A superb collection of stories from a prize-winning writer – some short, some long, set in locations that span the globe, all exploring the theme encapsulated by the title: tenderness. Meet Sadie, the high-flying divorce lawyer who ends up putting marriages back together; the Ice Cream Girl, discovered in a superette and transplanted to Hollywood; the seven-year-old Prometheus, who faces death on a daily basis. With a mix of humour and compassion, each story carries the punch of a compacted novel, highlighting those illuminating moments of human connection. Sarah Quigley has an impressive track-record as a fiction writer, and these stories will not disappoint. Stylistically assured, emotionally resonant, they are guaranteed to capture minds and hearts. Quigley has won numerous awards for her short fiction, including the Sunday Star-Times Short Story Award and the Commonwealth Pacific Rim Short Story Award. Her best-selling novel, The Conductor, has sold throughout the world. It was long-listed for the International IMPAC Dublin Literary Award, and shortlisted for the prestigious Prix Femina.
All she wants is a doughnut. Plain and simple. And no one makes them better here in San Francisco. But when Lena makes for the door, she gets caught in crossfire from a drive-by shooting. Lena's a stand-up comedienne at The Polish Sausage, a San Francisco club, and what she doesn't know about comedy isn't worth knowing. Now, though, this woman who's made her living from exposing the inner- comedy of life decides that life just isn't that funny anymore. So trading her punchlines for snapshots, she makes for Alaska with her camera, where with a mysterious tracker and a speechless child, she ends up digging a corpse from a snowbank. In SHOT, the gritty urban cool of San Francisco is as real as the frozen Alaskan landscape. With a cast of eccentric characters straight out of a Coen Brothers film, this pitch-perfect novel of loss, discovery, homesickness and ambition marks the arrival of a great new talent for Virago.
A superbly poised and finely nuanced short story, tracking a pivotal point in a relationship built on reticence and recognition of differences. In the wintry light of the late afternoon, a man and a woman walk through snow-covered palace gardens. Their careful conversation skates over intensely private thoughts, their feelings and memories buried deep like the gardens under the snow. As darkness falls and they fail to find the exit, both the past and their future become clear. Beautifully atmospheric, this short story is a masterpiece.
Three misfits – close to genius, close to the brink – come together in a desperate love triangle in this compelling novel. When Bright is suddenly catapulted to fame, he can’t cope with the pressure. He decides to end it all by jumping from the 20th floor of a high-rise on his twentieth birthday. He’s saved by the quirky, eccentric Gibby, and soon the two boys find themselves in a love triangle, vying for the attention of the beautiful, brilliant, unreachable Lace, and also trying to protect her from harm. The three misfits – close to genius, close to the brink – travel from England to a beautiful old spa town in Bavaria. Here, in an experimental institution under the colourful Dr Geoffrey, the pressure mounts. Soon it’s no longer clear who’s in the greatest danger, and who needs saving the most. Unflinching, but tender and often humorous, The Suicide Club is an examination of the last taboo in our society – as well as our deep human desire to connect. It explores why we feel the need to extinguish our lives, how we can pull back from the edge, and how – by saving ourselves – we can sometimes also save the people we love.
A best-selling, compelling and evocatively realised novel based on real events and figures. It has now sold into eight different countries around the world. In June 1941, Nazi troops march on Leningrad and surround it. Hitler's plan is to shell, bomb, and starve the city into submission. Most of the cultural elite are evacuated early in the siege, but Dmitri Shostakovich, the most famous composer in Russia, stays on to defend his city, digging ditches and fire-watching. At night he composes a new work. But after Shostakovich and his family are forced to evacuate, only Karl Eliasberg - a shy and difficult man, conductor of the second-rate Radio Orchestra - and an assortment of musicians are left behind in Leningrad to face an unendurable winter and start rehearsing the finished score of Shostakovich's Leningrad Symphony.
Funny, honest, confronting and wise, this is a bitter-sweet true story of breaking up . . . and breaking through. ‘I hear you’re divorced?’ a friend greets me. ‘Congratulations!’ The Divorce Diaries outlines the difficult and often heart-breaking process of leaving a marriage and starting over. Sarah Quigley has garnered numerous accolades for her articles on the subject, including Columnist of the Year in the MPA Awards. Now she revisits and reconsiders the tumultuous months leading up to exiting her marriage and the equally confusing emotions that followed. Living in a tiny rooftop apartment, surrounded by glossy millionaire neighbours, Quigley begins the process of overcoming grief and loneliness. As she takes the first tentative steps back into the world of dating, she shares both her darkest and most hilarious moments as a divorcee. Against the colourful bohemian backdrop of her adopted city, Berlin, she rediscovers the satisfaction and joys of independence. 'Brave, insightful and utterly compelling' — Judges on The Divorce Diaries column, MPA Awards, Columnist of the Year
Friends call Becca the Overshare Queen, but her tendency for TMI never seemed like a problem to her until she blabs about her sweet band-geek boyfriend’s sloppy kisses—and gets dumped! Realizing it may be better to resist the temptation to overshare face-to-face, Becca decides to blog anonymously about everything instead. On her blog, Too Much Information, Becca unleashes her alter ego, Bella. Bella tells it like it is . . . though perhaps with a bit more drama. After all, no one’s going to read it, right???
In the middle of a city, in a deserted apartment block, a woman lives, alone. She has just fifty days to complete her self-imposed task. Bustling into her apartment each day strides a girl with tiger hair and pink satin leggings, sparkling with life: the Candy Girl is the woman's only contact with the outside world, and essential to her lonely task. This solitary existence she has chosen becomes less possible as each day passes. From the window opposite she sees a crippled man watching her, and as they furtively observe one another, their lives become inextricably linked. Warding off the past, the woman works relentlessly, her deadline looming closer day by day, but memory invades, melding with the present, and her tragedy unfolds . .
Guides readers through a three-point process for facing, feeling, and transforming fear at any intensity level, explaining how courage comes by learning to work through fear and demonstrating how readers can experience fear as a message. Reprint.
A superb collection of stories from a prize-winning writer - some short, some long, set in locations that span the globe, all exploring the theme encapsulated by the title: tenderness. Meet Sadie, the high-flying divorce lawyer who ends up putting marriages back together; the Ice Cream Girl, discovered in a superette and transplanted to Hollywood; the seven-year-old Prometheus, who faces death on a daily basis. With a mix of humour and compassion, each story carries the punch of a compacted novel, highlighting those illuminating moments of human connection. Sarah Quigley has an impressive track-record as a fiction writer, and these stories will not disappoint. Stylistically assured, emotionally resonant, they are guaranteed to capture minds and hearts. Quigley has won numerous awards for her short fiction, including the Sunday Star-Times Short Story Award and the Commonwealth Pacific Rim Short Story Award. Her best-selling novel, The Conductor, has sold throughout the world. It was long-listed for the International IMPAC Dublin Literary Award, and shortlisted for the prestigious Prix Femina.
Fast-moving and ever-changing, stem cell science and research presents ongoing ethical and legal challenges in many countries. Each development and innovation throws up new challenges. This is the case even where new developments initially seem to solve old dilemmas. Sometimes it becomes evident that new science does not in fact solve old problems and, for that reason, the ethical issues remain. In recognition of this, this book presents innovative and creative analyses of a range of ethical and legal challenges raised by stem cell research and its potential and actual application. The editors of this collection have brought together experts from ethics and law to bring fresh perspectives on the use of and research on stem cells. The chapters in this collection range across a number of different issues in the debate on stem cells, from the ethical dilemmas of conducting stem cell research to those of the clinical application of stem cell technology. Each chapter gives an in-depth and comprehensive analysis of the ethical or legal issues at stake. The early chapters give engaging new expositions on the permissibility of using embryos in stem cell research, in particular challenging our views about how we view and OCyconstructOCO the embryo in debates regarding stem cells. Later chapters move on to actual and potential clinical uses of stem cells and present novel arguments about these.
Here are three great historical novels in one volume. HABITS OF THE HOUSE: Fay Weldon takes us inside an aristocratic household -- upstairs and downstairs -- in the last three months of the nineteenth century. Tea gowns are still laced with diamonds; there are still nine courses at dinner, but bankruptcy, war and social unrest loom. THE SILVER THREAD: London, 1840. A young woman boards a prison ship bound for the other side of the world. Weaving death, love and adventure, The Silver Thread is plotted like a murder mystery, but narrated with the skill and style of a literary storyteller. THE CONDUCTOR: Winter, 1941. The story of how Shostakovich and one valiant, bedraggled orchestra created a defining moment in the siege of Leningrad – the bloodiest seige in history – is a gripping testament to the life-affirming power of music.
This first in an occasional series in which AUP introduces poets to readers. This is the first of a series that introduces "fresh voices in contemporary poetry". The three poets featured are "stylish, sophisticated, witty and urbane.
After Robert is the story of two women from opposite sides of the world who are powerfully connected by the stars. From the moment the comet Soho enters their orbit, their lives seem destined to collide.
By Degrees is a report from a five-year study following three successive groups of young people entering higher education from a background in local authority care. Theirs is a remarkable achievement, far surpassing the educational attainment of the majority of care leavers. The report tracks them through their first year of university. The main purpose of this book is to help local authorities fulfil their obligations to support care leavers by providing adequate financial and personal support to enable care leavers to access higher education and gain maximum benefit from their time at university. The book argues that local authorities must be prepared to provide realistic levels of financial support if they hope to raise the attainment of children in their care and for more care leavers to enter higher education. Universities and colleges also have their part to play and should be proactive in raising the aspirations of young people in public care and encouraging them to apply for places.
This book tracks the progress of three groups of young people entering higher education from a background in local authority care and looks at the personal and financial support they received
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