A deep dive into the creative world and personal archive of the master of horror Clive Barker, from Hellraiser and Candyman to today "I've seen the future of horror . . . and his name is Clive Barker." In the mid-1980s, Stephen King inducted a young English novelist into the world of great genre writers, and since then, this genius creator has only continued to expand his field of activity. Created by his two most loyal collaborators, Phil and Sarah Stokes, Clive Barker’s Dark Worlds is the first book to shed light on the massive scope of Barker’s creative work. With the help of Barker himself, this book contains exclusive insight from those who have worked with him creatively and professionally, alongside analyses of his works and comments over four decades from industry contemporaries and friends such as Ramsey Campbell, Quentin Tarantino, Neil Gaiman, China Miéville, Peter Straub, Armistead Maupin, J.G. Ballard, Wes Craven, and many more. The book spans Barker’s world, highlighting classics such as the character Pinhead, an icon in the pantheon of horror cinema; the Hellraiser series of ten films and a forthcoming HBO miniseries; and the cult films Nightbreed and Candyman, the latter of which was rebooted as a Jordan Peele production in 2021. In literature, Barker has written the horror anthology series Books of Blood, which was recently adapted by Hulu, as well as numerous fantasy sagas. Weaveworld and The Great and Secret Show have become instant genre classics, and Abarat is a beloved bestselling series for young adults. In the world of comics, Barker has partnered with major publishers such as Marvel and BOOM! Studios. This tireless creator has also dipped his toes into the worlds of toys, video games, and art, and his incredible collection of paintings, drawings, and photographs have been exhibited in galleries over the world.
Perceptions of the Prehistoric in Anglo-Saxon England represents an unparalleled exploration of the place of prehistoric monuments in the Anglo-Saxon psyche, and examines how Anglo-Saxon communities perceived and used these monuments during the period AD 400-1100. Sarah Semple employs archaeological, historical, art historical, and literary sources to study the variety of ways in which the early medieval population of England used the prehistoric legacy in the landscape, exploring it from temporal and geographic perspectives. Key to the arguments and ideas presented is the premise that populations used these remains, intentionally and knowingly, in the articulation and manipulation of their identities: local, regional, political, and religious. They recognized them as ancient features, as human creations from a distant past. They used them as landmarks, battle sites, and estate markers, giving them new Old English names. Before, and even during, the conversion to Christianity, communities buried their dead in and around these monuments. After the conversion, several churches were built in and on these monuments, great assemblies and meetings were held at them, and felons executed and buried within their surrounds. This volume covers the early to late Anglo-Saxon world, touching on funerary ritual, domestic and settlement evidence, ecclesiastical sites, place-names, written sources, and administrative and judicial geographies. Through a thematic and chronologically-structured examination of Anglo-Saxon uses and perceptions of the prehistoric, Semple demonstrates that populations were not only concerned with Romanitas (or Roman-ness), but that a similar curiosity and conscious reference to and use of the prehistoric existed within all strata of society.
Sarah Kennedy (1823-1899) was the wife of a wealthy slaveowner, D.N. Kennedy, at the outbreak of the Civil War. D.N. Kennedy was a major supporter of secession in Tennessee who was rewarded for his devotion to the new nation with a job (though vaguely defined) in the Confederate Treasury Department. He shipped off for Mississippi, leaving Sarah Kennedy to care for six young children (including a son, 'Newty,' with special needs) and watch over numerous slaves on a large plantation in Clarksville. She was burdened by ill health (both her own and her children), slaves that, one by one, disappear under federal occupation, and by the lack of consistent contact with her beloved husband owing to the Confederate mail system--which comes under surprising scrutiny here. Her letters are mostly about personal matters, but they offer significant insight into slavery and social relations in Clarksville under occupation
Settler churches across North America have committed to the work of conciliation and reconciliation with Indigenous Peoples. Worship is a space in which these commitments are expressed and nurtured. As we are embraced by God’s reconciling love in worship, we are equipped to carry that reconciling love into our relationships beyond the worship space. Worship equips us for the work of conciliation, but the liturgy itself needs to be decolonized if it is to truly honor Christian commitments to God and neighbor. This book explores the reformed liturgy in its pattern of Gathering, Word, Table, and Sending, searching it both for colonial vestiges, and spaces of new possibility. Unsettling Worship invites the reader into a conversation about reformed worship in a setting of ongoing colonization. Worship should both unsettle us, and equip us for the essential work of making things right with Indigenous neighbors.
Roberta senses a situation requiring the Fellowship’s intervention, but her vision offers few clues for Jillian and Sam to go on. While the two Deiforms search for the troubled church in Roberta’s vision, Jillian experiences frightening breaks from reality. Ropes and chains aren’t required to bind people together. Some bonds must be broken. Some bonds can’t be broken. In Unseen Bonds, Jillian and Sam must break one bond and come to terms with another. Keywords: mystery, supernatural, paranormal, urban fantasy, atheist, atheism, christianity, god, religion, telepathy, astral projection, women sleuth, female character, human trafficking, modern-day slavery
Growing south from the plaza where the city of Los Angeles was founded as a tiny pueblo in 1781, the area now known as downtown L.A. was first developed in the late 1800s as a residential neighborhood, complete with churches and schools. As the population surged at the turn of the 20th century, the downtown area was transformed into a busy business and entertainment center of shops, banks, hotels, and theaters. The explosion of the postcard craze in the early 1900s coincided with this period of downtowns tremendous growth toward a formidable metropolis. This collection of vintage postcards offers a glimpse into the changing city through the 1940s.
In this riveting, beyond-belief true story from the author of The Borden Murders, meet the five children who captivated the entire world. When the Dionne Quintuplets were born on May 28, 1934, weighing a grand total of just over 13 pounds, no one expected them to live so much as an hour. Overnight, Yvonne, Annette, Cécile, Émilie, and Marie Dionne mesmerized the globe, defying medical history with every breath they took. In an effort to protect them from hucksters and showmen, the Ontario government took custody of the five identical babies, sequestering them in a private, custom-built hospital across the road from their family--and then, in a stunning act of hypocrisy, proceeded to exploit them for the next nine years. The Dionne Quintuplets became a more popular attraction than Niagara Falls, ogled through one-way screens by sightseers as they splashed in their wading pool at the center of a tourist hotspot known as Quintland. Here, Sarah Miller reconstructs their unprecedented upbringing with fresh depth and subtlety, bringing to new light their resilience and the indelible bond of their unique sisterhood.
A study of the fast-growing Victorian suburbs as places of connection, creativity, and professional advance, especially for women Literature has, from the start of the nineteenth century, cast the suburbs as dull, vulgar, and unimaginative margins where, by definition, nothing important takes place. Sarah Bilston argues that such attitudes were forged to undermine the cultural authority of the emerging middle class and to reinforce patriarchy by trivializing women's work. Resisting these stereotypes, Bilston reveals that suburban life offered ambitious women, especially writers, access to supportive communities and opportunities for literary and artistic experimentation as well as professional advancement. Bilston interprets both familiar figures (sensation novelist Mary Elizabeth Braddon) and less well-known writers (including interior design journalist Jane Ellen Panton and garden writer Jane Loudon) to reveal how women and society at large navigated a fast-growing, rapidly changing landscape. Far from being a cultural dead end, the new suburbs promised women access to the exciting opportunities of modernity.
Provides a definitive bibliographic review of the literature related to DNA mapping and sequence analysis, with a focus on computer and mathematical aspects of molecular biology and genetics. Over 2200 entries, arranged by author's name.
This groundbreaking study offers fresh insight into the relationship between radical theology and gender radicalism in the seventeenth-century English Revolution. Examining published works and previously unexplored archival material, Sarah Apetrei shows the transformative role that women played in religious reform during the period.
A deep, abiding passion for a modern-day tyrant, sociopath, or fraud might be cause for concern among the newshound's friends and family. But let the story be strange enough, and let enough time pass, and, suddenly, the subject becomes obsession-worthy: something to share at trivia night, to pore over at the library, or, as it turns out, to recommend to us. Since starting our podcast, Stuff You Missed in History Class, listeners have written in to request countless villains, tyrants, and imposters, representing all eras of history and all corners of the world. Sometimes the stories of these no-good characters turn out to be worse than imagined, like the nightmarish murders committed by the real Bluebeard, Gilles de Rais. Other times, though, the villains revealed a surprisingly human side, like the fierce female pirate Zheng Yi Sao's plans for a comfy retirement, or master thief Adam Worth's deep devotion to his family and his code. This book pulls together the exploits of these historically bad and worse-than-bad figures into one collection, arranged into chapters we thought made sense. You'll find tyrants like Caligula with conquerors like Tamerlane; the questionably bad gangster Ma Barker grouped with mastermind mobster Al Capone; and folk hero criminal D.B. Cooper paired up with the charmingly fraudulent Princess Caraboo. And if by the end you're not already losing sleep thanks to terrifying visions of the pirate Blackbeard with his beard alight, we've included some bonus content on creepy hotels and mysterious hidden passageways to kick off your next research obsession. Enjoy! -Sarah and Deblina
The Myth of Harm engages and analyses controversies generated by horror that examines some of the most high-profile media debates around the issue of whether or not horror texts corrupt children. The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. Recognising the circularity of patterns in each generational manifestation of horror censorship, The Myth of Harm draws upon cases such as the Slenderman stabbing and the James Bulger murder amongst many others in order to explore the manner in which horror has been repeatedly cast as a harmful influence upon children at the expense of scrutinising other more complex social issues. Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding the genre of horror and question the very motivation behind the proliferation and dissemination of these myths as scapegoats for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbolae for the news industry.
Bringing together key writings with original textbook material, the second edition of Media Studies: The Essential Resource explains central perspectives and concepts within Media Studies. Readers are introduced to a range of writing on media topics promoting an understanding of the subject from both contemporary and historical perspectives. The text is split into three parts covering Analysis and Perspectives, Media Audiences and Ecologies and Creativities. The key areas of study are discussed, with accessible readings from essential theoretical texts and fully supported with an author commentary. Theoretical perspectives are used to analyse contemporary media forms and activities direct students to interrogate readings further and apply their learning. Encouraging critical and analytical study, Media Studies: The Essential Resource helps students to understand the main theories and theorists within Media Studies.
William Faulkner at Twentieth Century-Fox: The Annotated Screenplays presents for the first time and in one volume the five screenplays Faulkner wrote while under contract to Twentieth Century-Fox in the mid 1930s and a sixth he wrote in 1952. An informative introduction describes Faulkner's screenwriting practices, such as adaptation and collaboration, and contextualizes these within a broader genealogy of Hollywood screenwriting and within one of the most important moments in the history of American cinema. Each of the six screenplays appears in full with scholarly annotations, and brief prefatory essays elucidate their evolution over various drafts and with various co-writers. The edition makes available for the first time and in one volume Faulkner's Fox screen writings, and, with its scholarly apparatus, thus makes a valuable contribution to recent scholarship across a number of fields: Faulkner and film; literature and film/adaptation studies; cinematic modernism; and screenplay studies. It also foregrounds Faulkner's many significant collaborators, such as Zanuck and Howard Hawks, and therefore makes an important contribution to the history of Twentieth Century-Fox under Zanuck.
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
Modern midwifery practice should be based on the findings of up-to-date research, which is necessarily changing and dynamic. The Midwifery Practice Series was specifically designed to enable busy practitioners and students to have access to a broad-ranging survey and analysis of the literature in a form that draws out the research-based implications for practice. With the Core Topics' books the Midwifery Practice series is relaunched and updated. The latest research findings and the implications for midwifery care in the wake of the 'Changing Childbirth' report are considered, along with seminal earlier work. The relationship between critically reviewed research findings and good practice remains essential.
Introduction: The Maternal Imprint -- Sex Equality in Heredity -- Prenatal Culture -- Germ Plasm Hygiene -- Maternal Effects -- Race, Birth Weight, and the Biosocial Body -- Fetal Programming -- It's the Mother! -- Epilogue: Gender and Heredity in the Postgenomic Moment.
Written by an educator and a national authority on ethics and featuring detailed real-life case studies, this volume outlines the relationship between ethical practices and school success.
A delectable comedy for every woman who's ever wondered if buying that six-dollar box of organic crackers makes her a hero or a sucker. Julia Bailey is a mompreneur with too many principles and too little time. Her fledgling company, Julia's Child, makes organic toddler meals like Gentle Lentil and Give Peas a Chance. But turning a profit while saving the world proves tricky as Julia must face a ninety-two-pound TV diva, an ill-timed protest rally, and a room full of one hundred lactating breasts. Will she get her big break before her family reaches the breaking point? In the end, it is a story about motherhood's choices: organic versus local, paper versus plastic, staying at home versus risking it all. A cookbook author's hilarious fiction debut, Julia's Child will have foodies and all-natural mamas alike laughing, cheering, and asking for more.
There is currently an acute lack of scholarly engagement with Buddhism and youth. Based on ground-breaking empirical research, Understanding Young Buddhists: Living out Ethical Journeys explores the stories of young Buddhists, through a rich analysis of their lived experiences. Page and Yip explore their journeying into Buddhism, their Buddhist belief and practice, their management of sexuality, and their social positioning in relation to family and kin, friendship networks, youth culture, and occupational aspirations. Using lived religion as a theoretical lens, and bringing into dialogue research on Buddhism and youth, Understanding Young Buddhists convincingly demonstrates the resourcefulness and creativity of young Buddhists in developing ethics for life, as they negotiate the diverse challenges and opportunities in their journeys of life.
Worthington provides a broad overview of personal property law in a commercial context, examining the various devices used by contracting parties and attempting to distil a theoretically rigorous framework to describe the relevant laws.
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