You'll be swept away by the passion and power of this remarkable, trailblazing woman who risked everything to follow her own heart." – Kristin Hannah, #1 New York Times bestselling author "An epic page-turner." – Christina Baker Kline Named Best Fiction Writer in the Austin Chronicle's "Austin's Best 2018" Named one of Lone Star Literary Life's "Top 20 Texas Books of 2018" The compelling, hidden story of Cathy Williams, a former slave and the only woman to ever serve with the legendary Buffalo Soldiers. “Here’s the first thing you need to know about Miss Cathy Williams: I am the daughter of a daughter of a queen and my mama never let me forget it.” Though born into bondage on a “miserable tobacco farm” in Little Dixie, Missouri, Cathy Williams was never allowed to consider herself a slave. According to her mother, she was a captive, destined by her noble warrior blood to escape the enemy. Her chance at freedom presents itself with the arrival of Union general Phillip Henry “Smash ‘em Up” Sheridan, the outcast of West Point who takes the rawboned, prideful young woman into service. At war’s end, having tasted freedom, Cathy refuses to return to servitude and makes the monumental decision to disguise herself as a man and join the Army’s legendary Buffalo Soldiers. Alone now in the ultimate man’s world, Cathy must fight not only for her survival and freedom, but she also vows to never give up on finding her mother, her little sister, and the love of the only man strong enough to win her heart. Inspired by the stunning, true story of Private Williams, this American heroine comes to vivid life in a sweeping and magnificent tale about one woman’s fight for freedom, respect and independence.
Before Jane Austen's novels explored heroines in English society, writers Sarah Fielding and Jane Collier dared to provide commentary on gender and education through self-conscious narratives. Published in 1754 in five parts and divided into three volumes, The Cry stands as one of the most distinctive and intriguing works by women during the florescence of their writing in eighteenth-century England. Strikingly experimental—mixing fiction and philosophy, drama and exposition, satire and irony, and singular and choral voices—The Cry revolves around a main character, Portia, who tells a series of stories to an audience that includes Una, the allegorical representation of truth, and "The Cry" itself, a collection of characters who serve as a kind of Greek chorus. A story about the story-making female subject, the novel serves as a catalyst to convey that women are capable of doing all of the things that men can do—discuss ethics, learn, and think rationally—and should be allowed to do these things publically. Throughout, editor Carolyn Woodward offers essential historical and editorial context to the work, demonstrating that this novel continues to facilitate discussions about women and public life.
Nancy and her father Carson find themselves in an ancient city long buried below a luxurious estate, the sale of which has brought them to Turkey. Thieves led by a mysterious rich man named Harold Severino search frantically for a priceless artifact somewhere in the city as Nancy and her father are taken prisoner. Severino, who previously attempted to purchase the estate with suspicious motives, has been led to the archeological treasure by none other than Professor David Sever, the crooked archeologist from Nancy Drew #2: Writ in Stone! It's up to Nancy to halt the plundering of this living museum and somehow make it out in one piece!
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Integrating gender into all aspects of drug policy, including the criminal justice system. In its efforts to place human rights at the heart of drug policies, the Pompidou Group has decided to pursue further the work already undertaken towards integrating a gender dimension into drug policy by developing a handbook covering different drug policy areas. It seeks to promote gender sensitivity in drug responses as essential leverage to reduce health inequities and to respect human rights, especially the rights to diversity and dignity for women, men and non-binary people. The publication begins with an overview of epidemiological evidence on gender-based differences in drug use and related consequences. The handbook aims at providing policy makers and practitioners in the drug field with evidence-based and operational recommendations to develop and implement policies and interventions that better integrate specific gender needs (gender-sensitive approach) and support more gender equity (gender-transformative approach) for people concerned with the provision of drug-related prevention and care (risk and harm reduction, treatment, reintegration), including in the criminal justice system. Faithful to the Pompidou Group’s objective of ensuring a link between research, policy and practice, this handbook first explores theoretical views about gender and drug policy, draws on available scientific knowledge and presents recommendations and examples for practice. It is based on extensive debate and a consensus of experts from 13 countries and various professional backgrounds, for cross-cultural relevance.
There was one thing in life Hawk Sheridan wanted, and that was to be a doctor. A few months short of his goal, he found himself in the baggage car of a train. He was kicked out of medical school and sent home packing""another dream up in smoke. Life had been one obstacle after another. Each time, he picked himself up and with God's help began again. He just didn't think he could do it anymore. His troubles were never about who he was, but of what he was. Lakota blood ran through his veins, and it was evident in his appearance. He could only get so far before someone made it an issue. Avery Stockton's life was one of deception. The only living witness to her family's murder, she lived in fear under a false identity. The killers vowed they would find her, and after seventeen years, they were getting close. Secluded in a Baltimore hospital as a nurse, Avery was under the watchful eye of her uncle Dr. Victor Stockton. When it became necessary to move Avery, there was no better place than the Dakota Territory. Hawk Sheridan had the means and the know-how to hide her in obscurity. Would Hawk be willing to help Avery when she suddenly showed up on his doorstep? Is Hawk ready for the climb of his life? Will the care of Avery stand in the way of fulfilling his dreams or destroy them?
Explaining how ubiquitous computing is rapidly changing our private and professional lives, Ethical IT Innovation: A Value-Based System Design Approach stands at the intersection of computer science, philosophy, and management and integrates theories and frameworks from all three domains.The book explores the latest thinking on computer ethics, inc
Annabeth Lorton opened her red puffy eyes. Her wedding dress hung on the door of her closet, seemingly mocking her. The bouquet that looked so fresh last evening was limp and draping over the dressing table, headed for the floor. It was the perfect depiction of how she felt. Cast aside and thrown to the ground. The life drained from her. The events of last evening's near wedding played over in her head. How could this have happened? How could she have been so wrong? Jonathan Taylor had been a long-time friend; and when they began courting, it all seemed like a fairy tale. It quickly became a nightmare when a young woman in the crowd couldn't hold her peace and begged Jonathan not to go through with the wedding. What a fool Annabeth was. Well, she wasn't going to stay and be the laughing stock of Charleston's high society. She didn't belong there anyway. She belonged far away from the city. She belonged in the West. South Dakota would be the perfect place to start over and start her own business. In the vast open spaces, she could start anew and leave the past behind. Or could she? Settled in her new surroundings, Annabeth thrives, with her very own bakery and a new suitor. Soon her past meets up with her present when Jonathan follows her West to make amends. Both men pursue her love and trust, but could the drifter working in her bakery become her future?
On a dark and stormy night in 1816, a teenage girl sat down and invented science fiction. Mary Shelley was no more than 18 years old when she wrote Frankenstein. From the moment of its publication 200 years ago, readers have been wondering, as Mary put it, "How I, then a young girl, came to think of, and to dilate upon, so very hideous an idea?" Outcasts takes readers behind the scenes, to reveal the surprisingly contemporary thoughts and feelings of Mary, an unmarried mother and the lover of radical poet Percy Shelley, their friend Lord Byron, and the other guests at the "most famous literary party in history". What led the daughter of two of the most radical philosophers in England to turn her hand to horror?
Maggie Quinn had secluded herself nicely on her grandfather's farm in the middle of the Black Hills. Estranged from a town who didn't care to understand her, she made her own living and was able to sustain a quiet, peaceable life alone. All that was about to change. What possessed the Indian to drop the man at her doorstep? Maggie had no recourse but to lug the bullet-riddled man into her small cabin. It was an easy decision. He probably wouldn't make it through the night. In the morning, she would either be going for the doctor or the undertaker. Little did she know when she lugged him into her home, she lugged him into her quiet peaceable life. Thad Sheridan had no idea what was going on. The last thing he remembered was being tossed on the back of the Indian's horse. The ride through the prairie at breakneck speed tore at his body, the pain almost too much to bear. When the horse stopped, he hit the hard ground with an excruciating thud. He passed out. When he awoke, he was no longer lying on the hard ground but a soft bed. He closed his eyes. "Okay, Lord," he prayed, "nothing happens to me without purpose. Show me your will." Then she appeared. When the town's moral compass finds a recuperating Thad staying at Maggie's, the problems begin to mount. Maggie, determined to maintain her current independence, is surprised by Thad's solution to the problems. Can Thad help Maggie find the purpose lacking in her life? Can Maggie provide the means for Thad to fulfill his purpose?
Guidance for implementing effective operation and management of drinking water treatment plants, as defined by AWWA G100, including regulatory compliance requirements, operational practices, capitol asset management and maintenance, and water quality management. Includes practical examples, checklists, and questions
Moving Mountains: A Story of Marriage, Faith, and Beating a Contagion By: Sarah F. Cook Moving Mountains is the story of a man who contracted polio in 1954, just before the Salk and Sabin vaccines became widely available. When he became ill, Jim Bentzen was twenty-five years old, a pilot in the Air Force, had been married two years, and had a one-year-old son. In a matter of hours after the diagnosis, Jim was paralyzed from the neck down, leaving him a quadriplegic in an iron lung. He should not have survived, and when he did survive the first weeks of one crisis after another, Jim and his wife Joan were told that he would have to be hospitalized for what remained of his life, because his deficits were too great for any kind of home care. Nonetheless, the Bentzens assessed their losses, conquered their fears, and set about proving everyone in the medical community wrong. The reader will have to judge whether they succeeded.
How do people in poverty and homelessness change their lives and get back on their feet? Homeless shelters across the world play a huge role in this process. Many of them are religious, but there is a lot of diversity in faith-based non-profits that assist people affected by poverty and homelessness. In this timely book, the authors look at three homeless shelters that take more or less intensive approaches to faith, community, and programming. In one shelter, for instance, residents are required to do a program of classes that includes group Bible study, worship, and self-evaluation. The other two examined are significantly less faith-based, but in different ways and with different structures. The authors show how the three shelters tackle homelessness differently, drawing on narrative biographical interviews and case studies with residents, interviews with staff, and case study research of the three shelters. Entering into significant debates in social theory over religion, agency, cognitive action, and culture, this book is important reading for scholars and students in religious studies, sociology and social work.
Read Sarah Miller Caldicott's posts on the Penguin Blog. Michael J. Gelb, author of the international bestseller How to Think Like Leonardo da Vinci, and Sarah Miller Caldicott, a descendant of Thomas Edison, introduce a revolutionary new system for successful innovation. Bestselling author Michael J. Gelb and Sarah Miller Caldicott introduce a carefully researched, easy-to-apply system of the five success secrets inspired by the creative methods of Thomas Alva Edison. The greatest innovator in American history, Edison set the stage for America’s global leadership in innovation by his focus on practical accomplishment. Now Gelb and Caldicott apply the best practices of this American genius to contemporary business situations to help today’s leaders harness their own innovative potential. Innovate Like Edison is a blueprint for success that will enable executives and entrepreneurs to revitalize their own ingenuity and thrive in today’s culture of innovation.
At the beginning of the nineteenth century, the literary lecture arrived on London's cultural scene as an influential critical medium and popular social event. It flourished for two decades in the hands of the period's most prominent lecturers: Samuel Taylor Coleridge, John Thelwall, Thomas Campbell, and William Hazlitt. Lecturers aimed to shape auditors' reading habits, burnish their own professional profiles, and establish a literary canon. Auditors wielded their own considerable influence, since their sustained approbation was necessary to a lecturer's success, and independent series could collapse midway if attendance waned. Two chapters are therefore devoted to the auditors, whose creative responses to what they heard often constituted cultural works in their own right. Auditors wrote poems and letters about lecture performances, acted as patrons to lecturers, and hosted dinners and conversation parties that followed these events. Prominent auditors included John Keats, Mary Russell Mitford, Henry Crabb Robinson, Catherine Maria Fanshawe, and Lady Charlotte Bury. The Romantic public literary lecture is a fascinating cultural phenomenon in its own right, but understanding the medium has significant implications for some of the period's most important literary criticism, such as Coleridge's readings of Shakespeare and Hazlitt's Lectures on the English Poets (1818). The book's two main aims are to chart the emergence of the literary lecture as a popular medium and to develop a critical approach to these events by drawing on an interdisciplinary discussion about how to treat historical speaking performances.
The second edition of this bestselling textbook has been fully updated with a synopsis of the latest changes in the fields of intercultural communication and leadership development. This includes new benchmark interviews from some of the world's foremost companies; a wealth of proven guidelines, tools, and models, including Wibbeke’s own Geoleadership Model and two new chapters focusing on the influence of gender and technology on culture and leadership. This new edition also emphasizes practical examples of individuals and organizations that have utilized the core concept of "geoleadership"—including updated research from those at the forefront of various industries, including finance, healthcare, and manufacturing. With contributions and endorsements from some of the most important thought leaders in leadership development and intercultural communication, this edition offers a resource for designing, delivering, and evaluating successful leadership theories and practices to both students and practitioners.
Rose is the wild girl nobody really knows. Chase is haunted by his past. Both are self-proclaimed "disappointments," attracted to each other enough to let down their defenses. When Rose's strict, adoptive parents forbid the relationship, it only makes things more intense. But Chase can’t hide from his own personal demons, and Rose has secrets of her own. After they’re wrenched apart, a cryptic email arrives in the middle of the night on Christmas Eve, beginning a desperate pursuit and a look back over their tumultuous romance. Will they find each other before the night is over, or will they be torn apart forever?
This introduction to the key concerns and debates in British cinema is based on a wide range of documents such as official papers, fan magazines, film posters and stills. It sheds light on defining moments in British cinema history.
Instant Notes in Motor Control, Learning and Development provides an overview of how the brain and nervous system control movement, and how new movements are learned and improved. The early chapters set the scene by defining the field and discussing the measurement of movement. This leads to chapters that explain how we control movement and learn to control movement. The final section considers the development of motor skills. The topics covered in this text provide foundation knowledge that is vital for any individual who is working in the movement context as a teacher, coach, or therapist. Each chapter can be read in isolation but links are made and related topics highlighted. Due to the wide range of information contained in the book, it will be relevant to students studying all sports-related courses, including sport coaching courses.
Julie Hall thinks the hardest part of single motherhood is sleep deprivation and the constant search for dropped pacifiers, until her four-month old baby transforms into a wolf pup. How could Carson be a Werewolf? He hadn’t been bitten. Not by a Werewolf, not by a dog, heck, not by a mosquito. Julie sets out to find Carson's father and demand some answers. Instead, she discovers a Werewolf pack haunted by a grisly string of murders—and soon realizes she and her baby are the next targets.
In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.
The transnational modernist Mina Loy (1882–1966) embodied the avant-garde in many literary and artistic media. This book positions her as a theorist of the avant-garde and of what it means to be an artist. Foregrounding Loy’s critical interrogation of Futurist, Dadaist, Surrealist, and “Degenerate” artisthood, and exploring her poetic legacies today, Curious Disciplines reveals Loy’s importance in an entirely novel way. Examining the primary texts produced by those movements themselves—their manifestos, magazines, pamphlets, catalogues, and speeches—Sarah Hayden uses close readings of Loy’s poetry, prose, polemics, and unpublished writings to trace her response to how these movements wrote themselves, collectively, into being.
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