The only current authorized edition of the classic work on parliamentary procedure--now in a new updated edition Robert's Rules of Order is the recognized guide to smooth, orderly, and fairly conducted meetings. This 12th edition is the only current manual to have been maintained and updated since 1876 under the continuing program established by General Henry M. Robert himself. As indispensable now as the original edition was more than a century ago, Robert's Rules of Order Newly Revised is the acknowledged "gold standard" for meeting rules. New and enhanced features of this edition include: Section-based paragraph numbering to facilitate cross-references and e-book compatibility Expanded appendix of charts, tables, and lists Helpful summary explanations about postponing a motion, reconsidering a vote, making and enforcing points of order and appeals, and newly expanded procedures for filling blanks New provisions regarding debate on nominations, reopening nominations, and completing an election after its scheduled time Dozens more clarifications, additions, and refinements to improve the presentation of existing rules, incorporate new interpretations, and address common inquiries Coinciding with publication of the 12th edition, the authors of this manual have once again published an updated (3rd) edition of Robert's Rules of Order Newly Revised In Brief, a simple and concise introductory guide cross-referenced to it.
Originally published as a slim document in 1896, General Henry M. Robert's guide to smooth, orderly and fairly conducted meetings has sold close to five million copies in ten editions. This tenth edition is the only book containing the officially sanctioned and completely developed Robert's Rules of Order subject matter. Now available in a deluxe leatherbound format with beveled gold edges and a ribbon marker, this classic book will be both the durable and elegant choice for parliamentarians, novice club presidents and committee chairs alike.
A master archer is Bradecote and Catchpoll's targetOctober 1143. His task dispatched, a mysterious archer melts back into the forest, leaving the gang to steal the salt and hide the arrow-pierced corpses. The lord Sheriff of Worcestershire cannot ignore such a brazen attack on the salt road from Wich, nor the death of a nobleman in the wrong place at the wrong time. And so Hugh Bradecote and Serjeant Catchpoll are sent to hunt an elusive killer and the salt thieves, and put a stop to the mounting attacks.But it is not easy to get the culprits in their sights with a reeve keen to keep his position at all costs, a lord with his own ends to serve and a distrusting and vengeful widow to whom Bradecote is increasingly attracted.
A unique celebration of silence—in art, literature, nature, and spirituality—and an exploration of its ability to bring inner peace, widen our perspectives, and inspire the human spirit in spite of the noise of contemporary life. Silence is habitually overlooked—after all, throughout our lives, it has to compete with the cacophony of the outside world and our near-constant interior dialogue that judges, analyzes, compares, and questions. But, if we can get past this barrage, there lies a quiet place that’s well worth discovering. The Lost Art of Silence encourages us to embrace this pursuit and allow the warm light of silence to glow. Invoking the wisdom of many of the greatest writers, thinkers, contemplatives, historians, musicians, and artists, Sarah Anderson reveals the sublime nature of quiet that’s all too often undervalued. Throughout, she shares her own penetrating insights into the potential for silence to transform us. This celebration of silence invites us to widen our perspective and shows its power to inspire the human spirit in spite of the distracting noise of contemporary life.
#1 New York Times Bestseller! Get thousands of facts at your fingertips with this essential resource: sports, pop culture, science and technology, U.S. history and government, world geography, business, and so much more. The World Almanac® is America’s bestselling reference book of all time, with more than 83 million copies sold. For more than 150 years, this compendium of information has been the authoritative source for school, library, business, and home. The 2023 edition of The World Almanac reviews the biggest events of 2022 and will be your go-to source for questions on any topic in the upcoming year. Praised as a “treasure trove of political, economic, scientific and educational statistics and information” by The Wall Street Journal, The World Almanac and Book of Facts will answer all of your trivia needs effortlessly. Features include: Special Feature: Coronavirus Status Report: A special section provides up-to-the-minute information about the world’s largest public health crisis in at least a century. Statistical data and graphics across dozens of chapters show how the pandemic continues to affect the economy, work, family life, education, and culture. 2022 Election Results: The World Almanac provides a comprehensive look at the entire 2022 election process, including Election Day results for House, Senate, and gubernatorial races. 2022—Top 10 News Topics: The editors of The World Almanac list the top stories that held the world's attention in 2022, from the death of Queen Elizabeth to the invasion of Ukraine. 2022—Year in Sports: Hundreds of pages of trivia and statistics that are essential for any sports fan, featuring complete coverage of the Winter Olympic Games in Beijing and the 2022 World Series. World Almanac Editors' Picks: Most Memorable Rivalry Match-ups: Looking back from Coach K's final Duke-UNC face-off in 2022, The World Almanac editors created a list of all-time favorite rivalry games across sports history. 2022—Year in Pictures: Striking full-color images from around the world in 2022, covering news, entertainment, science, and sports. 2022—Offbeat News Stories: The World Almanac editors found some of the strangest news stories of the year. World Almanac Editors' Picks: Time Capsule: The World Almanac lists the items that most came to symbolize the year 2022. The World at a Glance: This annual feature of The World Almanac provides a quick look at the surprising stats and curious facts that define the changing world.
Richly illustrated, Artists of the Canyons and Caminos traces the lives and work of painters who settled in Santa Fe in the early years of the twentieth century. Under their influence, Santa Fe grew from a dusty high-desert town with no paved streets or automobiles to a thriving community. Artists of the Canyons and Caminos features a new foreword by publisher Gibbs M. Smith, and reveals little-known facts and profiles of the personalities who catalyzed this transformation. Above all, it illuminates their common bond: an enduring love for the beauty of the land that called to them in the first place. Some places in the world have a particular atmosphere, a sense of romance, which makes them "good places to paint." Santa Fe, New Mexico-with its clean, sharp air; its startlingly bright colors; its sculptured mesas and mountains-is one of these places. Artists of the Canyons and Caminos includes: A brief chronology of Santa Fe from its inauguration as a state capital housing the oldest public building in the United States (Palace of the Governors); to the first annual exhibition of the Cinco Pintores in 1921, when of the town's population of 7,000, 15 were resident artists; to the opening of the Institute of American Indian Arts in 1962. Descriptions of the broad spectrum of representational styles that flourished there, from romance to super-realism. Major patrons of the arts: railroads, scientists, territorial senators, lawyers, well-to-do retirees. The artists' missions: admiration for the local Indians and their arts, encouragement of young artists of all nationalities, solidarity to prevent Santa Fe from being overly Americanized.
A new Bradecote and Catchpoll (and Wakelin) medieval mystery is always a true delight ... An absolute joy' M. J. PORTER 1140s Worcestershire is a place death visits often, and it is up to Serjeant Catchpoll and his new, unwanted superior, Undersheriff Hugh Bradecote to ensure that the guilty are brought to justice. In Servant of Death , the much-feared and hated Eudo - the Lord Bishop of Winchester's clerk - is bludgeoned to death in Pershore Abbey and laid before the altar like a penitent. A despicable man he may have been, but who had reason to kill him? In book 2, Ordeal by Fire , Catchpoll hopes a fire at a Worcester silversmith's is just an accident, but then a charred corpse is discovered following a second fire. Hugh Bradecote may be new to the job of Undersheriff compared to his wily colleague, but his analytical eye is soon hard at work to find a vengeful arsonist. In Marked to Die , the third instalment in the series, the lord Sheriff of Worcestershire cannot ignore brazen attacks on the salt road from Wich, so Hugh Bradecote and Serjeant Catchpoll have an elusive master archer in their sights. In book 4, Hostage to Fortune , the sleuths face a frantic race against time in an unforgiving winter landscape. The Archbishop of Canterbury's envoy, his entourage of monks and Bradecote's betrothed Christina are travelling on a pilgrimage when they are captured by a renegade who kills for pleasure. Undersheriff Bradecote and Serjeant Catchpoll must orchestrate a rescue before a psychopath does his worst and Bradecote cracks under the pressure. The fast-paced and suspenseful medieaval mystery series continues in Vale of Tears . A body is found floating by Fladbury mill, a man who has been stabbed but not robbed. Undersheriff Hugh Bradecote, Serjeant Catchpoll and their young apprentice Walkelin discover him to be a horse dealer with a beautiful young wife who strays. Did the wife or a lover get rid of him? What link is there to a defrocked monk who was hanged for theft, and where is the horse dealer's steed? 'If you've come across the series before, you don't need me to tell you that this latest is worth reading; and if you haven't, then there are earlier treats in store as well as this!' Historical Novels Review
Established by the Army Air Force in 1943, the Women's Airforce Service Pilots (WASP) program opened to civilian women with a pilot's license who could afford to pay for their own transportation, training, and uniforms. Despite their highly developed skill set, rigorous training, and often dangerous work, the women of WASP were not granted military status until 1977, denied over three decades of Army Air Force benefits as well as the honor and respect given to male and female World War II veterans of other branches. Sarah Parry Myers not only offers a history of this short-lived program but considers its long-term consequences for the women who participated and subsequent generations of servicewomen and activists. Myers shows us how those in the WASP program bonded through their training, living together in barracks, sharing the dangers of risky flights, and struggling to be recognized as military personnel, and the friendships they forged lasted well after the Army Air Force dissolved the program. Despite the WASP program's short duration, its fliers formed activist networks and spent the next thirty years lobbying for recognition as veterans. Their efforts were finally recognized when President Jimmy Carter signed a bill into law granting WASP participants retroactive veteran status, entitling them to military benefits and burials.
Sarah Nettleton’s The Sociology of Health and Illness has become a cornerstone text, popular with students and academics alike for its rigorous and accessible overview of the field. Building on these strengths, the fourth edition integrates fresh insights from the current literature with the core tenets of traditional medical sociology, providing students with a thorough grounding in the sociology of health and illness. The text covers a diversity of topics and draws on a wide range of analytic approaches, spanning issues such as the social construction of medical knowledge, the analysis of lay health beliefs, concepts of lifestyles and risk, the experience of illness and the sociology of the body. It also explores matters that are central to health policy, such as professional–patient relationships, health inequalities and the changing nature of health care work. A new chapter has been added, on the sociology of mental health; other chapters have been updated with illustrative examples and questions for discussion. Written for students of the social sciences, this book will also appeal to students taking vocational degrees, such as nursing, medicine and public health, who require a sociological grounding in the area. Thoroughly revised and fully updated, this fourth edition will prove invaluable to anyone looking for a clear and engaging introduction to contemporary debates within the sociology of health and illness.
The invention of the New York skyscraper is one of the most fascinating developments in the history of architecture. This authoritative book chronicles the history of New York's first skyscrapers, challenging conventional wisdom that it was in Chicago and not New York that the skyscraper was born. 206 illustrations.
A groundbreaking examination of polygamy showing that monogamy was not the only form marriage took in early America Today we tend to think of polygamy as an unnatural marital arrangement characteristic of fringe sects or uncivilized peoples. Historian Sarah Pearsall shows us that polygamy's surprising history encompasses numerous colonies, indigenous communities, and segments of the American nation. Polygamy--as well as the fight against it--illuminates many touchstones of American history: the Pueblo Revolt and other uprisings against the Spanish; Catholic missions in New France; New England settlements and King Philip's War; the entrenchment of African slavery in the Chesapeake; the Atlantic Enlightenment; the American Revolution; missions and settlement in the West; and the rise of Mormonism. Pearsall expertly opens up broader questions about monogamy's emergence as the only marital option, tracing the impact of colonial events on property, theology, feminism, imperialism, and the regulation of sexuality. She shows that heterosexual monogamy was never the only model of marriage in North America.
This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé.
Discriminating student of every kind of journalism, Tebbel and Watts have written a very good history indeed"--Columbia Journalism Review. Combining fascinating detail with trenchant commentary, the authors illuminate the influence of the press on presidential conduct over the course of U.S. history, explaining how presidents have come to manipulate the media--especially television.
The American Promise is more teachable and memorable than any other U.S. survey text. The balanced narrative braids together political and social history so that students can discern overarching trends as well as individual stories. The voices of hundreds of Americans - from Presidents to pipe fitters, and sharecroppers to suffragettes - animate the past and make concepts memorable. The past comes alive for students through dynamic special features and a stunning and distinctive visual program. Over 775 contemporaneous illustrations - more than any competing text - draw students into the text, and more than 180 full - color maps increase students' geographic literacy. A rich array of special features complements the narrative offering more points of departure for assignments and discussion. Longstanding favorites include Documenting the American Promise, Historical Questions, The Promise of Technology, and Beyond American's Boders, representing a key part of a our effort to increase attention paid to the global context of American history.
This book probes the causes of and conditions for the preference of the members of the British-Bangladeshi community for a religion-based identity vis-à-vis ethnicity-based identity, and the influence of Islamists in shaping the discourse. The first book-length study to examine identity politics among the Bangladeshi diaspora delves into the micro-level dynamics, the internal and external factors and the role of the state and locates these within the broad framework of Muslim identity and Islamism, citizenship and the future of multiculturalism in Europe. Empirically grounded but enriched with in-depth analysis, and written in an accessible language this study is an invaluable reference for academics, policy makers and community activists. Students and researchers of British politics, ethnic/migration/diaspora studies, cultural studies, and political Islam will find the book extremely useful.
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It argues that parody is central to the whole modernist project, even to supposedly earnest movements such as Imagism, and not just to the extreme avant-garde antics of Dada. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, define themselves as post-Victorians, and respond to sources of inspiration while composing. It offered a ready method to laugh at folly, amuse friends, criticize opponents, spike enemies, and transgress conventions. Being double-coded, parody proved a powerful weapon in the culture wars, enabling modernists to present and simultaneously challenge prevailing ideologies in all their historically determined complexity. Its fundamentally dialogic and palimpsestual form exposed the limitations of naïve mimesis, insisting that literature is always language in unstable play, while simultaneously foregrounding the relational structures that underwrote the modernists' paradoxical claims to originality and modernity. As a principle of continual genesis-and a spur to the production of yet more forcefully experimental art-parody therefore became the modernists' primary reflex as they negotiated their position in literary culture and made it new.
In Moravian Soundscapes, Sarah Eyerly contends that the study of sound is integral to understanding the interactions between German Moravian missionaries and Native communities in early Pennsylvania. In the mid-18th century, when the frontier between settler and Native communities was a shifting spatial and cultural borderland, sound mattered. People listened carefully to each other and the world around them. In Moravian communities, cultures of hearing and listening encompassed and also superseded musical traditions such as song and hymnody. Complex biophonic, geophonic, and anthrophonic acoustic environments—or soundscapes—characterized daily life in Moravian settlements such as Bethlehem, Nain, Gnadenhütten, and Friedenshütten. Through detailed analyses and historically informed recreations of Moravian communal, environmental, and religious soundscapes and their attendant hymn traditions, Moravian Soundscapes explores how sounds—musical and nonmusical, human and nonhuman—shaped the Moravians' religious culture. Combined with access to an interactive website that immerses the reader in mid-18th century Pennsylvania, and framed with an autobiographical narrative, Moravian Soundscapes recovers the roles of sound and music in Moravian communities and provides a road map for similar studies of other places and religious traditions in the future.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.