Engaging with contemporary debates about the political role of art in an era of total market subsumption, this book shows how artists respond to the challenges of political authoritarianism, police violence, right-wing populism, 'post-truth' discourse, economic inequality, pandemics, and the environmental crisis, transforming the public sphere in new and unexpected ways. Going beyond sterile debates about identity politics, diversity and representation that beset the mainstream media, university campuses and other cultural domains, the volume illustrates the ways in which artists are opening up alternative sites of contestation, occupation, and autonomous political thought and action. Newman and Topuzovski examine here the artistic practices of multiple collectives and individuals deeply engaged with social and political activities such as Grupo de Arte Callejero (GAC) and Voina, arguing that the best way to understand these new critical discourses and practices is through an updated political theory of anarchism - or what we call postanarchism - where the insurrection against power and the politics of singularity are central. Featuring, for instance, an examination of significant movements such as Black Lives Matter, as well as its use of artistic tactics such as graffiti, graphic design and movement art, the book launches itself into a vibrant discussion of the extent to which art can produce a multiplicity of practices through the deconstruction of existing legal, political, and cultural identities. By developing an alternative way of exploring the nexus between art and politics through the idea of postanarchism, this book bridges the gap between the two, promoting an understanding of the political role that art can play today and introduces a theory of postanarchism to a non-specialist audience of artists, activists and those generally interested in new sites and directions for radical politics.
God is dead, but his presence lives on in politics. This is the problem of political theology: the way that theological ideas find their way into secular political institutions, particularly the sovereign state. In this intellectual tour-de-force, leading political theorist Saul Newman shows how political theology arose alongside secularism, and relates to the problem of legitimising power and authority in modernity. It is not about the power of religion so much as about the religion of power. Examining the current crisis of the liberal order, he argues that recent phenomena such as the rise of populism, the renewed demand for strong national sovereignty and the return of religious fundamentalism may be understood through this paradigm. He illustrates his argument through an exploration of themes such as sovereignty, democracy, economics, technology, ecological catastrophe, messianism and the future of radical politics, engaging with thinkers ranging from Schmitt and Hobbes to Stirner, Foucault, and Agamben. This book will be a crucial text for all students, scholars and general readers interested in the meaning and significance of political theology for political theory.
What is the relevance of anarchist thought for politics and political theory today? While many have dismissed anarchism in the past, Saul Newman contends that anarchism's heretical critique of authority, and its insistence on full equality and liberty, places it at the forefront of the radical political imagination today. With the unprecedented expansion of state power in the name of security, the current 'crisis of capitalism' and the terminal decline of Marxist and social democratic projects, it is time to reconsider anarchism as a form of politics. This book seeks to renew anarchist thought through the concept of postanarchism.
Unstable universalities, available for the first time in paperback, examines the theme of universality and its place in radical political theory. Saul Newman argues that both Marxist politics of class struggle and the postmodern politics of difference have reached their historical and political limits, and that what is needed is a new approach to universality, a new way of thinking about collective politics. By exploring various themes and ideas within poststructuralist and post-Marxist theory, the book develops a new and original approach to universality – one that has important implications for politics today, particularly on questions of power, subjectivity, ethics and democracy. In so doing, it engages in debates with thinkers such as Laclau, Žižek, Badiou and Rancière over the future of radical politics. It also applies important theoretical insights to contemporary events such as the emergence of the anti-globalisation movement, the ‘war on terrorism’, the rise of anti-immigrant racism, and the nihilistic violence which lurks at the margins of the political.
This volume provides an important reading of the political implications of postmodernity, focussing on the nature of power, ideology and subjectivity The volume critically discusses the work of key postructuralist thinkers: Foucault, Derrida, Lacan, Deleuze and the often overlooked Max Stirner
In its comparison of anarchist and poststructuralist thought, From Bakunin to Lacan contends that the most pressing political problem we face today is the proliferation and intensification of power. Saul Newman targets the tendency of radical political theories and movements to reaffirm power and authority, in different guises, in their very attempt to overcome it. In his examination of thinkers such as Bakunin, Lacan, Stirner, and Foucault Newman explores important epistemological, ontological, and political questions: Is the essential human subject the point of departure from which power and authority can be opposed? Or, is the humanist subject itself a site of domination that must be unmasked? As it deftly charts this debate's paths of emergence in political thought, the book illustrates how the question of essential identities defines and re-defines the limits and possibilities of radical politics today.
Taking Agamben's critique as a starting point, the authors reveal the paradoxes central to the politics of human rights by exploring questions of statelessness, exclusion and the visual representation of refugees and illegal migrants in the media.
How has 9/11 and the declaration of the 'global war on terror' changed our conceptions of politics? How has it affected our understanding of democracy, personal freedom and government accountability? In answering these and other questions, the authors engage in a comprehensive and critical analysis of politics in the age of terrorism.
What shape can radical politics take today in a time abandoned by the great revolutionary projects of the past? In light of recent uprisings around the world against the neoliberal capitalist order, Saul Newman argues that anarchism - or as he calls it postanarchism - forms our contemporary political horizon. In this book, Newman develops an original political theory of postanarchism; a form of anti-authoritarian politics which starts, rather than finishes, with anarchy. He does this by asking four central questions: who are we as subjects; how do we resist; what is our relationship to violence; and, why do we obey? By drawing on a range of heterodox thinkers including La Boétie, Sorel, Benjamin, Stirner and Foucault, the author not only investigates the current conditions for radical political thought and action, but proposes a new form of politics based on what he calls ontological anarchy and the desire for autonomous life. Rather than seeking revolutionary emancipation or political hegemony, we should affirm instead the non-existence of power and the ever-present possibilities of freedom. As the tectonic plates of our time are shifting, revealing the nihilism and emptiness of our political and economic order, postanarchisms disdain for power in all its forms offers us genuine emancipatory potential.
Recent events, such as the COVID-19 pandemic, the invasion of Ukraine, the rise of right-wing populism, the growing economic inequality and political instability, and the climate emergency, are indicative of the decomposition of the global liberal democratic order. Order, Crisis, and Redemption is a critical reflection on the limitations of Carl Schmitt's political theology, an attempt to think, with and beyond Schmitt, about the parameters of this crisis. Through a sustained critical engagement, ranging over Schmittian texts, including the lesser known, from the 1920s to the 1970s, the book elaborates three main themes that preoccupied Schmitt: order, crisis, and redemption. In times of crisis, as with the one we are currently experiencing, we are faced with the dilemma of either shoring up the current political and legal order—through ever more authoritarian measures—or radically transforming it. Redemption, in the full theological sense of the word, thus implies the possibility of a new understanding of ethics and politics, aimed at creating a more just world.
A new history of postwar painting that explores how the desire to look backward shaped some of the period's most radical artmaking This incisive account of modernism's postwar development examines how painters, such as Joan Mitchell, Barnett Newman, and Rose Piper, invoked tradition in order to respond to, participate in, and disrupt the histories of the movement being written at midcentury. Saul Nelson argues that artists' turn to the past, often dismissed as regressive, offers an important counternarrative to the notion of modernism as always pushing forward. To be a modernist, Nelson contends, was to live in doubt--about which aspects of the past were still needed and how they might be put to new use. The story ranges across continents and historical boundaries, from India to Europe and the United States. It encompasses Grace Hartigan's and Mitchell's feminist reworkings of Matisse, the links between the work of Newman and nationalistic nineteenth-century painting, the attempts of Piper to salvage a heritage from the Harlem Renaissance, and F. N. Souza's interrogations of the legacies of colonialism. Never Ending presents a new history of postwar painting in which modernism is reimagined as a practice of retrieval and reinvention, a ceaseless confrontation between tradition and the demands of the present.
The Lost Oasis tells the true story behind The English Patient. An extraordinary episode in World War II, it describes the Zerzura Club, a group of desert explorers and adventurers who indulged in desert travel by early-model-motor cars and airplanes, and who searched for lost desert oases and ancient cities of vanished civilizations. In reality, they were mapping the desert for military reasons and espionage. The club's members came from countries that soon would be enemies: England and the Allied Forces v. Italy and Germany. When war erupted in 1939, Ralph Bagnold founded the British Long Range Desert Group to spy on and disrupt Rommel's advance on Cairo, while a fellow club member, Hungarian Count Almasy, succeeded in placing German spies there. Ultimately, the British prevailed. Saul Kelly's riveting history draws on interviews with survivors and previously unknown documentary material in England, Italy, Germany, Hungary, and Egypt. His book reads like a thriller -- with one key difference: it's all true.
It's sweltering summer in New York City, and Asa Leventhal is alone. His co-workers ignore or condescend to him, his wife is away with her mother, and his estranged brother has run off, abandoning his wife and two sons. One night, Leventhal is confronted by a stranger--'one of those guys who want you to think they can see to the bottom of your soul'--who reveals himself to be a marginal figure from his distant past. Leventhal, accused of ruining the man's life, becomes shocked and dismissive, vehemently denying any part in the man's unhappy lot. But as time passes, he is increasingly unable to separate his own good fortune from the bad luck of this down-and-out stranger, who will not leave him be. A brief, haunting rumination on the vagaries of fate and responsibility, The Victim is, in the words of Norman Rush, Saul Bellow's "purest creation.
Five of Saul Bellow’s most moving, richly textured, and exquisitely plotted short stories make up this volume, each providing a history of personality and self-awakening. The title story, “Him with His Foot in His Mouth,” follows a musicologist narrator who for years has scattered wounding witticisms “from the depths of my nature, that hoard of strange formulations.” As the story unfolds he tries to discover what led him into a “deep legal-financial hole,” while he awaits extradition from a refuge in British Columbia. “What Kind of Day Did You Have?” follows a divorced suburban woman and her lovers—would-be and actual—through a frantic day in their lives. Their needs and passions, as well as their comic conflicts, are matters of life and death. In “Zetland: By a Character Witness” and in “A Silver Dish,” Bellow returns, with his unequaled command of eloquent recollected detail, to a bygone Chicago, “Zetland” is a brilliant portrait of an artist as a young boy and a man, precocious and eccentric; “A Silver Dish” is a memorable story of a raffish, willful father and his affectionate son. “Cousins,” the final story in the volume, explores the mysteries of family feeling—mysteries that defy both logic and the worthiness of their objects, as Ijah Brodsky, successful in the larger world, is drawn into an encounter with criminal and naively idealistic forces. This collection represents a turning point in the bountiful career of Saul Bellow, a felicitous rendering of the human condition in all its absurd complexity.
Max Stirner was one of the most important and seminal thinkers of the mid-nineteenth century. He exposed the religiosity behind secular humanism and rationalism, and the domination of the individual behind liberal modes of politics. This edited collection explores Stirner's radical and contemporary importance as a political theorist.
What can we teach kids today that will have utility ten or fifteen years from now? Angela Kohnen and Wendy Saul propose an approach to information literacy that goes beyond the teaching of discreet, easily outdated skills. Instead they use activity to help students build identities as curious individuals empowered to ask their own questions and able to navigate their information-filled world in pursuit of credible answers. A generalist is curious, open-minded, skeptical, and persistent in their quest for information. Thinking Like a Generalist: Skills for Navigating a Complex World demonstrates what it means to take a generalist stance in instruction and provides a set of teaching tools to be able to pass those skills to students'sskills that will transfer beyond the walls of the classroom. Inside you'll find the following: A thorough introduction to what it means to be a generalist, and how to develop the practices and tools that help generalists navigate the world we live in A focus on the teacher becoming a generalist and tips for modeling those practices in the classroom Detailed instructions on how to write a unit of study that emphasizes generalist literacy skills and includes an overview and examples of five different units How to use the authors' read-aloud-think-aloud strategy to orient students to generalist tools and practices The ideas, strategies, and examples Thinking Like a Generalist will give you the tools to think like a generalist and then pass that knowledge on to your students, guiding them to become inquisitive, lifelong learners and preparing them for a future that we can't yet imagine.
Argues that art works are not the creation of isolated individuals but result from cooperation between different artists, suppliers of materials, art distributors, critics, and audiences, who together make up the art world.
Psychology exists all around us. It influences politics, policy, social interactions, teaching and learning science, and even workplace practices. In Essentials of Psychology, authors Saul Kassin, Gregory J. Privitera, and Krisstal D. Clayton propel students into a clear, vibrant understanding of psychological science with an integrative, learn-by-doing approach. Students assume the role of a psychologist, carrying out experiments; and making predictions. Compelling storytelling, real-life examples, and the authors’ active practice approach encourages critical thinking and engagement. This title is accompanied by a complete teaching and learning package, including: Digital Option / Courseware SAGE Vantage is an intuitive digital platform that delivers this text’s content and course materials in a learning experience that offers auto-graded assignments and interactive multimedia tools, all carefully designed to ignite student engagement and drive critical thinking. Built with you and your students in mind, it offers simple course set-up and enables students to better prepare for class.
The sudden, tragic death of her husband leaves Caroline Evans alone in New York City to raise her children with little money and even less hope. When she meets and marries handsome, successful Anthony Fleming, the charismatic man of her dreams, she believes her life is destined for happiness. She and her children move into her new husband’s spacious apartment in the legendary Rockwell on Central Park West. Despite her son’s instinctive misgivings about the building and its residents, Caroline dismisses the odd behavior of her neighbors as pleasant eccentricities. But after her daughter begins to experience horrifying nightmares and a startling secret emerges, Caroline realizes that the magnificence of her new home masks a secret of unimaginable horror. . . .
In Silver by Fire, Silver by Mercury: A Chemical History of Silver Refining in New Spain and Mexico, 16th to 19th Centuries, Saul Guerrero combines historical research with geology and chemistry to refute the current prevailing narrative of a primitive effort dominated by mercury and its copious emissions to the air. Based on quantitative historical data, visual records and geochemical fundamentals, Guerrero analyses the chemical and economic reasons why two refining processes had to share production, creating along the way major innovations in the chemical recipes, milling equipment, mercury recycling practice, and industrial architecture and operations. Their main environmental impact was lead fume and the depletion of woodlands from smelting, and the transformation of mercury into calomel during the patio process.
The innovative approach of this book will stimulate students to play the role of detective in eliciting data, providing evidence, explaining the significance of their observations, and reporting on the ramifications of the study. The dozen chapters in this manual provide guidelines for promoting the journalistic approach, including teacher comments on their success with SciJourn (science journalism). The SciJourn standards are clearly defined, emphasizing the features essential in choosing a topic, to its organization, voice, word choice, language usage, grammatical rules, and the final presentation of the article. Research strategies such as interviews and surveys are reviewed. By giving students the independence they so strive for during the difficult years, trusting them with the freedom to ferret out and filter the myriad prevailing profuse factoids into a coherent understanding, this is a technique that should be exploited."--Publisher's website.
Focusing on the experiences and perspectives of children who are caring for a parent with HIV in the global North and South, this text presents a unique insight into the similarities and differences in children's experiences across diverse socioeconomic, cultural and welfare contexts.
This self-contained textbook brings together many different branches of physics--e.g. nuclear physics, solid state physics, particle physics, hydrodynamics, relativity--to analyze compact objects. The latest astronomical data is assessed. Over 250 exercises.
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