This is the first biography of Gertler to be published for thirty years. It reappraises an extraordinary artist, a figure who fascinated his contemporaries. His is for instance the sinister sculptor of D. H. Lawrence's Women in Love, the dashing Byronic hero of Aldous Huxley's Crome Yellow, and the egotistical writer of Katherine Mansfield's story Je ne parle pas francais. Gertler achieved recognition early, and was admired and encouraged by Walter Sickert, Vanessa Bell, Roger Fry and Henry Moore. He was championed by the flamboyant Lady Ottoline Morrell, and his magnificent, haunting pictures were keenly collected. Yet despite his apparent ease in London society, he himself felt his Jewishness and working-class background to be insuperable barriers, and his artistic ambition gradually alienated him even from the people among whom he'd grown up. He found no happiness and at the age of 47 he committed suicide. A few weeks earlier he had had dinner with Virginia Woolf and had impressed her with his 'fanatical devotion to his art'. On hearing of his death she recorded in her diary that he had been 'perhaps too rigid, too self-centred, too honest and too narrow ... to be content or happy. But with his intellect and interest,' she asked, 'why did the personal life become too painful? That is one of the questions Sarah MacDougall explores in her life of this complex man, whose powerful images, like the Merry-go-round or the Creation of Eve, have lost none of their disturbing eloquence.
Forced Journeys is a study of artists in exile in Britain between about 1933 and 1945. It deals with those artists mostly of German and Austrian descent who fled Nazi persecution, and comprises paintings, prints, sculpture, ceramics and posters by artists such as Kurt Schwitters, Jankel Adler, Hans Feibusch, Hans Schleger and Else and Ludwig Meidner.
Homes are powerfully defined by smells, sounds, textures and objects, all of which reflect how people live their everyday lives. From spray-painting the toilet wall to relaxing in the bath, the products we use speak volumes about who we are, how we relate to others and who we want to be. Based on extensive fieldwork, this fascinating book explores the intimate, material and sensory spaces of the home to uncover how gender roles are performed within our personal, private worlds. Pink shows how everyday items ranging from perfumes to soap powder imprint and reinforce daily experiences and a sense of identity. How has the home been affected by the fact that more and more women now go to work and increasingly more men spend time engaged in domestic tasks? How do more traditional family-centred homes compare with those belonging to diverse family forms and people living alone? What does a study of domestic gender tell us about how change occurs? Answering these questions and many more, Pink combines the most recent approaches in gender studies and material culture to show how everyday activities can be deeply revealing of gender roles in the 21st century.
An eminent author in the field presents a groundbreaking examination of developments within the field of visual anthropology, develops a new approach, and examines the way forward for this sub discipline in the twenty-first century.
′[T]hose already proficient in ethnographic methods will find Doing Visual Ethnography a foray into what should be an increasingly normative terrain and what is certainly a much-needed addition to the literature. They will be challenged to simultaneously take on new methodological conceits and their application beyond traditional boundaries′ - Library & Information Science Research Following on from the success of Doing Visual Ethnography, this fully revised and updated second edition explores the use and potential of photography, video and hypermedia in ethnographic and social research. It offers a reflexive approach to theoretical, methodological, practical and ethical issues of using these media now that they are increasingly being incorporated into field research. Sarah Pink adopts the viewpoint that visual research methods should be rooted in a critical understanding of local and academic visual cultures, the visual media and technologies being used and the ethical issues they raise. The book demonstrates that these new challenges that shape ethnographic knowledge can be met by understanding the reflexivity and experience through which visual and ethnographic materials are produced and interpreted. New to the Second Edition: - General updating of figures, terminology and literature to bring the book up-to-date with recent innovations in theory, practice and technology - Annotated reading lists added to each chapter to guide the reader to further literature - Completely rewritten chapter on digital technology to ensure the text is in line with the latest developments in technology and methodological thinking Drawing from her own experiences of using photography, video and hypermedia in research, as well as the work of others, the author follows the research process from project design, planning and implementing and practising fieldwork to analysis and representation, suggesting how visual images and technologies can be combined to form an integrated process throughout the different stages of research. The Second Edition of Doing Visual Ethnography is an excellent resource for students of sociology, anthropology, cultural studies, media studies, and those doing ethnographic and qualitative research. It also provides valuable reading for researchers and postgraduates.
The study of everyday life is fundamental to our understanding of modern society. This agenda-setting book provides a coherent, interdisciplinary way to engage with everyday activities and environments. Arguing for an innovative, ethnographic approach, it uses detailed examples, based in real world and digital research, to bring its theories to life. The book focuses on the sensory, embodied, mobile and mediated elements of practice and place as a route to understanding wider issues. By doing so, it convincingly outlines a robust theoretical and methodological approach to understanding contemporary everyday life and activism. A fresh, timely book, this is an excellent resource for students and researchers of everyday life, activism and sustainability across the social sciences.
In this important and groundbreaking book, Sarah Pink suggests re-thinking the ethnographic process through reflexive attention to what she terms the 'sensoriality' of the experience, practice, and knowledge of both researchers and those who participate in their research. The book provides an accessible analysis of the theoretical, methodological, and practical aspects of doing sensory ethnography, drawing on examples and case studies from the growing literature on sensory ethnographic studies and from the author's own work.
Two years in Afghanistan; four years working for MI-5, the British security service; and the death of both of his parents from cancer. At the age of thirty-four, Callum thought he’d experienced the worst that life could throw at him. That is, until his boss ordered him to open a buried file on his desk and to take it seriously. His new assignment: to detain and question a pregnant woman and her ailing husband—and if need be, to stop them from returning to medieval Wales. Until today, Callum believed in his job and always followed orders. Until today, he thought time travel wasn’t real … Complete series reading order: Daughter of Time, Footsteps in Time, Winds of Time, Prince of Time, Crossroads in Time, Children of Time, Exiles in Time, Castaways in Time, Ashes of Time, Warden of Time, Guardians of Time, Masters of Time, Outpost in Time, Shades of Time, Champions of Time, Refuge in Time, Outcasts in Time, Hidden in Time. Also, This Small Corner of Time: The After Cilmeri Series Companion. Keywords: time travel, Scotland, Wales, middle ages, medieval, historical fiction, alternate history, King of England, historical fantasy.
Focusing on juvenile transfer and disposition evaluations, this volume provides an up-to-date integration of current law, science, and practice with respect to juvenile risk assessment, treatment needs/amenability, and sophistication-maturity. Included are perspectives relating to international practices, use of specialized assessment tools, and a separate chapter on resentencing following US Supreme Court decisions on juveniles sentenced to mandatory life without parole. This text will be a useful and comprehensive reference for forensic psychologists and other mental health professionals engaged in juvenile evaluation, as well as legal professionals, juvenile and criminal justice professionals, and others involved with juvenile assessment, decision-making, and rehabilitation.
Cases and Materials in Company Law is well-established as the best casebook on company law available. It covers all vital cases and combines sophisticated commentary with well-chosen notes and questions. This edition retains the original successful structure and style, whilst being fully updated to reflect changes following the Companies Act 2006.
The health disparities affecting Indigenous peoples in Canada might well be understood as a national epidemic. Although progress has been made in the last decade towards both understanding and ameliorating Indigenous health inequalities, very little research or writing has expanded a social determinants of health framework to account for the unique histories and present realities of Indigenous peoples in this country. This timely edited collection addresses this significant knowledge gap, exploring the ways that multiple health determinants beyond the social-from colonialism to geography, from economy to biology-converge to impact the health status of Indigenous peoples in Canada. This unique collection, comprised largely of contributions by Indigenous authors, offers the voices and expertise of First Nations, Inuit, and Metis writers from across Canada. The multitude of health determinants of Indigenous peoples are considered in a selection of chapters that range from scholarly papers by research experts in the field, to reflective essays by Indigenous leaders. Appropriate throughout a range of disciplines, including Health Studies, Indigenous Studies, Public and Population Health, Community Health Sciences, Medicine, Nursing, and Social Work, this engaging text broadens the social determinants of health framework to better understand health inequality. Most importantly, it does so by placing front and center the voices and experiences of Indigenous peoples.
From the prizewinning journalist and internationally recognized expert on corruption in government networks throughout the world comes a major work that looks homeward to America, exploring the insidious, dangerous networks of corruption of our past, present, and precarious future. “If you want to save America, this might just be the most important book to read now." —Nancy MacLean, author of Democracy in Chains Sarah Chayes writes in her new book, that the United States is showing signs similar to some of the most corrupt countries in the world. Corruption, she argues, is an operating system of sophisticated networks in which government officials, key private-sector interests, and out-and-out criminals interweave. Their main objective: not to serve the public but to maximize returns for network members. In this unflinching exploration of corruption in America, Chayes exposes how corruption has thrived within our borders, from the titans of America's Gilded Age (Andrew Carnegie, John D. Rockefeller, J. P. Morgan, et al.) to the collapse of the stock market in 1929, the Great Depression, and FDR's New Deal; from Joe Kennedy's years of banking, bootlegging, machine politics, and pursuit of infinite wealth to the deregulation of the Reagan Revolution--undermining this nation's proud middle class and union members. She then brings us up to the present as she shines a light on the Clinton policies of political favors and personal enrichment and documents Trump's hydra-headed network of corruption, which aimed to systematically undo the Constitution and our laws. Ultimately and most importantly, Chayes reveals how corrupt systems are organized, how they enable bad actors to bend the rules so their crimes are covered legally, how they overtly determine the shape of our government, and how they affect all levels of society, especially when the corruption is overlooked and downplayed by the rich and well-educated.
The brazen beauty is said to possess fairy magic, and has successfully charmed and seduced English soldiers out of their most carefully guarded secrets to aid her kinsmen. But now the infamous Kate MacCarran has met the one man who seems immune to her legendary allure ... Captain Alec Fraser of The Black Watch has no doubt that Katie Hell is trouble. Hadn't she just drugged him, kissed him, then searched through his belongings? Now the elusive spy is his captive, and it is Alec's duty to transport her to Edinburgh. But the Highland hellion challenges him at every turn, determined to escape with her secrets. Soon Alec discovers that keeping Kate out of mischief may be an almost impossible task ... just as Kate realizes that surrendering to his passionate love may be her most dangerous mission yet.
These essays of Sarah Carpenter have been selected to reflect her career’s close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public ‘performances’ of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change. (CS1090)
Edwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
As the largest national group of guest workers in Germany, the Turks became a visible presence in local neighbourhoods and schools and had diverse social, cultural, and religious needs. Focussing on West Berlin, Sarah Thomsen Vierra explores the history of Turkish immigrants and their children from the early days of their participation in the post-war guest worker program to the formation of multi-generational communities. Both German and Turkish sources help to uncover how the first and second generations created spaces of belonging for themselves within and alongside West German society, while also highlighting the factors that influenced that process, from individual agency and community dynamics to larger institutional factors such as educational policy and city renovation projects. By examining the significance of daily interactions at the workplace, in the home, in the neighbourhood, and in places of worship, we see that spatial belonging was profoundly linked to local-level daily life and experiences.
A Washington Post Book of the Year Winner of the Merle Curti Award Winner of the Jacques Barzun Prize Winner of the Ralph Waldo Emerson Award “A masterful study of privacy.” —Sue Halpern, New York Review of Books “Masterful (and timely)...[A] marathon trek from Victorian propriety to social media exhibitionism...Utterly original.” —Washington Post Every day, we make decisions about what to share and when, how much to expose and to whom. Securing the boundary between one’s private affairs and public identity has become an urgent task of modern life. How did privacy come to loom so large in public consciousness? Sarah Igo tracks the quest for privacy from the invention of the telegraph onward, revealing enduring debates over how Americans would—and should—be known. The Known Citizen is a penetrating historical investigation with powerful lessons for our own times, when corporations, government agencies, and data miners are tracking our every move. “A mighty effort to tell the story of modern America as a story of anxieties about privacy...Shows us that although we may feel that the threat to privacy today is unprecedented, every generation has felt that way since the introduction of the postcard.” —Louis Menand, New Yorker “Engaging and wide-ranging...Igo’s analysis of state surveillance from the New Deal through Watergate is remarkably thorough and insightful.” —The Nation
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