The mind once enlightened cannot again become dark." As an English corset-maker's son, Thomas Paine was expected to spend his life sewing women's underwear. But as a teenager, Thomas dared to change his destiny, enduring years of struggle until a meeting with Benjamin Franklin brought Thomas to America in 1774-and into the American Revolution. Within fourteen months, Thomas would unleash the persuasive power of the written word in Common Sense-a brash wake-up call that rallied the American people to declare independence against the mightiest empire in the world. This fascinating and extensively researched biography, based on numerous primary sources, will immerse readers in Thomas Paine's inspiring journey of courage, failure, and resilience that led a penniless immigrant to change the world with his words.
The mind once enlightened cannot again become dark." As an English corset-maker's son, Thomas Paine was expected to spend his life sewing women's underwear. But as a teenager, Thomas dared to change his destiny, enduring years of struggle until a meeting with Benjamin Franklin brought Thomas to America in 1774-and into the American Revolution. Within fourteen months, Thomas would unleash the persuasive power of the written word in Common Sense-a brash wake-up call that rallied the American people to declare independence against the mightiest empire in the world. This fascinating and extensively researched biography, based on numerous primary sources, will immerse readers in Thomas Paine's inspiring journey of courage, failure, and resilience that led a penniless immigrant to change the world with his words.
Taking a lived religion approach that draws on extensive ethnographic research on abortion debates in public spaces, Anti-Abortion Activism in the UK explores the sacred and profane commitments of anti-abortion activists and counter-demonstrations outside clinics, examining the contestations over space.
Welcome to a work of history unlike any other. Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity—the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How? In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate and expansive, lyrical and precise. As a history, Mother Is a Verb draws on the terrain of Britain and North America from the seventeenth century to the close of the twentieth. Knott searches among a range of past societies, from those of Cree and Ojibwe women to tenant farmers in Appalachia; from enslaved people on South Carolina rice plantations to tenement dwellers in New York City and London’s East End. She pores over diaries, letters, court records, medical manuals, items of clothing. And she explores and documents her own experiences. As a memoir, Mother Is a Verb becomes a method of asking new questions and probing lost pasts in order to historicize the smallest, even the most mundane of human experiences. Is there a history to interruption, to the sound of an infant’s cry, to sleeplessness? Knott finds answers not through the telling of grand narratives, but through the painstaking accumulation of a trellis of anecdotes. And all the while, we can feel the child on her hip.
Sarah Winnemucca Hopkins (Northern Paiute) has long been recognized as an important nineteenth-century American Indian activist and writer. Yet her acclaimed performances and speaking tours across the United States, along with the copious newspaper articles that grew out of those tours, have been largely ignored and forgotten. The Newspaper Warrior presents new material that enhances public memory as the first volume to collect hundreds of newspaper articles, letters to the editor, advertisements, book reviews, and editorial comments by and about Sarah Winnemucca Hopkins. This anthology gathers together her literary production for newspapers and magazines from her 1864 performances in San Francisco to her untimely death in 1891, focusing on the years 1879 to 1887, when Winnemucca Hopkins gave hundreds of lectures in the eastern and western United States; published her book, Life among the Piutes: Their Wrongs and Claims (1883); and established a bilingual school for Native American children. Editors Cari M. Carpenter and Carolyn Sorisio masterfully assemble these exceptional and long-forgotten articles in a call for a deeper assessment and appreciation of Winnemucca Hopkins’s stature as a Native American author, while also raising important questions about the nature of Native American literature and authorship.
In her critically acclaimed, ingenious memoir, Sarah Messer explores America’s fascination with history, family, and Great Houses. Her Massachusetts childhood home had sheltered the Hatch family for 325 years when her parents bought it in 1965. The will of the house’s original owner, Walter Hatch—which stipulated Red House was to be passed down, "never to be sold or mortgaged from my children and grandchildren forever"—still hung in the living room. In Red House, Messer explores the strange and enriching consequences of growing up with another family’s birthright. Answering the riddle of when shelter becomes first a home and then an identity, Messer has created a classic exploration of heritage, community, and the role architecture plays in our national identity.
Tracing the segmentation of the literary marketplace in 19th century America, this book analyses the implications of the subdivided literary field for readers, writers, and literature itself.
Most of us can probably think of a spiritual experience in our life that made a permanent profound impression. God reveals His infinite love through our personal experiences. Too often these stories of spiritual reality are never shared with others. When I began praying for spiritual experiences when my parents were very ill, I was blessed with a visit from crying angels. The first story in my book, "Crying Angels," inspired the title of my book. I felt I should record and share my spiritual stories and the stories I had heard from others. I realized that both the teller and the listener's faith in God increases when stories are shared. Our sharing creates a ripple effect of numerous blessings. My hope is that the stories in this book will bless your soul and will help you not miss any of the miracles God places before you. Sarah V. Tinsley
What can the life writing of post-famine Irish immigrants tell us about Irish diasporic memory? Of Memory and the Misplaced considers the endurance and nature of Irish American memory across the twentieth century. Guided by 30 memoirs written between 1900 and 1970, Sarah O'Brien shows the prevalence of intimate and taboo themes in ordinary immigrants' writing, such as domestic violence, same-sex love, and famine-induced trauma. Importantly, Of Memory and the Misplaced critiques the role of the Irish landscape as a site of memory and shows how the interiority of the domestic world has provided Irish women with the language needed to reclaim their own lives. Combining literary and historical theory, Of Memory and the Misplaced highlights voices that have traditionally been silenced and offers a rare and unexplored collection of primary source autobiographical texts to better understand the experiences of Irish immigrants in the United States.
Kyle Murchison Booth, archivist at the Parrington Museum, has heard of Thirdhop Scarp. Everyone has. The house has been notorious ever since the night that homeowner J.A. Cathcart murdered his entire family, and was found cupping the heart of his eldest daughter in his hands as tenderly as he would a wounded bird. It is not the first time the house has experienced unsettling events. And it will not be the last. Now the new owner of Thirdhop Scarp, one Marcus Oleander, is gathering an esoteric order at the house, including Miss Griselda Parrington, daughter of the museum's founder. The museum director demands that Mr Booth discredit Oleander’s occult teachings and end his influence over the credulous Miss Parrington. Reluctantly, Mr Booth joins the weekend séance. In the beautiful but eerie surrounds of the house and gardens, Mr Booth is drawn into an investigation that spans years – and reveals the house to be much, much more than it seems…
Key features of this text: How to study the text Author and historical background General and detailed summaries Commentary on themes, structure, characters, language and style Glossaries Test questions and issues to consider Essay writing advice Cultural connections Literary terms Illustrations Colour design
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