We can all be helpful no matter who's older. We can look out for each other. Good or bad, happy or mad.Read about how a brother and sister have each other's backs throughout an unpredictable day.
This book is the narrative of three women of York, sisters to not one, but two kings of England. Anne, Elizabeth and Margaret Plantagenet were the daughters of Richard, Duke of York and his wife, Cecily Neville, and therefore sisters to Edward IV and Richard III. These women watched from the sidelines as their father challenged England’s anointed king and lost his life, as their brothers fought together for the throne of England and then amongst themselves and as the Plantagenet dynasty fell, making way for the reign of the Tudors. But they were not just bystanders; they had their own stories to tell. Anne of York was married to the Lancastrian Duke of Exeter who sided against her father and brother, before finding later happiness, albeit briefly, with her second husband. Elizabeth of York married John de la Pole, Duke of Suffolk and became the mother of eleven children who would become thorns in the side of the Tudor kings and Margaret of York became Duchess of Burgundy, a hugely influential woman in her adopted kingdom although she never stopped supporting her family back in England. Between them, they witnessed and contributed to one of the most turbulent times in English history yet they have naturally been overshadowed by their more famous brothers. This is their story.
Sealy & Worthington's Cases & Materials is well-established as one of the foremost casebooks on company law . The authors' expertise in the subject area ensures that vital case extracts are supplemented by sophisticated commentary and well-chosen notes and questions, taking into account the most recent developments in this crucial area
We can all be helpful no matter who's older. We can look out for each other. Good or bad, happy or mad.Read about how a brother and sister have each other's backs throughout an unpredictable day.
Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he represents it on stage. Taking readers on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and also geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites. Plays discussed in detail include Hamlet, Richard II, The Merchant of Venice, The Tempest, King Lear and Romeo and Juliet. Close textual readings accompany the wealth of contextual material, providing a fresh and exciting way into Shakespeare's work.
Sealy & Worthington's Text, Cases, & Materials in Company Law' is well-established as one of the foremost texts its field. Vital extracts are supplemented by sophisticated commentary and well-chosen notes and questions, taking into account the most recent developments in the field.
« Television Shakespeare » : l’expression a-t-elle encore un sens à une époque où Shakespeare à la télévision ne se réduit plus à la série BBC mais est devenu, notamment au fil des innovations technologiques, un concept de plus en plus hybride, porteur d’une infinie variété ? Ce volume offre au lecteur un examen précis d’adaptations télévisuelles des pièces shakespeariennes tout en questionnant les limites poreuses que le 21e siècle fait apparaître entre la télévision et les autres médias, Shakespeare semblant pouvoir ou devoir se prêter à toutes les métamorphoses.
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.
Shakespeare and London: A Dictionary is a topographical reference book of all the London locations, allusions and colloquial terms mentioned in Shakespeare's complete works. For many years critics have argued that Shakespeare did not engage with the city in which he lived, however London's topography and life is present in all his work, in its language, its locations and its characters. This dictionary offers a concise and fascinating insight into the city's impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early modern London, its contemporary meanings and the ways in which Shakespeare employs these throughout the canon.
Illegitimate son to Edward IV and the uncle of Henry VIII, Arthur Plantagenet’s life is an intriguing story. Raised in his father’s court, he then became a trusted member of Henry VII’s household and after his death, was a prominent figure at the court of Henry VIII. Henry VIII treated his uncle well in the early years of his reign, making him vice-admiral and then Lord Deputy of Calais in 1533. Arthur did the best he could in his new position in Calais over seven years, including trying to maintain a relationship with Thomas Cromwell against a background of religious change, but there were numerous complaints about him and his paranoid nephew’s suspicions over his loyalty grew – culminating in Lisle’s arrest and imprisonment for two years with no legal reason. Arthur was released from the Tower in 1542, yet tragically died after receiving a diamond ring from his nephew. He was so excited that his heart – that ‘gentlest living heart’ – failed soon after. We owe much of what we know about Henry VIII’s uncle to the seizure and preservation of the Lisle Letters, an impressive collection of correspondence obtained at his arrest that has miraculously survived. Not only do they give details of Arthur’s life, but they are an amazing insight into the religious, political, culture and social background of the 16th century. Placed as he was, Arthur Plantagenet’s story gives a whole new, fresh perspective on a turbulent yet vibrant period of history.
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette’s inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess’s many portrait commissions and the rich character of her private collections, which included works by some of the period’s leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.
More than five hundred years of British true crime stories—from mutinies and murders to duels and executions. This collection of historical true crime tales includes more than twenty notorious episodes that range from medieval times to the modern era, and offers a fascinating insight into criminal acts and the criminal mind. Set in the vicinity of Portsmouth, England, these intriguing and shocking cases cover an extraordinary variety of misdeeds, some motivated by brutal impulse or despair, others by malice. Most involve ill-fated individuals who are only known to us because they were caught up in crime, but more famous episodes appear as well, such as the murder of the Duke of Buckingham and the disappearance of the Cold War frogman Buster Crabb. Includes illustrations
The Constitution of the Commonwealth of Australia examines the body of constitutional jurisprudence in an original and rigorous yet accessible way. It begins by exploring the historical and intellectual context of ideas surrounding the Constitution's inception, and closely examines its text, structure, principles and purposes in that light. The book then unpacks and critically analyses the High Court's interpretation of the Constitution in a manner that follows the Constitution's own logic and method of organisation. Each topic is defined through detailed reference to the existing case law, which is set out historically to facilitate an appreciation of the progressive development of constitutional doctrine since the Constitution came into force in 1901. The Constitution of the Commonwealth of Australia provides an engaging and distinctive treatment of this fundamental area of law. It is an excellent book for anyone seeking to understand the significance and interpretation of the Constitution.
Do angels exist? Do we have guardian angels? Can we converse with them? And how about human spirits? According to Sarah Eagle, U.C.M., the answer to all of the above is "yes." In these pages we are provided with a written record of conversations between Ms. Eagle and her five guardian angels, and with an account of her relationship with Richard Tauber, a turn-of-the-century opera singer who has elected to act as Spirit Guide for Ms. Eagle. We are told a great deal about the "other side" by these beings who live there and are willing to share the information, and the information is not what one would expect.
[A] gem of a book . . . enlivened by incisive analysis, exquisite detail and an elegant and witty style." -- Alison Weir The Wars of the Roses, which tore apart the ruling Plantagenet family in fifteenth-century England, was truly a domestic drama, as fraught and intimate as any family feud before or since. But as acclaimed historian Sarah Gristwood reveals, while the events of this turbulent time are usually described in terms of the men who fought and died seeking the throne, a handful of powerful women would prove just as decisive as their kinfolks' clashing armies. A richly drawn, absorbing epic, Blood Sisters reveals how women helped to end the Wars of the Roses, paving the way for the Tudor age -- and the creation of modern England.
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