Essay from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Saints and Sinners in OE and ME, language: English, abstract: In the following essay the concept of femininity in Old English female saint’s lives will be examined and analysed. Due to the brevity of this essay, only two saint’s lives will be investigated, the Life of Mary of Egypt and Pelagia of Antioch. Both of them are often referred to as ‘harlot saints’ because of their not only promiscuous but also highly sinful lives before becoming their pious selves. (cf. Cox Miller) It is therefore very interesting that both do not only avert themselves from their previous lives, but even find religious patrons who become ardent worshippers of these women.
Essay from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Romantic Poetry, language: English, abstract: In the following essay I would like to analyse one of Lord Byron’s earlier poems, namely “Well! Thou art happy” which was written in November 1808 and thus belongs to the epoch of romanticism. The poem involves a poetic speaker who laments a love relationship to a woman that has come to an end. In his sadness, he is torn between the love he still feels and the jealousy that occurs inside of him when he is concerned with his beloved’s husband or their child. However, he is aware of the fact that it is necessary for him to get over the end of the relationship. As mentioned above, “Well! Thou art happy” belongs to Byron’s early po-ems as it was written in 1808 and in general, Byron’s poems written before 1809 are consid-ered as early poems (cf. Marchand, 15). Apart from that the poem itself includes some hints which point out its early stage. In line 22 the poetic speaker talks about his “boyish flame” and in line 33 he describes his “early dream” (cf. Byron, 83). Hence, the poetic speaker seems to be a fairly young man who is not very experienced yet. This suits the typical characteristic of Byron’s early poems. Marchand calls it a “juvenile verse” that describes “youthful inno-cence” as well as “the fictions of flimsy romance” (cf. Marchand, 15 f.). Before I will begin to analyse the poem, I will start with a subchapter about its formal part.
Although the archaeology of food has long played an integral role in our understanding of past cultures, the archaeology of cooking is rarely integrated into models of the past. The cooks who spent countless hours cooking and processing food are overlooked and the forgotten players in the daily lives of our ancestors. The Menial Art of Cooking shows how cooking activities provide a window into other aspects of society and, as such, should be taken seriously as an aspect of social, cultural, political, and economic life. This book examines techniques and technologies of food preparation, the spaces where food was cooked, the relationship between cooking and changes in suprahousehold economies, the religious and symbolic aspects of cooking, the relationship between cooking and social identity, and how examining foodways provides insight into social relations of production, distribution, and consumption. Contributors use a wide variety of evidence—including archaeological data; archival research; analysis of ceramics, fauna, botany, glass artifacts, stone tools, murals, and painted ceramics; ethnographic analogy; and the distribution of artifacts across space—to identify evidence of cooking and food processing left by ancient cooks. The Menial Art of Cooking is the first archaeological volume focused on cooking and food preparation in prehistoric and historic settings around the world and will interest archaeologists, social anthropologists, sociologists, and other scholars studying cooking and food preparation or subsistence.
A bewildering range of vitamin, mineral and herbal supplements is now widely available to us all, but information about their health benefits cannot be given on the packaging as it would constitute a health claim. In this jargon-free guide leading expert on sensible supplementation, Dr Sarah Brewer, sets out all you need to know about the main supplements, and suggests which to take for specific health problems. It includes: A-Z guide to 150 supplements for a brighter and healthier life. Clearly explains the benefits, possible side effects and contraindications. Thoroughly sets out the research evidence to back their efficacy. Recommends supplements for common problems such as IBS, chronic fatigue, recurrent candida and arthritis. Packed with clear and concise answers, this essential guide explains the use of supplements to maintain or improve your daily health.
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,7, Ruhr-University of Bochum (Englisches Seminar), course: Jewish American Literature, language: English, abstract: In the following paper I would like to examine to what extent the Holocaust is appropriate as a literary inspiration. I will cite Art Spiegelman’s comic strips MAUS I and MAUS II (with focus on the latter) as examples since they are two of the most extraordinary works among Holocaust literature and art. In general I want to demonstrate that Adorno’s thesis about the impossibility of writing about the Holocaust is not true. By giving the example of Spiegelman’s MAUS it should be made clear that it is even possible to use the Holocaust as some kind of inspiration in a fairly unusual way.
Essay from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Saints and Sinners in OE and ME, language: English, abstract: In the following essay the concept of femininity in Old English female saint’s lives will be examined and analysed. Due to the brevity of this essay, only two saint’s lives will be investigated, the Life of Mary of Egypt and Pelagia of Antioch. Both of them are often referred to as ‘harlot saints’ because of their not only promiscuous but also highly sinful lives before becoming their pious selves. (cf. Cox Miller) It is therefore very interesting that both do not only avert themselves from their previous lives, but even find religious patrons who become ardent worshippers of these women.
Essay from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Romantic Poetry, language: English, abstract: In the following essay I would like to analyse one of Lord Byron’s earlier poems, namely “Well! Thou art happy” which was written in November 1808 and thus belongs to the epoch of romanticism. The poem involves a poetic speaker who laments a love relationship to a woman that has come to an end. In his sadness, he is torn between the love he still feels and the jealousy that occurs inside of him when he is concerned with his beloved’s husband or their child. However, he is aware of the fact that it is necessary for him to get over the end of the relationship. As mentioned above, “Well! Thou art happy” belongs to Byron’s early po-ems as it was written in 1808 and in general, Byron’s poems written before 1809 are consid-ered as early poems (cf. Marchand, 15). Apart from that the poem itself includes some hints which point out its early stage. In line 22 the poetic speaker talks about his “boyish flame” and in line 33 he describes his “early dream” (cf. Byron, 83). Hence, the poetic speaker seems to be a fairly young man who is not very experienced yet. This suits the typical characteristic of Byron’s early poems. Marchand calls it a “juvenile verse” that describes “youthful inno-cence” as well as “the fictions of flimsy romance” (cf. Marchand, 15 f.). Before I will begin to analyse the poem, I will start with a subchapter about its formal part.
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, Ruhr-University of Bochum (Englisches Seminar), course: Political Cultures in Britain, language: English, abstract: 1. Introduction "The British electoral system is not a gamble." (Butler, 194). This famous quotation by the British political scientist David E. Butler gives a first insight in how intricate and controversial the topic has been discussed. The quotation also shows that the British voting system never lacked criticism and the fact that Butler has to deny that the electoral system of his home country is 'a gamble' makes clear that also a lot of sarcasm was involved while judging it. All of this seems rather negative. However, in this paper it is not my aim to just condemn the electoral system of Britain, nor do I want to prove that it is a gamble. Yet, the severe criticism must have a reason and cannot be completely unfounded. A main argument of critics that is often discussed is a possible lack of democracy. Therefore I would like to examine in how far the British voting system can be reconciled with basic democratic principles. To do so, it will be necessary to give a short overview about democracy and its main features. I also don't want to neglect to talk about democracy as a political system. In accordance with the main topic, namely the electoral system, I will specifically talk about the competitive and consensus democracy because they are most suitable when it comes to discussing the two main voting systems, viz. proportional representation and majority voting. As it has probably become clear already, I do not want to limit this paper to the British electoral system itself. To illustrate the discrepancy between the first-past-the-post system and the proportional representation, I will use the example of the Federal Republic of Germany. This country can be seen as a representative for a typical consensus democrac
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