The widow of reporter Daniel Pearl, who was kidnapped and murdered in Pakistan in 2002, discusses his commitment to responsible journalism and her own role as a negotiator between the FBI and Pakistani police.
The tragic murder of Wall Street Journal reporter Daniel Pearl is well known. Why he was in Karachi; how he saw his role as an international journalist: why he was singled out for kidnapping; and where the incredible search effort led - are the subject of Mariane Pearl's book.A journalist in her own right, Mariane is, as was her husband, profoundly committed to the idea that a more informed public makes for a better world, and to the idea that risks are taken to uncover a story. A superb writer, she presents a truly illuminating tale - including her own crucial role in the investigative team, where she was responsible for negotiating unprecedented cooperation between the FBI and Pakistani intelligence and able to forge alliances with an array of people, from the Karachi chief of police to George Bush.A Mighty Heart is an extraordinary book - a fitting tribute to a dedicated reporter and a profound and heartbreaking love story.
Discover the haunting, untold true story of Mary Eleanor Pearcey, whose crimes inspired speculation that Jack the Ripper was a woman. Woman at the Devil's Door is a thrilling look at a notorious murderer and the webs she wove.
The Rough Guide to Boston is the ultimate travel guide to this historic city. Seek out Boston's highlights with detailed information on everything from Fenway Park's "Green Monster" to the purple windowpanes of Beacon Hill. Spot the grasshopper weathervane on top of Faneuil Hall. Savour the city's best ice cream and lobster rolls. Walk in the footsteps of revolutionaries. Discover it all with up-to-date descriptions and maps pinpointing Boston's best hotels, eateries, drinking spots and shops. The Rough Guide to Boston also includes two full-colour sections documenting the city's zealous relationship with sports, plus a guide to Yankee cooking and eats. For out-of-city diversions, there is an additional in-depth chapter on the beach region of Cape Cod and the islands. Explore every corner of this engaging city with insider tips and illuminating photographs designed to help make your journey a uniquely memorable one. Make the most of your holiday with The Rough Guide to Boston.
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.
This study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment. Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci family in new directions. It also shows how the artists involved adapted established civic, religious, and chivalric imagery in support of these ideas. The book argues that the resulting decorations are highly unusual for the period, in their serious political and social purpose. Positioning the Trinci as bringers of peace, not war, the family is now associated with culture and education and presented as willing to encourage debate about the character of the virtuous ruler and the nature of good government. The book will be of interest to scholars working in art history and Renaissance studies.
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