ABOUT THE BOOK Pink Floyd's progressive and psychedelic rock sound, most famously featured on concept albums like The Dark Side of the Moon, Wish You Were Here and The Wall, have given them astounding critical and commercial success. When lead songwriter Syd Barrett succumbed to drugs and mental illness and left the band, the subsequent power struggle between artistically controlling frontman Roger Waters and guitarist David Gilmour led to one of the most famous feuds in rock-n-roll history. The band was originally composed of Roger Waters (bass), Nick Mason (drums) and Richard Wright (piano/keyboard), who all met while studying at Regent Street Polytechnic in London. 17-year-old Roger Syd Barrett, a childhood friend of Waters, joined the group in 1964. Barrett named the group Pink Floyd by combining the names of two blues musicians, Pink Anderson and Floyd Council. MEET THE AUTHOR Sarah Bruhns graduated from San Francisco State University with a degree in Creative Writing. She is a long-time volunteer at 826 Valencia, where she designed a comic book creation class, a magical realism workshop, and lessons for the English Language Learners Summer Series. Her favorite activities include hiking around the city, uncovering new eating experiences, and cooking with wine. She can be found at Borderlands Cafe in San Francisco, drinking way too much coffee. EXCERPT FROM THE BOOK The Wall is a sprawling rock opera that explores abandonment, conformity, isolation and emotional numbness. The albums lyrics are cyclical as a reflection of inevitability a sentence (Isn't this where ) begins at the very end of the album, and is finished (we came in?) at the very beginning. The story is arranged around a character named Pink, who loses his father in war, is tormented at school, and eventually as a rock star, builds a literal and figurative wall to protect himself from the outside world. During stage shows, the band played behind a gradually constructed wall, and giant inflatable pigs floated above the stadium. The band performed The Wall only 29 times in New York, Los Angeles and London. CHAPTER OUTLINE Quicklet on the Best Pink Floyd Songs: Lyrics and Analysis + About Pink Floyd + We Don't Need No Thought Control + You Have Found the Secret Message + The Wall Was Too High as You Can See + ...and much more The Best Pink Floyd Songs: Lyrics and Analysis
On a clear, quiet day in April, 1961, two schoolgirls in Russia’s Saratov region looked into the sky and saw a huge, glowing ball hurtling towards the earth. Five tons of charred steel hit the ground, bounced, then fell again, leaving a huge smoking crater in the plains. Two kilometers away, a peasant farmer and her daughter were frozen to the spot, staring at a bright orange figure with a large, round white head and a huge cape striding towards them. The terrified farmer and her daughter turned to run. Then the figure cried out, not in a space language, but native Russian, “Don’t be afraid! I am a Soviet like you!” They moved closer to him and saw, instead of a alien invader or a spy, a man in an orange jumpsuit, dragging a cumbersome parachute. He pushed back the visor on his white helmet and they could see the red letters CCCP stenciled on the front. “Could it be that you have just descended from space?” asked the farmer. The man stood only 5’2” and had the broad, plain features of a typical Muscovite. “Yes, I have,” he said, flashing his winning smile, a smile soon to be famous throughout the entire world. He said, “I must find a telephone to Moscow.” The man had just completed a 102-minute orbit of the Earth. His name was Yuri Alexeyevich Gagarin. He was twenty-seven years old and he had changed Earth’s history forever. “Reds Win Running Lead in Race to Control Space” screamed a headline. Since the tiny Sputnik had orbited Earth four years earlier, the United States and the Soviet Union had been locked in a battle for more advanced technologies. Both nations had immense technological resources. The United States had imported several prominent German scientists during Project Paperclip, clearing their records of Nazi involvement in exchange for their knowledge of rocketry. The Soviet Union had the legacy of Konstantin Tsiolkovsky, the eccentric eccentric pioneer of astronautics and the de facto leadership of visionary engineer Sergei Korolev, as well was a powerful thirst to prove themselves. Each nation was determined to be the first in space. The Soviet Union’s early successes in the Space Race were an undeniable challenge to the United States’ scientific and political authority. Yuri was born March 9, 1934 on a collective farm 100 miles outside Moscow. His mother Anna worked the fields and his father Alexei was a carpenter. Anna was well educated and kept many books in the house. For the early years on the farm, life was calm and scheduled. Family members recall Yuri as a mischievous, happy child. Then the Nazis invaded the Soviet Union, and life was thrown into chaos. German officers occupied their home and sent Yuri's brother Valentin and his sister Zoya to slave labour camps in Poland. Yuri, his parents, and his younger brother Boris lived in a tiny mud hut for 21 months, the remainder of the German occupation. Alexei Leonov, a fellow cosmonaut and first man to walk in space, recalled this time as “the formative years in Yuri’s life.” During the war, a Soviet aircraft was shot down near the village. Yuri and the other village children fed the pilots and kept them hidden from the Nazis until they could be rescued. It was then that Yuri knew that he wanted to be a pilot. In 1946, when he was 13 and the war was over, Yuri’s siblings returned. Their father moved the family home (plank by plank) to the nearby town Gzhatsk. Yuri joined his school’s aviation club and learned to fly light aircraft. His favorite subjects were physics and math, and he had a smile that all the girls loved.
In Worlds of Gender ten prominent scholars consider the research on gender and archaeology that has been conducted around the world. The authors discuss the archaeological evidence for gender distinctions from Africa, East Asia, South Asia, Australia, Europe, Mesoamerica, North America, and South America. Although some regions of the world have only been studied sporadically, this volume brings together the totality of the evidence to make it possible to compare sexual roles and identities from far-flung cultures of vastly different time periods. Worlds of Gender is an excellent resource for comparative cultural studies and gender studies, as well as a useful examination of how gender roles affect social structures.
Gender in Archaeology' provides a feminist theoretical synthesis of the flood of archaeological work on gender. The author examines the roles of women & men in areas as human origins, the sexual division of labour, kinship & other social formations.
The concept of kinship is at the heart of understanding the structure of ancient Athenian society and the lives of its citizens. Drawing on epigraphic, literary, and archaeological sources, 'Kinship in Ancient Athens' explores interactions between kin across a range of social contexts, from family life to legal matters, politics, and more.
The figure of Medea has inspired artists in all fields throughout the centuries. This work examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological and cultural questions these portrayals raise.
The American Promise is more teachable and memorable than any other U.S. survey text. The balanced narrative braids together political and social history so that students can discern overarching trends as well as individual stories. The voices of hundreds of Americans - from Presidents to pipe fitters, and sharecroppers to suffragettes - animate the past and make concepts memorable. The past comes alive for students through dynamic special features and a stunning and distinctive visual program. Over 775 contemporaneous illustrations - more than any competing text - draw students into the text, and more than 180 full - color maps increase students' geographic literacy. A rich array of special features complements the narrative offering more points of departure for assignments and discussion. Longstanding favorites include Documenting the American Promise, Historical Questions, The Promise of Technology, and Beyond American's Boders, representing a key part of a our effort to increase attention paid to the global context of American history.
Archaeology is one of our most powerful sources of new information about the past, about the lives of our ancient and not-so-ancient ancestors. The contributors to Women in Antiquity consider the theoretical problems involved in discerning what the archaeological evidence tells us about gender roles in antiquity. The book includes chapters on the history of gender research, historical texts, mortuary analysis, household remains, hierarchy, and ethnoarchaeology, with each chapter teasing out the inherent difficulty in interpreting ancient evidence as well as the promise of new understanding. Women in Antiquity offers a fresh, accessible account of how we might grasp the ways in which sexual roles and identities shaped the past.
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.
The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.
The American Promise if more teachable and memorable than any other U.S. survey text. The balanced narrative braids together political and social history so that students can discern overarching trends as well as individual stories. The voices of hundreds of Americans - from Presidents to pipe fitters, and sharecroppers to suffragettes - animate the past and make concepts memorable. The past comes alive for students through dynamic special features and a stunning and distinctive visual program. Over 775 contemporaneous illustrations - more than any competing text - draw students into the text, and more than 180 full - color maps increase students' geographic literacy. A rich array of special features complements the narrative offering more points of departure for assignments and discussion. Longstanding favorites include Documenting the American Promise, Historical Questions, The Promise of Technology, and Beyond American's Boders, representing a key part of a our effort to increase attention paid to the global context of American history.
In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women—mostly Korean women forced into prostitution by the Japanese army—endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative. Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women—a double bind made strikingly apparent in the cases of women cast into sexual slavery after fleeing abuse at home. Other victims were press-ganged into prostitution, sometimes with the help of Korean procurers. Drawing on historical research and interviews with survivors, Soh tells the stories of these women from girlhood through their subjugation and beyond to their efforts to overcome the traumas of their past. Finally, Soh examines the array of factors— from South Korean nationalist politics to the aims of the international women’s human rights movement—that have contributed to the incomplete view of the tragedy that still dominates today.
The American Promise is more teachable and memorable than any other U.S. survey text. The balanced narrative braids together political and social history so that students can discern overarching trends as well as individual stories. The voices of hundreds of Americans - from Presidents to pipe fitters, and sharecroppers to suffragettes - animate the past and make concepts memorable. The past comes alive for students through dynamic special features and a stunning and distinctive visual program. Over 775 contemporaneous illustrations - more than any competing text - draw students into the text, and more than 180 full - color maps increase students' geographic literacy. A rich array of special features complements the narrative offering more points of departure for assignments and discussion. Longstanding favorites include Documenting the American Promise, Historical Questions, The Promise of Technology, and Beyond American's Boders, representing a key part of a our effort to increase attention paid to the global context of American history.
What is she thinking? Being pregnant, single and expanding her business? No doubt about it, Lucy Basso's hands are full. As if that's not enough, hottie Dominic Bianco is showing more than a little interest in her. Even her impending motherhood doesn't seem to faze him. In fact, he's acting as tender and protective as if she were carrying his baby. But something seems to be keeping Dom from fully committing to her. If Lucy could only know what it is, she might understand. Or maybe she'd tell him it doesn't matter. Because she knows he's a good man and he'd make an ideal father.
ABOUT THE BOOK Pink Floyd's progressive and psychedelic rock sound, most famously featured on concept albums like The Dark Side of the Moon, Wish You Were Here and The Wall, have given them astounding critical and commercial success. When lead songwriter Syd Barrett succumbed to drugs and mental illness and left the band, the subsequent power struggle between artistically controlling frontman Roger Waters and guitarist David Gilmour led to one of the most famous feuds in rock-n-roll history. The band was originally composed of Roger Waters (bass), Nick Mason (drums) and Richard Wright (piano/keyboard), who all met while studying at Regent Street Polytechnic in London. 17-year-old Roger Syd Barrett, a childhood friend of Waters, joined the group in 1964. Barrett named the group Pink Floyd by combining the names of two blues musicians, Pink Anderson and Floyd Council. MEET THE AUTHOR Sarah Bruhns graduated from San Francisco State University with a degree in Creative Writing. She is a long-time volunteer at 826 Valencia, where she designed a comic book creation class, a magical realism workshop, and lessons for the English Language Learners Summer Series. Her favorite activities include hiking around the city, uncovering new eating experiences, and cooking with wine. She can be found at Borderlands Cafe in San Francisco, drinking way too much coffee. EXCERPT FROM THE BOOK The Wall is a sprawling rock opera that explores abandonment, conformity, isolation and emotional numbness. The albums lyrics are cyclical as a reflection of inevitability a sentence (Isn't this where ) begins at the very end of the album, and is finished (we came in?) at the very beginning. The story is arranged around a character named Pink, who loses his father in war, is tormented at school, and eventually as a rock star, builds a literal and figurative wall to protect himself from the outside world. During stage shows, the band played behind a gradually constructed wall, and giant inflatable pigs floated above the stadium. The band performed The Wall only 29 times in New York, Los Angeles and London. CHAPTER OUTLINE Quicklet on the Best Pink Floyd Songs: Lyrics and Analysis + About Pink Floyd + We Don't Need No Thought Control + You Have Found the Secret Message + The Wall Was Too High as You Can See + ...and much more The Best Pink Floyd Songs: Lyrics and Analysis
On a clear, quiet day in April, 1961, two schoolgirls in Russia’s Saratov region looked into the sky and saw a huge, glowing ball hurtling towards the earth. Five tons of charred steel hit the ground, bounced, then fell again, leaving a huge smoking crater in the plains. Two kilometers away, a peasant farmer and her daughter were frozen to the spot, staring at a bright orange figure with a large, round white head and a huge cape striding towards them. The terrified farmer and her daughter turned to run. Then the figure cried out, not in a space language, but native Russian, “Don’t be afraid! I am a Soviet like you!” They moved closer to him and saw, instead of a alien invader or a spy, a man in an orange jumpsuit, dragging a cumbersome parachute. He pushed back the visor on his white helmet and they could see the red letters CCCP stenciled on the front. “Could it be that you have just descended from space?” asked the farmer. The man stood only 5’2” and had the broad, plain features of a typical Muscovite. “Yes, I have,” he said, flashing his winning smile, a smile soon to be famous throughout the entire world. He said, “I must find a telephone to Moscow.” The man had just completed a 102-minute orbit of the Earth. His name was Yuri Alexeyevich Gagarin. He was twenty-seven years old and he had changed Earth’s history forever. “Reds Win Running Lead in Race to Control Space” screamed a headline. Since the tiny Sputnik had orbited Earth four years earlier, the United States and the Soviet Union had been locked in a battle for more advanced technologies. Both nations had immense technological resources. The United States had imported several prominent German scientists during Project Paperclip, clearing their records of Nazi involvement in exchange for their knowledge of rocketry. The Soviet Union had the legacy of Konstantin Tsiolkovsky, the eccentric eccentric pioneer of astronautics and the de facto leadership of visionary engineer Sergei Korolev, as well was a powerful thirst to prove themselves. Each nation was determined to be the first in space. The Soviet Union’s early successes in the Space Race were an undeniable challenge to the United States’ scientific and political authority. Yuri was born March 9, 1934 on a collective farm 100 miles outside Moscow. His mother Anna worked the fields and his father Alexei was a carpenter. Anna was well educated and kept many books in the house. For the early years on the farm, life was calm and scheduled. Family members recall Yuri as a mischievous, happy child. Then the Nazis invaded the Soviet Union, and life was thrown into chaos. German officers occupied their home and sent Yuri's brother Valentin and his sister Zoya to slave labour camps in Poland. Yuri, his parents, and his younger brother Boris lived in a tiny mud hut for 21 months, the remainder of the German occupation. Alexei Leonov, a fellow cosmonaut and first man to walk in space, recalled this time as “the formative years in Yuri’s life.” During the war, a Soviet aircraft was shot down near the village. Yuri and the other village children fed the pilots and kept them hidden from the Nazis until they could be rescued. It was then that Yuri knew that he wanted to be a pilot. In 1946, when he was 13 and the war was over, Yuri’s siblings returned. Their father moved the family home (plank by plank) to the nearby town Gzhatsk. Yuri joined his school’s aviation club and learned to fly light aircraft. His favorite subjects were physics and math, and he had a smile that all the girls loved.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.