Outsider Citizens examines a foundational moment in the writing of race, gender, and sexuality––the decade after 1945, when Richard Wright, Simone de Beauvoir, and others sought to adapt existentialism and psychoanalysis to the representation of newly emerging public identities. Relyea offers the first book-length study bringing together Wright and Beauvoir to reveal their common sources and concerns. Relyea's discussion begins with Native Son and then examines Wright's postwar exile in France and his engagement with existentialism and psychoanalysis in The Outsider. Beauvoir met Wright during her postwar tour of America, chronicled in America Day by Day. After returning to France, Beauvoir adapted American social constructionist concepts of race as one source for her philosophical investigation of gender in The Second Sex, while also rejecting 1940s psychoanalytic theories of femininity. Relyea examines later representations of race and gender in a discussion of James Baldwin's critique of postwar American liberalism and ideals of innocence and masculinity in Giovanni's Room, which represents the remaking of white American identity through the risks of exile and the return of the gaze.
It’s the season of siren songs and loosened bonds―as well as war, campaign slogans, and assassination. At the height of the Vietnam War protests, Washington lawyer Tom Rayson uproots his family for the freewheeling city of Berkeley. While Tom pursues a romance with a sexy colleague in the Marin County woods, Marian joins a peace party that’s running a Black Panther for president and meets the Berkeley revolution. But for young Alice, her parents’ liberating forays become a blind leap in a city marked by beauty and social change―and for a girl, that’s no Summer of Love. Feeling estranged from her family, Alice embraces the moment and falls in with Jim and Valerie Dupres. Jim and Valerie have been learning the ropes on Telegraph Avenue, cadging meals at a nearby communal house and camping out in People’s Park. Soon they’re confronting National Guardsmen. As family and school fade away in a tear-gas fog, Alice feels an ambiguous freedom. Caught up in a rebellion that feels equally compelling, scary, and absurd, Alice could become a casualty—or she could defy the odds and become her own person. One thing is sure: there’s no going back.
This book examines the processes and factors shaping the development of homeland security policies in the European Union (EU), within the wider context of European integration. The EU functions in a complex security environment, with perceived security threats from Islamist terrorists, migration and border security issues, and environmental problems. In order to deal with these, the EU has undertaken a number of actions, including the adoption of the European Security Strategy in 2003, the Information Management Strategy of 2009, and the Internal Security Strategy of 2010. However, despite such efforts to achieve a more concerted European action in the field of security, there are still many questions to be answered about whether the European approach is really a strategic one. European Homeland Security addresses two major debates in relation to the development of homeland security in Europe. First, it reflects on the absence of 'homeland security' in European political debate and its potential consequences. Second, it examines the significant policy developments in the EU that suggest the influence of homeland security ideas, notably through policy transfer from the United States. The book will be of great interest to students of European security and EU politics, terrorism and counter-terrorism, security studies and IR.
This book reflects on the motivations of creative practitioners who have moved out of cities from the mid-1960s onwards to establish creative homesteads. The book focuses on desert exile painter Agnes Martin, radical filmmaker and gardener Derek Jarman, and iconoclastic conceptual artist Chris Burden, detailing their connections to the cities they had left behind (New York, London, Los Angeles). Sarah Lowndes also examines how the rise of digital technologies has made it more possible for artists to live and work outside the major art centers, especially given the rising cost of living in London, Berlin, and New York, focusing on three peripheral creative centers: the seaside town of Hastings, England, the midsized metro of Leipzig, Germany, and post-industrial Detroit, USA.
Outsider Citizens examines a foundational moment in the writing of race, gender, and sexuality––the decade after 1945, when Richard Wright, Simone de Beauvoir, and others sought to adapt existentialism and psychoanalysis to the representation of newly emerging public identities. Relyea offers the first book-length study bringing together Wright and Beauvoir to reveal their common sources and concerns. Relyea's discussion begins with Native Son and then examines Wright's postwar exile in France and his engagement with existentialism and psychoanalysis in The Outsider. Beauvoir met Wright during her postwar tour of America, chronicled in America Day by Day. After returning to France, Beauvoir adapted American social constructionist concepts of race as one source for her philosophical investigation of gender in The Second Sex, while also rejecting 1940s psychoanalytic theories of femininity. Relyea examines later representations of race and gender in a discussion of James Baldwin's critique of postwar American liberalism and ideals of innocence and masculinity in Giovanni's Room, which represents the remaking of white American identity through the risks of exile and the return of the gaze.
Instant Notes in Motor Control, Learning and Development provides an overview of how the brain and nervous system control movement, and how new movements are learned and improved. The early chapters set the scene by defining the field and discussing the measurement of movement. This leads to chapters that explain how we control movement and learn to control movement. The final section considers the development of motor skills. The topics covered in this text provide foundation knowledge that is vital for any individual who is working in the movement context as a teacher, coach, or therapist. Each chapter can be read in isolation but links are made and related topics highlighted. Due to the wide range of information contained in the book, it will be relevant to students studying all sports-related courses, including sport coaching courses.
This compelling narrative goes behind the scenes with the world’s most important living artists to humanize and demystify contemporary art. The best-selling author of Seven Days in the Art World now tells the story of the artists themselves—how they move through the world, command credibility, and create iconic works. 33 Artists in 3 Acts offers unprecedented access to a dazzling range of artists, from international superstars to unheralded art teachers. Sarah Thornton's beautifully paced, fly-on-the-wall narratives include visits with Ai Weiwei before and after his imprisonment and Jeff Koons as he woos new customers in London, Frankfurt, and Abu Dhabi. Thornton meets Yayoi Kusama in her studio around the corner from the Tokyo asylum that she calls home. She snoops in Cindy Sherman’s closet, hears about Andrea Fraser’s psychotherapist, and spends quality time with Laurie Simmons, Carroll Dunham, and their daughters Lena and Grace. Through these intimate scenes, 33 Artists in 3 Acts explores what it means to be a real artist in the real world. Divided into three cinematic "acts"—politics, kinship, and craft—it investigates artists' psyches, personas, politics, and social networks. Witnessing their crises and triumphs, Thornton turns a wry, analytical eye on their different answers to the question "What is an artist?" 33 Artists in 3 Acts reveals the habits and attributes of successful artists, offering insight into the way these driven and inventive people play their game. In a time when more and more artists oversee the production of their work, rather than make it themselves, Thornton shows how an artist’s radical vision and personal confidence can create audiences for their work, and examines the elevated role that artists occupy as essential figures in our culture.
A Washington Post Book of the Year Winner of the Merle Curti Award Winner of the Jacques Barzun Prize Winner of the Ralph Waldo Emerson Award “A masterful study of privacy.” —Sue Halpern, New York Review of Books “Masterful (and timely)...[A] marathon trek from Victorian propriety to social media exhibitionism...Utterly original.” —Washington Post Every day, we make decisions about what to share and when, how much to expose and to whom. Securing the boundary between one’s private affairs and public identity has become an urgent task of modern life. How did privacy come to loom so large in public consciousness? Sarah Igo tracks the quest for privacy from the invention of the telegraph onward, revealing enduring debates over how Americans would—and should—be known. The Known Citizen is a penetrating historical investigation with powerful lessons for our own times, when corporations, government agencies, and data miners are tracking our every move. “A mighty effort to tell the story of modern America as a story of anxieties about privacy...Shows us that although we may feel that the threat to privacy today is unprecedented, every generation has felt that way since the introduction of the postcard.” —Louis Menand, New Yorker “Engaging and wide-ranging...Igo’s analysis of state surveillance from the New Deal through Watergate is remarkably thorough and insightful.” —The Nation
It’s the season of siren songs and loosened bonds―as well as war, campaign slogans, and assassination. At the height of the Vietnam War protests, Washington lawyer Tom Rayson uproots his family for the freewheeling city of Berkeley. While Tom pursues a romance with a sexy colleague in the Marin County woods, Marian joins a peace party that’s running a Black Panther for president and meets the Berkeley revolution. But for young Alice, her parents’ liberating forays become a blind leap in a city marked by beauty and social change―and for a girl, that’s no Summer of Love. Feeling estranged from her family, Alice embraces the moment and falls in with Jim and Valerie Dupres. Jim and Valerie have been learning the ropes on Telegraph Avenue, cadging meals at a nearby communal house and camping out in People’s Park. Soon they’re confronting National Guardsmen. As family and school fade away in a tear-gas fog, Alice feels an ambiguous freedom. Caught up in a rebellion that feels equally compelling, scary, and absurd, Alice could become a casualty—or she could defy the odds and become her own person. One thing is sure: there’s no going back.
In this collection of excerpts, enjoy a taste of Sarah Pekkanen’s captivating novels, including The Opposite of Me, Skipping a Beat, These Girls, and The Best of Us.
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