The Eastern Brew is a translation of some selected Urdu short stories written by prominent writers from India and Pakistan. These stories are as varied in their subject matters as they are in the assortment of writers presented in this anthology. The selection is not incidental or impulsive but premeditated and is based on careful consideration. It encapsulates almost fifty years of Urdu short story writing from both sides of the border, representing the vicissitudes of life and times during the years of drastic political and social changes and the struggles and conflicts, psychological or otherwise, of characters living through those tumultuous times. Though it is not possible to collect the works of representative writers of Urdu fiction spanning more than two generations in a short anthology of fifteen stories, an attempt has, nevertheless, been made to bring before the English readers the various threads of human relationships, social, personal, and psychological, that weaved or warped the life of characters in the exciting stories in this collection. The anthology thus provides to the readers of other languages an insight into the changing patterns and concerns of Urdu literary art during a span of two generations and the life and times of people in the subcontinent living through the change.
The Pre-Moghul Muslim Presence In The Sub-Continent Is Very Important From Many Angles. In This Phase The Basic Structure Of An Efficient Administ¬Ration Evolved And From This Point Of View Alaudin Khilji Holds A Cardinal Importance. His Administration Result¬Ed In The Prosperity Of His Subjects And Kept His Treasury Filled. Literature And Learning, Art And Architecture And Public Morality Reached A New Peak.It Is A Deplorable Irony Of Time That We Do Not Possess An Accurate And Detailed Historical Record Of The Achievements Of Such A Great Ruler. Sultan Ala-Ud-Din Has Not Been Dealt Fairly By The Historians For One Reason Or The Other. It Was Necessary To Present This Great Sultan In His True Colours. Dr. Ghulam Sarwar Khan Niazi, The Author Of This Book Has Carefully Examined The Accounts Of All Known Contemporary And Early Writers And Has Drawn A Picture Of The Sultan, Based On True And Accepted Facts Provided By Contemporary Historians, Which Is, To Say The Least, Different. The Freshness Of The Point Of View Emerges From A Genuine Erudition And Scholarly Perception Of The Subject.
Fakeer is an immigrant doctor of humble beginnings who comes to America from Pakistan. He arrives full of hope and ambition, but a new country means new challenges, perhaps the most difficult being cultural reconciliation and adjustment. However, Fakeers life in the United States is good. He enjoys dating and falls in love a time or two. He does well in his profession and is considered a brilliant radiologist. While Fakeers American girlfriends make it look like his assimilation is complete, he ends up marrying a woman from his own culture. The past seems to haunt him constantly. Although a Muslim, Fakeer begins to drink, and his thoroughly Americanized eldest daughter marries a Hindu. The good doctor travels to Pakistan as recompense for his excellent education. He enlists in Doctors Without Borders and goes to Kabul, but tragedy sets him off track. He returns again to America, suffering from post-traumatic stress, but it isnt long before hes back on Pakistani soil. No matter how much he loves America, the thought of home continues to haunt him. Fakeers spirit is a captive of his country of birth. Will he find eventual happiness in Pakistan or wander the world forever in search of purpose and peace?
The Trial of Hang Tuah the Great, a prize-winning play, uses an ancient story of the Malay hero, Hang Tuah, to re-examine of some of the issues connected with identity prevailing in Malaysian society over the past fifty years or so since the independence of Malaya and the establishment of Malaysia. It is an imaginative retelling of the story of Hang Tuah, associated with the Melaka Sultanate of the fifteenth century who, myth and legend maintains, never died, while historians, time and again questioning Hang Tuahs very existence, have recently declared that such a figure never actually existed. The Trial of Hang Tuah the Great takes both these theories into consideration and through them, examines the traditional idea of a hero in the Malay psyche, linking him symbolically to certain individuals, such as Maharaja Lela, and a spectrum of events, mythical, legendary and historical, based on the hypothetical question of who Hang Tuah would have been if he had lived beyond 15th century Melaka right up to our own times and even beyond the present until the year 2020. The plays text is a powerful and stunning confrontation of myth in the manner of Grotowski (Poor Theatre). In terms of staging, as envisioned by its author, The Trial of Hang Tuah the Great is based upon modern western theories and techniques, such as those of Bertolt Brecht (Epic Theatre) and Antonin Artaud (Theatre of Cruelty). In both senses, The Trial of Hang Tuah the Great is a groundbreaking Malaysian play.
While he is still living on Earth, a Muslim quietly wonders what happens after one dies. Despite his best efforts, the man fails to answer his complex question and decides to send a letter after his death to educate others about what really happens when the last fistful of dirt is thrown on his shrouded body. Like everyone else, the Muslim man does not possess an unlimited visa to stay in this world and suddenly passes away one day, shocking his loved ones and overjoying his enemies. As promised, he leads others through the process of death and beyond, providing an intriguing glimpse into a holographic world where souls wait to be personally interviewed by God and an army of angels. But everything changes after he receives Gods blessing to enter heaven and makes an unusual request that astonishes God and the angels and steers him down a new path where he will make amazing discoveries about life, religion, and his fellow man. A Letter from the Dead shares a Muslim mans enlightening journey from Earth to the world beyond as he learns valuable lessons he openly shares with the living.
Due to inadequate rainfall, groundwater has acquired a vital role in the development of Pakistan's agricultural economy. However, a lack of awareness concerning the use of groundwater, either by itself or combined with canal water, has added large amounts of salt to the soil. As a result, large tracts of irrigated lands are already salinized, while many others are under threat. This report presents the results of a modeling study carried out to evaluate the long-term effects of a different quality of irrigation water on root zone salinity. The simulations were performed for the Rechna Doab (sub basin of the Indus Basin) in Pakistan, by using 15 years of actual rainfall and climatic data.
This working paper presents the results of a comprehensive groundwater survey of Pakistan, designed to understand the dynamics of groundwater use, operation and maintenance patterns, socio-economics of groundwater irrigation, land use pattern, crops, yields, and groundwater irrigation practices. For this survey, Pakistan was divided into 83 nodal intervals, with each node covering an area of 100 km*100 km; and one village from center of each grid was selected as sample. From each sample village, 15 tubewell owners were randomly selected as respondents. In total, 1200 private tubewell owners were interviewed for this study. The distance between two sample villages was kept more than 40 kilometers. This was done to avoid influences of one-village activities on the other.
The Puppetry for All Times Seminar held in September of 2013 in Ubud, Bali, was one of the most enchanting of events of its kind held anywhere in recent years. Its success revolved around the fantastic locale, the overwhelming response from performers as well as the paper presenters, and the generous support of Rumah Topengthe House of Masks and Puppets Setiadarma. In Puppetry for All Times, editor Ghulam-Sarwar Yousof offers a unique collection of papers presented at this weeklong seminar by academicians as well as performers of various traditions of Asian puppetry. The papers cover a wide range of interests and perspectives in puppetry and theater including history and tradition; heritage, preservation, and conversation; tradition and modernity; and digital puppetry and media. Puppetry for All Times recaps a key international event in the realm of puppet theater, marking the beginning of such endeavors as Rumah Topengs maiden academic publication.
This working paper presents the results of the Pakistan Component of the Rice-Wheat Consortium Project on ‘Sustaining the rice-wheat production systems of Asia’. Rice and wheat crops are main nsources of human food and substantially contribute to feeding livestock. The advent of the green revolution in the 1960s resulted in a tremendous increase in the production of these two cereal crops and the rice-wheat cropping system emerged as a very important source of food supply in South Asia. Recent symptoms of stagnant growth rates in productivity and the degradation of the resource base pose serious challenges to future food security and natural resources management in the region. The growing scarcity of water in the region
Tok Dalang and Stories of Other Malaysians is a collection of short fiction written by Ghulam-Sarwar Yousof over several years. The stories deal with a range of characters and issues that in some ways are unique in Malaysian fiction in the English language. Its main strength lies in the fact that while Malay characters still make their appearances in several of the stories, the stories also touch upon aspects of their traditional culture, something rare in Malaysian writing. Additionally, lives and particular concerns of members of the minority communities in the country, including Tamil Muslims, Sikhs, Pakistanis, as well as Indonesians, have been explored both in depth as well as in a sympathetic manner for the first time in Malaysian writing. Through the writers grasp of the English language, including its local nuances, as well as a sensitive appreciation of their diverse cultures and cultural manifestations, the lives of Malaysians have been subtly coaxed into these stories, which are likely to find an important place in contemporary Malaysian literature in English.
Agriculture plays a pivotal role in the economy and development of Pakistan providing food to consumers, raw materials to industries, and a market for industrial goods. Unfortunately, agricultural production is stagnant due to several barriers including a fixed cropping pattern, reliance on a few major crops, a narrow genetic pool, poor seed quality, and a changing climate. In addition, the high cost of production, weak phytosanitary compliance mechanisms, and a lack of cold chain facilities makes Pakistan agriculturally uncompetitive in export markets. Despite all these issues, agriculture is the primary industry in Pakistan and small farmers continue to dominate the business. Small farmers grow crops for subsistence under a fixed cropping pattern and a holistic approach is required to develop agriculture to improve the livelihoods of the rural populace. This book presents an exhaustive look at agriculture in Pakistan. Chapters provide critical analyses of present trends, inadequacies in agriculture, strategic planning, improvement programs and policies while keeping in view the natural resources, plant- and animal-related agricultural production technologies, input supplies, population planning, migration and poverty, and balanced policies on finance, credit, marketing, and trade.
SuvaRna-Padma, the Golden Lotus is one the most important works of well-known Malaysian writer and scholar, Ghulam-Sarwar Yousof, whose two previous plays, Halfway Road, Penang and The Trial of Hang Tuah the Great, have become internationally recognized for their originality of style, as well as significance of issues raised. This play, written in similarly original style, this time approaching the subject matter through the slant of symbolism and myth, deals with the existential dilemma of a writer, Vacha, in a repressive society where censorship is a major problem inhibiting creativity, seriously affecting him psychologically, as well as in terms of his private and public life. In terms of the pertinent issues it deals with, its meaning as well as its stylistic approach, this play transcends cultural boundaries to attain universality.
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