Set in Lancaster County, Pennsylvania, book one of The Amish Classics series is a retelling of Pride and Prejudice, covering the same issues of manners, upbringing, morality, education, and marriage within the Amish community.
This book recovers a major nineteenth-century literary figure, the American Claimant. For over a century, claimants offered a compelling way to understand cultural difference across the Anglophone Atlantic, especially between Britain and the United States. They also formed a political talisman, invoked against slavery and segregation, or privileges of gender and class. Later, claimants were exported to South Africa, becoming the fictional form for explaining black students who acquired American degrees. American Claimants traces the figure back to lost-heir romance, and explores its uses. These encompassed real, imagined, and textual ideas of inheritance, for writers and editors, and also for missionaries, artists, and students. The claimant dramatized tensions between tradition and change, or questions of exclusion and power: it offered ways of seeing activism, education, sculpture, and dress. The premise for dozens of novels and plays, a trope, a joke, even the basis for real claims: claimants matter in theatre history and periodical studies, they touch on literary marketing and reprinting, and they illuminate some unexpected texts. These range from Our American Cousin to Bleak House, Little Lord Fauntleroy to Frederick Douglass' Paper; writers discussed include Frances Trollope, Julia Griffiths, Alexander Crummell, John Dube, James McCune Smith, Nathaniel Hawthorne, and Mark Twain. The focus on claimants yields remarkable finds: new faces, fresh angles, a lost column, and a forgotten theatrical genre. It reveals the pervasiveness of this form, and its centrality in imagining cultural contact and exchange.
The Carrara Herbal is an exceptional illustrated book of materia medica (therapeutic substances drawn from plants, animals and minerals). It is exceptional in both its illustrations and its content, making it of interest to historians of art and medicine alike. The Herbal contains a translation into Paduan dialect of a Latin version of the mid-thirteenth-century Arabic pharmacopeia, Kitab al-Adwiya al-mufrada (The Book of Simple Medicines), written by Ibn Sarabi, a Christian physician working in al-Andalus and known in the Latin West as Serapion the Younger."--Introduction.
Vampires are not vulnerable to emotion—so when a master of the night finds himself overwhelmed by a woman, he must understand why . . . Nathaniel Gray is a wild child of the undead. So when he drag races his friend through the English countryside, he goes all out—until one instant changes him forever. An instant of raw emotion that is unlike anything he’s ever felt before—and that sends him into a car wreck no mortal could walk away from. When he tears himself out of the metal carnage, he is stunned to discover the source of the emotional storm is the beautiful young Rowan Locke, whose fury and fear had slammed through Nate’s ironclad psyche without a struggle. Consumed with a desire to know Rowan—and learn how she has such an effect on him—Nate finds himself protecting her from the dangers of her world and his own. Because as much as he may try to resist his feelings, he simply cannot resist her . . .
This illuminating book examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities. These funerals featured lengthy processions that sometimes crossed multiple state lines, burial ceremonies open to the public, and other cultural productions of commemoration such as oration and song. As Sarah J. Purcell reveals, Americans' participation in these funeral rites led to contemplation and contestation over the political and social meanings of the war and the roles played by the honored dead. Public mourning for military heroes, reformers, and politicians distilled political and social anxieties as the country coped with the aftermath of mass death and casualties. Purcell shows how large-scale funerals for figures such as Henry Clay and Thomas J. "Stonewall" Jackson set patterns for mourning culture and Civil War commemoration; after 1865, public funerals for figures such as Robert E. Lee, Charles Sumner, Frederick Douglass, and Winnie Davis elaborated on these patterns and fostered public debate about the meanings of the war, Reconstruction, race, and gender.
Sarah Lewis unearths the critical moment when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. When popular nineteenth-century images of the Caucasus proved the lie of white supremacy, a new visual regime arose to suppress the evidence of the incoherence of racial order.
A delightful retelling of a beloved classic, featuring a young Amish woman who turns to faith as her guide even in the darkest times . . . Sadie Whitaker is determined to be a good daughter, but her stepmother, Rachel, has made no secret of her overwhelming jealousy—or her desire to get Sadie out of her life. Rachel's latest plot involves marrying Sadie off to a widower in need of a mother for his unruly children—and she has convinced Sadie's beloved father to agree. Left with no choice, Sadie flees her small Amish hometown of Echo Creek. Planning to hide in a nearby forest, she stumbles across a house that belongs to the seven Glick brothers. All outcasts from the Old Order community of Echo Creek, they generously agree to let her stay—and for the first time in ages, Sadie feels safe and needed, keeping house for them as any good Amish woman would do. Until, that is, the Glicks' handsome cousin comes to visit. For though he awakens her heart's desire, she can't risk revealing her true identity, until love and faith give her the courage to take a chance on happiness . . . “A charming and unusual story . . . tremendous fun.” —Fresh Fiction “The author does a masterful job of weaving the classic story—'Snow White' in this case—into a believable Amish context.” —The Neverending TBR “Pure delight . . . Sarah Price has taken the beloved fairy tale and moved it into the current real world.” —Kentucky Book Lover
During the early 1890s, a series of shocking lynchings brought unprecedented international attention to American mob violence. This interest created an opportunity for Ida B. Wells, an African American journalist and civil rights activist from Memphis, to travel to England to cultivate British moral indignation against American lynching. Wells adapted race and gender roles established by African American abolitionists in Britain to legitimate her activism as a “black lady reformer”—a role American society denied her—and assert her right to defend her race from abroad. Based on extensive archival research conducted in the United States and Britain, Black Woman Reformer by Sarah Silkey explores Wells's 1893–94 antilynching campaigns within the broader contexts of nineteenth-century transatlantic reform networks and debates about the role of extralegal violence in American society. Through her speaking engagements, newspaper interviews, and the efforts of her British allies, Wells altered the framework of public debates on lynching in both Britain and the United States. No longer content to view lynching as a benign form of frontier justice, Britons accepted Wells's assertion that lynching was a racially motivated act of brutality designed to enforce white supremacy. As British criticism of lynching mounted, southern political leaders desperate to maintain positive relations with potential foreign investors were forced to choose whether to publicly defend or decry lynching. Although British moral pressure and media attention did not end lynching, the international scrutiny generated by Wells's campaigns transformed our understanding of racial violence and made American communities increasingly reluctant to embrace lynching.
“Sumptuous...a fitting legacy for a pioneering conservationist who helped save thousands of acres of the Lake District” – The Mail on Sunday, August 2016 To this day, Beatrix Potter’s tales delight children and grown-ups around the world. But few people realise how extraordinary her own story is. She was a woman of contradictions. A sheltered Victorian daughter who grew into an astute modern businesswoman. A talented artist who became a scientific expert. A famous author who gave it all up to become a farmer. In The Story of Beatrix Potter, Sarah Gristwood follows the twists and turns of Beatrix Potter’s life and its key turning points – including her tragically brief first engagement and happy second marriage late in life. She traces the creation of Beatrix’s most famous characters – including the naughty Peter Rabbit, confused Jemima Puddleduck and cheeky Squirrel Nutkin – revealing how she drew on her unusual childhood pets and locations in her beloved Lake District. She explores too, the last 30 years of Potter’s life, when she abandoned books to become a working farmer and a pioneering conservationist, whose work with the National Trust helped to save thousands of acres of the Lake District – a legacy that, like her books, continues to enrich our lives today. Main text: 30,000 words. Approx 3,000 words for captions and index.
Today's domestic-advice writers--women such as Martha Stewart, Cheryl Mendelson, and B. Smith--are part of a long tradition, notes Sarah Leavitt. Their success rests on a legacy of literature that has focused on the home as an expression of ideals. Here, Leavitt crafts a fascinating genealogy of domestic advice, based on her readings of hundreds of manuals spanning 150 years of history. Over the years, domestic advisors have educated women about everything from modernism and morality to sanitation and design. Their writings helped create the idealized vision of home held by so many Americans, Leavitt says. Investigating cultural themes in domestic advice written since the mid-nineteenth century, she demonstrates that these works, which found meaning in kitchen counters, parlor rugs, and bric-a-brac, have held the interest of readers despite vast changes in women's roles and opportunities. Domestic-advice manuals have always been the stuff of fantasy, argues Leavitt, demonstrating cultural ideals rather than cultural realities. But these rich sources reveal how women understood the connection between their homes and the larger world. At its most fundamental level, the true domestic fantasy was that women held the power to reform their society through first reforming their homes.
Gestalt Therapy: History, Theory, and Practice is an introductory text, written by major Gestalt theorists, that will engage those new to Gestalt therapy. Editors Ansel Woldt and Sarah M. Toman introduce the historical underpinnings and fundamental concepts of Gestalt therapy and illustrate applications of those concepts to therapeutic practice. The book is unique in that it is the first Gestalt text specifically designed for the academic and training institute settings. Gestalt Therapy takes both a conceptual and a practical approach to examining classic and cutting-edge constructs.
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