Are you ready for an adventure? Oliver, a ten-year-old mischief-maker, never anticipated the wild journey ahead. Known for his pranks, especially on his grumpy neighbour, Mr. Johnson, and for leveraging his best friend Benny Green’s shyness for schemes, Oliver’s antics are legendary. At school, his target is Mr. Ramsbottom, earning Oliver a reputation for naughtiness. Yet, beneath the surface, there might be more to Oliver than meets the eye. Is he just misunderstood, or is there a kinder side waiting to be discovered? Join Oliver in an unexpected adventure that could change everything.
This book examines local ownership in UN peacekeeping and how national and international actors interact and share responsibility in fragile post-conflict contexts.
A beautifully told and intriguing mystery about two generations of Scottish women united by blood, an obsession with the past, and a long-hidden body, from the author of The House Between Tides. Libby Snow has always felt the pull of Ullaness, a headland on Scotland’s sea-lashed western coast where a legend has taken root. At its center is Ulla, an eighth-century Norsewoman whose uncertain fate was entangled with two warring brothers and a man who sought to save her. Libby first heard the stories from her grandmother, who had learned it from her own forebear, Ellen, a maid at Sturrock House. The Sturrocks have owned the land where Ulla dwelled for generations, and now Libby, an archaeologist, has their permission to excavate a mysterious mound, which she hopes will cast light on the legend’s truth. But before she can begin, storms reveal the unexpected: the century-old bones of an unidentified man. The discovery triggers Libby’s memories of family stories about Ellen, of her strange obsession with Ulla, and of her violent past at Sturrock House. As Libby digs deeper, she unravels a recurring story of love, tragedy, and threads that bind the past to the present. And as she learns more of Rodri Sturrock, the landowner’s brother, she realizes these forces are still at work, and that she has her own role to play in Ulla’s dark legend.
Anna Carmichael, a garden historian whose work makes her as happy as her love life makes her miserable has two men in her life, one romantic and one sexy. And she doesn't know which is better.
Fleur Clement had always led a sheltered life. Haunted by dreams, in which she and a man whose face she never sees seemed to be running from danger. But as she's released into a foster care, come along Martin Ljungberg, who capture Fleur's attention from the moment she sees him kick the ball into the net goals, her first day of school. By turns aloof, angry and ardent, Martin puzzles Fleur, especially when she discovers that his dead girlfriend bore an uncanny resemblance to her. As their strange and strained courtship unfolds, Fleur finds herself in a dangerous world of eerie fantasy and love that surpasses anything she had ever known. And as she slowly discovers who Martin truly is, the thwarted lovers are determined that nothing will stand in their way—even if the results are fatal.,
Neil and Deke are both suffering from Gene's death and cannot seem to put it behind them no matter how much they try. Neil has reverted back to who he was before Hichester and Deke has drowned himself in work to hide his grief. When these two brothers are brought back together after years of being apart, there might be hope for the world. However, they are not little kids anymore which means that there are a hundred things that have changed... and dozens more puzzles, twists and sinister plots that have built up. Can the two brothers stick together long enough to defeat Nohte at his own game and find their rightful places in the world or will they let their lack of determination and their significant grief win?
Before Jane Austen's novels explored heroines in English society, writers Sarah Fielding and Jane Collier dared to provide commentary on gender and education through self-conscious narratives. Published in 1754 in five parts and divided into three volumes, The Cry stands as one of the most distinctive and intriguing works by women during the florescence of their writing in eighteenth-century England. Strikingly experimental—mixing fiction and philosophy, drama and exposition, satire and irony, and singular and choral voices—The Cry revolves around a main character, Portia, who tells a series of stories to an audience that includes Una, the allegorical representation of truth, and "The Cry" itself, a collection of characters who serve as a kind of Greek chorus. A story about the story-making female subject, the novel serves as a catalyst to convey that women are capable of doing all of the things that men can do—discuss ethics, learn, and think rationally—and should be allowed to do these things publically. Throughout, editor Carolyn Woodward offers essential historical and editorial context to the work, demonstrating that this novel continues to facilitate discussions about women and public life.
Psychiatry: Breaking the ICE contains everything psychiatry trainees need in order feel confident and competent in general adult inpatient and community placements. A practical and reassuring guide to life as a psychiatrist, structured around the tasks expected both in day-to-day practice and in out-of-hours work Key themes running throughout the book include ethical and legal issues, risk assessment and management, patient experience and safe prescribing The authors are closely involved in the training, mentoring and supervision of core trainees, and know the real-world challenges faced by junior psychiatrists
“A smart and thoughtful” women’s fiction novel about a widow’s coming into her own during the social changes of the seventies is “engrossing reading” (Publishers Weekly). In late 1970, Oliver Desmarais drops dead in his front yard while hanging Christmas lights. In the year that follows, his widow, Virginia, struggles to find her place on the campus of the elite New Hampshire men’s college where Oliver was a professor. While Virginia had always shared her husband’s prejudices against the four outspoken, never-married women on the faculty—dubbed the Gang of Four by their male counterparts—she now finds herself depending on them, even joining their work to bring the women’s movement to Clarendon College. Soon, though, reports of violent protests across the country reach this sleepy New England town, stirring tensions between the fraternal establishment of Clarendon and those calling for change. As authorities attempt to tamp down “radical elements,” Virginia must decide whether she’s willing to put herself and her family at risk for a cause that had never felt like her own. Told through alternating perspectives, The Wrong Kind of Woman is an absorbing story about finding the strength to forge new paths, beautifully woven against the rapid changes of the early ’70s. “A glorious debut filled with characters grasping to find a place to belong in a world on the edge of change.” —Carol Rifka Brunt, New York Times–bestselling author Tell the Wolves I’m Home “Powerful.” —Amy Meyerson, author of The Bookshop of Yesterdays “The story we need now.” —T. Greenwood, author of Keeping Lucy “Graceful, solid, and beautifully rendered.” —Abby Frucht, author of Maids
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.
The New York Times Bestseller From the acclaimed author of Garden Spells comes an enchanting tale of lost souls, lonely strangers, secrets that shape us, and how the right flock can guide you home. Down a narrow alley in the small coastal town of Mallow Island, South Carolina, lies a stunning cobblestone building comprised of five apartments. It’s called The Dellawisp and it is named after the tiny turquoise birds who, alongside its human tenants, inhabit an air of magical secrecy. When Zoey Hennessey comes to claim her deceased mother’s apartment at The Dellawisp, she meets her quirky, enigmatic neighbors including a girl on the run, a grieving chef whose comfort food does not comfort him, two estranged middle-aged sisters, and three ghosts. Each with their own story. Each with their own longings. Each whose ending isn’t yet written. When one of her new neighbors dies under odd circumstances the night Zoey arrives, she is thrust into the mystery of The Dellawisp, which involves missing pages from a legendary writer whose work might be hidden there. She soon discovers that many unfinished stories permeate the place, and the people around her are in as much need of healing from wrongs of the past as she is. To find their way they have to learn how to trust each other, confront their deepest fears, and let go of what haunts them. Delightful and atmospheric, Other Birds is filled with magical realism and moments of pure love that won’t let you go. Sarah Addison Allen shows us that between the real and the imaginary, there are stories that take flight in the most extraordinary ways.
He’s always played by his family’s rules, until he plays house with an off-limits love in this Western romance “full of emotion and passion” (Romance Reviews Today). Rodeo mogul Oliver Lawrence can’t say no to his best friend’s sister, pregnant widow Renee Preston. When the innocent beauty needs refuge from the tabloids, he offers his penthouse—and his bed. The passion between them is anything but innocent. And soon Oliver must choose: protect his family from her scandal or stand by the woman he can’t let go . . . “Wow, what a way to start a series . . . Ms. Anderson has given her readers characters that you feel for right down to the bone marrow, they live, breathe, and the story compels.” —Harlequin Junkie “A sweet and sassy reuniting of old friends leads to a future neither was expecting! Kicking off a new rodeo series, we’re drawn quickly into Renee’s plight and follow her on a journey of redemption . . . I’m looking forward to more in the series!” —Thoughts of a Blonde
This book is about the importance of placing the views of families with deaf children at the front of policies and practices which impact on their lives. It concerns such families in a variety of different situations and circumstances, facing a whole range of issues, many of which are equally relevant to children with other impairments and their families. The aim of the book is to raise awareness of how enabling environments can be provided for deaf children and their families.
This novel, the first by one of South Africa's foremost literary figures, is both expensive and hard to find in its first edition. Set in the diamond diggings, The Dark River introduces miscegenation, a theme that recurs in much of her later work. The racist tones of her work have detrimentally affected her status, but nevertheless this novel provides a valuable insight into the life and times of South Africa at the beginning of the 20th century and remains an interesting read today. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Do you love stories with sexy, romantic heroes who have it all—wealth, status, and incredibly good looks? Harlequin® Desire brings you all this and more with these three new full-length titles in one collection! #2581 CLAIM ME, COWBOY Copper Ridge by Maisey Yates Wanted: fake fiancée for a wealthy rancher to teach his father not to play matchmaker. Benefits: your own suite in a rustic mansion and money to secure your baby’s future. Rules: deny all sizzling sexual attraction and don’t fall in love! #2585 THE TEXAN’S WEDDING ESCAPE Heart of Stone by Charlene Sands Rancher Cooper Stone owes the Abbott family a huge debt…and he’s been tasked with stopping Lauren Abbott from marrying the wrong man! But how can Lauren trust her feelings when she learns her time with Cooper is a setup? #2586 HIS BEST FRIEND’S SISTER First Family of Rodeo by Sarah M. Anderson Family scandal chases expectant mother Renee from New York City to Texas. But when rodeo and oil tycoon Oliver, her brother’s best friend, agrees to hide her in his Dallas penthouse, sparks fly. Will her scandal ruin him, too? Look for Harlequin® Desire’s April 2018 Box Set 2 of 2, filled with even more scandalous stories and powerful heroes! Join HarlequinMyRewards.com to earn FREE books and more. Earn points for all your Harlequin purchases from wherever you shop.
This fascinating new look at the artistic legacy of the Tudors reveals the dynasty’s enduring influence on the arts of Renaissance England and beyond. Ruling successively from 1485 through 1603, the five Tudor monarchs brought seismic changes to England that reverberated throughout Europe. They used the arts to legitimize and glorify their tumultuous rule, from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “Virgin Queen” Elizabeth I. With incisive scholarship and sumptuous new photography, this book explores the extreme politics and outsize personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting top artists and artisans from across Europe. At the same time, the Tudors nurtured local talent and gave rise to a distinctly English aesthetic, one that is forever connected to the myth and visual legacy of their dynasty. The Tudors reveals the true history behind a family that has long captured the public imagination, bringing to life their extravagant and politically precarious world through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.
Welcome to the creepy, spine-tingling Immortal Tales – a series of dark, sexy fairy-tale retellings from the master of British contemporary gothic horror Sarah Rayne, perfect for fans of TERRI WINDLING, ANGELA CARTER, ANNE RICE, LAIRD BARRON and BROM. “Rayne spins eerie yarns within yarns like a latter-day Isak Dinesen or Wilkie Collins” KIRKUS REVIEWS “Equal parts Daphne du Maurier, Josephine Tey and Ruth Rendell . . . Rayne possesses superb story-telling skills” US MYSTERY GUILD “Highly enjoyable mainstream horror fare from a genre veteran” BOOKLIST “Rayne writes with panache and imagination” KIRKUS REVIEWS “Rayne is a fine writer, a sure-handed plotter and skillful character builder” BOOKLIST “Colorful characters and a mastery of slow-burning suspense” KIRKUS REVIEWS “Rayne perfects the craft of deftly chosen details, simmering suspense and chilling surprises” KIRKUS REVIEWS _______________________ A family curse that has lain dormant for decades awakes, unleashing a horror beyond imagining in this dark re-telling of the Sleeping Beauty tale – from critically-acclaimed British horror author Sarah Rayne. For several hundred years the Ingram family has lived under a curse – a hereditary madness which manifests itself in the females every other generation – and it appears the madness has struck again in the beautiful Imogen. When a grisly incident occurs at the funeral of Imogen’s cousin, it’s decided she must be shut away from the world. Imogen is sent to a mental institution, where she falls into a mysterious stupor from which it’s feared she will never wake. Dan Tudor, a writer commissioned to produce a feature on the family, is not convinced the curse is real. But he soon finds himself drawn into a strange, tangled web surrounding Imogen. His investigations are about to lead him to something more macabre and horrifying than anyone could ever have imagined . . . This lush, suspenseful novel, one of three standalone fairy-tale retellings in the Immortal Tales series, is the perfect read if you enjoy gothic horror with twists and turns that will keep you up all night. READERS ARE HOOKED ON THE IMMORTAL TALES: “I am enjoying this series. If you have a taste for the gothic it's for you . . . Very atmospheric and entertaining” Suspense Fan, 5* Amazon review “Sarah Rayne's writing is always beautiful. I want to read more stories by her” 5* Amazon review “Another superb book from a superb writer” Julie B., 5* Amazon review “An amazing read. Sarah Rayne keeps the reader in suspense until the very end” Amazon Customer, 5* Amazon review “Holds you captive every step of the way . . . you won't be disappointed” B.B. Norman, 5* Amazon review “If you like to be pleasurably frightened, then this is the book for you” Greg O'Rilla, 5* Amazon review THE IMMORTAL TALES: 1. Thorn 2. Changeling 3. Wildwood
Will the billionaire be able to convince her that they’re meant to be? When talented dressmaker Maisie Slater discovers her fiancée in bed with not one, but two other women, she sets her dreams of a happily-ever-after and her cheating ex’s clothes on fire. And what better way to kick off her new life than hooking up with a handsome stranger? But no matter how much she promises herself they can keep things casual, she can’t deny their connection that only seems to grow stronger the more time they spend together. Oliver Thorpe always gets what he wants. He might be the heir to a business empire, but he doesn’t shy away from hard work. When he meets Maisie, he knows he wants to spend the rest of his life with her. Even if she doesn’t agree. But when fate throws them an unexpected curveball, he knows it’s his chance to bind Maisie to him forever. But Oliver has secrets that are catching up to him. And once Maisie finds out, he’s in for the biggest fight of his life. Good thing he never loses. This is the third book in the Sweet Dreams series and can be read as a standalone. Note from the author: In order not to get kicked out of the good (okay goodish.... fine, sometimes good) girls club, I’d like to point out that this is a steamy romcom and my characters use bad language (sometimes) and like to get it on. There’s no cheating and all my books have a HEA. #romanticcomedy #HEA #romcom #alpha #broodyalpha #contemporaryromance #romance #quirky #funny #humour #humor #accidentalpregnancy
Indulge with these irresistible and heartwarming Christmas romances by USA Today bestselling author Sarah Morgan! Once Upon a Christmas Includes The Doctor’s Christmas Bride and The Nurse’s Wedding Rescue. A Christmas wish… Bryony’s daughter has put a dad on her Christmas list. That leaves Bryony with one month to find the perfect man, so this year she’s wishing for a miracle! While she’s looking for love, her best friend Helen is doing the opposite. Helen's Christmas wish is to forget all about the white dress hanging in her wardrobe—and her faithless rat of a fiancé. Helen and Bryony’s festive cheer definitely needs a boost, so it’s lucky that once upon a Christmas, wishes really do come true… Wish Upon a Star Includes The Christmas Marriage Rescue and The Midwife’s Christmas Miracle. Love is in the air this Christmas! Christy wanted to skip Christmas this year. But her kids have their dad’s name at number one on their Christmas list, so Christy is heading to the Lake District to play happy families with her ex! Alessandro’s home is like walking into a Christmas card. Is it really safe for her to spend Christmas with her dreamy, funny—no!—entirely infuriating ex-hubby? For Miranda being single and pregnant at Christmas is certainly not her wish come true. She doesn’t believe in miracles, but then resident hunk Jake sweeps her off her snow-covered shoes. Dare she dream that Mr Sex-on-Legs might be for more than just Christmas? Angels in the Snow Includes Christmas Eve: Doorstep Delivery and Snowbound: Miracle Marriage. The perfect Christmas… Daniel is dreadful at tinsel, fairy lights and families. Put in charge of his brother’s kids, he panics. Surely, he can’t ask Stella for help? It used to be her favorite season, until Daniel began—and ended—their engagement on Christmas Eve. Still, Stella can’t refuse a desperate plea. The children deserve the best Christmas ever! Meanwhile, Hayley’s regretting her impulsive response to a job advert. But too late, the door is opening to reveal a rather cross—but impossibly sexy—man. Patrick hadn’t advertised for a housekeeper...Still, Hayley might be the perfect gift. His son Alfie and his little sister are no angels, but they know a lot about the magic of Christmas—and they’re about to teach the grown-ups a much-needed lesson! Christmas with Love Includes Dr. Zinetti’s Snowkissed Bride and Italian Doctor, Sleigh-Bell Bride. The magic of Christmas! Not even mistletoe can tempt rescue medic Meg to go anywhere near notorious heartbreaker Dr. Dino Zinetti! Though her small son thinks the man’s a superhero, Meg knows the incredibly sophisticated doctor would never look twice at her. But Meg has gotten under the normally unflappable Dino’s skin. This Christmas, he’ll teach Meg the meaning of romance! Meanwhile, Liv has avoided men since her ex left her with a baby. But new, wealthy trauma doc Stefano is stunned by her. Stefano wants to make this overworked single mom feel like the beautiful woman she is. Their Snow Ball date is magical...but can he convince Liv that she’s ready to be Stefano’s bride for real?
An icon remembered in death as vividly as she appeared in life, Diana, Princess of Wales, is one of the most enduring personalities of the twentieth century-and one of the most enigmatic. With exclusive access to all those closest to Diana, Sarah Bradford now casts aside the gossip and lies and takes us to the very heart of the royal family to separate the myth from the truth of the Diana years. With the authority missing from previous accounts, as well as remarkable new sources, Diana delivers a complex and explosive look at a woman who continues to fascinate.
New York City, 1914. Suzanne and Jada. Entwined as sisters. Talented and resourceful. Black and white. Wealthy employer and devoted maid. Together, they realize Suzanne’s dream to see her name in lights on Broadway as she becomes the dazzling Ziegfeld Follies’ rising new star. But Jada’s superb voice and dance skills give her an unexpected shot at her own success—and her own life. And when a jealous Suzanne reveals a shattering secret, their friendship becomes a bitter rivalry. Floundering without Jada, Suzanne consoles herself with dashing suitors and champagne nights. Jada transforms into Harlem’s hottest nightclub sensation, complete with financial security and a promising new beau. But when Suzanne is plagued with increasingly dangerous “accidents,” and both women receive threatening notes, they discover just how cold and hard staying on top can be. Now in the face of relentless racism and vicious obsession, Suzanne and Jada make an uneasy alliance to find out the truth. And with the Follies’ lavish world in peril and their careers on the line, their pursuit of love, success, and equality could cost more than they ever dreamed. Set against a glittering background of vintage glamour, famous figures of the time and high-stakes, Ziegfeld Girls is an unforgettable novel of two extraordinary women seizing their own fates in a pivotal era. Praise for Sarah Barthel’s House of Silence “Barthel debuts with an original take on historical events and personages. Suspense blends with history. . . . Haunting and thought-provoking.” --RT Book Reviews, 4 Stars “An engaging, fast-paced blend of historical fiction and suspense.” –Shelf Awareness
Indulge with these irresistible and heart-warming Christmas romances by USA Today bestselling author Sarah Morgan! What’s your number one Christmas wish? Bryony’s daughter has put a dad on her Christmas list. That leaves Bryony with one month to find the perfect man, so this year she’s wishing for a miracle! While she’s looking for love, her best friend Helen is doing the opposite.Her Christmas wish is to forget all about the white dress hanging in her wardrobe — and her faithless rat of a fiancé. Sally was heartbroken when Tom ended their relationship. Now she’s back—working in his department as the new midwife. When Tom realises he wants Sally back in his life, she refuses to risk her heart a second time. But Tom has decided that this time he wants it all… Helen, Bryony and Sally’s festive cheer definitely needs a boost, so it’s lucky that once upon a Christmas, wishes really do come true…
Our entire lives are online, but what if the boy you love actually lives there? For fans of Adam Silvera comes a story about the future of relationships. Eden has always had two loves: her best friend, Lacey, and her crush, Will. And then, almost simultaneously, she loses them both. Will to a car accident and Lacey to the inevitable growing up and growing apart. Devastated by the holes they have left in her life, Eden finds solace in an unlikely place. Before he died, Will set up an account with In Good Company, a service that uploads voices and emails and creates a digital companion that can be called anytime, day or night. It couldn't come at a better time because, after losing Lacey--the hardest thing Eden has had to deal with--who else can she confide all her secrets to? Who is Eden without Lacey? As Eden falls deeper into her relationship with "Will," she hardly notices as her real life blooms around her. There is a new job, new friends. Then there is Oliver. He's Lacey's twin, so has always been off-limits to her, until now. He may be real, but to have him, will Eden be able to say goodbye to Will? Sarah Everett deftly captures the heartbreak of losing your best friend and discovering love in the unlikeliest of places.
This book provides a definitive critical introduction to service user views and involvement. It addresses both the theoretical and practical issues of service user involvement, and includes initiatives on the impact and outcomes from involvement.
Hearts are on the line when the stakes are high. Third in the medical romance series from the USA Today–bestselling author of The Nurse’s Wedding Rescue. Obstetrician Tom Hunter last saw Sally Jenner when he broke off their relationship to concentrate on his career. Hurt and confused, Sally had left the Lake District. Now she’s back—working in Tom’s department as the new midwife, and on dangerous assignments with him and the mountain rescue team. Caught up amid the drama of saving lives, Tom realizes he wants Sally back in his life. But Sally refuses to risk her heart a second time. She’ll settle for an affair, but Tom has decided that this time he wants it all . . . Praise for Sarah Morgan “A masterful storyteller.” —Booklist “Jane Green meets Sophie Kinsella.” —Jill Shalvis, New York Times–bestselling author “Escapist fiction at its absolute best, full of warmth, humour and heart.” —Katie Marsh, author of Unbreak Your Heart
The best thing between Oliver Barrett and Mackenzie Williams is a fence. Ever since Oliver's new-neighbor gestures were met with unfriendly responses, he's decided to keep his distance. After all, he's in this seaside town to get his life on track again. That doesn't include working hard to get on Mackenzie's good side--no matter how intriguing she may be. His intentions are put to the test, however, when his dog becomes infatuated with hers. The two crafty canines do their best to break down the barriers between the properties. And where the dogs go ... well, the humans must follow! It doesn't take long for a powerful attraction to build between Oliver and Mackenzie. They soon discover that the worst of first impressions can lead to the best possible outcomes."--P [4] of cover.
Examining a range of South Asian Anglophone diasporic fiction and poetry, this monograph opens a new dialogue between diaspora studies and gender studies. It shows how discourses of diaspora benefit from re-examining their own critical relation to concepts of the maternal and the motherland. Rather than considering maternity as a fixed or naturally given category, it challenges essentialist conceptions and explores mothering as a performative practice which actively produces discursive meaning. This innovative approach also involves an investigation of central metaphors in nationalist and diasporic rhetorics, bringing critical attention to the strategies they employ and the unique aesthetic forms they produce.
Tracing the segmentation of the literary marketplace in 19th century America, this book analyses the implications of the subdivided literary field for readers, writers, and literature itself.
The Victorians were obsessed with the empirical but were frequently frustrated by the sizeable gaps in their understanding of the world around them. This study examines how literature and popular culture adopted the emerging language of physics to explain the unknown or ‘imponderable’.
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