Satyajit Ray (1921-1991), polymath, polyglot, novelist, short-story writer, illustrator, designer, music composer, was one of the most eminent film directors of world cinema. His Pather Panchali (Song of the Little Road, 1955) established his position as a major film director, winning numerous awards. Recipient of the Lifetime Academy Award in 1992 'In recognition of his rare mastery of the art of motion pictures and for his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world', Ray took Indian cinema to a grand platform hitherto unachieved by any Indian film director. "Not to have seen the cinema of Ray means,' said Akira Kurosawa, 'existing in the world without seeing the sun or the moon.' While Ray's films are fairly well-known, his writings-fiction and non-fiction-written in Bengali and English continue to attract attention. His illustrations, design works, comic strips, science fictions, detective stories are gems of Indian literature. Ray's non-fictions are gems, which bring to lights his thoughts on film-making, film appreciation, composition of music, art, design and screenplay, among others. 'The Penguin Ray Library' is an endeavour to open a window to the master's writings to a wide spectrum of readers. From the ever-popular adventures of Ray's enduring creation, the professional sleuth Feluda to the chronicles of Professor Shonku; short stories; writings on filmmaking; and thoughts on world as well as Indian cinema, among others, this anthology, a two-volume boxset, The Best of Satyajit Ray is not only a treat for the Ray enthusiasts but also a collector's edition.
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, present the filmmaker's reflections on the art and craft of the cinematic medium and include his thoughts on sentimentalism, mass culture, silent films, the influence of the French New Wave, and the experience of being a successful director. Ray speaks on the difficulty of adapting literary works to screen, the nature of the modern film festival, and the phenomenal contributions of Jean-Luc Godard and the Indian actor, director, producer, and singer Uttam Kumar. The collection also features an excerpt from Ray's diaries and reproduces his sketches of famous film personalities, such as Sergei Eisenstein, Charlie Chaplin, and Akira Kurosawa, in addition to film posters, photographs by and of the artist, film stills, and a filmography. Altogether, the volume relays the full extent of Ray's engagement with film and offers extensive access to the thought of one of the twentieth-century's leading Indian intellectuals.
The absorbing story of how one of the greatest directors of our time began his film-making career 'Ray's fascinating account of how he made the (Apu) trilogy and how his passion for cinema was first kindled.' -India Today 'Written in an impeccable style it brings back memories of an era when film-making was an art born out of a love for the medium and not merely a means to make money. -Sunday Mail 'My Years With Apu prompts wistful thoughts of those other books, the other Ray masterpieces that remained unwritten at the time of the director's death.' -Indian Review of Books 'A swift, detailed, precise narrative...the story and its many links still retain, as a powerful myth of artistic genesis, their freshness, and may have acquired a new significance with the passing of time.' -The Telegraph
Phatik Chand is the endearing tale of a child kidnapped from his home and his adventures after he loses his memory in an accident. The ready sympathy and even generosity of the poor is contrasted with the heartlessness and selfish calculativeness of the rich. A juggler called Harun takes care of him and when he finally regains his memory, Phatik is restored to his family by Harun. The relationship which develops between the boy and the juggler as the central theme of the novel is movingly sketched and delineated.
Frank and funny, these stories written originally for the Bengali children's magazine Sandesh, are an essential read for all Ray enthusiasts as well as those who want to know Ray, the writer and film-maker, better. In this volume, Ray also shares some of his experiences while shooting Pather Panchali—his epic debut, and subsequent films, particularly for children. He describes how an entire field of kaash flowers was eaten up by cows before he could shoot his famous scene with the train in Pather Panchali; and how a circus tiger let loose in a bamboo grove chased away a group of curious onlookers in the blink of an eye.
Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.
Satyajit Ray (1921-1991), polymath, polyglot, novelist, short-story writer, illustrator, designer, music composer, was one of the most eminent film directors of world cinema. His Pather Panchali (Song of the Little Road, 1955) established his position as a major film director, winning numerous awards. Recipient of the Lifetime Academy Award in 1992 'In recognition of his rare mastery of the art of motion pictures and for his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world', Ray took Indian cinema to a grand platform hitherto unachieved by any Indian film director. "Not to have seen the cinema of Ray means,' said Akira Kurosawa, 'existing in the world without seeing the sun or the moon.' While Ray's films are fairly well-known, his writings-fiction and non-fiction-written in Bengali and English continue to attract attention. His illustrations, design works, comic strips, science fictions, detective stories are gems of Indian literature. Ray's non-fictions are gems, which bring to lights his thoughts on film-making, film appreciation, composition of music, art, design and screenplay, among others. 'The Penguin Ray Library' is an endeavour to open a window to the master's writings to a wide spectrum of readers. From the ever-popular adventures of Ray's enduring creation, the professional sleuth Feluda to the chronicles of Professor Shonku; short stories; writings on filmmaking; and thoughts on world as well as Indian cinema, among others, this anthology, a two-volume boxset, The Best of Satyajit Ray is not only a treat for the Ray enthusiasts but also a collector's edition.
A Child Who Calls Himself Captain Spark. The Mysterious Machchli Baba. A Stabbing In A Dark Alley&Hellip; In Varanasi During The Durga Puja, A Valuable Statuette Of Ganesh Is Stolen From The Famous Ghoshal Household. Before He Can Recover It, Feluda Has To Face The Arch-Villain Maganlal Meghraj, Solve A Murder Case, And Unmask A Fraud Sadhu. One Of Feluda&Rsquo;S Most Hair-Raising Adventures, This Case Puts All His Skills To The Test. &Nbsp;
Nineteen gripping tales of suspense and mystery For readers who enjoyed the adventures of Feluda in Volume 1, this second omnibus volume holds more delights. Accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu), Feluda travels from Puri to Kedarnath, from Kathmandu to London in his pursuit of culprits; he tracks down Napoleon’s last letter, a forgotten painting by Tintoretto and a stolen manuscript.
An incident near the desolate Chhinnamasta temple on the rocky riverbank of Rajrappa leads to the death of Mahesh Chowdhury, the head of a Hazaribagh family. Adding to the mystery are a set of coded diaries, a valuable stamp collection that is missing and a tiger that is roaming the streets of Hazaribagh. One of Feluda’s most intriguing adventures, this shows the master sleuth at his best.
This omnibus edition features the ever-popular adventures of Satyajit Ray’s enduring creation, the professional sleuth Pradosh C. Mitter (Feluda). In his escapades, Feluda is accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu). From Jaisalmer to Simla, from the Ellora Caves to Varanasi, the trio traverse fascinating locales to unravel one devious crime after another.
A boy who can recall his past life. A hint of hidden treasure. An adventure in the desert of Rajasthan . . . In one of their most hair-raising escapades ever, Feluda and Topshe set out for Rajasthan on the trail of the parapsychologist Dr Hajra and Mukul, a boy who claims he remembers his previous life. On the way they meet Jatayu, an author of popular crime thrillers, who decides to accompany them. After numerous adventures, including an impromptu camel ride across the desert, they reach Mukul’s Golden Fortress, where Feluda unravels the many strands of a complex case.
The best short stories of Satyajit Ray Best known for his immensely popular Feluda mysteries and the adventures of Professor Shonku, Satyajit Ray was also one of the most skilful short story writers of his generation. Ray’s short stories often explore the macabre and the supernatural, and are marked by the sharp characterization and trademark wit that distinguish his films. This collection brings together Ray’s best short stories—including such timeless gems as ‘Khagam’, ‘Indigo’, ‘Fritz’, ‘Bhuto’, ‘The Pterodactyl’s Egg’, ‘Big Bill’, ‘Patol Babu, Film Star’ and ‘The Hungry Septopus’—which readers of all ages will enjoy. A collection of forty-nine short stories
A stolen ring. A private menagerie. A mysterious ‘spy’ . . . The first novel to feature master sleuth Feluda and his teenage assistant Topshe, The Emperor’s Ring is full of adventure, mystery and intrigue. Feluda and Topshe are on holiday in Lucknow when a priceless Mughal ring is stolen. Feluda begins to investigate the case and finds himself hot on the trail of a devious criminal. Feluda’s twelve greatest adventures are now available in special Puffin editions.
The incredible story of a film that was never madeIn the 1950s, when Satyajit Ray asked Pandit Ravi Shankar to compose the music for the Apu Trilogy, he conceptualized a film on the legendary sitarist. He also worked out a detailed storyboard for the film. However,for reasons unknown till now, the film was never made and the project was forgotten. Now, for the first time,Ray's storyboard is available. Together with interviews by both Ray and Ravi Shankar on various aspects of their collaboration and a scholarly introduction, this is truly a collector's edition.
More than seventy rarest essays on filmmaking, screenplay writing, autobiographical pieces and rare photographs and manuscripts of Ray 'Ray is a most singular symbol of what is best and most revered in Indian cinema' - Adoor Gopalakrishnan 'Satyajit Ray, I salute you. The greatest of our poets of the cinema'-Ben Kingsley Satyajit Ray (1921-1992), one of the doyens of world cinema, gave a unique aesthetic expression to Indian cinema, music, art and literature. His writings, especially, autobiographical works, thoughts on filmmaking, screenplay writing and eminent personalities from art, literature and music, among others, are considered treasure troves, which largely remained unseen and therefore less known till date. Satyajit Ray Miscellany, the second book in The Penguin Ray Library series, brings to light some of the rarest essays and illustrations of Ray that opens a window to the myriad thought-process of this creative genius. With more than seventy gripping write-ups and rare photographs and manuscripts, this book is a collector's item.
Satyajit Ray was a master of science fiction writing. Through his Professor Shonku stories and other fiction and non-fiction pieces, he explored the genre from various angles. In the 1960s, Ray wrote a screenplay for what would have been the first-of-its-kind sci-fi film to be made in India. It was called The Alien and was based on his own short story "Bonkubabur Bandhu". On being prompted by Arthur C. Clarke, who found the screenplay promising, Ray sent the script to Columbia Pictures in Hollywood, who agreed to back it, and Peter Sellers was approached to play a prominent role. Then started the "Ordeals of the Alien" as Ray calls it, as even after a series of trips to the US, UK and France, the film was never made, and more shockingly, some fifteen years later, Ray watched Steven Spielberg's film Close Encounters of the Third Kind and later E.T.: The Extra-Terrestrial, and realized these bore uncanny resemblances to his script The Alien, including the way the ET was designed! A slice of hitherto undocumented cinema history, Travails with the Alien includes Ray's detailed essay on the project with the full script of The Alien, as well as the original short story on which the screenplay was based. These, presented alongside correspondence between Ray and Peter Sellers, Arthur C. Clarke, Marlon Brando, Hollywood producers who showed interest, and a fascinating essay by the young student at Columbia University's Graduate School of Journalism who broke the Spielberg story, make this book a rare and compelling read on science fiction, cinema and the art of adaptation.
A stolen yakshi head. A plane crash. A vandal on the loose in Ellora ... An American buys a yakshi head stolen from a Bhubaneshwar temple and subsequently dies in a plane crash. Trying to prevent the smuggling of priceless sculptures out of India, Feluda, Topshe and Jatayu follow the lead of the yakshi to the Ellora caves. But the appearance of a Bollywood film crew and a sudden murder complicate matters, and Feluda must draw on all his investigative skills to solve the case before the vandal strikes again.
Satyajit Ray is acknowledged as one of the world's finest film-makers. His films changed the way the world looked at Indian cinema. But Ray was not only a film-maker. He was also a bestselling writer of novels and short stories, and possibly the only Indian film-maker who wrote prolifically on cinema. This book brings together, for the first time in one volume, some of his most cerebral writings on film. With the economy and precision that marked his films, Ray writes on the art and craft of cinema, pens an ode to silent cinema, discusses the problems in adapting literary works to film, pays tributes to contemporaries like Godard and Uttam Kumar, and even gives us a peek into his experiences at film festivals, both as a jury member and as a contestant. Published in association with the Society for the Preservation of Satyajit Ray Films, and including fascinating photographs by and of the master, Deep Focus not only reveals Ray's engagement with cinema but also provides an invaluable insight into the mind of a genius.
A Disturbed Grave In A Century-Old Cemetery. A Ciphered Message. A Mysterious `Repeater'&Hellip; On A Visit To The Park Street Cemetery In Calcutta, Feluda And His Friends Chance Upon An Old Grave That Has Been Dug Into. Slight Clues Lead Them Into The Heart Of A Mystery That Is Both Complex And Blood-Curdling. When The Jigsaw That Involves A Seance In A Gloomy Old Building, A Singer In A Restaurant, A Ruthless And Rich Collector And A Midnight Vigil At The Graveyard Is Put Together, What Emerges Is One Of The Most Intriguing Mysteries Feluda Has Ever Been Faced With. &Nbsp;
A child who calls himself Captain Spark. The mysterious Machchli Baba. A stabbing in a dark alley... In Varanasi during the Durga Puja, a valuable statuette of Ganesh is stolen from the famous Ghoshal household. Before he can recover it, Feluda has to face the arch-villain Maganlal Meghraj, solve a murder case, and unmask a fraud sadhu. One of Feluda's most hair-raising adventures, this case puts all his skills to the test.
Visiting the famous hunter and wildlife writer Mahitosh Sinha-Roy in his Jalpaiguri palace, Feluda is presented with a riddle that holds the clue to ancestral treasure.
Introduces the key areas of chemistry required for all pharmacy degree courses and focuses on the properties and actions of drug molecules This new edition provides a clear and comprehensive overview of the various areas of general, organic, and natural products chemistry (in relation to drug molecules). Structured to enhance student understanding, it places great emphasis on the applications of key theoretical aspects of chemistry required by all pharmacy and pharmaceutical science students. This second edition particularly caters for the chemistry requirements in any ‘Integrated Pharmacy Curricula’, where science in general is meant to be taught ‘not in isolation’, but together with, and as a part of, other practice and clinical elements of the course. Chemistry for Pharmacy Students: General, Organic and Natural Product Chemistry, 2nd Edition is divided into eight chapters. It opens with an overview of the general aspects of chemistry and their importance to modern life, with emphasis on medicinal applications. The text then moves on to discuss the concepts of atomic structure and bonding and the fundamentals of stereochemistry and their significance to pharmacy in relation to drug action and toxicity. Various aspects of organic functional groups, organic reactions, heterocyclic chemistry, nucleic acids and their pharmaceutical importance are then covered in subsequent chapters, with the final chapter dealing with drug discovery and development, and natural product chemistry. Provides a student-friendly introduction to the main areas of chemistry required by pharmacy degree courses Written at a level suitable for non-chemistry students in pharmacy, but also relevant to those in life sciences, food science, and the health sciences Includes learning objectives at the beginning of each chapter Focuses on the physical properties and actions of drug molecules Chemistry for Pharmacy Students: General, Organic and Natural Product Chemistry, 2nd Edition is an essential book for pharmacy undergraduate students, and a helpful resource for those studying other subject areas within pharmaceutical sciences, biomedical sciences, cosmetic science, food sciences, and health and life sciences.
This book has succeeded in covering the basic chemistry essentials required by the pharmaceutical science student... the undergraduate reader, be they chemist, biologist or pharmacist will find this an interesting and valuable read." –Journal of Chemical Biology, May 2009 Chemistry for Pharmacy Students is a student-friendly introduction to the key areas of chemistry required by all pharmacy and pharmaceutical science students. The book provides a comprehensive overview of the various areas of general, organic and natural products chemistry (in relation to drug molecules). Clearly structured to enhance student understanding, the book is divided into six clear sections. The book opens with an overview of general aspects of chemistry and their importance to modern life, with particular emphasis on medicinal applications. The text then moves on to a discussion of the concepts of atomic structure and bonding and the fundamentals of stereochemistry and their significance to pharmacy- in relation to drug action and toxicity. Various aspects of aliphatic, aromatic and heterocyclic chemistry and their pharmaceutical importance are then covered with final chapters looking at organic reactions and their applications to drug discovery and development and natural products chemistry. accessible introduction to the key areas of chemistry required for all pharmacy degree courses student-friendly and written at a level suitable for non-chemistry students includes learning objectives at the beginning of each chapter focuses on the physical properties and actions of drug molecules
Everything from home mortgages to climate change has become financialized, as vast fortunes are generated by individuals who build nothing of lasting value. Das shows how "extreme money" has become ever more unreal; how "voodoo banking" continues to generate massive phony profits even now; and how a new generation of "Masters of the Universe" has come to domiinate the world.
A murder in an elevator. A trail of heady perfume. The nanasaheb's priceless naulakha necklace. Feluda, Topshe and Jatayu are in Bombay where Jatayu's latest book is being filmed under the title Jet Bahadur. Soon after Jatayu hands over a package to a man in a red shirt, a murder takes place in the high-rise where the producer lives. Feluda and his companions find themselves in the midst of one of their most thrilling adventures ever, with a hair-raising climax aboard a train during location shooting. Feluda’s twelve greatest adventures are now available in special Puffin editions. Translated from the Bengali by Gopa Majumdar.
3 Rays is like exploring the Mother Earth, and finding the rare treasures'-Gulzar, poet, lyricist and film-maker 'Satyajit Ray's work is like a beautiful scene from nature, and that's the reason we get lost in his beautiful art' -Shoojit Sircar, film-maker 'Ray's magic, the simple poetry of his images and their emotional impact, will always stay with me'-Martin Scorsese, film director, producer, screenwriter and actor 'Satyajit Ray's artifice and honesty set him apart from other film directors'-The Guardian 'Satyajit Ray's world of restless watchfulness and nuance'-The New York Times 'The quiet but deep observation ... have impressed me greatly'-Akira Kurosawa, film-maker The most anticipated book on the centenary birth anniversary of Satyajit Ray An amazingly brilliant collection of Satyajit Ray's previously unpublished autobiographical writings, illustrations, fictions and non-fictions A collector's item, 3 Rays is a source of delight for every reader Satyajit Ray (1921-1992), through his life, philosophy and works offered a unique aesthetic sensibility, which took Indian cinema, art and literature to a new height. An ace designer, music composer, illustrator and a gifted writer, Ray gave us the awe-inspiring sleuth Feluda, and the maverick scientist, Professor Shonku-two iconic characters loved and revered by millions of readers. On the occasion of his centenary birth anniversary, 3 Rays: Stories from Satyajit Ray, the first book in The Penguin Ray Library series, opens a window to the brilliance of this Renaissance man. With more than forty stories and poems along with many unpublished works, autobiographical writings and illustrations by Ray, this volume offers a unique glimpse into Ray's creative genius.
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