eight decades and includes letters written to such contemporaries as William Faulkner, Ralph Ellison and Cynthia Ozick.
Abe Ravelstein est un brillant professeur de l'université de Chicago et un homme qui se targue d'avoir formé tout ce qui compte dans le monde politique. Il a vécu sur un grand pied, largement au-dessus de ses moyens. Son ami Chick, le narrateur, lui a suggéré d'exposer sa philosophie politique dans tin livre destiné au grand public. A sa propre surprise, Ravelstein le fait et devient millionnaire. Durant un séjour à Paris destiné à célébrer ce succès, Ravelstein suggère à son tour à Chick d'écrire un livre star lui et tous deux échangent des pensées sur la mort, la philosophie et l'histoire, les amours et les amis, et des anecdotes dit passé. L'humeur s'assombrit à leur retour dans le Midwest et Ravelstein succombe au sida tandis que Chick lui-même frôle la mort de peu. Le dernier roman de Saul Bellow est un voyage, tantôt sombre, tantôt férocement drôle, à travers l'amour et la mémoire, c'est un hymne à l'amitié et à la vie.
Kenneth Trachtenberg, an expert in Russian history and literature, tries to protect his revered uncle Benn Crader, a world-renowned botanist, from a tangle of family relationships, greed, and the willfullness of the human heart
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