Analyses the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution of 1688 In Royalism, Religion and Revolution: Wales, 1640-1688, Sarah Ward Clavier provides a ground-breaking analysis of the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution. A final chapter also extends the narrative to the Hanoverian succession. The book discusses three main themes: the importance of continuities (including concepts of Welsh history, identity and language); religious attitudes and identities; and political culture. As Ward Clavier shows, the culture of Wales in this period was not frozen but rather dynamic, one that was constantly deploying traditional cultural symbols and practices to sustain a distinctive religious and political identity against a tide of change. The book uses a wide range of primary research material: from correspondence, diaries and financial accounts, to architectural, literary and material sources, drawing on both English and Welsh language texts. As part of the 'New Regional History' this book discusses the distinctively Welsh alongside aspects common to English and, indeed, European culture, and argues that the creative construction of continuity allowed the gentry of North-East Wales to maintain and adapt their identity even in the face of rupture and crisis.
Unexpected, rare, and a revelation . . . Sarah Kafatou has given us a gentle-paced, keen-eyed lesson, day by day, in how to live as we get older.”―Rachel Hadas, author of Strange Relation: A Memoir of Marriage, Dementia, and Poetry and Poems for Camilla Pomegranate Years, an intimate account of three years lived on the island of Crete, documents a turbulent, stressful time of economic and political crisis in Greece. It is also deeply concerned with illness and death, as the author's husband Fotis Kafatos, a distinguished scientist, is increasingly affected by Alzheimer’s disease. Fotis remains a full human being, authentic and resilient despite his impairments. Sarah reflects on his situation, as well as on the vicissitudes of daily life, the practice of art, and current events in Greece, Europe, and the US. She takes long walks in the Cretan mountains and discovers hidden aspects of the island. Talks with friends, and her own historical awareness, provide her with a rich sense of belonging. As an account of a solitude, a couple, a family, and a culture, Pomegranate Years is concerned with the question of how to live well at any age, but especially as one grows older and a beloved life draws almost imperceptibly nearer to its end. "Pomegranate Years is full of the deepest questions: How should we live? How do we choose what to do—in our hours, in our lives, and in the days when the one we love is dying? What should we learn? (At this point in the author’s life, Beethoven and Arabic, among many other things.) Gorgeous descriptions of hiking in Crete interweave with thoughts on painting, piano (both playing and composition), poetry, fiction, literary translation (particularly Pushkin), history, and politics. Kafatou’s voice is compelling, inviting one to read further, read again. And with each re-reading one sees new ways to think about one’s own life. This brilliant and evocative memoir is an inspiration."—Grace Dane Mazur, author of The Garden Party
Analyses the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution of 1688 In Royalism, Religion and Revolution: Wales, 1640-1688, Sarah Ward Clavier provides a ground-breaking analysis of the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution. A final chapter also extends the narrative to the Hanoverian succession. The book discusses three main themes: the importance of continuities (including concepts of Welsh history, identity and language); religious attitudes and identities; and political culture. As Ward Clavier shows, the culture of Wales in this period was not frozen but rather dynamic, one that was constantly deploying traditional cultural symbols and practices to sustain a distinctive religious and political identity against a tide of change. The book uses a wide range of primary research material: from correspondence, diaries and financial accounts, to architectural, literary and material sources, drawing on both English and Welsh language texts. As part of the 'New Regional History' this book discusses the distinctively Welsh alongside aspects common to English and, indeed, European culture, and argues that the creative construction of continuity allowed the gentry of North-East Wales to maintain and adapt their identity even in the face of rupture and crisis.
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