Welcome to the chilling, hair-raising world of Sarah Rayne, the master of British contemporary gothic horror with this standalone modern horror novel – perfect for fans of eerie and skin-crawling reads with supernatural elements! “Rayne spins eerie yarns within yarns like a latter-day Isak Dinesen or Wilkie Collins” KIRKUS REVIEWS “Equal parts Daphne du Maurier, Josephine Tey and Ruth Rendell . . . Rayne possesses superb story-telling skills” US MYSTERY GUILD “Highly enjoyable mainstream horror fare from a genre veteran” BOOKLIST “Rayne writes with panache and imagination” KIRKUS REVIEWS “Rayne is a fine writer, a sure-handed plotter and skillful character builder” BOOKLIST “Colorful characters and a mastery of slow-burning suspense” KIRKUS REVIEWS “Rayne perfects the craft of deftly chosen details, simmering suspense and chilling surprises” KIRKUS REVIEWS _______________________ A young woman is drawn back to her roots – and her terrifying heritage as a descendant of the notorious Blood Countess, Elizabeth Báthory – in this spellbinding vampire novel, as vicious as the Dracula myth. The descendants of Elizabeth Báthory, a bloodthirsty Hungarian countess who terrorized the Carpathian countryside in the 16th century and murdered hundreds of women, are determined that her line shall not die. Only Catherine, a paternal descendant, has tried to escape the horrible legacy that she has grown up fearing and detesting. Eventually, Catherine enters a convent, hoping to find the peace she has long desired. But when she meets journalist Michael Devlin, she is drawn back to the ancient castle in the Carpathian Mountains. For Michael, who is haunted by the last thing he saw before losing his sight, is determined to discover the truth about the line of the infamous Elizabeth Báthory – the lady that history named the Blood Countess. Fans of BRAM STOKER’s Dracula, ANNE RICE’s Interview with the Vampire and SHERIDAN LE FANU’s Carmilla will want to dive into the dark and creepy world of Sarah Rayne’s Blood Ritual. READERS ARE HOOKED ON BLOOD RITUAL: “A superior example of the vampire genre . . . A pleasure from start to finish” Time Out “King and Koontz have nothing on this writer – She is AWESOME!” L.C. Russell, 5* Amazon review “Sarah Rayne is a great storyteller” P. Wilber, 5* Amazon review MORE STUNNING SARAH RAYNE HORROR STANDALONES: 1. The Devil's Piper 2. The Burning Altar 3. Thorn 4. Changeling 5. Wildwood
Ordinarily Sarah, Book II – Relentless has a prophetic word for the dark times our world is experiencing today. At its core, the book describes a real-life battle between good and evil as it presents itself in the life of one family. Evil is real. Evil destroys. Evil can take any form it believes will be effective. And evil can appear anywhere, at any time it chooses. Sometimes just beyond the next corner. Sometimes as soon as next month ..., or next week ..., or tomorrow! Sometimes as soon as the next moment. Evil can cause great harm to us – even death – if we are not prepared to enter into battle with it. This book raises these questions: How do we recognize evil, how can we prepare for battle against it, and how can we find God in the midst of it all.
Featuring stories from nine outstanding Canadian authors, this anthology is the perfect Christmas gift for Dear Canada readers, both old and new! A Time for Giving includes ten tales of Christmas, following the most recent Dear Canada diarists "the Christmas after" their diary ends. Johanna Leary is reunited with her brother after they were separated at Grosse-Ile; Mary Kobayashi spends a second Christmas at a Japanese internment camp; Rose Rabinowitz finds some surprising challenges in her new country, and many more! A Special Gift is a story from Ojibwe writer Ruby Slipperjack to preview her upcoming Dear Canada (coming in Fall 2016!), set the winter before the diarist is sent to Residential School. Contributors include Jean Little (Exiles from the War and All Fall Down), Barbara Haworth- Attard (To Stand on My Own), Sarah Ellis (That Fatal Night), Susan Aihoshi (Torn Apart), Norah McClintock (A Sea of Sorrows), Karleen Bradford (A Country of Our Own), Janet McNaughton (Flame and Ashes), Carol Matas (Pieces of the Past), and Ruby Slipperjack.
Ordinarily Sarah, Book II – Relentless has a prophetic word for the dark times our world is experiencing today. At its core, the book describes a real-life battle between good and evil as it presents itself in the life of one family. Evil is real. Evil destroys. Evil can take any form it believes will be effective. And evil can appear anywhere, at any time it chooses. Sometimes just beyond the next corner. Sometimes as soon as next month ..., or next week ..., or tomorrow! Sometimes as soon as the next moment. Evil can cause great harm to us – even death – if we are not prepared to enter into battle with it. This book raises these questions: How do we recognize evil, how can we prepare for battle against it, and how can we find God in the midst of it all.
Devastated by the death of the beloved grandfather who raised her, precocious young pianist Eleanor Rose heeds the words of the unknown woman in her dream. Leaving the security of her privileged life in Boston, she heads for Eden's Meadow, a Louisiana estate which she has never seen, and which has been closed since her grandmother died there mysteriously twenty-five years earlier. She longs for a tranquil haven in which to nurse her grief and concentrate on her music. At first Eden's Meadow seems to be just that. But Eleanor's shocking discovery of a forgotten painting, the timely arrival of a letter from a man who seems to hold the answers to the questions it raises, and her growing love for an enigmatic Russian musician draw her into a labyrinth of past and present deception, which ultimately threatens her sanity-and her life.
Sliding Doors meets Life After Life in Sarah Adlakha's story about a wife and mother who is given the chance to start over at the risk of losing everything she loves. Download a FREE sneak peek today! A second chance is the last thing she wants. When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband, daughters, and unborn son. But she also knows that, in only a few weeks, a devastating tragedy will strike her husband, a tragedy that will lead to their meeting each other. Can she change time and still keep what it’s given her? Exploring the responsibilities love lays on us, the complicated burdens of motherhood, and the rippling impact of our choices, She Wouldn't Change a Thing is a dazzling debut from a bright new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Sliding Doors meets Life After Life in Sarah Adlakha's story about a wife and mother who is given the chance to start over at the risk of losing everything she loves. A second chance is the last thing she wants. When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband, daughters, and unborn son. But she also knows that, in only a few weeks, a devastating tragedy will strike her husband, a tragedy that will lead to their meeting each other. Can she change time and still keep what it’s given her? Exploring the responsibilities love lays on us, the complicated burdens of motherhood, and the rippling impact of our choices, She Wouldn't Change a Thing is a dazzling debut from a bright new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Wilkes County, Georgia, created in the year 1777, is the parent of Elbert, Oglethorpe, and Lincoln counties and parts of the counties of Greene, Hart, Madison, Taliaferro, and Warren. It comprised one-third of the population of the state in 1790. The records in this excellent little book are supplementary to Mrs. Grace G. Davidson's "Early Records of Georgia: Wilkes County" (1932, 1933) and are designed to assist the researcher in making a detailed survey of the oldest records in the Ordinary's office, once known as the Inferior Court office. The records--principally wills and settlements of estates, but also deeds of gift, inheritances, and marriage bonds--have more than ordinary genealogical significance, as they name not only principals but also beneficiaries (showing relationships), as well as witnesses and executors. The material is mostly of the period dating from the late 18th to the early 19th centuries and identifies nearly 5,000 early Georgians.
Sarah Gristwood's The Tudors in Love offers a brilliant history of the Tudor dynasty, showing how the rules of romantic courtly love irrevocably shaped the politics and international diplomacy of the period. Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I's courtiers hail her as a goddess come to earth? The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they're dismissed as something existing only in books and song--those old legends of King Arthur and chivalric fantasy. Not so. In this ground-breaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty. From Henry VIII declaring himself as the ‘loyal and most assured servant' of Anne Boleyn to the poems lavished on Elizabeth I by her suitors, the Tudors re-enacted the roles of the devoted lovers and capricious mistresses first laid out in the romances of medieval literature. The Tudors in Love dissects the codes of love, desire and power, unveiling romantic obsessions that have shaped the history of the world.
Johnstown, New York, 1823: It is a time when a wife’s dowry, even children, automatically becomes her husband’s property. Slavery is an economic advantage entrenched in America but rumblings of abolition abound. For Elizabeth Cady to confront this culture is unheard of, yet that is exactly what she does. Before she can become a leader of the women's rights movement and prominent abolitionist, she faces challenges fraught with disappointment. Her father admires her intellect but says a woman cannot aspire to the goals of men. Her sister’s husband becomes her champion–but secretly wants more. Religious fervor threatens to consume her. As she faces depression and despair, she records these struggles and other dark confidences in diaries. When she learns the journals might fall into the wrong hands and discredit her, she panics and rips out pages of entries that might destroy her hard-fought reputation. Relieved, she believes they are lost to history forever. But are they? Travel with Elizabeth into American history and discover a young woman truly ahead of her time.
Welcome to a work of history unlike any other. Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity—the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How? In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate and expansive, lyrical and precise. As a history, Mother Is a Verb draws on the terrain of Britain and North America from the seventeenth century to the close of the twentieth. Knott searches among a range of past societies, from those of Cree and Ojibwe women to tenant farmers in Appalachia; from enslaved people on South Carolina rice plantations to tenement dwellers in New York City and London’s East End. She pores over diaries, letters, court records, medical manuals, items of clothing. And she explores and documents her own experiences. As a memoir, Mother Is a Verb becomes a method of asking new questions and probing lost pasts in order to historicize the smallest, even the most mundane of human experiences. Is there a history to interruption, to the sound of an infant’s cry, to sleeplessness? Knott finds answers not through the telling of grand narratives, but through the painstaking accumulation of a trellis of anecdotes. And all the while, we can feel the child on her hip.
In 1994, Fig looks back on her life and relates her experiences, from age six to nineteen, as she desperately tries to save her mother from schizophrenia while her own mental health and relationships deteriorate.
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