This book re-examines the issue of religious conversion, which has been a site of conflict in India for several centuries. It discusses wide-ranging themes such as conversion, education, and reform in colonial India; the process and practices of conversion in Christian Europe; Gandhi, conversion, and the equality of religions; perspectives from Hindu nationalism, secularism, and religious minorities; religious freedom and the limits of propagating religion; and conversion in constitutional law, commissions, and courts, to chart new directions for research on religion, tradition, and conversion. Tracing developments from the 19th-century colonial era to contemporary times, the book analyses cultural background frameworks and the origins of religious conversion and its conceptualisation in Western Christianity. It further delves into how Indian culture and its traditions have shaped responses to conversion. Part of the Critical Humanities Across Cultures series, this book will be useful to scholars and researchers of critical humanities, religion, cultural studies, sociology of religion, comparative religion, philosophy, anthropology, theology, Indology, history, politics, postcolonial studies, critical theory, and South Asian studies.
Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.
This book re-examines the issue of religious conversion, which has been a site of conflict in India for several centuries. It discusses wide-ranging themes such as conversion, education, and reform in colonial India; the process and practices of conversion in Christian Europe; Gandhi, conversion, and the equality of religions; perspectives from Hindu nationalism, secularism, and religious minorities; religious freedom and the limits of propagating religion; and conversion in constitutional law, commissions, and courts, to chart new directions for research on religion, tradition, and conversion. Tracing developments from the 19th-century colonial era to contemporary times, the book analyses cultural background frameworks and the origins of religious conversion and its conceptualisation in Western Christianity. It further delves into how Indian culture and its traditions have shaped responses to conversion. Part of the Critical Humanities Across Cultures series, this book will be useful to scholars and researchers of critical humanities, religion, cultural studies, sociology of religion, comparative religion, philosophy, anthropology, theology, Indology, history, politics, postcolonial studies, critical theory, and South Asian studies.
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