Part memoir, part micro-history, this is an exploration of the present through the lens of the past. We all know that the best way to study a foreign language is to go to a country where it's spoken, but can the same immersion method be applied to history? How do interactions with antique objects influence perceptions of the modern world? From Victorian beauty regimes to nineteenth-century bicycles, custard recipes to taxidermy experiments, oil lamps to an ice box, Sarah and Gabriel Chrisman decided to explore nineteenth-century culture and technologies from the inside out. Even the deepest aspects of their lives became affected, and the more immersed they became in the late Victorian era, the more aware they grew of its legacies permeating the twenty-first century. Most of us have dreamed of time travel, but what if that dream could come true? Certain universal constants remain steady for all people regardless of time or place. No matter where, when, or who we are, humans share similar passions and fears, joys and triumphs. In her first book, Victorian Secrets, Chrisman recalled the first year she spent wearing a Victorian corset 24/7. In This Victorian Life, Chrisman picks up where Secrets left off and documents her complete shift into living as though she were in the nineteenth century.
When soldiers at Fort Carson were charged with a series of 14 murders, PTSD and other "invisible wounds of war" were thrown into the national spotlight. With these events as their starting point, Jean Scandlyn and Sarah Hautzinger argue for a new approach to combat stress and trauma, seeing them not just as individual medical pathologies but as fundamentally collective cultural phenomena. Their deep ethnographic research, including unusual access to affected soldiers at Fort Carson, also engaged an extended labyrinth of friends, family, communities, military culture, social services, bureaucracies, the media, and many other layers of society. Through this profound and moving book, they insist that invisible combat injuries are a social challenge demanding collective reconciliation with the post-9/11 wars.
Centering the Olivier sisters in their own time, Watling presents a vivid and fascinating group portrait of sisters, sisterhood, and feminism in the early twentieth century
The Day She Cut God Loose begins on Starside, a processing plant for all souls coming and going to Earth. When Sarah, the main character, is summoned to The Department of Planning, Melchizedek, the Godson, asks her to reincarnate for a mission in the service of humanity. Sarah goes, kicking and screaming, back to the planet she was glad to leave the last time around. After having her memory expunged, Sarah is born in England to parents who divorce when she is two years old. She then moves with her mother from man to man, marriage to marriage, and town to town. They are exposed to the ravages of alcoholism, domestic violence, abandonment, and the objectives of a foster mother who is addicted to attention and the hullabaloo that arises from the fact that she is as lost as the young girl, Sarah, she vowed to care for. At a very young age, Sarah realizes that all those living on planet Earth are very unhappy. The only hint she has that she might be different from those around her, is when her everyday mind changes form, and she fleetingly becomes aware of the underlying magnificence of the Godson’s plan. This mental seesawing gives rise to her contrary nature, which gets her into a lot of trouble. The Day She Cut God Loose is the story of Sarah. It is also story of you, and all those like you, existing (for now) within the cycle of rebirth and karma. This is the story of the human mind and what it is capable of. This is the story of planet Earth.
Welcome to the chilling, hair-raising world of Sarah Rayne, the master of British contemporary gothic horror with this standalone modern horror novel – perfect for fans of eerie and skin-crawling reads with supernatural elements! “Rayne spins eerie yarns within yarns like a latter-day Isak Dinesen or Wilkie Collins” KIRKUS REVIEWS “Equal parts Daphne du Maurier, Josephine Tey and Ruth Rendell . . . Rayne possesses superb story-telling skills” US MYSTERY GUILD “Highly enjoyable mainstream horror fare from a genre veteran” BOOKLIST “Rayne writes with panache and imagination” KIRKUS REVIEWS “Rayne is a fine writer, a sure-handed plotter and skillful character builder” BOOKLIST “Colorful characters and a mastery of slow-burning suspense” KIRKUS REVIEWS “Rayne perfects the craft of deftly chosen details, simmering suspense and chilling surprises” KIRKUS REVIEWS _______________________ A young woman is drawn back to her roots – and her terrifying heritage as a descendant of the notorious Blood Countess, Elizabeth Báthory – in this spellbinding vampire novel, as vicious as the Dracula myth. The descendants of Elizabeth Báthory, a bloodthirsty Hungarian countess who terrorized the Carpathian countryside in the 16th century and murdered hundreds of women, are determined that her line shall not die. Only Catherine, a paternal descendant, has tried to escape the horrible legacy that she has grown up fearing and detesting. Eventually, Catherine enters a convent, hoping to find the peace she has long desired. But when she meets journalist Michael Devlin, she is drawn back to the ancient castle in the Carpathian Mountains. For Michael, who is haunted by the last thing he saw before losing his sight, is determined to discover the truth about the line of the infamous Elizabeth Báthory – the lady that history named the Blood Countess. Fans of BRAM STOKER’s Dracula, ANNE RICE’s Interview with the Vampire and SHERIDAN LE FANU’s Carmilla will want to dive into the dark and creepy world of Sarah Rayne’s Blood Ritual. READERS ARE HOOKED ON BLOOD RITUAL: “A superior example of the vampire genre . . . A pleasure from start to finish” Time Out “King and Koontz have nothing on this writer – She is AWESOME!” L.C. Russell, 5* Amazon review “Sarah Rayne is a great storyteller” P. Wilber, 5* Amazon review MORE STUNNING SARAH RAYNE HORROR STANDALONES: 1. The Devil's Piper 2. The Burning Altar 3. Thorn 4. Changeling 5. Wildwood
A comprehensive monograph on the Atlantic Puffin. With its colourful beak and fast, whirring flight, this is the most recognisable and popular of all North Atlantic seabirds. Puffins spend most of the year at sea, but for a few months of the year the come to shore, nesting in burrows on steep cliffs or on inaccessible islands. Awe-inspiring numbers of these birds can sometimes be seen bobbing on the sea or flying in vast wheels over the colony, bringing fish in their beaks back to the chicks. However, the species has declined sharply over the last decade; this is due to a collapse in fish stocks caused by overfishing and global warming, combined with an exponential increase in Pipefish (which can kill the chicks). The Puffin is a revised and expanded second edition of Poyser's 1984 title on these endearing birds, widely considered to be a Poyser classic. It includes sections on their affinities, nesting and incubation, movements, foraging ecology, survivorship, predation, and research methodology; particular attention is paid to conservation, with the species considered an important 'indicator' of the health of our coasts.
Welcome to the creepy, spine-tingling Immortal Tales – a series of dark, sexy fairy-tale retellings from the master of British contemporary gothic horror Sarah Rayne, perfect for fans of TERRI WINDLING, ANGELA CARTER, ANNE RICE, LAIRD BARRON and BROM. “Rayne spins eerie yarns within yarns like a latter-day Isak Dinesen or Wilkie Collins” KIRKUS REVIEWS “Equal parts Daphne du Maurier, Josephine Tey and Ruth Rendell . . . Rayne possesses superb story-telling skills” US MYSTERY GUILD “Highly enjoyable mainstream horror fare from a genre veteran” BOOKLIST “Rayne writes with panache and imagination” KIRKUS REVIEWS “Rayne is a fine writer, a sure-handed plotter and skillful character builder” BOOKLIST “Colorful characters and a mastery of slow-burning suspense” KIRKUS REVIEWS “Rayne perfects the craft of deftly chosen details, simmering suspense and chilling surprises” KIRKUS REVIEWS _______________________ A dark re-telling of the Little Red Riding Hood tale from critically-acclaimed British horror author Sarah Rayne: a single mother’s life takes a sinister turn after learning her late husband had a dark secret relating to an old legend originating from England’s wildwoods . . . Professor Piers Adair is haunted by sinister memories of his childhood, eventually compelling him to search for a strange inhuman group of people whose macabre history is bound up with a centuries-old legend. He traces them to a remote Scottish island, but it’s only when the darkly charismatic leader leaves the island that Piers begins to realise he is being lured increasingly closer to the legend’s grisly heart . . . In London, single mother Felicity Stafford is struggling to come to terms with the recent death of her husband, Connor – coping with his debts, and also with a chilling autopsy report: Connor’s blood fits no known human classification. When a young man with the same dangerous charm as Con enters her life, Felicity and her young daughter become threatened by a past mysteriously entangled with an ancestral Derbyshire family who once guarded England’s forests from a fearsome enemy . . . This lush, suspenseful fairy-tale retelling in the Immortal Tales series is the perfect read if you enjoy werewolf novels and gothic horror with twists and turns that will keep you up all night. READERS ARE HOOKED ON THE IMMORTAL TALES: “I am enjoying this series. If you have a taste for the gothic it's for you . . . Very atmospheric and entertaining” Suspense Fan, 5* Amazon review “Sarah Rayne's writing is always beautiful. I want to read more stories by her” 5* Amazon review “Another superb book from a superb writer” Julie B., 5* Amazon review “An amazing read. Sarah Rayne keeps the reader in suspense until the very end” Amazon Customer, 5* Amazon review “Holds you captive every step of the way . . . you won't be disappointed” B.B. Norman, 5* Amazon review “If you like to be pleasurably frightened, then this is the book for you” Greg O'Rilla, 5* Amazon review THE IMMORTAL TALES: 1. Thorn 2. Changeling 3. Wildwood
A captivating cookbook by a renowned forager of wild edibles-with more than one hundred sumptuous recipes and full-color photographs. In the last decade, the celebration of organic foods, farmer's markets, and artisanal producers has dovetailed with a renewed passion for wild delicacies. On the forefront of this movement is longtime "huntress" Connie Green, who sells her gathered goods across the country and to Napa Valley's finest chefs including Thomas Keller and Michael Mina. Taking readers into the woods and on the roadside, The Wild Table features more than forty wild mushrooms, plants, and berries- from prize morels and chanterelles to fennel, ramps, winter greens, huckleberries, and more. Grouped by season (including Indian Summer), the delectable recipes-from Hedgehog Mushroom and Carmelized Onion Tart and Bacon-Wrapped Duck Stuffed Morels, to homemade Mulberry Ice Cream- provide step-by-step cooking techniques, explain how to find and prepare each ingredient, and feature several signature dishes from noted chefs. Each section also features enchanting essays capturing the essence of each ingredient, along with stories of foraging in the natural world. The Wild Table is an invitation to the romantic, mysterious, and delicious world of exotic foraged food. With gorgeous photography throughout, this book will appeal to any serious gatherer, but it will also transport the armchair forager and bring to life the abundant flavors around us. Watch a Video
This bracing book makes a forceful case for reinvigorating our efforts to address and prevent childhood sexual abuse. In recent years, Sarah Nelson argues, the fight against childhood sexual abuse has been complacent, or even fearful. She attacks the causes of this head-on, reassessing backlashes like that surrounding the "satanic panic" and arguing that policy makers, practitioners, and academics have a duty to move beyond such problems and address the real issue. To that end, she proposes new models for child-centered, perpetrator-focused protection, community prevention, and working with survivor-offenders. Sure to be controversial, Preventing Child Sexual Abuse will challenge--and galvanize--the field.
“A slim, tense page-turner . . . I gulped The Fell down in one sitting.” —Emma Donoghue, author of The Pull of the Stars From the award-winning author of Ghost Wall and Summerwater, Sarah Moss's The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster. At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can’t take it anymore—the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know she’s stepped out. Kate planned only a quick walk—a stretch of the legs, a breath of fresh air—on paths she knows too well. But somehow she falls. Injured, unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even a missing person case. Sarah Moss’s The Fell is a story of mutual responsibility, personal freedom, and compassion. Suspenseful, witty, and wise, it asks probing questions about how close so many live to the edge and about who we are in the world, who we are to our neighbors, and who we become when the world demands we shut ourselves away.
Castletown House, Ireland's largest and earliest Palladian-style house, was built between 1722 and 1729 for William Conolly, Speaker of the Irish House of Commons and the wealthiest commoner in Ireland. In 1967, the house was bought by the Hon. Desmond Guinness, founder of the Irish Georgian Society and opened to the public. In 1994, ownership of the house was transferred to the State, and it is now managed by the Office of Public Works. Castletown House, a history, is the story of that house, written by the children who grew up there, Baroness Diana Wrangle Conolly Carew, the Hon. Sarah McPherson & their brother, the Hon. Gerald Edward Ian Maitland-Carew. In this fascinating history, the character of the house is brought to life through its former residents, together with stories of their Olympic medals, the chance survival of the house through the Civil War, and tales of visiting royalty to the greatest of Ireland’s great houses.
This book provides an invaluable, comprehensive and practical introduction to conservation issues associated with current farming practice. Representing both industry and conservation as an integrated and holistic system, it explores conservation issues within every farming discipline; from arable and horticulture to grasslands, woodlands, aquatic and coastal farming and will include an assessment of the impact of global warming. The book includes relevant case studies and international, real-world examples, focusing on applied management and not just ecological facts, theories and principles. The carefully structured book begins by introducing the overall subject including some statistics on current farming activities, giving a brief outlook for the future of farming systems in relation to conservation. Each subsequent chapter will have its own introduction setting the commercial context and conservation value of an example farm, and will progress with a series of case studies that will include the following elements: site assessment; species list; soils management options; and a habitat management plan. A summary section will draw together the common themes of the chapter and develop a lead-in to subsequent chapters. It will provide students with an informed appreciation of current practice whilst raising questions about the development of conservation in farming in the future.
This is Victoria's first novel. She was born 29 years ago in London but now resides in East Sussex. Her hobbies include travel and exploring European cities. She has a strong belief in the manifestation of the spirits of the dead.
Mapping with Words re-conceptualizes settler writing as literary cartography. The topographical descriptions of early Canadian settler writers generated not only picturesque and sublime landscapes, but also verbal maps. These worked to orient readers, reinforcing and expanding the cartographic order of the emerging colonial dominion. Drawing upon the work of critical and cultural geographers as well as literary theorists, Sarah Wylie Krotz opens up important aesthetic and political dimensions of both familiar and obscure texts from the nineteenth century, including Thomas Cary’s Abram’s Plains, George Monro Grant’s Ocean to Ocean, and Susanna Moodie’s Roughing it in the Bush. Highlighting the complex territoriality that emerges from their cartographic aesthetics, Krotz offers fresh readings of these texts, illuminating their role in an emerging spatial imaginary that was at once deeply invested in the production of colonial spaces and at the same time enmeshed in the realities of confronting Indigenous sovereignties.
I mentioned to BCW's acquiring editor Michael Bracken that I was enjoying the mystery/science fiction crossover stories he had been selecting for BCW, many of them originals, and he confessed to challenging writers to come up with stories that mixed the two genres. I thought, Aha! So that’s where they have all been coming from! It’s a Good Thing in my opinion. And this issue we have another one—“For Blood,” by Eve Fisher, which works well as both science fiction and mystery. Another of our acquiring editors, Barb Goffman, was nominated for not one, but two Agatha Awards at the Malice Domestic mystery convention last weekend. It’s hard to win when you have two stories up at the same time in the same category, as she did. I kept my fingers crossed for a tie, so she’d have two Agatha Awards this year, but it wasn’t to be. Next year! The good news is, she affirmed her enthusiasm for editing for BCW, and this issue she has yet another great mystery story: “Death of a Bible Salesman,” by Sarah R. Shaber (who I suspect of watching Paper Moon in part for her inspiration. I have a fondness for stories about grifters and conmen.) And speaking of conmen, we have another rare tale by Christopher B. Booth featuring conman deluxe Mr. Amos Clackworthy. Plus mysteries by Hulbert Footner and Hal Charles (a solve-it-yourself puzzler). Plus a historical adventure by western author W.C. Tuttle. On the science fiction front, we have Darrell Schweitzer’s 1979 interview with Fred Saberhagen. If you’re a fan of his Berserker series, there’s a lot here about it. Michael Swanwick returns to our pages with “The House of Dreams,” a fantasy tale selected by Cynthia Ward. Plus we have classics by Malcolm Jameson and Lester del Rey (both from the Golden Age of Astounding Science Fiction) plus a dark science fiction tale by Henry Kuttner from Weird Tales. This issue also has the final 3 episodes of Mel Gilden’s novel, The Case by Case Casebook of Emily Silverwood. Great Fun. Here’s the lineup: Non-Fiction: Speaking with Fred Saberhagen, an Interview by Darrell Schweitzer [interview] Mysteries / Suspense / Adventure: For Blood, by Eve Fisher [Michael Bracken Presents short story] Booked For Murder, by Hal Charles [solve-it-yourself mystery] Death of a Bible Salesman, by Sarah R. Shaber [Barb Goffman Presents short story] The Case of Luke Darrow, by Hulbert Footner [novel] When Mr. Clackworthy Needed a Bracer, by Christopher B. Booth [novelette] Cinders, by W.C. Tuttle [short story] Science Fiction & Fantasy: For Blood, by Eve Fisher [Michael Bracken Presents short story] The House of Dreams, by Michael Swanwick [Cynthia Ward Presents short story] Tricky Tonnage, by Malcolm Jameson [short story] Raider of the Spaceways, by Henry Kuttner [novelette] The Renegade, by Lester del Rey [short story] The Case by Case Casebook of Emily Silverwood, by Mel Gilden (Part 4 of 4) [Serial Novel]
Here is the 34th issue of Black Cat Weekly, packed with more than 500 pages of great reading, with contents ranging from mystery to adventure to science fiction and fantasy. The complete contents includes: Mysteries / Suspense / Adventure: “Skin,” by Stephen D. Rogers [Michael Bracken Presents short story] “Booked for Murder,” by Hal Charles [solve-it-yourself mystery] “Grateful Touring,” by Sarah M. Chen [Barb Goffman Presents short story] The Case of Shem Packer, by Hulbert Footner [novel] “The Dragoman’s Secret,” by Otis Adelbert Kline [novelet] Science Fiction & Fantasy: “Skin,” by Stephen D. Rogers [Michael Bracken Presents short story] “A Single Feather,” by Marsheila Rockwell and Jeffrey J. Mariotte [Cynthia Ward Presents short story] The Case by Case Casebook of Emily Silverwood, by Mel Gilden (Part 3 of 4) [Serial Novel] “Towers of Death,” by Henry Kuttner [novelet] The Hill of Dreams, by Arthur Machen [novel] Non-Fiction: Arthur Machen: Weaver of Fantasy, by William F. Gekle [author study]
Silas is ten years old when the headaches start. When the diagnosis arrives, his parents are told they have until Christmas... maybe. And so begins Sarah Pullen’s battle to save her son, against doubting doctors and insurmountable odds. This story about love and loss traces her family’s journey from that first day at the hospital, battling a tumour they named ‘Bob’, through Silas’s death and beyond. This profoundly moving and honest account shows that it is possible to find the strength for a journey that no mother should ever go on; that it is possible to find a new way to live, even when death is knocking on the door. It is about confronting grief – raw, ugly, incomprehensible grief. It is a book about wrapping a small boy in love, but still letting him get grubby knees. It is about learning to savour every moment of the here and now, yet also learning to let go. At its heart, A Mighty Boy is a story of the love between a mother and a son. It is a book about seizing the moment and somehow managing to survive the death of a child. But most of all it is a book about a small, mighty, smiling boy.
THE NUMBER ONE BESTSELLER The hilarious and heart-wrenching new novel from the Sunday Times bestselling author of STEPPING UP and THE UNMUMSY MUM. ******************* ‘Sarah Turner writes family like no one else. With her trademark humour and insight, Turner creates a colourful world of family secrets and misunderstandings, of arguments and avoidance, while also revealing the love that lies beneath. I loved it.’ Katie Marsh, author of UNBREAK YOUR HEART Sometimes, in order to move forward, you need to go back. Joni’s always felt like an outsider in her blended family, and as an adult she’s done all she can to avoid them. The only person she’s remained close to is her beloved Nana. When Nana dies, she leaves behind something unexpected: an itinerary of pre-arranged activities for the whole family to complete over the course of a week. After years of trying but failing to bring Joni back into the fold, this appears to be Nana’s parting shot. After all, nothing says ‘family bonding’ quite like abseiling and ballroom dancing. With marriage and kids on the horizon, the life Joni’s always dreamed of is finally within touching distance. The last thing she wants to do is revisit the past. But Joni’s about to discover that a lot can happen in seven days. Nana’s Week of Fun is about to change everything... 'What a brilliant storyteller Sarah is . . . as well as laughing out loud, I also cried A LOT' Jennie Godfrey, author of THE LIST OF SUSPICIOUS THINGS ‘On The Edge is warm, funny and truthful about the complexities of families. It’s bursting with positivity, and full of characters the reader can root for.’ Caroline Hulse, author of THE ADULTS Readers love On the Edge! 'I laughed out loud constantly and cried a little as well. The family are so well put together, they felt familiar and recognisable' 'I loved this book and would have read it in a single day if my kids hadn’t needed attention' 'There were so many relatable moments in the book that really resonated for me and just had me rooting for Joni' Praise for Sarah Turner: 'Written with such love and heart. Sarah has done an exceptional job of marrying her trademark comedy with deep and raw emotion. I loved it!' GIOVANNA FLETCHER 'Stop EVERYTHING and read this! Funny, tender and beautifully observed. Loved, loved, LOVED it!' CATHY BRAMLEY 'A heart-blasting triumph of a novel - wise, witty and wonderfully human.' ISABELLE BROOM ******************* On the Edge was a #1 Kindle bestseller on 7/8/24
This fascinating new look at the artistic legacy of the Tudors reveals the dynasty’s enduring influence on the arts of Renaissance England and beyond. Ruling successively from 1485 through 1603, the five Tudor monarchs brought seismic changes to England that reverberated throughout Europe. They used the arts to legitimize and glorify their tumultuous rule, from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “Virgin Queen” Elizabeth I. With incisive scholarship and sumptuous new photography, this book explores the extreme politics and outsize personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting top artists and artisans from across Europe. At the same time, the Tudors nurtured local talent and gave rise to a distinctly English aesthetic, one that is forever connected to the myth and visual legacy of their dynasty. The Tudors reveals the true history behind a family that has long captured the public imagination, bringing to life their extravagant and politically precarious world through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.
The gripping follow-up to Stonehill Downs As the most valuable asset in the kingdom of Wilhaiim, Malachi Doyle has many responsibilities—protector, assassin, detective, and King Renault's right-hand man. And until he met Avani in the cursed village of Stonehill Downs, he believed he was the last of his kind: a magus who can communicate with the dead. But Wilhaiim is left vulnerable when Mal and his page, Liam, are kidnapped and ferried across the Long Sea to a warring kingdom in search of its own magus. To make matters worse, a springtime plague is rapidly spreading, and beneath the earth the sidhe are preparing for war. With Mal missing and presumed dead, Avani reluctantly takes his place as Wilhaiim's magus. But her powers are unreliable and untested, her many allies are treacherous, and she is certain Mal is alive. Will she be able to keep Wilhaiim—and herself—safe?
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.