James McNeill Whistler painted his mother on impulse, when she came to London to escape the American Civil War, forcing him to evict his mistress from his house. It is hard to imagine a greater contrast than that between Whistler's outrageously flamboyant life in London--where he famously befriended Oscar Wilde and Dante Gabriel Rossetti--and the subdued, touchingly melancholic depiction of his Puritan mother he entitled "Arrangement in Grey and Black." This portrait has become one of the world's best-known paintings and an American icon, yet we know remarkably little about it. While restoring the painting for the Louvre, Sarah Walden became intrigued by the extraordinary and complex history of the painting, which had never been fully explored. From French, British, and American sources, Walden uncovers the intersections between Whistler's flawed genius, his struggle for recognition, his troubled relationship with his mother and mistresses, and the unprecedented historical response to his greatest work. Walden's findings read like a detective story, and her controversial and progressive views on art restoration combine with biography and criticism to create a gripping narrative that skillfully weaves history and aesthetics into a seamless tapestry.
Tasteful Domesticity demonstrates how women marginalized by gender, race, ethnicity, and class used the cookbook as a rhetorical space in which to conduct public discussions of taste and domesticity. Taste discourse engages cultural values as well as physical constraints, and thus serves as a bridge between the contested space of the self and the body, particularly for women in the nineteenth century. Cookbooks represent important contact zones of social philosophies, cultural beliefs, and rhetorical traditions, and through their rhetoric, we witness women's roles as republican mothers, sentimental evangelists, wartime fundraisers, home economists, and social reformers. Beginning in the early republic and tracing the cookbook through the publishing boom of the nineteenth century, the Civil War and Reconstruction, the Progressive era, and rising racial tensions of the early twentieth century, Sarah W. Walden examines the role of taste as an evolving rhetorical strategy that allowed diverse women to engage in public discourse through published domestic texts.
An authoritative introduction to art history and the art of restoring paintings, with a posthumous foreword by Sir Ernst Gombrich, Key Writings & Unpublished Letters.
A wryly comic memoir that examines the pillars of New England WASP culture—class, history, family, money, envy, perfection, and, of course, real estate—through the lens of mothers and daughters. At eighteen, Sarah Payne Stuart fled her mother and all the other disapproving mothers of her too-perfect hometown of Concord, Massachusetts, only to return years later when she had children of her own. Whether to defy the previous generation or finally earn their approval and enter their ranks, she hurled herself into upper-crust domesticity full throttle. In the twenty years Stuart spent back in her hometown—in a series of ever more magnificent houses in ever grander neighborhoods—she was forced to connect with the cultural tradition of guilt and flawed parenting of a long legacy of local, literary women from Emerson’s wife, to Hawthorne’s, to the most famous and imposing of them all, Louisa May Alcott’s iconic, guilt-tripping Marmee. When Stuart’s own mother dies, she realizes that there is no one left to approve or disapprove. And so, with her suddenly grown children fleeing as she herself once did, Stuart leaves her hometown for the final time, bidding good-bye to the cozy ideals invented for her by Louisa May Alcott so many years ago, which may or may not ever have been based in reality.
To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted."--Ecclesiastes 3:1-2 The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is considered superstitious by some but has been essential to gardeners and farmers for centuries and is still in use today. Sown in the Stars brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farm work. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems.
Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBeal and Sex and the City, from The Net and VR5 to Sportsnight and G.I. Jane. The research is framed as a study of intergenerational tensions in portrayals of women and public institutions - in careers, governmental service, and interactions with technology. Using iconic texts and their contexts as a primary focus, this book offers a rhetorical and cultural history of the tensions between remembering and forgetting in representations of the American feminist movement between 1979 and 2005. Looking forward, the book sets an agenda for discussion of gender issues over the next twenty-five years and articulates with authority the manner in which «transgression» itself has become a site of struggle.
In this collection of excerpts, enjoy a taste of Sarah Pekkanen’s captivating novels, including The Opposite of Me, Skipping a Beat, These Girls, and The Best of Us.
The Rough Guide to Boston is the ultimate travel guide to this historic city. Seek out Boston's highlights with detailed information on everything from Fenway Park's "Green Monster" to the purple windowpanes of Beacon Hill. Spot the grasshopper weathervane on top of Faneuil Hall. Savour the city's best ice cream and lobster rolls. Walk in the footsteps of revolutionaries. Discover it all with up-to-date descriptions and maps pinpointing Boston's best hotels, eateries, drinking spots and shops. The Rough Guide to Boston also includes two full-colour sections documenting the city's zealous relationship with sports, plus a guide to Yankee cooking and eats. For out-of-city diversions, there is an additional in-depth chapter on the beach region of Cape Cod and the islands. Explore every corner of this engaging city with insider tips and illuminating photographs designed to help make your journey a uniquely memorable one. Make the most of your holiday with The Rough Guide to Boston.
Learn how to write your memoir—and get published—with the help of two well-known publishing professionals Everyone has a story to tell. Your Life is a Book guides budding writers though the transformative process of memoir writing to publication. In addition to exploring the unique elements of crafting a memoir—story arc, point of view, dialogue, where to start (not the beginning!)—Your Life is a Book also focuses on the self-exploration, awareness, and understanding that this emotional literary project triggers. With proven writing exercises and prompts, this book is a practical and enlightening guide to perfecting the art of memoir writing.
Concord's photographic history begins in the last third of the eighteenth century and, in this new collection of "then and now" photographs, there is an abundance of the earliest images that capture the old town and its townspeople. Modern images chosen for their resemblances or comparisons illustrate the originally rural community's transformation into a modern suburb and evoke thoughts of history's ever-turning progression. Many of the older images in Then & Now: Concord have been given to the authors especially for this publication. Many are part of the Concord Free Public Library's Special Collection. Most of the modern photographs have been made by photographers Claiborne Dawes and Alice Moulton. Their images show such compelling comparisons as fathers and sons, old houses renovated or replaced with other structures, and the famous old authors with recent famous new ones. Then & Now: Concord will bring murmurs of reminiscence to residents and expressions of interest and curiosity to visitors seeking depth to their understanding of this important New England town.
This book reflects on the motivations of creative practitioners who have moved out of cities from the mid-1960s onwards to establish creative homesteads. The book focuses on desert exile painter Agnes Martin, radical filmmaker and gardener Derek Jarman, and iconoclastic conceptual artist Chris Burden, detailing their connections to the cities they had left behind (New York, London, Los Angeles). Sarah Lowndes also examines how the rise of digital technologies has made it more possible for artists to live and work outside the major art centers, especially given the rising cost of living in London, Berlin, and New York, focusing on three peripheral creative centers: the seaside town of Hastings, England, the midsized metro of Leipzig, Germany, and post-industrial Detroit, USA.
The theatre of Richard Maxwell and the New York City Players has received significant international recognition over the past ten years. The company has received three OBIEs, for House (1999), Drummer Wanted (2002) and Good Samaritans (2005). Maxwell received a Guggenheim Fellowship in 2010 and has been commissioned by venues in the United States, the United Kingdom, Germany, Austria, the Netherlands, France, Belgium and Ireland. Although his productions generate a plethora of reviews, there is a deficit of material providing a critical and sustained engagement with his work. The aim of this book is to provide a critical survey of Maxwell’s work since 1992, including his early participation in Cook County Theater Department. Touching upon the acting, production and rehearsal processes of NYC Player’s work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.
While many scholars who write about animals deal with animal agency in some way, this volume is the first to position the question of nonhuman agency as the primary focus of inquiry. Section I presents studies of actual animals demonstrating agency; Section II moves agency into new terrain while considering key representations of animal agency in literature; Section III analyzes animals as mediators and as conveyances of human-to-human communication;and Section IV investigates the agency of beings who defy conventional species categories. The Envoi demonstrates how the microscopic polyp is interwoven into notions of agency and mythical superagency. This volume's interdisciplinary explorations press hard on issues of agency to open up space for more questions about how we can understand relationships between the human and the nonhuman.
Life-saving letters from a glittering wishlist of top authors. If you received a letter from your older self, what do you think it would say? What do you wish it would say?That the boy you were crushing on in History turns out to be gay too, and that you become boyfriends in college? That the bully who is making your life miserable will one day become so insignificant that you won't remember his name until he shows up at your book signing?In this anthology, sixty-three award-winning authors such as Michael Cunningham, Amy Bloom, Jacqueline Woodson, Gregory Maguire, David Levithan, and Armistead Maupin make imaginative journeys into their pasts, telling their younger selves what they would have liked to know then about their lives as Lesbian, Gay, Bisexual, or Transgendered people. Through stories, in pictures, with bracing honesty, these are words of love and understanding, reasons to hold on for the better future ahead. They will tell you things about your favorite authors that you never knew before. And they will tell you about yourself.
Goodbye, Board Room and Legal Briefs--Hello, Dimples, Diapers, and Destruction Women know that raising children will be different from climbing the corporate ladder. But nothing can truly prepare them for the mind-muddling world of motherhood. It doesn't take long for a new mom to question whether her tyrannical, diapered boss really understands her value to the organization. Because honestly? She's not always sure herself. With her signature wit, lawyer-turned-full-time-mommy Sarah Parshall Perry says what all new moms are thinking when they trade annual reports for homework help and yoga pants. Perry invites moms to laugh alongside her amidst the "Are you kidding me?!" moments that come with the job of raising humans. This book is story of every mother who gives up one thing to get something better--and ends up finding out what she's worth along the way.
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