Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art. There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries. In association with the State Library of Victoria.
Garry Shead is one of Australia's most highly acclaimed lyrical figurative painters and has been in the public eye since his first solo exhibition mid 1960s. Grishin argues that despite the stylistic diversity, there exists a single unifying thread throughout his work an erotic impulse.
In printmaking, the artform along with painting, photography and the making of artists' books that has occupied Bruno Leti for the last half century, the matrix is the object that carries the image the artist has made with the intention of making an impression on a piece of paper when it is run through a press at high pressure.
Gary Shead is one of Australia's most highly acclaimed lyrical figurative painters who has been in the public eye since his first solo exhibition in the mid-sixties. His Ern Malley series is a culmination of several years of thinking and artistic experimentation inspired by the poems of Australia's most enigmatic poet. This title presents his paintings, graphics and 3D ceramics, inspired by the poems and created between 2000-2006.
In 2007 the Burnie Regional Art Gallery received a generous donation of 36 works by Sydney printmaker and paper artist Ruth Faerber. The pieces selected for this special exhibition are all from her remarkable bas-relief handmade paper cast work - the earliest made in 1982 and the latest in 1998.
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