When soldiers at Fort Carson were charged with a series of 14 murders, PTSD and other "invisible wounds of war" were thrown into the national spotlight. With these events as their starting point, Jean Scandlyn and Sarah Hautzinger argue for a new approach to combat stress and trauma, seeing them not just as individual medical pathologies but as fundamentally collective cultural phenomena. Their deep ethnographic research, including unusual access to affected soldiers at Fort Carson, also engaged an extended labyrinth of friends, family, communities, military culture, social services, bureaucracies, the media, and many other layers of society. Through this profound and moving book, they insist that invisible combat injuries are a social challenge demanding collective reconciliation with the post-9/11 wars.
Brazil's innovative all-female police stations, installed as part of the return to civilian rule in the 1980s, mark the country's first effort to police domestic violence against women. Sarah J. Hautzinger's vividly detailed, accessibly written study explores this phenomenon as a window onto the shifting relationship between violence and gendered power struggles in the city of Salvador da Bahia. Hautzinger brings together distinct voices—unexpectedly macho policewomen, the battered women they are charged with defending, indomitable Bahian women who disdain female victims, and men who grapple with changing pressures related to masculinity and honor. What emerges is a view of Brazil's policing experiment as a pioneering, and potentially radical, response to demands of the women's movement to build feminism into the state in a society fundamentally shaped by gender.
Brazil's innovative all-female police stations, installed as part of the return to civilian rule in the 1980s, mark the country's first effort to police domestic violence against women. This work explores this phenomenon as a window onto the shifting relationship between violence and gendered power struggles in the city of Salvador da Bahia.
When soldiers at Fort Carson were charged with a series of 14 murders, PTSD and other "invisible wounds of war" were thrown into the national spotlight. With these events as their starting point, Jean Scandlyn and Sarah Hautzinger argue for a new approach to combat stress and trauma, seeing them not just as individual medical pathologies but as fundamentally collective cultural phenomena. Their deep ethnographic research, including unusual access to affected soldiers at Fort Carson, also engaged an extended labyrinth of friends, family, communities, military culture, social services, bureaucracies, the media, and many other layers of society. Through this profound and moving book, they insist that invisible combat injuries are a social challenge demanding collective reconciliation with the post-9/11 wars.
Brazil's innovative all-female police stations, installed as part of the return to civilian rule in the 1980s, mark the country's first effort to police domestic violence against women. Sarah J. Hautzinger's vividly detailed, accessibly written study explores this phenomenon as a window onto the shifting relationship between violence and gendered power struggles in the city of Salvador da Bahia. Hautzinger brings together distinct voices—unexpectedly macho policewomen, the battered women they are charged with defending, indomitable Bahian women who disdain female victims, and men who grapple with changing pressures related to masculinity and honor. What emerges is a view of Brazil's policing experiment as a pioneering, and potentially radical, response to demands of the women's movement to build feminism into the state in a society fundamentally shaped by gender.
Brazil's innovative all-female police stations, installed as part of the return to civilian rule in the 1980s, mark the country's first effort to police domestic violence against women. This work explores this phenomenon as a window onto the shifting relationship between violence and gendered power struggles in the city of Salvador da Bahia.
Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala analyzes the scope and dynamics of violence against women in Guatemala and how it is represented in the print media. Using nearly two thousand Guatemalan newspaper reports covering murders and assaults on women, this book contextualizes violence against women within the history of violence in Guatemala; gender ideologies and patriarchal social structures; and the contemporary demands of the women’s movement for social and legislative change. It shows that while some newspapers cover violence against women with investigative reports and editorials that use feminist analysis and language, these are overshadowed by the large number of individual reports that reproduce narratives of terror and conceal the gendered nature of violence against women by suggesting that “delinquents,” “gangs,” “unknown men,” and inexplicably violent husbands are the main culprits, while simultaneously upholding dichotomous gendered narratives of “good” and “bad” wives and daughters.
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