The first publication of the entire journal of Sarah Wister, a young woman who form 1777 to 1780 wrote of her experiences to share with her two closest friends. Her writings, which represent both an autobiographical and a historical document of the Revolutionary War period, are supplemented in this edition by comprehensive annotations and introductory material.
A story about an angel who sees the angel sister of hers, fall with a thought. The main character Soulis and Lilith were best of friends and companions in heaven but when she fell, everything changed and Soulis fell. Soulis had to make it her own way to find her own life of love and caring. She finds it in a man named Caine, the son of Lilith. What will happen to her? How will her story go?
Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "words plus music" but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book—to better understand the sung dimension of medieval song.
During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, this book argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity.
Sarah Gristwood's The Tudors in Love offers a brilliant history of the Tudor dynasty, showing how the rules of romantic courtly love irrevocably shaped the politics and international diplomacy of the period. Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I's courtiers hail her as a goddess come to earth? The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they're dismissed as something existing only in books and song--those old legends of King Arthur and chivalric fantasy. Not so. In this ground-breaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty. From Henry VIII declaring himself as the ‘loyal and most assured servant' of Anne Boleyn to the poems lavished on Elizabeth I by her suitors, the Tudors re-enacted the roles of the devoted lovers and capricious mistresses first laid out in the romances of medieval literature. The Tudors in Love dissects the codes of love, desire and power, unveiling romantic obsessions that have shaped the history of the world.
Based on two years of ethnographic fieldwork at a megachurch, sociologist Sarah Diefendorf investigates the ways in which evangelicals are working to grow as an institution during a time of cultural shifts that are leading young people to leave the faith. In order to grow, the church needs to reapproach topics long understood as external threats to the organization, such as feminism, gender equality, racial inclusivity, and queerness-topics that Diefendorf classifies as the "imagined secular" in the mind of evangelicals. She finds that the church's ways of reworking their messages to appear more welcoming still uphold already privileged identities"--
Wise-cracking, big-haired reporter Bubbles Yablonsky, while dealing with her boyfriend, her persistent ex-husband, and a mysterious Santa Claus, must prove that Sandy, the owner of the House of Beauty, did not kill Debbie Shatsky, who met her demise at the hands of hair glue. Original.
A story about an angel who sees the angel sister of hers, fall with a thought. The main character Soulis and Lilith were best of friends and companions in heaven but when she fell, everything changed and Soulis fell. Soulis had to make it her own way to find her own life of love and caring. She finds it in a man named Caine, the son of Lilith. What will happen to her? How will her story go?
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