This much-awaited volume uncovers the long-lost pages of the major African multilingual newspaper, Abantu-Batho. Founded in 1912 by African National Congress (ANC) convenor Pixley Seme, with assistance from the Swazi Queen, it was published up until 1931, attracting the cream of African politicians, journalists and poets Mqhayi, Nontsisi Mgqweth, and Grendon. In its pages burning issues of the day were articulated alongside cultural by-ways. The People's Paper - comprising both essays and an anthology - explores the complex movements and individuals that emerged in the almost twenty years of its publication. The essays contribute rich, new material to provide clearer insights into South African politics and intellectual life. The anthology unveils a judicious selection of never-before published columns from the paper spanning every year of its life and drawn from repositories on three continents. Abantu-Batho had a regional and international focus, and by examining all these dynamics across boundaries and disciplines, The People's Paper transcends established historiographical frontiers to fill a lacuna that scholars have long lamented.
In her Epilogue entitled "What Is His Greatness?", Ola Elizabeth Winslow stated in the first serious modern biography of Jonathan Edwards: "In a word, it is the greatness of one who had a determining art of initiating and directing a popular movement of far-reaching consequence, and who in addition, laid the foundations for a new system of religious thought, also of far-reaching consequence." After two and a half centuries since Edwards's death, Winslow's statement is undoubtedly true, and perhaps, more so now than ever. The recovery of Edwards pioneered by Perry Miller, Ola Winslow, and Thomas Schafer, among others, has become what is often referred to as an "Edwards renaissance," and has been made even more popular among lay people by John Piper, Stephen Nichols, and the like. Since the free online access of The Works of Jonathan Edwards by Yale University, dozens of books, and articles, as well as numerous dissertations, each year are written to seek a facet of Edwards's "greatness," and thus as an exemplar of his continued "far-reaching consequence." Jonathan Edwards, more than any other pre-revolutionary colonial thinker, grappled with the promises and perils of the Enlightenment. Organized by John T. Lowe and Daniel N. Gullotta, Jonathan Edwards within the Enlightenment brings together a group of young and early career scholars to present their propping the life, times, and theology of one of America's greatest minds. Many of these subjects have been seldom explored by scholars while others offer new and exciting avenues into well covered territory. Some of these topics include Edwards' interaction with and involvement in slavery, colonialism, racism, as well as musings on gender, populism, violence, pain, and witchcraft.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Taking a lived religion approach that draws on extensive ethnographic research on abortion debates in public spaces, Anti-Abortion Activism in the UK explores the sacred and profane commitments of anti-abortion activists and counter-demonstrations outside clinics, examining the contestations over space.
The powerful work and dramatic life of Italian-born photographer and Marxist revolutionary Tina Modotti (1896-1942). These superb illustrations--many rarely or never before published--include "Roses", which in 1991 commanded the highest price ever paid to date for a photograph at auction. 148 duotone photos.
Alessia Caracciolo known professionally as Alessia Cara is a Canadian singer and songwriter. After producing acoustic covers, she signed with EP Entertainment and Def Jam Recordings in 2014 and released her debut single the following year. "Here" reached number 19 on the Canadian Hot 100 chart and was a sleeper hit in the United States, peaking at number 5 on the Billboard Hot 100 chart.
This is the first serious art-historical study of the photographic achievement of Tina Modotti (1896-1942). Modotti's photographic career spanned a brief but intense seven years (1923-30) when she lived in Mexico and became committed to revolutionary Communism. The beautifully reproduced duotone images in this book include portraits, still lifes (among them, Modotti's memorable "revolutionary icons" incorporating an ear of dried corn, a bandolier, a sickle, and a guitar), Mexican workers, folk art, street photographs, architectural studies, and flowers and plants. They have been selected to represent the full range of Modotti's esthetic imagination, and nearly half have rarely or never been reproduced before. In an informative biographical and critical essay based on exhaustive research, Sarah M. Lowe, curator, art historian, author of a book about Frida Kahlo, and contributor to Abrams' The Diary of Frida Kahlo, explores the forces that shaped Modotti's early family influences in Italy; her formative experiences in the bohemian communities of San Francisco and Los Angeles in the 1910s; the relationship with legendary American photographer Edward Weston that provided her with her first photographic training; and the artistic and political circles she entered in Mexico. Lowe casts new light on Modotti's Mexican years, describing her relationships with a constellation of powerful artists, critics, activists, and journalists. Tina Modotti: Photographs is the catalogue of the first comprehensive exhibition of Modotti's work, organized on the occasion of the centennial of her birth by the Philadelphia Museum of Art and traveling to the Museum of Fine Arts, Houston, and the San Francisco Museum of Modern Art.
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