In the fourth installment in the Adam Fletcher Adventure Series, a gypsy family sets up camp on the edge of town peddling tinctures, potions, magic, and fortunetelling. And like a moth to a flame, Adam Fletcher is drawn there. He decides to pay the mysterious Madame Endora a visit, just for fun — or so he thinks. Soon after, a series of worrisome circumstances begin to unfold, one after the other, sending the sleepy port town of Beaufort into a hysterical frenzy. Is there really a curse, or is something more sinister to blame?
June 1766 – Havana, Cuba Adam Fletcher begins a life-altering quest when he travels to help deliver cargo in the West Indies. Not long after the Carolina Gypsy arrives in the bustling port of Havana, Cuba, Adam ventures out on his own to track down a man who he has been told may have information about his father. His plans are complicated, however, when he ends up being taken hostage by the very men he hired as interpreters. When his shipmates receive a ransom letter, they launch a desperate search to find him, but meanwhile, Adam plots his own escape from the hands of his captors. Once he discovers who’s behind it all, he starts thinking that maybe he should have left well-enough alone instead of trying to dig up secrets that were buried in the past. Captured in the Caribbean is the second book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you'll love Sara Whitford's entertaining series!
Port Beaufort, North Carolina - May 1765 Seventeen-year-old Adam Fletcher is no stranger to fist fights, but when he bloodies the nose of the obnoxious son of Port Beaufort’s customs agent, the local magistrate offers Adam two choices: jail or an apprenticeship. Choosing the latter, he soon finds himself bound apprentice to a reclusive old man with a secret, colorful past. Although Adam is less than thrilled about his new situation, when he is asked to spy on his master as a suspected smuggler, he has to decide where his loyalties lie. Will he perform his civic duty to the Crown, or will he do whatever is necessary to protect the old man, possibly putting even his own family in danger? Secrets will be revealed, loyalties will be questioned, betrayals will be uncovered, and a young man’s character will be put to the test in The Smuggler’s Gambit. The Smuggler’s Gambit is the first book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you’ll love Sara Whitford’s entertaining series!
Port Beaufort, North Carolina - December 1766 After a tumultuous time in Havana where he uncovered more family secrets in a week than most people do in a lifetime, Adam Fletcher is grateful things are finally starting to get back to normal. That is until an inexplicable series of brutal crimes in the region hits a little too close to home. Suddenly, Adam finds himself in the middle of hunting down clues to try and identify the suspect, or suspects, in three different murders, one of which has a mystery victim. Murder in the Marsh is the third book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you’ll love Sara Whitford’s entertaining series!
This volume examines important themes in the theoretical debates on the relationship of language and gender. It analyses this relationship across a range of different disciplinary perspectives from linguistics, literary theory, cultural studies and visual analysis. The focus of the book goes beyond an analysis of women's language to discuss the complexities of gendered language with chapters on lesbian poetics, the language of girls and boys and the relationship between gender and genre.
June 1766 – Havana, Cuba Adam Fletcher begins a life-altering quest when he travels to help deliver cargo in the West Indies. Not long after the Carolina Gypsy arrives in the bustling port of Havana, Cuba, Adam ventures out on his own to track down a man who he has been told may have information about his father. His plans are complicated, however, when he ends up being taken hostage by the very men he hired as interpreters. When his shipmates receive a ransom letter, they launch a desperate search to find him, but meanwhile, Adam plots his own escape from the hands of his captors. Once he discovers who’s behind it all, he starts thinking that maybe he should have left well-enough alone instead of trying to dig up secrets that were buried in the past. Captured in the Caribbean is the second book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you'll love Sara Whitford's entertaining series!
Honorable Mention, 2006 Goethe Award for Psychoanalytic Scholarship presented by the Section on Psychoanalysis of the Canadian Psychological Association This is the first systematic overview of Julia Kristeva's vision and work in relation to philosophical modernity. It provides a clear, comprehensive, and interdisciplinary analysis of her thought on psychoanalysis, art, ethics, politics, and feminism in the secular aftermath of religion. Sara Beardsworth shows that Kristeva's multiple perspectives explore the powers and limits of different discourses as responses to the historical failures of Western cultures, failures that are undergone and disclosed in psychoanalysis.
This brief investigates school shootings and their impact on individual, community, and societal levels. It includes professional and personal perspectives from individuals directly involved in and impacted by school shootings. These novel perspectives will help inform best practices necessary to strengthen school safety measures, as well as prevention and response efforts. This brief will serve as helpful guide to mental health professionals, school administrators, psychology students and educators, law enforcement, and threat management and crisis response teams, aiding in better understanding of the many factors surrounding school shootings.
This is the 3rd volume in Mr. Kaufman's hilarious, how-to series for hard-working self-starters and hard-laughing, cheeky filmmakers. "Sell Your Own Damn Movie!" covers everything you need to do to get your finished film seen by festival-goers, movie-goers, DVD-buyers and web-goers around the world. You will be lead through a primer on the history of film distribution to a discussion of the many ways you can get your film out there, either through a reputable distributor or all on your own. From the realities of distribution, to utilizing the internet to self-distribution, Mr. Kaufman tells you in his habitually lucid and off-the-wall way. Inserts include interviews and pointers from veteran distribution pros as well as directors and producers who share their own front-line stories. Mr. Kaufman recounts his own raucous stories of marketing pleasures and nightmares from 35 years of movie-making experience, creating a uniquely useful and entertaining read. Or, in Lloyd's inimitable words. The most asked question at my worldwide popular, legendary, renowned master class is, "How do I get my no-budget, zombie giraffe flick distributed?†Well, have no fear, because the 3rd volume in Uncle Lloydie's how-to series of go-to guides for filmmakers reveals the secrets, methods and tricks (short of prostituting yourself and selling bodily organs) to getting your film distributed. With Troma, our legendary 35-year-old independent studio, Michael Herz and I have developed a low cost, high-impact method for low-budget film distribution, which has lead to a high-profile brand name and a catalog of over 800 titles! Now you can learn to get you movie out there, too. I will be your busty tour guide, sharing with you my hard-earned cinematic distribution know-how! -LEARN! How I achieved box office success with my fowl chicken zombie masterpiece Poultrygeist, and everyone's favorite super-human hero from New Jersey, the Toxic Avenger, for practically no money! -SMELL! The sewer that is mainstream distribution as I drag you through the muck, be-farting upon you the real scoop behind "indie†and mainstream distribution deals. -MASTICATE! (No, not that kind of masticating) On the knowledge of DVD distribution as I es-chew the fat and get to the skinny of Do-It-Yourself DVD distribution. I will teach you the fundamentals of having a good website (like www.Troma.com) to boost your sales! -FEAST! On my golden brown chicken puns as I cleverly cluck your brain out with the irrefutable knowledge of how I sold over 10,000 units of the 3-disc limited-edition Poultrygeist DVD in a matter of months! YES! If you have any doubt that I will not be able turn your no-budget zombie giraffe opus into box-office gold, then put down this book proposal! No wait, pick it back up, pick it back up! This is a recession damnit, Troma needs all the money we can, er... I need to educate you filmmakers looking for distribution gold (brown)! After reading my book, any damn filmmaker will be able to "Sell Your Own Damn Movie!†Featuring expert advice from those who have successfully sold their films: * David Cronenberg (Director of The Fly, Crash, A History of Violence) * Oren Peli (Director/Producer of Paranormal Activity) * Ted Hope (Producer of Crouching Tiger, Hidden Dragon, In the Bedroom, Happiness) * Brad Kembel (Executive Vice President of International Distribution at Summit Films; Twilight) * James Gunn (Writer/Director of Super, Dawn of the Dead, Slither) * Jonathan Wolf (Executive Vice President, Independent Film and Television Alliance and Managing Director, American Film Market) ... and many more who have sold their own damn movies!
`Sara Delamont eloquently explores the impact of feminism on sociology and powerfully argues that it has been marginalised. A "must read" for all sociologists searching for a complete account of the development of the discipline′ - Emma Wincup, School of Social Policy, Sociology and Social Research, University of Kent at Canterbury `This is a model of what a textbook should be, for Delamont states what she intends to do, does it with clarity, summarises succinctly and provides interesting and pertinent references′ - Sociological Research Online This book explores the achievements of British feminist sociology in theory, methods and empirical research. It outlines the barriers to the development of feminism and explores contemporary challenges. It provides an unrivalled guide to the origins of feminism in the discipline of sociology, analyses the uneasy relationships between feminists and the founding fathers and elucidates the opportunities and challenges presented by post-modernism. The book was written in the spirit of trying to be even-handed in its discussion of the various schools of feminism. It draws on a variety of empirical areas, from science to stratification and from healths and illness to the professions to illustrate the depth and vitality of feminist perspectives.
In the year 2000, two young editors, Nicholas Blincoe and Matt Thorne, published All Hail the New Puritans, an anthology of short stories which created an impact in the somewhat faded literary scene of Britain at the turn of the millennium. The stories themselves, written by 15 young English writers (Scarlett Thomas, Alex Garland, Ben Richards, Nicholas Blincoe, Candida Clark, Daren King, Geoff Dyer, Matt Thorne, Anna Davis, Bo Fowler, Matthew Branton, Simon Lewis, Tony White, Toby Litt and Rebbecca Ray), together with the editors' manifesto, offered a new and stimulating approach to fiction, although the whole project had an outrageous reception by the literary establishment. For the first time, a collection of essays addresses the importance of the New Puritan movement and provides guidelines to understand this generation of writers.
It is not hard to be a research active academic, or to build a research group, or to create a research culture. Here are sensible strategies available to everyone, and that empower everyone in higher education. Seizing the opportunities, refusing to be a victim, and – most importantly – learning how the system works, are among the strategies available to anyone motivated to succeed. This book takes a radical, unstuffy look at higher education. It is of interest and relevance to anyone working in the higher education sector. Based on the authors’ research on research groups, and on their experience as Head of Department, Dean and Pro Vice-Chancellor, the book provides advice for younger academics making their way in the system, and for more senior people who need to mentor research staff, build research groups and shape research-led careers. The book provides practical advice on key aspects of research activity: getting research grants, publishing in peer-reviewed journals, and writing books. The current climate of research activity is discussed in the context of Research Assessment, and the context of ‘glittering prizes’.
Simone de Beauvoir's Le Deuxi_me Sexe has been studied extensively since its appearance in 1949. Through the years, certain passages have taken on prestige; others are seen as unimportant to understanding Beauvoir's argument. In Toward a Phenomenology of Sexual Difference, Sara HeinSmaa rediscovers those neglected passages in her quest to follow Beauvoir's line of thinking. HeinSmaa, like some other recent philosophers, finds that Le Duexi_me Sexe is a philosophical inquiry, not the empirical study it is commonly thought to be. Others who view Beauvoir's masterpiece as a work of philosophy argue it is a criticism not only of Sartrean phenomenology, but of phenomenology as a whole. HeinSmaa thinks differently. She finds that Beauvoir's starting point is the Husserlian idea of the living body that she found developed in Merleau-Ponty's PhZnomZnologie de la perception. So when Beavoir wrote Le Duexi_me Sexe, she was writing not as Sartre's pupil, but as a scholar in the tradition of Husserl and Merleau-Ponty.
This book addresses the various sustainability issues that the tourism industry has faced over time like the trend from over-tourism to under-tourism or from tourism in increasingly distant destinations to a new local tourism with new needs. It also highlights how contracts, both between businesses and those with consumers, can represent tools for the financial, ecological and social sustainability of the tourism industry.
Differences That Matter challenges existing ways of theorising the relationship between feminism and postmodernism which ask 'is or should feminism be modern or postmodern?' Sara Ahmed suggests that postmodernism has been allowed to dictate feminist debates and calls instead for feminist theorists to speak (back) to postmodernism, rather than simply speak on (their relationship to) it. Such a 'speaking back' involves a refusal to position postmodernism as a generalisable condition of the world and requires closer readings of what postmodernism is actually 'doing' in a variety of disciplinary contexts. Sara Ahmed hence examines constructions of postmodernism in relation to rights, ethics, subjectivity, authorship, meta-fiction and film.
Despite years of propaganda attempting to convince us otherwise, popular media is beginning to catch on to the idea that the home is one of the most dangerous and difficult places for a woman to be. This book examines emergent trends in popular media, which increasingly takes on the realities of domestic violence, toxic home lives and the impossibility of "having it all." While many narratives still fall back on outmoded and limiting narratives about gender--the pursuit of romance, children, and a life dedicated to the domestic--this book makes the case that some texts introduce complexity and a challenge to the status quo, pointing us toward a feminist future in which women's voices and concerns are amplified and respected.
Literary theory has now become integral to how we produce literary criticism. When critics write about a text, they no longer think just about the biographical or historical contexts of the work, but also about the different approaches that literary theory offers. By making use of these, they create new interpretations of the text that would not otherwise be possible. In your own reading and writing, literary theory fosters new avenues into the text. It allows you to make informed comments about the language and form of literature, but also about the core themes - concepts such as gender, sexuality, the self, race, and class - which a text might explore. Literary theory gives you an almost limitless number of texts to work into your own response, ensuring that your interpretation is truly original. This is why, although literary theory can initially appear alienating and difficult, it is something to get really excited about. Imagine you are standing in the centre of a circular room, with a whole set of doors laid out around you. Each doorway opens on to a new and illuminating field of knowledge that can change how you think about what you have read: perhaps in just a small way, but also perhaps dramatically and irrevocably. You can open one door, or many of them. The choice is yours. Put the knowledge you gain together with your own interpretation, however, and you have a unique and potentially fascinating response. Each chapter in Literary Theory: A Complete Introduction covers a key school of thought, progressing to a point at which you'll have a full understanding of the range of responses and approaches available for textual interpretation. As well as focusing on such core areas as Marxism, Modernism, Postmodernism, Structuralism and Poststructuralism, this introduction brings in recent developments such as Eco and Ethical Criticism and Humanisms.
Issues surrounding birth and death have been fundamental for Western philosophy as well as for individual existence. The contributors to this volume unravel the gendered aspects of the classical philosophical discourses on death, bringing in discussions about birth, creativity, and the entire chain of human activity. By linking their work to major thinkers such as Heidegger, Nietzsche, Beauvoir, and Arendt, and to major philosophical currents such as ancient philosophy, existentialism, phenomenology, and social and political philosophy, they challenge prevailing feminist articulations of birth and death. These philosophical reflections add an important sexual dimension to current thinking on identity, temporality, and community.
This is a question-and-answer companion that allows you to evaluate your mastery of the subject matter. It is made up of approximately 390 questions divided into 39 individual quizzes each that correspond to chapters in the textbook.
Winner - 2023 John Brinkerhoff Jackson Book Prize, UVA Center for Cultural Landscapes With more than eight hundred sprawling green acres in the middle of one of the world’s densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms, businesses, churches, wars, and burial grounds—and home to many different kinds of New Yorkers. This book is the authoritative account of the place that would become Central Park. From the first Dutch family to settle on the land through the political crusade to create America’s first major urban park, Sara Cedar Miller chronicles two and a half centuries of history. She tells the stories of Indigenous hunters, enslaved people and enslavers, American patriots and British loyalists, the Black landowners of Seneca Village, Irish pig farmers, tavern owners, Catholic sisters, Jewish protesters, and more. Miller unveils a British fortification and camp during the Revolutionary War, a suburban retreat from the yellow fever epidemics at the turn of the nineteenth century, and the properties that a group of free Black Americans used to secure their right to vote. Tales of political chicanery, real estate speculation, cons, and scams stand alongside democratic idealism, the striving of immigrants, and powerfully human lives. Before Central Park shows how much of the history of early America is still etched upon the landscapes of Central Park today.
Adam Fletcher’s fifth adventure picks up right where The Gypsy’s Curse left off —in the kitchen of the Topsail Tavern. After the initial shock has worn off about Santiago’s return, Adam and his father decide to go on a short errand together to New Bern to deliver a letter for Emmanuel. While they’re in town, they learn that Annabelle, the new bride of the recently-freed Martin family slave, Charles Jr., has gone missing. Adam and his father are glad to try and help find her, but when they discover where she is and what has happened, it’s a race against the clock to secure her safety. The adventure will take father and son all the way to Boston to track down Will Martin, the only person who can intervene on Annabelle’s behalf. They soon find out that making it back to North Carolina with Will — along with some unexpected companions — was only half the battle. The Stolen Bride is the fifth book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you’ll love Sara Whitford’s entertaining series!
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
Port Beaufort, North Carolina - May 1765 Seventeen-year-old Adam Fletcher is no stranger to fist fights, but when he bloodies the nose of the obnoxious son of Port Beaufort’s customs agent, the local magistrate offers Adam two choices: jail or an apprenticeship. Choosing the latter, he soon finds himself bound apprentice to a reclusive old man with a secret, colorful past. Although Adam is less than thrilled about his new situation, when he is asked to spy on his master as a suspected smuggler, he has to decide where his loyalties lie. Will he perform his civic duty to the Crown, or will he do whatever is necessary to protect the old man, possibly putting even his own family in danger? Secrets will be revealed, loyalties will be questioned, betrayals will be uncovered, and a young man’s character will be put to the test in The Smuggler’s Gambit. The Smuggler’s Gambit is the first book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you’ll love Sara Whitford’s entertaining series!
Biographical reference providing information on individuals active in the theatre, film, and television industries. Covers not only performers, directors, writers, and producers, but also behind-the-scenes specialists such as designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States and Great Britain.
Port Beaufort, North Carolina - December 1766 After a tumultuous time in Havana where he uncovered more family secrets in a week than most people do in a lifetime, Adam Fletcher is grateful things are finally starting to get back to normal. That is until an inexplicable series of brutal crimes in the region hits a little too close to home. Suddenly, Adam finds himself in the middle of hunting down clues to try and identify the suspect, or suspects, in three different murders, one of which has a mystery victim. Murder in the Marsh is the third book in the Adam Fletcher Adventure Series of historical fiction novels. If you like fast-moving adventures, impetuous young heroes, suspense-filled plots, and a dash of romance, then you’ll love Sara Whitford’s entertaining series!
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